Commentary: Peitho and the Consolation of Philosophy: a Reply to Blake D
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Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Herodotus and the Origins of Political Philosophy the Beginnings of Western Thought from the Viewpoint of Its Impending End
Herodotus and the Origins of Political Philosophy The Beginnings of Western Thought from the Viewpoint of its Impending End A doctoral thesis by O. H. Linderborg Dissertation presented at Uppsala University to be publicly examined in Engelska Parken, 7-0042, Thunbergsvägen 3H, Uppsala, Monday, 3 September 2018 at 14:00 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Docent Elton Barker (Open University). Abstract Linderborg, O. H. 2018. Herodotus and the Origins of Political Philosophy. The Beginnings of Western Thought from the Viewpoint of its Impending End. 224 pp. Uppsala: Department of Linguistics and Philology, Uppsala University. ISBN 978-91-506-2703-9. This investigation proposes a historical theory of the origins of political philosophy. It is assumed that political philosophy was made possible by a new form of political thinking commencing with the inauguration of the first direct democracies in Ancient Greece. The pristine turn from elite rule to rule of the people – or to δημοκρατία, a term coined after the event – brought with it the first ever political theory, wherein fundamentally different societal orders, or different principles of societal rule, could be argumentatively compared. The inauguration of this alternative-envisioning “secular” political theory is equaled with the beginnings of classical political theory and explained as the outcome of the conjoining of a new form of constitutionalized political thought (cratistic thinking) and a new emphasis brought to the inner consistency of normative reasoning (‘internal critique’). The original form of political philosophy, Classical Political Philosophy, originated when a political thought launched, wherein non-divinely sanctioned visions of transcendence of the prevailing rule, as well as of the full range of alternatives disclosed by Classical Political Theory, first began to be envisioned. -
EUKLEIA and EUNOMIA BETWEEN the GODS Two of the Most
CHAPTER SIX ARISTOCRACY OR DEMOCRACY? EUKLEIA AND EUNOMIA BETWEEN THE GODS Two of the most popular personifications in the come late: Ploutarkhos (Aristides 20.5) men- vase paintings made during the Peloponnesian tions she was the child of Herakles and Myrto, War (431-404) are Eukleia and Eunomia , the per- but Euripides notes that Ponos (Labour) was her sonifications of Good Repute and Good Order. father (fr. 474 N2): this aitiology is itself a sort The underlying concepts of eukleia and eunomia of personification . In earlier Greek literature, are closely related in meaning, so it is not sur- eukleia , ἡ εὔκλεια, refers to the glory and fame prising that they appear together on no less than that results from military victories (Homeros, nine Meidian vases (Borg, 2005, and 2002: 190- Ilias 8.285 and Odysseia 14.402). Eukleia’s mean- 208). Were they even worshipped together? Pau- ing as the good reputation of private individuals sanias (1.15.4) records that a temple to Eukleia becomes more prominent in the literature of the was erected on the edge of the Athenian Agora as second half of the fifth century, and is particu- a thank-offering for the victory over the Persians larly prominent in the works of Euripides (for who landed at Marathon (490). The evidence for eukleia in Hippolytos see Braund, 1980: 84-85). Eukleia’s presence at Athens is otherwise slim: She is personified in Classical Athenian literature Harrison’s attempt to identify the Hephaisteion to the degree that she owns, holds, or bestows a as the Temple of Eukleia (Harrison, 1977a: 139 wreath or crown, as in Sophokles ’ Aias (462-465), n. -
Pythios and Pythion: the Spread of a Cult Title J.K
Mediterranean Historical Review Vol. 22, No. 1, June 2007, pp. 57–69 Pythios and Pythion: The Spread of a Cult Title J.K. Davies The epithet Pythios/Pythion, unequivocally denoting the cult of Apollo of Delphi, came to have a very widespread distribution throughout the Greek world, comparable only to that of Zeus Olympios. Pre-Hellenistic attestations are summarily reported, showing concentrations (e.g., Attika, Argolis, Thessaly, Aegean islands, Krete), significant vacua (e.g., Boiotia, north-western Greece), and overlaps with the epithets Delphinios and Pythaieus. Likely periods and mechanisms of its spread are sketched, as are possible explanations (colonization, oracles, purification), though without overt preference for any one model of network-formation. Keywords: Apollo; Cult; Oracle; Purification; Distribution It is a cliche´ of scholarship that the terms Pythios and Pythion derive from Pytho, the earliest attested name for the cultic area later known as Delphoi,1 and that they came to refer unequivocally to Apollo as the principal god of the upper sanctuary there. They therefore belong among the ‘locational’ epithets of the god, parallel to Klarios or Didymeus, not among those derived from function or from association or identification with animals.2 As such, they pose a problem, for it was unusual for locational epithets to spread far beyond their primary sanctuary, still less to show such widespread attestation throughout much of the Greek-speaking world: Zeus Olympios provides perhaps the only true comparison, with even Eleusinian Demeter well behind. Their distribution therefore needs an explanation, and one which is couched not just in terms of geography or of the ‘profile’ of the god but also, and primarily, in terms of human needs and of the ways in which a specific cult could be transferred, or replicated/cloned, elsewhere. -
Ponos and Aponia
SHAPIRO, H. A., "Ponos" and "Aponia" , Greek, Roman and Byzantine Studies, 25:2 (1984) p.107 Ponos and Aponia H. A. Shapiro N GRBS 23 (1982) 147-56, A. L. Boegehold presented an inter I esting argument that, in the years 424-421, a group of dissenters in Athens, led by Nikias, who favored making peace with Sparta, adopted as a slogan 1TOVWV 1TaV(TWI_"dJa. This formulation transformed the connotation of 1TOVO~ from a traditionally patriotic expression of the hard work needed to achieve a noble goal to a more pessimistic term for the hardships and suffering of an unnecessarily protracted war. Boegehold adduced passages in Thucydides, Euripides, and Aris tophanes to illustrate the extraordinary popularity and often highly charged rhetorical uses of 1TOVO~ in this period. It may be relevant to introduce in this context a unique depic tion, on an Athenian vase of the following decade, 420-410, of a woman labelled AIlONIA (PLATE 0.1 There is no literary evidence for Aponia as the name of a divinity, mythological figure, or his torical person, and it is clear from other figures on the same vase, to be discussed infra, that Aponia is meant here as a personified abstraction. The word a1Tovia first occurs in extant Greek literature several de cades after the date of this vase,2 in Xenophon's Cyropaedeia (2.2.25), where its connotation is clearly pejorative ("laziness'), and it is linked with {3AaKEia ('indolence', 'stupidity'). Aristotle once uses the word a1Tovia in this negative sense (Rh. 1370aI4), but once also in a more positive, or at least neutral, sense ('freedom from toil', Gen.An. -
Section Iii Greek and Roman Goddesses of Peace Contents Introduction Greek Goddesses of Peace and Harmony: Eirene and Harmonia R
SECTION III GREEK AND ROMAN GODDESSES OF PEACE CONTENTS INTRODUCTION GREEK GODDESSES OF PEACE AND HARMONY: EIRENE AND HARMONIA ROMAN GODDESSES OF PEACE AND CONCORDANCE: PAX AND CONCORDIA CLOSING COMMENTS ***** INTRODUCTION Lady Peace has many faces. Pinning down her attributes is no simple enterprise. The simplistic rendition is that Peace is the absence of War. But this definition does not outline how to end on-going war or how to prevent the start of war. The International Community set up peace-based global institutions, the League of Nations and United Nations, to prevent future war. Although both proved irresolute to prevent all wars, they were able to moderate some looming conflicts through the practices of peace-keeping and judicial mediation. There is a growing consensus among spirituality-oriented peace practitioners that the peace institutions that humanity needs will not be developed until humans establish a global system in which all peoples accept or submit to global authority. Until then nations are left to find their way through grievances and possible annihilation given the massive destruction of some of the existing weapon systems. What marks the Homo sapiens species special is its level of consciousness and its analytic thinking. But they are still insufficiently developed to coral the surge toward war (As this paragraph is being written war has broken out in Ethiopia’s Northern border.) Fortunately, humanity carries an archetypal template that points to how to address life issues such as peace. Dreams and mythology are places where the archetypal template projects itself. What follows is a brief review of Greek and Roman Peace Goddesses and their main companions. -
North American Butterfly Association
NORTH AMERICAN BUTTERFLY ASSOCIATION 4 Delaware Road, Morristown, NJ 07960 tel. 973-285-0907 fax 973-285-0936 web: www.naba.org ANNUAL NABA BUTTERFLY COUNT - INSTRUCTIONS (USA) This printed count forms is for field use only. All counts must submit their results using the online data entry system. Please contact the NABA Count Program if you have questions or concerns. Please report your count results directly to NABA Timing/Requirements for United through our online count form at www.butterflycounts.org. Stated Counts The online form allows compilers to enter all data for their Count NABA 4th of July Butterfly Count: A minimum of four counts through the Web and also allows the regional editors adult observers AND 6 party-hours per count are Date of REQUIRED for all counts started after 2008; and, to review and edit the reports efficiently. Most importantly, June or except in extenuating circumstances, ALL counts should Butterfly Count information will be entered and stored in a July expend at least 6 party-hours of effort. database which in the future will allow it to be available Count online to NABA members and the public. If entering your Date other NABA Seasonal Butterfly Count: A minimum of four adult observers AND 6 party-hours per count is data through the online count form presents any difficulty, than June REQUIRED. please contact NABA for assistance. or July COUNT PROGRAM OVERVIEW DATE OF NEXT YEAR'S COUNT In order to encourage increased participation in the Please contact NABA (at address/phone above, or e-mail NABA Butterfly Count Program and to encourage even more to ) with the date of your next year's monitoring possibilities, the NABA Board of Directors [email protected] authorized the introduction of Seasonal Butterfly Counts in count and information on how to contact the compiler. -
Defining Orphism: the Beliefs, the Teletae and the Writings
Defining Orphism: the Beliefs, the teletae and the Writings Anthi Chrysanthou Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Classics May 2017 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. I This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Anthi Chrysanthou. The right of Anthi Chrysanthou to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. II Acknowledgements This research would not have been possible without the help and support of my supervisors, family and friends. Firstly, I would like to express my sincere gratitude to my supervisors Prof. Malcolm Heath and Dr. Emma Stafford for their constant support during my research, for motivating me and for their patience in reading my drafts numerous times. It is due to their insightful comments and constructive feedback that I have managed to evolve as a researcher and a person. Our meetings were always delightful and thought provoking. I could not have imagined having better mentors for my Ph.D studies. Special thanks goes to Prof. Malcolm Heath for his help and advice on the reconstruction of the Orphic Rhapsodies. I would also like to thank the University of Leeds for giving me the opportunity to undertake this research and all the departmental and library staff for their support and guidance. -
A Commentary on Solon's Poems a Thesis Submitted for the Degree Of
A Commentary on Solon's Poems A Thesis submitted for the Degree of Doctor of Philosophy by Maria Noussia University College London February, 1999 BIET, LOIMOI1 ABSTRACT This dissertation is a Commentary on Solon's Poems (elegiacs and tetrameters; the iambic trimeters, though taken into consideration for the examination of the rest of the poems, are not given a detailed commentary). Solon's poetry is studied mainly from a literary point of view; it is compared with the language and vocabulary of his predecessors Homer, Hesiod, and the other lyric poets of his age. The study attests the influence of Solon's language, content, motives, and ethical / political ideas on his lyric successors, on Aristophanes and the tragedians (above all Euripides who specifically appears to share the ideology of the polls and the heightened consciousness about civic affairs which emerged in the Athenian community under Solon) as well as the coincidence between Solon's ethical statements and the topoi of the language of the inscriptions. This is not a historical Commentary; the connections of Solon's poetry with his Laws as well as with the historical situation of his time and the reforms he sponsored are taken into consideration only when they are useful and rewarding in the answers they provide for the interpretation of the Solonian poetry. The emphasis of this work is on Solon's poetry as a work of Literature and on Solon's poetic achievements. The close examination of his poems reveals his creativity, his artistry together with his view of the process of poetic composition as technical making and his focus on his craftsmanship as a tool for his profession as a politician and as a statesman. -
Peitho, Dolos, and Bia in Three Late Euripidean Tragedies
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-30-2021 2:00 PM Peitho, Dolos, and Bia in Three Late Euripidean Tragedies Christian Bot, The University of Western Ontario Supervisor: Brown, Christopher G., The University of Western Ontario A thesis submitted in partial fulfillment of the equirr ements for the Master of Arts degree in Classics © Christian Bot 2021 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Classical Literature and Philology Commons Recommended Citation Bot, Christian, "Peitho, Dolos, and Bia in Three Late Euripidean Tragedies" (2021). Electronic Thesis and Dissertation Repository. 7778. https://ir.lib.uwo.ca/etd/7778 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. ii Abstract The themes of peitho (persuasion), dolos (trickery), and bia (violence or physical force) are central to the action of the three late Euripidean tragedies that I explore: Iphigenia in Tauris, Iphigenia in Aulis, and the Bacchae. I examine how these themes influence characters' interpersonal relations, drive plot development, and determine the "mood" of each play in terms of a spectrum from optimism to pessimism. Summary for Lay Audience I examine three plays by the Ancient Greek tragedian Euripides (ca. 480-406 BC), each of them written during the later stages of his career: Iphigenia in Tauris (ca. 412 BC), Iphigenia in Aulis, and the Bacchae (both produced posthumously in 405 BC).