Romantic and Electronic Stalking in a College Context
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Grade 6 Performance Pieces, Technical Exercises and In-Depth Guidance for Rockschool Examinations
Introductions & Information Title Page Female Vocals Grade 6 Performance pieces, technical exercises and in-depth guidance for Rockschool examinations www.rslawards.com Acknowledgements Acknowledgements Published by Rockschool Ltd. © 2014 under license from Music Sales Ltd. Catalogue Number RSK091406R ISBN: 978-1-912352-28-9 This edition published July 2017 | Errata details can be found at www.rslawards.com AUDIO Backing tracks produced by Music Sales Limited Supporting test backing tracks recorded by Jon Musgrave, Jon Bishop and Duncan Jordan Supporting test vocals recorded by Duncan Jordan Supporting tests mixed at Langlei Studios by Duncan Jordan Mastered by Duncan Jordan MUSICIANS Neal Andrews, Lucie Burns (Lazy Hammock), Jodie Davies,Tenisha Edwards, Noam Lederman, Beth Loates-Taylor, Dave Marks, Salena Mastroianni, Paul Miro, Ryan Moore, Jon Musgrave, Chris Smart, Ross Stanley, T-Jay, Stacy Taylor, Daniel Walker PUBLISHING Compiled and edited by James Uings, Simon Troup, Stephen Lawson and Stuart Slater Internal design and layout by Simon and Jennie Troup, Digital Music Art Cover designed by Philip Millard, Philip Millard Design Fact Files written by Stephen Lawson, Owen Bailey and Michael Leonard Additional proofing by Chris Bird, Ronan Macdonald, Jonathan Preiss and Becky Baldwin Cover photography © Rex Features Full transcriptions by Music Sales Ltd. SYLLABUS Vocal specialists: Martin Hibbert and Eva Brandt Additional Consultation: Emily Nash, Stuart Slater and Sarah Page Supporting Tests Composition: Martin Hibbert, James Uings, -
Sarah Mclachlan to Be Inducted Into Canadian Music Hall of Fame at 2017 JUNO Awards
FOR IMMEDIATE RELEASE – January 31, 2017 Sarah McLachlan to be inducted into Canadian Music Hall Of Fame at 2017 JUNO Awards Toronto, ON — The Canadian Academy of Recording Arts and Sciences (CARAS) is pleased to announce that multi-platinum, award-winning singer and songwriter Sarah McLachlan will be the 2017 inductee into the Canadian Music Hall of Fame. With a career that spans almost thirty years, McLachlan is one of Canada’s most celebrated and treasured artists, earning countless accolades including 10 JUNO Awards, three Grammy Awards and a Billboard Music Award. The Canadian Music Hall of Fame was created by CARAS in 1978 to acknowledge artists who have made an outstanding contribution to the international recognition of Canadian music. McLachlan will be honoured with a tribute on Sunday, April 2 at The 46th Annual JUNO Awards Broadcast on CTV from the Canadian Tire Centre in Ottawa, Ontario. McLachlan will join the ranks of Canadian music icons in the Canadian Music Hall of Fame, including Burton Cummings, Alanis Morissette, Anne Murray, Bachman-Turner Overdrive, Blue Rodeo, Bruce Cockburn, Daniel Lanois, Hank Snow, Joni Mitchell, k.d. lang, Leonard Cohen, Neil Young, Oscar Peterson, RUSH and Shania Twain. In 2016 the Canadian Music Hall of Fame found a permanent home with the opening of Studio Bell, home of the National Music Centre. “I’m so honoured to be inducted into the Canadian Music Hall of Fame. This comes as a complete sweet surprise as I still feel like I’m just getting started,” said McLachlan. “I’m truly blessed to be in such incredible company with all of the amazing past honourees.” "Sarah McLachlan is one of this country’s most beloved artists. -
Downloads/Sintesi 27.Pdf Cidi-Torino (2020)
Numero 2, 2020 Open Journal of Education anno xx, 1-2017 Studi sulla formazione ANNO XXII, 2-2020 Open Journal of Education ISSN 2036-6981 (online) PRESIDENTE E FONDATORE Franco Cambi DIRETTORE SCIENTIFICO Alessandro Mariani COMITATO SCIENTIFICO INTERNAZIONALE Flavia Bacchetti (Università di Firenze), Massimo Baldacci (Università di Urbino), Paul Belanger (Università di Mon- trèal), Armin Bernhard (Università di Bolzano), Winfried Böhm (Universität Würzburg), Gaetano Bonetta (Università di Chieti), Davide Bridges (University of Cambridge), Mirela Canals Botines (Universitat de Vic), Mauro Ceruti (IULM), Enza Colicchi (Università di Messina), Enrico Corbi (Università di Napoli), Michele Corsi (Università di Macerata), Car- mela Covato (Università di Roma), Antonia Cunti (Università di Napoli), Marco Antonio D’Arcangeli (Università de L’Aquila), Liliana Dozza (Università di Bolzano), Rita Fadda (Università di Cagliari), Monica Ferrari (Università di Pavia), Maurizio Fabbri (Università di Bologna), Massimiliano Fiorucci (Università di Roma 3), Mario Gennari (Università di Genova), Teresa González Aja (Università di Madrid), Sofia Gavriilidis (Aristotle University of Thessaloniki), Budd Hall (University of Victoria), Pierluigi Malavasi (Università di Milano), Francesco Mattei (Università di Roma 3), Paolo Motta- na (Università di Milano Bicocca), Mutombo Mpanya (University of California), Fritz Osterwalder (Università di Berna), Dominique Ottavi (Université de Caen), Tiziana Pironi (Università di Bologna), Agostino Portera (Università di -
Black & Brown Women of the Punk Underground
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 11-2018 Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Aucone, Courtney, "Game Changers & Scene Makers: Black & Brown Women of the Punk Underground" (2018). Women's History Theses. 37. https://digitalcommons.slc.edu/womenshistory_etd/37 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Thesis Seminar Dr. Mary Dillard December 6, 2018 Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College, December 2018 Table of Contents: Acknowledgements……………………………………………………………………………………….…......1 Introduction…………………………………………………………………………………………………….…..2 v A Note on Methodology…………………………………………………………………………………21 Chapter I: “A Wave of History”…………………………………………………………………………... 26 Chapter II: The Underground…………………………………………………………………………….. 51 Chapter III: “Somos Chulas, No Somos Pendejas”: Negotiating Femininity & Power in the Underground……………………………..…………………………………………………………………70 -
ļ¦ Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
è¨ æ‹‰Â·éº¦å…‹æ‹‰å…‹ä¼¦ 音樂專輯 串行 (专辑 & 时间表) Shine On https://zh.listvote.com/lists/music/albums/shine-on-18713808/songs Wonderland https://zh.listvote.com/lists/music/albums/wonderland-28452271/songs Rarities, B-Sides and Other Stuff https://zh.listvote.com/lists/music/albums/rarities%2C-b-sides-and-other-stuff-3283211/songs Afterglow Live https://zh.listvote.com/lists/music/albums/afterglow-live-4690721/songs Afterglow https://zh.listvote.com/lists/music/albums/afterglow-2826320/songs Bloom: Remix Album https://zh.listvote.com/lists/music/albums/bloom%3A-remix-album-4928139/songs Solace https://zh.listvote.com/lists/music/albums/solace-3099011/songs Surfacing https://zh.listvote.com/lists/music/albums/surfacing-937189/songs Wintersong https://zh.listvote.com/lists/music/albums/wintersong-4354457/songs Mirrorball https://zh.listvote.com/lists/music/albums/mirrorball-3316173/songs Live Acoustic https://zh.listvote.com/lists/music/albums/live-acoustic-3835170/songs Fumbling Towards Ecstasy https://zh.listvote.com/lists/music/albums/fumbling-towards-ecstasy-3090825/songs The Freedom Sessions https://zh.listvote.com/lists/music/albums/the-freedom-sessions-3280729/songs Touch https://zh.listvote.com/lists/music/albums/touch-3279830/songs Sarah McLachlan Live EP https://zh.listvote.com/lists/music/albums/sarah-mclachlan-live-ep-7422601/songs Closer: The Best of Sarah https://zh.listvote.com/lists/music/albums/closer%3A-the-best-of-sarah-mclachlan- McLachlan 5135369/songs The Essential https://zh.listvote.com/lists/music/albums/the-essential-28452136/songs -
Update August 11 2021 Song Title Artist the Mike Massé Show Episodes (Andi G) 100 Years Five for Fighting 103 117 138 15
*Roc = feat. Rock Smallwood Songs Total: 3812 YouTube Debuts: 0520 YouTube Shows: 176 *Bry = feat. Bryce Bloom Different Songs: 0706 Tease: 0025 Interviews: 008 *Tim = feat. Tim Massé *Sco= feat. Scott Slusher *kur=feat. kurt Moorehead *Mik=feat. Mike Johnson *Ban=Band *Bre=Brenda Andrus *JDH=Jeff & Dave Hall * Retired = Mike has retired this song on the live stream Update August 11 2021 Song Title Artist The Mike Massé Show Episodes (Andi G) (clickable links) 100 Years Five For Fighting 103 117 138 150 “40” (1/2 Step) U2 083 103 146 '74 - '75 (1/2 Step) The Connells 005 015 022 035 050Bry 059 069 073 075 090Bry 110 135 174 867-5309 (Jenny) Tommy Tutone 008 038 042 061 076 093 120 129 A A Day In the Life The Beatles LS2 001 013 034 072 092 108 119 138 149 152Mik 171 A Hard Day's Night The Beatles 012 060 152Mik A Horse With No Name America 159Roc 166roc A Man I'll Never Be (piano) Boston 029 122 A New England Billy Bragg 167Sco A Sort Of Homecoming (1/2 Step) U2 146 A Taste of Honey The Beatles 085 Abracadabra Steve Miller Band 171 Retired Across The Universe The Beatles 003 048 070 119 128 Adventure Time Theme Song 171 Africa Toto LS2 009 015 024 033 043 050Bry 053Roc 056Sco 062 071 077Bry 090Bry 100Ban 114Ban 124 132 176JDH Afterglow Genesis 133 135 Against All Odds (Take A Look At Me Now) Phil Collins 003 029 050Bry 055 081 124 133 135 148 150 Against The Wind Bob Seger & The Silver Bullet Band 031 033 038 052 060 070 089 093 110 130 147 168 Ain't Talkin 'Bout Love (1/2 Step) Van Halen 102Roc 112Roc 161Roc 166Roc Albuquerque Neil Young -
Sarah Mclachlan Mirrorball Mp3, Flac, Wma
Sarah McLachlan Mirrorball mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Mirrorball Country: Europe Released: 1999 Style: Soft Rock, Pop Rock MP3 version RAR size: 1808 mb FLAC version RAR size: 1541 mb WMA version RAR size: 1699 mb Rating: 4.3 Votes: 225 Other Formats: MIDI ASF MOD AUD MMF APE WMA Tracklist 1 Intro (Last Dance) 2 Building A Mystery 3 Plenty 4 Hold On 5 Good Enough 6 Do What You Have To Do 7 Witness 8 Wait 9 I Will Remember You 10 Ice 11 I Love You 12 I Will Not Forget You 13 The Path Of Thorns (Terms) 14 Mary 15 Adia 16 Fear 17 Elsewhere 18 Vox 19 Into The Fire 20 Possession 21 Ice Cream 22 Sweet Surrender 23 Fumbling Towards Ecstasy 24 Angel 25 Credits (Last Dance) Credits Bass – Brian Minato Drums, Percussion, Vocals – Ashwin Sood Film Director [Directed By] – Sophie Muller Film Producer – Rob Small Guitar, Vocals – David Sinclair , Sean Ashby Keyboards, Vocals – Vince Jones* Vocals – Camille Henderson Vocals, Piano, Guitar, Executive Producer – Sarah McLachlan Notes "Special DVD version includes... 9 extra live tracks not available on the CD! Interactive menu Multiple camera-angle choices Photo gallery - Lyrics Discography - And more!" Bonus Features: Multi-Angle Camera Viewing (On 3 Songs: Fear, Into The Fire, Sweet Surrender); 5.1 Surround Sound; Full Motion Menu; Interview; Photo Gallery; Discography; Lyrics. (C)1999 Arista Records, Inc. Distributed by the local BMG company. Barcode and Other Identifiers Barcode: 7 43217 03839 7 Other versions Category Artist Title (Format) Label Category Country -
Understanding Popular Music, Second Edition
Understanding Popular Music Understanding Popular Music is an accessible and comprehensive introduction to the history and meaning of popular music. It begins with a critical assessment of the different ways in which popular music has been studied and examines the difficulties and debates which surround the analysis of popular culture and popular music. Drawing on the recent work of music scholars and the popular music press, Roy Shuker explores key subjects which shape our experience of music, including music production, the music industry, music policy, fans, audiences and subcultures, the musician as ‘star’, music journalism, and the reception and consumption of popular music. This fully revised and updated second edition includes: • case studies and lyrics of artists such as Shania Twain, S Club 7, The Spice Girls and Fat Boy Slim • the impact of technologies including on-line delivery and the debates over MP3 and Napster • the rise of DJ culture and the changing idea of the ‘musician’ • a critique of gender and sexual politics and the discrimination which exists in the music industry • moral panics over popular music, including the controversies surrounding artists such as Marilyn Manson and Eminem • a comprehensive discography, guide to further reading and directory of websites. Roy Shuker is Associate Professor in Media Studies at Massey University, New Zealand. He is the author of Key Concepts in Popular Music (Routledge 1998). LONDON AND NEW YORK Understanding Popular Music Second edition I Roy Shuker First published 1994 now known or hereafter invented, including by Routledge photocopying and recording, or in any 11 New Fetter Lane, London EC4P 4EE information storage or retrieval system, without permission in writing from the publishers. -
Interface Documentation Halws Document Version 1.61 (3/24/2016)
Interface Documentation HALws Document Version 1.61 (3/24/2016) © 2015-2016 Home Automated Living, Inc Toll Free (855) 442-5434 www.automatedliving.com HALws 1.3 Table of Contents 1.0 Overview ............................................................................................................................. 3 1.1 Background 1.2 Interface Summary 1.3 Command Structure Overview 1.4 Response Structure Overview 1.5 HTTP Request/Response 1.6 Special Characters 1.7 Reserved Characters 2.0 Device Area ......................................................................................................................... 5 2.1 DeviceService 2.2 DeviceData 3.0 Mode Area ........................................................................................................................... 9 3.1 ModeService 3.2 ModeData 4.0 Scene Area ........................................................................................................................ 11 4.1 SceneService 4.2 SceneData 5.0 Macro Area ........................................................................................................................ 13 5.1 MacroService 5.2 MacroData 6.0 Group Area ....................................................................................................................... 15 6.1 GroupService 6.2 GroupData 7.0 HVAC Area ........................................................................................................................ 17 7.1 HVACService 7.2 HVACData 8.0 Infrared Area .................................................................................................................... -
Oxford Proudly Supports the Cincinnati Symphony Orchestra
SEPTEMBER 2015 FANFARE CINCINNTI FANFARECINCINNTI KICKING OFF THE SEASON IN FANTASTIQUE STYLE PGE 31 Hooray for Hollywood: JMR and the Pops go to the movies PGE 21 Rediscovering Pelleas und Melisande PGE 41 CINCINNTISYMPHONY.ORG CINCINNTISYMPHONY.ORG SEPTEMBER 2015 Oxford proudly supports the Cincinnati Symphony Orchestra. Oxford is independent and unbiased — and always will be. We are committed to providing families generational estate planning advice and institutions forward-thinking investment strategies. CHICAGO ✦ CINCINNATI ✦ GRAND RAPIDS ✦ INDIANAPOLIS ✦ TWIN CITIES 513.246.0800 ✦ WWW.OFGLTD.COM/CSO Thirst-quenching conversation An Exceptional Everyday Experience Cheers to better living. At Twin Towers and Twin Lakes senior living communities, every day moments are just a bit more special. A friendly smile, a delicious meal, sharing a drink in the sunshine. It all adds up to an exceptional lifestyle. Find magic in the everyday. Call us to schedule a tour or visit us online at LEC.org. Twin Towers Twin Lakes 513.853.2000 513.247.1300 5343 Hamilton Avenue 9840 Montgomery Road Cincinnati, OH 45224 Cincinnati, OH 45242 Life Enriching Communities is affiliated with the West Ohio Conference of the United Methodist Church and welcomes people of all faiths. SEPTEMBER 2015 CONTENTS 37 Yefim Bronfman is CONCERTS widely regarded as one of the most talented virtuoso 21 Pops: Pops at the Movies, Sept. 18&20 pianists performing today. His 24 Pops: Back to the Future— commanding technique and Film with Orchestra, Sept. 19 exceptional lyrical gifts have won him consistent critical acclaim and 28 Guest Artist: Emil de Cou, conductor enthusiastic audiences worldwide. 31 CSO Season Opener: Fantastique!, Hear this master perform Bartók’s Sept. -
Interview with a Drug Dealer out to Make a Ltttle Extra Cash 'The Less and Have Enough to Smoke
], Sports ], Seret~dipity An Associated Collegiate Press Four-Star All-American Newspaper The Hens may be and a National Pacemaker Love Seed jumps running, but into the heart of they're not gunning the Stone Balloon page BS page Bl FREE FRIDAY Athletic official 'African-American' favored • African-American. Andrea Woodard (AG SO) When asked who the most Edward Lofland (AS FR) does not care how people influential African Issues memo on Fifty-three said African-American is refer to her, "as long as American today was, Jesse the proper way to refer to they aren' t derogatory ." Jackson received 34 percent percent of Americans of African Vernese Edgh.ill, director of the vote. descent , for the Center for Black Dr. Martin Luther King apathy to staff blacks prefer but he said Culture, said s he has no Jr . and Loui s Farrakhan h e personal preference each received 9 percent of Athletic Direc tor M a ry Ann considers While only a slight the responses. A confidential Hitchens i s sued a the term. himself a majority of the total Aisha Clarke (AS SR) memorandufll to all salaried black man. population prefer African said she thinks the most memorandum athletics staff members BY PETER R HALL stressing " respons ib i li ty , Sralf Reporrer Veronica American, 67 percent of influential black leader in Rockett those between the ages of America wa s King because assails department. reliability and a ccountabili ty . The results from a (AS SO) 18 - 29 prefer African he was able to advance the "We can also move beyond a CNN/Time mag.azine poll BY !EFF PEARLMAN said she American. -
Heidemann Dissertation
Hearing Women’s Voices in Popular Song: Analyzing Sound and Identity in Country and Soul Kate Heidemann Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Kate Heidemann All rights reserved Abstract Hearing Women’s Voices in Popular Song: Analyzing Sound and Identity in Country and Soul Kate Heidemann In this study I combine music analysis with critical theory to investigate how different conceptions of feminine identity—intersecting with race and class—are materialized through recorded sound. I present interpretive analyses of four popular songs recorded and released between 1967 and 1974: “Baby, I Love You” by Aretha Franklin, “Fist City” by Loretta Lynn, “If I Were Your Woman” by Gladys Knight and the Pips, and “Jolene” by Dolly Parton. My analyses focus on vocal performance, and vocal quality (or timbre) in particular, as I investigate the means by which the sounds of these recordings participate in cultural discourse on gender, sexuality, race, and class. These songs narrate moments in sexual love relationships (the hope of new love or the threat of infidelity), while the performances of each vocalist, the studio musicians, and the work of engineers and producers combine to create representations of black and working-class femininity that express varying degrees of assertiveness and vulnerability in the face of unequal gender power relations. I compare and contextualize these sonic expressions of identity with the personas these vocalists presented in their professional and public lives, illustrating how these recordings participate in the construction of a multi-faceted and always- emergent history of American womanhood.