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The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell
Theosophical University Press Online Edition The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell Copyright © 1914 by Katherine Tingley; originally published at Point Loma, California. Electronic edition 2000 by Theosophical University Press ISBN 1- 55700-157-x. This edition may be downloaded for off-line viewing without charge. For ease of searching, no diacritical marks appear in the electronic version of the text. To Katherine Tingley: Leader and Official Head of the Universal Brotherhood and Theosophical Society, whose whole life has been devoted to the cause of Peace and Universal Brotherhood, this book is respectfully dedicated Contents Preface The Three Branches of the Bringing-in of it, namely: The Sovereignty of Annwn I. The Council of the Immortals II. The Hunt in Glyn Cuch III. The Slaying of Hafgan The Story of Pwyll and Rhianon, or The Book of the Three Trials The First Branch of it, called: The Coming of Rhianon Ren Ferch Hefeydd I. The Making-known of Gorsedd Arberth, and the Wonderful Riding of Rhianon II. The First of the Wedding-Feasts at the Court of Hefeydd, and the Coming of Gwawl ab Clud The Second Branch of it, namely: The Basket of Gwaeddfyd Newynog, and Gwaeddfyd Newynog Himself I. The Anger of Pendaran Dyfed, and the Putting of Firing in the Basket II. The Over-Eagerness of Ceredig Cwmteifi after Knowledge, and the Putting of Bulrush-Heads in the Basket III. The Circumspection of Pwyll Pen Annwn, and the Filling of the Basket at Last The First Branch of it again: III. -
The Thirteenth Mt Haemus Lecture
THE ORDER OF BARDS OVATES & DRUIDS MOUNT HAEMUS LECTURE FOR THE YEAR 2012 The Thirteenth Mt Haemus Lecture Magical Transformation in the Book of Taliesin and the Spoils of Annwn by Kristoffer Hughes Abstract The central theme within the OBOD Bardic grade expresses the transformation mystery present in the tale of Gwion Bach, who by degrees of elemental initiations and assimilation becomes he with the radiant brow – Taliesin. A further body of work exists in the form of Peniarth Manuscript Number 2, designated as ‘The Book of Taliesin’, inter-textual references within this material connects it to a vast body of work including the ‘Hanes Taliesin’ (the story of the birth of Taliesin) and the Four Branches of the Mabinogi which gives credence to the premise that magical transformation permeates the British/Welsh mythological sagas. This paper will focus on elements of magical transformation in the Book of Taliesin’s most famed mystical poem, ‘The Preideu Annwfyn (The Spoils of Annwn), and its pertinence to modern Druidic practise, to bridge the gulf between academia and the visionary, and to demonstrate the storehouse of wisdom accessible within the Taliesin material. Introduction It is the intention of this paper to examine the magical transformation properties present in the Book of Taliesin and the Preideu Annwfn. By the term ‘Magical Transformation’ I refer to the preternatural accounts of change initiated by magical means that are present within the Taliesin material and pertinent to modern practise and the assumption of various states of being. The transformative qualities of the Hanes Taliesin material is familiar to students of the OBOD, but I suggest that further material can be utilised to enhance the spiritual connection of the student to the source material of the OBOD and other Druidic systems. -
John Cowper Powys's Porius: a Reader's Companion
John Cowper Powys: Porius A Reader’s Companion Updated and Expanded Edition W. J. Keith April 2009 “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this “Companion” is to provide background information that will enrich a reading of Powys’s novel/romance. It glosses Welsh, classical, biblical, and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. (When a quotation is involved, the passage is listed under the first word even if it is “a” or “the.”) It was first made available on the Internet and in booklet form in 2004, and has subsequently been updated and revised from time to time. The present version has been thoroughly reset and expanded. Numerous errors discovered in the intervening years have been corrected. All page-references are to Judith Bond and Morine Krissdóttir’s edition published by Overlook Duckworth in 2007, with those to Wilbur T. Albrecht’s 1994 edition from Colgate University Press following in square brackets. Since the latter contained many errors and inconsistencies, the words listed often appear there in somewhat different form. Moreover, because the editions are based on different copy-texts, some references appear only in one of the editions; when those occurring in only one version require separate annotation, they have been identified and glossed. References to other JCP books published during his lifetime will be either to the first editions or to reprints that reproduce the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. -
1 Identity and Recognition in Medieval Narratives the Isle of Man Is Ideal
Kathryn E. Pokalo NEH-IOM: Crossroads of Medieval Culture Summer 2006 Identity and Recognition in Medieval Narratives The Isle of Man is ideal as a setting for discussing five medieval narratives, the subject of an NEH 2006 summer seminar. Located in the midst of the Irish Sea between Liverpool and Dublin and in sight of Galloway, IOM with its rich agricultural land and abundant fishing was invaded and settled by Celts, Scandinavians, and English. There has been such a weave of culture and language among these groups that it is difficult to disentangle the threads. This is best exemplified in the stone memorial cross, a Christian symbol, inscribed in runes, a Scandinavian writing system, commemorating a person with an Irish name. Among the people of Man one meets as a casual visitor, there is pride (though not xenophobia) in being Manx (never English nor even part of the UK), a place and people apart from Irish or English, Scots or Welsh, or Scandinavian. The Manx identity is more than the sum of those parts; it is that mixed heritage that makes IOM the happily situated setting to look for common threads among medieval narratives. One such thread is identity—the ability or inability of characters to know whom they face. Failure to recognize identity is a force that drives conflict in the Mabinogi, Sir Gawain and the Green Knight, Njal’s Saga, and The Tain. In the First Branch of the Mabinogi, Pwyll fails to recognize what is before him. He fails to recognize the supernatural quality of the hunt he tries to steal. -
The Mabinogi and Other Medieval Welsh Tales Pdf, Epub, Ebook
THE MABINOGI AND OTHER MEDIEVAL WELSH TALES PDF, EPUB, EBOOK Patrick K. Ford | 224 pages | 24 Feb 2008 | University of California Press | 9780520253964 | English | Berkerley, United States The Mabinogi and Other Medieval Welsh Tales PDF Book Taliesin was brought into close connection to Arthur in the poems of Charles Williams, greatly admired by C. The only indication for the audience that the Otherworld is at hand is the color of the other hunter's hounds, for red and white are the colors of animals of the Otherworld in Celtic tradition. Feb 10, Joseph F. From "Culhwch and Olwen" How Culhwch got his name, which means swine or pig: "Cilydd son of Celyddon Wledig desired a woman as well-born as himself. It would have been far better, in my opinion, for Mr. I am re-reading this as it shows an oral tradition morphing into literature, with tales "branching" of in related episodes, the Four Branches of the Mabinogi. In the first thoroughly revised edition and translation of this world classic since Lady Charlotte Guest's famous Mabinogion went out of print, Mr. Because of that she was called Olwen White-track. Meanwhile, Pwyll, Prince of Dyfed, came to his realm and country. They are so powerful that they created a woman from flowers to give to Lleu after his mother cursed him to never take a wife among mortal women. As he was feeding the dogs, he saw a horseman coming up behind the pack on a large dapple-gray horse, a hunting horn about his neck, wearing a pale grey garment for hunting gear. -
Chapter on History of the Otherworld
PERCEPTIONS OF ANNWN: THE OTHERWORLD IN THE FOUR BRANCHES OF THE MABINOGI Rhian Rees MA Celtic Studies Dissertation Department of Welsh and Bilingual Studies Supervisor: Dr Jane Cartwright University of Wales Trinity Saint David, Lampeter 2012 2 ABSTRACT There is little description or positive information about the realm of Annwn in the Four Branches, and relatively few publications have explored the Otherworld in the Mabinogi in any depth. The redactor presumably did not deem such detail necessary since in his time the Otherworld was a place familiar to his audience from many other stories and folk-tales which have not survived to inform our own times. The objective of this thesis, therefore, is to establish the perceived location of the Celtic Otherworld, its nature and topography, and to obtain descriptions of its people, buildings and animals and any distinctive objects or characteristics pertaining to it. The ways in which Annwn influences each of the Four Branches are also considered. Some sketchy evidence is available in Welsh poetry, mostly various descriptive names reflecting different aspects of Annwn, but for more detailed information it is necessary to trawl the waters of early Irish literature. The Irish poems and stories give much fuller particulars of all characteristics of the Celtic Otherworld, though they do suggest that there was more than one such other world. Some parallels from Norse literature and the Lais of Marie de France also reinforce certain themes of this thesis, such as magical tumuli and magical bags and -
Mito, Poder Y Género En El Mabinogi
UNIVERSIDAD DE MÁLAGA Facultad de Filosofía y Letras Departamento de Ciencias Históricas MITO, PODER Y GÉNERO EN EL MABINOGI Tesis Doctoral Autor: Elena Ortuño Rodríguez Director: Dr. Gonzalo Cruz Andreotti Programa de doctorado: “La Tradición Clásica en el Campo de la Religiosidad y el Mito” [2015] AUTOR: Elena Ortuño Rodríguez http://orcid.org/0000-0002-9193-193X EDITA: Publicaciones y Divulgación Científica. Universidad de Málaga Esta obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial- SinObraDerivada 4.0 Internacional: http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cualquier parte de esta obra se puede reproducir sin autorización pero con el reconocimiento y atribución de los autores. No se puede hacer uso comercial de la obra y no se puede alterar, transformar o hacer obras derivadas. Esta Tesis Doctoral está depositada en el Repositorio Institucional de la Universidad de Málaga (RIUMA): riuma.uma.es El avance del conocimiento es una progresión infinita hacia una meta en constante alejamiento. James George Frazer, La Rama Dorada. Be silent for as long as you like, said Rhiannon. Never has a man been more stupid than you have been. Rhiannon, Primera Rama del Mabinogi. It was through the deceit of a woman that I did to you what I did. Gronw Pebr, Cuarta Rama del Mabinogi. ÍNDICE INTRODUCCIÓN ___________________________________________________________ 1 CAPÍTULO I. ALGUNAS ACLARACIONES PREVIAS ____________________________ 7 1.1 Términos clave: Mabinogion, Mabinogi y ramas ____________________________ 7 1.2 Autor _____________________________________________________________ 21 1.3 Cronología _________________________________________________________ 27 1.4 Ediciones y traducciones utilizadas ______________________________________ 33 1.5 Transcripción de los nombres __________________________________________ 36 CAPÍTULO II. -
Introduction
Introduction The word mabinogi applies properly to only the first four tales collected and translated here.1 They are otherwise known as the “four branches,” a designa- tion whose precise meaning is as yet not clear. For that matter, neither is the term mabinogi understood clearly, although we shall try to shed some light on it. “Lludd and Lleuelys” and “Culhwch and Olwen” are purely native tales; the former reaches back into Celtic antiquity and has analogues in Irish mytho- logical tradition, and the latter, despite its resemblance to international types of this tale and its well-known folktale motifs, is firmly rooted in native tradition. “The Tale of Gwion Bach” and its sequel “The Tale of Taliesin” come from late manuscripts, but together they are a mine of information about the archetypal poet of Welsh tradition. A fair amount of attention has been given to purely external aspects of some of these tales, that is, to problems of dating, social customs, language, and so on, but they have been slighted more than most works of medieval literature in the matter of criticism.2 There are good reasons why they have been ignored, and it is one of the purposes of the present intro- duction to offer some critical perspectives on the tales as literature. All of these tales with the exception of the Gwion Bach and Taliesin narra- tives occur in more or less complete versions in the White Book of Rhydderch (Llyfr Gwyn Rhydderch, a.d. 1300–1325) and the Red Book of Hergest (Llyfr 1. The formmabinogion (ms mabynnogyon) occurs only at the end of “Pwyll.” Mab- inogi and its variant spellings occurs at the end of the other three branches, and it is clear that mabinogion is a scribal error. -
Goddess, King, and Grail: Aspects of Sovereignty Within the Early Medieval Heroic Tradition of the British Isles Robert Bevill Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2009 Goddess, King, and Grail: Aspects of Sovereignty within the Early Medieval Heroic Tradition of the British Isles Robert Bevill Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Medieval Studies Commons Recommended Citation Bevill, Robert, "Goddess, King, and Grail: Aspects of Sovereignty within the Early Medieval Heroic Tradition of the British Isles" (2009). All Theses. 624. https://tigerprints.clemson.edu/all_theses/624 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. GODDESS, KING, AND GRAIL: ASPECTS OF SOVEREIGNTY WITHIN THE EARLY MEDIEVAL HEROIC TRADITION OF THE BRITISH ISLES A Thesis Presented to The Graduate School of Clemson University In Partial Fulfillment Of the Requirements for the Degree Master of Arts English By Robert Scott Bevill July 2009 Accepted by: Dr. Barton Palmer, Committee Chair Dr. Susan Hilligoss Dr. Wayne Chapman ABSTRACT When studying the heroic tales and epics of medieval cultures, more questions about their origins and influences remain than answers. The search for sources for a single work, Beowulf, for example, can and has been examined within Germanic, Brittanic, Norse, and even Irish traditions. Scores of sources, parallels, and analogues have been found and analyzed, but so many possibilities may only serve to obfuscate the actual origins of the Beowulf poet’s myriad influences. However, the search for analogous works can build a stronger sense of context for certain motifs and greater themes within a large number of similar texts. -
Four Branches Davies Ford
The Mabinogi The Mabinogion and Other Welsh Tales! For 2021’s epic storytelling event, the Seattle Storytellers Guild is joining forces with the Puget Sound Welsh Association to present the Welsh epic, the Mabinogion and other Welsh Tales. The Mabinogion contains the earliest stories of all of the literature of Great Britain that continues to inspire us today! The manuscripts in which these tales are found was written in Middle Welsh about seven hundred years ago, (12 -13th century) but the stories existed way before that as the oral tradition and artistry of Welsh and Celtic storytellers who wandered Britain and beyond, swapping these stories for board and lodging. These tales offer drama, philosophy, romance, tragedy, fantasy and humor with classic hero quests and glimpses of a far off age. Some of the stories are pre- Christian, with glimpses of magicians and the old Celtic gods. They're set in a magical landscape which corresponds geographically to Wales, sometimes even with specific place names. The stories are full of giants, talking animals, dastardly and kind rulers, shape shifters, heroic men and intelligent women. Some tales portray a very different King Arthur from the later popular versions but all agree that these first tales of Arthur arose in Wales! Also included is the legend of one of the most famous bards of Wales, Taliesin. The Tales of the Mabinogion Strictly speaking, however, the term Mabinogi – Mabinogion was mistakenly taken as the plural of Mabinogi by Lady Charlotte Guest. The First Branch of the Mabinogi begins with the tale of Pwyll, Prince of Dyfed . -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY GADEON ap CYNAN. See Gadeon ab Eudaf Hen. GADEON ab EUDAF HEN. (330) Gadeon is probably the correct form of the name which appears in the tale of ‘The Dream of Macsen Wledig’ as Adeon ab Eudaf, brother of Cynan ab Eudaf. According to the tale, Adeon and Cynan followed Macsen to the continent and captured Rome for him. After that Macsen gave them permission to conquer lands for themselves, (see s.n. Cynan ab Eudaf), but Adeon returned to his own country (WM 187, 189-191, RM 88, 90-92). According to Jesus College MS.20 the wife of Coel Hen was the daughter of Gadeon ab Eudaf Hen (JC 7 in EWGT p.45), and this is probably correct although later versions make her the daughter of Gadeon (variously spelt) ap Cynan ab Eudaf, and she is given the name Ystradwel (variously spelt) (ByA §27a in EWGT p.90). Also in the various versions of the ancestry of Custennin ap Cynfor and Amlawdd Wledig we find Gadeon (variously spelt) ap Cynan ab Eudaf (JC 11, ByA §30b, 31, ByS §76 in EWGT pp.45, 93, 94, 65). Similarly in MG §5 in EWGT p.39, but Eudaf is misplaced. The various spellings show that the name was unfamiliar: Gadean, Gadvan, Gadiawn, Kadeaun, Cadvan, Kadien, Kadiawn. See EWGT passim. It seems probable that Gadeon ab Cynan is an error for Gadeon ab Eudaf, rather than to suppose two such persons (PCB). GAFRAN ab AEDDAN. He appears in Bonedd Gwŷr y Gogledd (§11 in EWGT p.73) as Gafran ab Aeddan Fradog ap Dyfnwal Hen. -
Mabinogi II the Less Serious Quiz
Mabinogi II The less serious quiz. ( Correct answers highlighted in blue ) 1. How do you pronounce Pwyll? PW OY CKC The final sound is made by doing a somersault in the back of the throat. POOH HICK Imagine an enormous hiccup, which starts with pooh bear. PWEE EEEL Well if your voice is English and you’ve never heard a Welsh person speak, you’re forgiven. 2. How many branches are in the Mabinogi? Actually there are about 12 stories in the Branches if you bother to count so 12. Four because I’ve heard of the Four Branches. Weird trees they have in Wales. Eleven. Or twelve if you include Taliesin. 3. What is odd about Rhiannon’s way of riding a horse? She sits sideways as if on an armchair, ladylike style but at risk of falling off. That’s why the horse doesn’t move. She gets lost an awful lot which is why Pwyll has to keep sending guys after her to find her. She gets stuck in a timewarp so she doesn’t move hardly at all but you can’t catch her even at warp speed 9. 4. What is the name of Rhiannon’s son? Pryderi. Rhiannon was in a flap when he came back to her and told him off for causing her grief. Gwri Goldenhair – not many people know this. But he got a lot of flak at school for it, so his mum home educated. Mabon. All the other names are just frontnames for the deep magic name as a god.