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Seth A. Jeppesen Curriculum Vitae Contact Department of Comparative Arts and Letters Brigham Young University 3041 Joseph F. Smith Bldg. Provo, UT 84602-6703 (801) 422-2220 [email protected] Education PhD in Classics, University of California, Santa Barbara – June 2013 Dissertation: “Performing Religious Parody in Plautine Comedy” MA in Classics, University of California, Santa Barbara – June 2009 Post-Baccalaureate Program in Classics – Columbia University – Sept. 2006-May 2007 B.A. in History, Minors in Latin and Portuguese, Utah State University – May 2006 Teaching and Research Interests Greek and Roman Drama and Performance, esp. Plautus; Roman Religion; Roman Republican History; Performance Studies; Reception of Classical Drama Employment Brigham Young University: Department of Comparative Arts and Letters Associate Professor of Classical Studies – May 2020 - present Assistant Professor of Classical Studies — July 2013 - May 2020 UC Santa Barbara: Department of Classics – 2007-13 Instructor – Beginning Latin, Beginning Greek Head Teaching Assistant – Greek Mythology Teaching Assistant – Roman Religion, Religion in the Age of Augustus, Women in Classical Literature, Viewing the Barbarian, and Greek Mythology Utah State University: Department of History – 2003-06 Undergraduate Teaching Fellow – Beginning Latin, Etymology, Modern Western Civ., Ancient Western Civ. Supplemental Instructor – Islamic Civ., Ancient Western Civ., Ancient Literature and Language Peer Advisor – USU Humanities Arts and Sciences Advising Center Research and Creative Projects Publications “Meaningful Mispronunciations: Religious Parody in Plautus’ Cistellaria 512-27” in C. Demetriou and S. Papaioannou eds. Plautus' Erudite Comedy: New Insights into the Work of a Doctus Poeta. (2020) Cambridge Scholars Publishing: Pierides Series. pp. 217-238. “Religion in and around Plautus” in G. F. Franko, D. Dutsch eds. Blackwell Companion to Plautus. (2020) Wiley-Blackwell Press, pp. 317-330. “Becoming Antigone: The Classics as a Model of Resistance in Jorge Andrade's Pedreira das Almas.” in R. Andújar, K. Nikoloutsos, eds. Greeks and Roman on the Latin American Stage. (2020), Bloomsbury Academic Press, pp. 115-127. “Dictating Parody in Plautus’ Rudens” Didaskalia 12.12 (2016) 69-92. “Lament for Fallen Cities in Early Roman Drama: Naevius, Ennius, and Plautus” in M. Bachvarova, D. Dutsch, and A. Suter eds. The Fall of Cities in the Mediterranean: Commemoration in Literature, Folk-Song, and Liturgy. Cambridge University Press, (2016) 127-155. “Obscenity and Performance on the Plautine Stage,” in D. Dutsch, A. Suter eds. Ancient Obscenities: Their Nature and Use in the Ancient Greek and Roman Worlds. University of Michigan Press, (2015) 175-198. Works in Progress Plautus’ Curculio: A New Translation, 59 manuscript pp., submitted to University of Wisconsin Press for inclusion in The Complete New Comedies, Vol II, ed. Sharon James. Plautus: Trinummus – Bloomsbury Ancient Comedy Companions. Book under contract with Bloomsbury Academic Press. Completion Date: Feb 2022 “Topography and Meaning in Plautus’ Cistellaria.” 22 manuscript pp. “Plautus at the Ludi Megalenses,” 38 manuscript pp. Book Reviews Jörg Rüpke, On Roman Religion: Lived Religion and the Individual in Ancient Rome. Townsend Lectures/Cornell Studies in Classical Philology. Ithaca and London: Cornell University Press, 2016. Classical Journal 18.02.08 (2018). Michael Fontaine, Joannes Burmeister. Aulularia and Other Inversions of Plautus. Edited and introduced by M. Fontaine. Leuven, Universitaire Pers, 2015 (Bibliotheca Latinitas Novae). Latomus 76.3 (2017) 847-9. Papers and Invited Lectures - National and International Conferences Panel Organizer – Theater of Displacement: Ancient Tragedy and Modern Refugees, Migrants, and Immigrants. Committee for Ancient and Modern Performance (CAMP) sponsored panel, Society for Classical Studies (SCS), Washington D.C. Jan. 5, 2020. “Plautus at the Ludi Megalenses: Defining Romanitas in Pseudolus” SCS, San Diego, CA – Jan. 5, 2019 “Writing around the Aeneid: Latin Prose Composition as Fan Fiction” Classical Association of the Middle, West, and South (CAMWS), Albuquerque, NM – April 13, 2018. “New Directions in Latin and Greek Prose Composition” Round Table Discussion Leader, CAMWS, Albuquerque, NM – April 14, 2018. “Performing Plautus’ Rudens in the Roman Forum,” CAMWS, Kitchener, Ontario – April 7, 2017. “Topography and Meaning in Plautus’ Cistellaria” Ancient Drama and Performance IV. Randolph College, Lynchburg, VA. Oct 8, 2016. “Meaningful Mispronunciations: Religious Parody in Plautus’ Cistellaria 512-27” Plautus Doctus: Plautine Comedy and its Intellectual Contexts. University of Athens. June 20-21, 2016 (Invited) “Performing Obscenity on the Plautine Stage” The Classical Body Split Open: Corporal Obscenity in Antiquity. University of Edinburgh (via skype) – Oct 23, 2015. “Plutine Fides: Parody of Cults to Divine Qualities in Plautus’ Aulularia” Plautus, Terence, and Reception. Universidade Estadual de Campinas, São Paulo, Brazil – June 10, 2015. (Invited) “Contaminatio and Retractatio Revisited: A Revival of Plautus’ Poenulus at the Temple Dedication of Venus Erycina in 181 BCE” CAMWS, Boulder, CO – March 25-8, 2015. “Dreaming of the Job Market: A Graduate-Student Perspective on the NEH Institute on Roman Comedy in Performance.” Association for Theater in Higher Education (ATHE) Conference. Scottsdale, AZ. July 24, 2014. “Pedreira das Almas: Jorge Andrade’s Brazilian Antigone” Greeks and Romans on the Latin American Stage. University College, London. June 25, 2014. “Plautine Fides: Parody of Cults to Divine Qualities in Roman Comedy” Hendrix- Murphy Foundation Visiting Lecture. Hendrix College – March 4, 2014 (Invited) “Religious Parody and the Performance of Plautus’ Rudens: Connecting Content with Context,” Brigham Young University – February 4, 2013 “Dictating Religious Parody in Plautus’ Rudens,” Ancient Drama in Performance II, Randolph College – October 6, 2012 “Performing Obscenity in Plautus,” CAMWS, Baton Rouge, LA – March 30, 2012 “Parody of Prayer in Plautus’ Rudens,” UCSB Classics Colloquium – June 3, 2011 “Staging Hrotsvit’s Callimachus: The Question of Rape,” Comparative Drama Conference, Loyola Marymount Univ. – March 26, 2009. “Rape and Paternity in New Comedy,” Who’s Your Daddy: Reconstructing Paternity in the Ancient World. UCLA – Nov 8, 2008. - State and Local Conferences/Presentations “The Rise and Fall of Democracy” From the Booth: BYU International Cinema Podcast, guest speaker, Nov 4, 2020. “Teaching Intermediate Greek in a Blended Classroom” Meeting of the Utah Classical Assoc., online – Oct. 24, 2020. “Adapting Sophocles’ Antigone in Kamila Shamsie’s Home Fire” Meeting of the Utah Classical Assoc., U of U – Feb. 29, 2020. “Using Greek Tragedies to Talk about Modern Refugees.” Meeting of the Utah Classical Assoc., U of U – Feb. 23, 2019. “What’s Funny about Roman Comedy?” Utah State University – Aug. 31, 2018 (Invited). “Translation vs Composition: Getting the Most out of Latin Writing Assignments,” Meeting of the Utah Classical Assoc., U of U – Feb. 24, 2018 “Teaching Faith and Learning in Greek and Roman Mythology,” College of Humanities Brownbag Presentation, BYU – Oct. 17, 2017 (Invited). “Faith and Learning Writing Assignments in Greek and Roman Mythology,” Writing across the Curriculum Presentation, BYU, Mar. 30, 2017 (Invited). “Teaching Language and Culture with Plautus.” Meeting of the Utah Classical Assoc., U of U – Sept. 24, 2016 “Greek and Roman Drama: Performance, Parody and Reception” for the Classics Program at Utah State University – April 8, 2016 (Invited). “Plautus’ Amphitruo in Modern Performance: Translation, Adaptation, and Innovation,” at Roman Drama in Translation and Performance: an Open Workshop, University of Utah – March 28, 2014 (Invited) “Parody and Performance in Roman Comedy,” Meeting of the Utah Classical Assoc., U of U – Sept. 28, 2013. Dramatic Performances (Roles Performed*) Reading and Discussion of Plautus’ Braggart Soldier Director, Boy* Eta Sigma Phi Classics Club, BYU – Oct. 15, 2019. Director/Organizer, Herald* (Aeschylus’ Suppliants) Greek Myths, Modern Refugees: Readings from Greek Tragedies, BYU Education in Zion Theater – Feb. 19, 2019. Reading and Discussion of Plautus’ Haunted House Director, Servant*, Eta Sigma Phi Classics Club, BYU – Oct. 19, 2018. Police Officer*, Chorus*, The Arsonists, Max Frisch, performed at Society for Classical Studies (SCS”) Annual Conference – Jan. 5, 2018. Cappadox*, Director, Translator. Plautus’ Curculio. BYU Education in Zion Theater – April 6-7, 2016. Jupiter*, Director. Amphitruo: The Birth of Hercules. BYU Education in Zion Theater – April 11, 2014. Trachalio*, Plautus’ Rudens, performed at American Philological Association (APA, now SCS), Chicago – Jan. 3, 2014. Apollo*, Euripides’ Alcestis, performed at APA, Seattle – Jan. 4, 2013 and Feminism in Classics VI, Brock University – May 25, 2012. Ballio*, Plautus’ Pseudolus; Paegnium*, Plautus’ Persa; Sanga* Terences’ Eunuch – scenes performed at the NEH Summer Institute on Roman Comedy in Performance, UNC Chapel Hill – June 24 - July 20, 2012. Reading and Discussion of Plautus’ Miles Gloriosus Director, Pyrgopolyneices*, Eta Sigma Phi Classics Club, UCSB - April 19, 2012. Reading and Discussion of Plautus’ Pseudolus (featuring scenes from my own translation) Director, Translator, Harpax*, Eta Sigma Phi Classics Club, UCSB – Feb 23, 2012. “Staged Reading of Homer’s Iliad Book 1: A Comparison of Translations”
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    UNIVERSITY OF ILLINOIS LIBRARY Class Book Volume My 08 15M i THE PARASITE AS PORTRAYED BY PLAUTUS A STfJDy" OP MBNAECHMI. MILES GLORIOSUS, CAPTIVI, STJCHLS, CURCUCrO. PERSA. BACCHIDES. ASINARIA BY CARE ELMER ARMELlNti. A.B.. 1904 A THESIS FOK TH K SUHMITTKD ixX fAHTIAI. FIT OF THE KKQUIKEMK;>JTS DEGREE OE MASTER OP ARTS IIS- EATIN IN THE OKADUATE SCHOOL OF THE UNIVERSITY OP ILLINOIS 1908 UNIVERSITY OF ILLINOIS 190 THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY ENTITLED ittXAAj d hAJMjO^^AAAAA f^A^ "iLirtUS^iAJ^, ^ <X.^L&Ask/- IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF Instructor in Charge. Approved: 7 HEAD OF DEPARTMENT OF . Digitized by the Internet Archive in 2013 http://archive.org/details/parasiteasportraOOarme Ar5 there is perhaps In the entire scope of Latin comedy entertaining than that of the no character more interesting and of Plautus and Ter- so-called parasite. In nearly all the plays the play is not assigned ence where this part of the action of only the broadly comic ele- to slaves, the parasite supplies not the fertility of expedi- ment, but the wit of the dialogue, and drama. Moreover, we must ent which makes the interest of the introduced merely to not get the notion that this character is propensity to gor- amuse us by his successful roguery, or by his and often in mandize, on the other hand, in witty repartee, superior to the pa- practical wisdom, he is represented as far means easy to explain tron to whom he is attached.