Modern British & Irish

Total Page:16

File Type:pdf, Size:1020Kb

Modern British & Irish Modern British & Irish Art Tuesday 4 June 2013 at 1pm Knightsbridge, London Modern British & Irish Art Tuesday 4 June 2013 at 1pm Knightsbridge Bonhams Enquiries Please see page 2 for bidder Montpelier Street Emma Corke information including after-sale Knightsbridge +44 (0) 20 7393 3949 collection and shipment London SW7 1HH [email protected] www.bonhams.com Please see back of catalogue Shayn Speed for important notice to bidders Viewing +44 (0) 20 7393 3909 Sunday 2 June 11am to 3pm [email protected] Illustration Monday 3 June 9am to 4.30pm Front cover: Lot 167 Tuesday 4 June 9am to 11am Customer Services Back cover: Lot 19 Monday to Friday 8.30am to 6pm Inside front: Lot 76 Bids +44 (0) 20 7447 7447 Inside back: Lot 179 +44 (0) 20 7447 7448 +44 (0) 20 7447 7401 fax Sale Number: 20777 To bid via the internet please visit www.bonhams.com Catalogue: £12 Please note that bids should be submitted no later than 24 hours before the sale. New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bids not being processed. Bidding by telephone will only be accepted on a lot with a lower estimate in excess of £400. Live online bidding is available for this sale Please email [email protected] with “Live bidding” in the subject line 48 hours before the auction to register for this service. Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus Lyons, Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Central Sale Information Middlesex Hospital Park Royal Coronation Road W Bonhams, e d s P t Park Royal a e a rn r o A k R v e R e s A4 o 0 a y Park a h l C Royal Western Ave A40 R o 0 Station a 0 d Acton 0 4 Cemetery North A Acton d Station a o R a i r o t c i V Bids Collection and ShipmentWest Acton Handling and storage HandlingHorn Lane and storage +44 (0) 20 7447 7448 Sold lots marked with a specialStation charges payment +44 (0) 20 7447 7401 fax symbol W will be only retained Please Note All charges due Bonhams must be To bid via the internet please visit at Bonhams, Knightsbridge until For sold lots removed to paid by the time of collection from www.bonhams.com 10am on Wednesday 5 June Bonhams warehouse there Bonhams’ warehouse. 2013. Lots not collected by then will be no transfer and storage Payments will be removed to Bonhams Park charges for lots collected between Payment in advance Buyers Royal warehouse. Thursday 6 June 2013 and close Tel: +44 (0) 20 7393 3912 / 3913 +44 (0) 20 7447 7447 of business Tuesday 11 June to ascertain amount due by: cash, +44 (0) 20 7447 7401 fax The sold lots marked with a 2013. cheque with banker’s card, credit special symbol W will be available card, bank draft or traveller’s Sellers for collection from Bonhams Transfer and storage charges cheque. Payment of sale proceeds warehouse as from 9.30am on will commence on Wednesday 12 +44 (0) 20 7447 7447 Thursday 6 June 2013. June 2013. Payment at time of collection +44 (0) 20 7447 7401 fax By credit card / debit card Lots maybe released from The charges levied by Bonhams Valuations, taxation and Bonhams warehouse on are as follows: Important Notice heritage production of the collection A surcharge of 2% is applicable +44 (0) 20 7468 8340 order obtained from cashier’s Paintings and Frames marked when using Mastercard, Visa and +44 (0) 20 7468 5860 fax office at Bonhams and a form of with W overseas debit cards. [email protected] photographic ID. If a third party is collecting on behalf of the client, Transfer per lot £20.00 The following symbol is used Catalogue subscriptions the client must provide Bonhams Daily storage per lot £3.40 to denote that VAT is due on To obtain any Bonhams catalogue with written authority prior to the hammer price and buyer’s or to take out an annual collection. The third party must All other paintings and frames premium subscription: present a photographic form of ID Subscriptions Department when collecting. Transfer per lot £10.00 † VAT 20% on hammer price +44 (0) 1666 502200 Daily storage per lot £1.70 and buyer’s premium +44 (0) 1666 505107 fax Lots not market W will only be [email protected] held free of charge at Bonhams All the above charges are * VAT on imported items at Knightsbridge until Tuesday 25 exclusive of VAT a preferential rate of 5% on Shipping June 2013. Storage charges will hammer price and the prevailing For information and estimates commence on Wednesday 26 rate on buyer’s premium on domestic and international June 2013. shipping as well as export licenses Please contact the department. W These lots will be removed to please contact Bonhams Shipping Bonhams Park Royal Warehouse Department on: Bonhams Warehouse Address: after the sale. Please read the sale +44 (0) 20 8963 2849 Unit 1, Sovereign Park information page for more details. +44 (0) 20 8963 2850 Coronation Road +44 (0) 20 7629 9673 fax Park Royal, London NW10 7QP Y These lots are subject to CITES [email protected] Tel: +44 (0) 87 0811 3867 regulations, please read the Hours of opening information in the back of the 9.30am to 4.30pm catalogue. Monday to Friday 1 1AR Donald Hamilton Fraser RA (British, 1929- 2009) ‘Study. Seascape orange sky’ signed ‘Fraser’ (lower right); bears title and date ‘1966’ (on board verso), oil on paper 14 x 18cm (5 1/2 x 7 1/16in). £1,000 - 1,500 €1,200 - 1,800 EXHIBITED: London, Gimpel Fils Gallery, Feb-March 1968, no: 29 2AR 2 Donald Hamilton Fraser RA (British, 1929- 2009) East Anglian landscape signed ‘Fraser’ (lower right); bears title and date ‘1956’ (on frame verso), oil on board 36.5 x 46.5cm (14 3/8 x 18 5/16in). £2,000 - 3,000 €2,400 - 3,500 3AR Donald Hamilton Fraser RA (British, 1929- 2009) Tuesday morning near Sant Llorenc de Morunys signed ‘Fraser’ (lower right) and titled ‘Tuesday morning near Sant Lorenc [sic] de Morunys’ (lower left) oil on paper 45 x 42.8cm (17 11/16 x 16 7/8in). £1,000 - 1,500 €1,200 - 1,800 3 4 | Bonhams 4AR Frederick Gore C.B.E, R.A (British, 1913- 2009) Orange Groves outside ‘C’AN Det signed ‘F Gore’ (lower left), oil on canvas 4 66 x 81.5cm (26 x 32 1/16in). £4,000 - 6,000 €4,700 - 7,100 5AR Donald McIntyre (British, 1923-2009) ‘Little Harbour’ signed ‘D McIntyre’ (lower right); titled and signed (on label verso), oil on card 52 x 62cm (20 1/2 x 24 7/16in). £3,000 - 5,000 €3,500 - 5,900 5 Modern British & Irish Art | 5 6AR Fred Cuming (British, born 1930) View of Fowey harbour signed (lower left), oil on board 51 x 61cm (20 1/16 x 24in). £2,500 - 3,500 6 €3,000 - 4,100 PROVENANCE: With Panter & Hall 7AR Fred Cuming (British, born 1930) Heatwave, August Camber signed ‘Cuming’ (lower left), oil on board 31 x 61cm (12 3/16 x 24in). £2,500 - 3,500 €3,000 - 4,100 8AR Peter Kuhfeld (British, born 1952) ‘Venice, late afternoon’ signed ‘Kuhfeld’ (upper right), oil on canvas 31 x 56cm (12 3/16 x 22 1/16in). 7 £1,000 - 1,500 €1,200 - 1,800 8 6 | Bonhams 9AR Christopher Richard Wynne Nevinson A.R.A. (British, 1889- 1946) Snow in Derbyshire signed ‘C.R.W. Nevinson’ (lower 9 right) watercolour and gouache 24.4 x 34.4 cm. (9 5/8 x 13 1/2 in.) £2,500 - 3,000 €3,000 - 3,500 EXHIBITED: London, Leicester Galleries, Watercolours from Nature by CRW Nevinson, March 1932, cat no. 73 10AR Sir Kyffin Williams R.A. (British, 1918-2006) Landscape signed with initials ‘KW’ (lower right), pen, ink and wash 41.5 x 74cm (16 5/16 x 29 1/8in). £4,000 - 6,000 €4,700 - 7,100 EXHIBITED: Exhibited in the National Library 10 of Wales Oriel Plas Glyn-y-Weddw (according to label inscription, verso) Modern British & Irish Art | 7 11 11AR Mary Fedden R.A. (British, 1915-2012) PROVENANCE: Brittany The artist signed and dated ‘Fedden 1995’ (lower left) Purchased from the Royal West of England oil on board Academy exhibition by the present owner 61 x 50.9 cm. (24 x 20 in.) £6,000 - 8,000 EXHIBITED: €7,100 - 9,500 Bristol, Royal West of England Academy, Mary Fedden: A Retrospective, 1996 The present work is a self portrait of the artist alongside her husband, Julian Trevelyan at their Brittany home.
Recommended publications
  • Journal ^ Association of Jewish Refugees
    VOLUME 7 NO.S MAY 2007 journal ^ Association of Jewish Refugees How the Jewish refugees thanked Britain One of the most striking initiatives ever Jewish Congregation (Belsize Square mounted by the AJR was the 'Thank-You Synagogue), as well as representatives of the Britain' Fund, which evolved out of a Czech and Hungarian refugees. Among them proposal in 1963 that the Jewish refugees were AJR Chairman Alfred S. Dresel, Amold from Central Europe should make a public Horwell, Egon Larsen, Hans Blumenau, gestiire of thanks to their adopted homeland. Hans Jaeger and the indispensable Wemer The idea was the brainchild of Victor Ross, Rosenstock. Happily, two are still with us: a former refugee who had worked in Victor Ross and Carl Flesch, while Eric publishing and journalism and had written Gould's widow Katia has for years been one a humorous account of the refugee of this joumal's much valued proof-readers. experience, Basic British; as readers know, The Mall Room, British Academy The Fund proved an outstanding he still wields an elegant pen today. The which were to be used for the awarding of success. The organisers' target of £40-60,000 AJR, and in particular its chairman, Hans research fellowships and the holding of was easily exceeded; by the time the Fund Reichmann (who died in 1964), had been annual (later biennial) lectures, both under was handed over to the British Academy at thinking along similar lines. After the AJR the auspices of the British Academy, a a ceremony in the Saddlers' Hall on 8 took on the administration of the fund- highly respected institution that to this day November 1965, it had reached £96,000, raising, Ross became co-chairman of the plays a significant role in supporting and several hundred thousand pounds in today's Fund's organising committee, alongside promoting research and scholarship in the money and an astonishing sum for a Werner M.
    [Show full text]
  • Finding Koko
    1 A Wish for Koko by Julie Brinckloe 2 This book was created as a gift to the Gorilla Foundation. 100% of the proceeds will go directly to the Foundation to help all the Kokos of the World. Copyright © by Julie Brinckloe 2019 Grumpkin Press All rights reserved. Photographs and likenesses of Koko, Penny and Michael © by Ron Cohn and the Gorilla Foundation Koko’s Kitten © by Penny Patterson, Ron Cohn and the Gorilla Foundation No part of this book may be used or reproduced in whole or in part without prior written consent of Julie Brinckloe and the Gorilla Foundation. Library of Congress U.S. Copyright Office Registration Number TXu 2-131-759 ISBN 978-0-578-51838-1 Printed in the U.S.A. 0 Thank You This story needed inspired players to give it authenticity. I found them at La Honda Elementary School, a stone’s throw from where Koko lived her extraordinary life. And I found it in the spirited souls of Stella Machado and her family. Principal Liz Morgan and teacher Brett Miller embraced Koko with open hearts, and the generous consent of parents paved the way for students to participate in the story. Ms. Miller’s classroom was the creative, warm place I had envisioned. And her fourth and fifth grade students were the kids I’d crossed my fingers for. They lit up the story with exuberance, inspired by true affection for Koko and her friends. I thank them all. And following the story they shall all be named. I thank the San Francisco Zoo for permission to use my photographs taken at the Gorilla Preserve in this book.
    [Show full text]
  • At Lowther School
    WELCOME TO ISSUE 10 We hope you enjoyed our Spring issue. Welcome to our Summer issue, our final issue of the year. Summer term is popu- lar term; the sun is (usually) shining, we get to use our amazing playing field and we get to take part in fun activities like Sports Day and Creative Arts Week. This issue is jam-packed with lots of interesting, informative and fun features. Have a wonderful Summer holiday break. See you in September! Page WHAT’S INSIDE NEWS The Daily Mile by Year 3 3 A Sports Event We’ll Never Forget by Sami, 5N 4 JUST FOR FUN Recipe—make colourful toast! 5 Summer wordsearch FEATURES & The Serious Feature—Healthy Eating by Year 3 6-7 What Is Our Favourite Lowther Trip by KS1 CARTOONS 8-9 The Big Interview—School Governor (and chef) Sarah Brecher 10—11 Puzzles—The Brain Drain! 12 One Minute Interview—Miss Mould from Oak Class ENTERTAINMENT “What The Ladybird Heard” by Julia Donaldson, reviewed by Medina, Maple 14– 15 “Judy Moody” by Megan McDonald, reviewed by Madeleine, 5P & REVIEWS “Percy Jackson & The Lightning Thief” by Rick Riordan, reviewed by Jessica, 5P Book Genre Of the Month: Humour Film: ‘Disney’s The Jungle Book’, reviewed by Nicole, 5P Music: ‘Now 43’ , reviewed by Scarlett, 5P CREATIVE At Lowther School by Emily, Elm Class 16—17 Everest: The Final Push by Oliver W, 5N WRITING After The Journey by Sara, 4G The Ladybird by Betsy, Willow Class Arin The Alien by Ava, Pine Class SPORTS 2016—Lowther’s Year In Sport 18—19 BACK COVER Lowther—A Year In Sport 20 Some jokes from Samuel in Beech Class: Joke 1: There were two snakes.
    [Show full text]
  • City Research Online
    City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS..........................................................................
    [Show full text]
  • Murrle Bennett: the Anglo-German Style
    To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp 7 1 -2 0 2 1 9 1 ISSUE 2488 | antiquestradegazette.com | 17 April 2021 | UK £4.99 | USA $7.95 | Europe €5.50 S E E R 50years D koopman rare art V A I R N T antiques trade G T H E KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Coin auction houses end Murrle Bennett: the four-year joint venture are nine staff members (the by Laura Chesters Anglo-German style group has a total of 60 staff). It intends to hold its first auction Jewellery by the Anglo-German firm Murrle Bennett, London coin specialists back at 399 Strand in the which thrived for two decades before the First World Baldwin’s and St James’ autumn. War, appeals today for the reasons it did in the early 20th Auctions have ended their St James’ Auctions, founded tie-up after four years. by Stephen Fenton of century. The jewellery is good quality, effortlessly stylish The stopping of the joint dealership Knightsbridge and (in comparison with handmade or precious stone venture was without costs and Coins, will continue to be jewels of the period) relatively affordable. Stanley Gibbons Group based at 10 Charles II Street, St (owner of Baldwin’s) said it was James’s, in London. The Murrle Bennett output, which embraced all flavours a “major milestone” to “bring Alongside Fenton there are of European Art Nouveau, is a focus of this week’s coin auctions back in house nine full-time employees plus jewellery feature on pages 12-18.
    [Show full text]
  • Felix Issue 0539, 1980
    John Passmore, Rachel Snec, Liz Lindsay and Steve Marshall win the sabbatical elections 1980 THE NEWSPAPER OF IMPERIAL COLLEGE UNION Friday 14th March 1980 Issue Number 548 Nick Jenkins GUILDS IN ICU SABBATICAL ELECTION RESULTS STRIKES SHOCK (Results give the number of first preferences for each candidate) Just after this photgraph was taken, outside the Queens, 50 Guildsmen and women went to Strikes (a local hamburger PRESIDENT HONORARY SECRETARY restaurant reknowned for its Barney McCabe 404 Chris Veale 138 waiters). As the FELIX Editor John Passmore 757 Liz Lindsay 1,124 was ordering his usual Sirloin Mick Berry 593 Frank James 418 and Chips with a large • Strawberry milkshake; Pat JOHN PASSMORE passed quota after LIZ LINDSAY passed quota on first Leggett, the newly elected allocation of Barney McCabe's and Mick preference vote. Guilds President was involved Berry's votes. in argument over his over FELIX EDITOR zealous use of the relish tray. DEPUTY PRESIDENT Lars Wernberg-Moller 409 The waiter would not allow Pat to Steve Marshall 792 Rachel Snee 1,068 order. Some moments later the John Tidy 616 Paul Williams 589 entire contingent of Guildsmen STEVE MARSHALL passed quota on were asked to leave the RACHEL SNEE passed quota on first reallocation of Lars Wernberg-Moller's restaurant... see page 3. preference vote. votes. Dear Sir Sir respect to the royalty expected. the Coca-Cola trick does not work. However, dipping one's I would just like to say, through With regard to the qualities My slide rule tells me that the your columns, a huge thank you required for leadership in difference between a 35p/tonne union card into ESB has the to everyone who helped me with, industry, I think it could be royalty and a 60p/tonne royalty effect of partially melting the encouraged me with, and laugh- argued that academic superiority would be a substantial £357,000.
    [Show full text]
  • Sir Hugh Casson Interviewed by Cathy Courtney: Full Transcript of the Interview
    IN PARTNERSHIP WITH NATIONAL LIFE STORIES LEADERS OF NATIONAL LIFE Sir Hugh Casson Interviewed by Cathy Courtney C408/16 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] IMPORTANT Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ([email protected]) British Library Sound Archive National Life Stories Interview Summary Sheet Title Page Ref no: C408/16/01-24 Playback no: F1084 – F1093; F1156 – F1161; F1878 – F1881; F2837 – F2838; F6797 Collection title: Leaders of National Life Interviewee’s surname: Casson Title: Mr Interviewee’s forename: Hugh Sex: Male Occupation: Architect Date and place of birth: 1910 - 1999 Mother’s occupation: Father’s occupation: Dates of recording: 1990.02.13, 1990.02.16, 1990.02.19, 1990.03.13, 1990.04.19, 1990.05.11, 1990.05.22, 1990.08.28, 1990.07.31, 1990.08.07, 1991.05.22, 1991.06.03, 1991.06.18, 1991.07.13 Location of interview: Interviewer's home, National Sound Archive and Interviewee's home Name of interviewer: Cathy Courtney Type of recorder: Marantz CP430 Type of tape: TDK 60 Mono or stereo: Stereo Speed: N/A Noise reduction: Dolby B Original or copy: Original Additional material: Copyright/Clearance: Interviewer’s comments: Sir Hugh Casson C408/016/F1084-A Page 1 F1084 Side A First interview with Hugh Casson - February 13th, 1990.
    [Show full text]
  • Modern British Aldeburgh Thompson’S
    THOMPSON’S ALDEBURGH GALLERY MODERN BRITISH MODERN BRITISH 175 High Street, Aldeburgh, Suffolk. IP15 5AN Tel: +44 (0)1728 453 743 Email: [email protected] 3 Seymour Place, Marylebone, London, W1H 5AZ Tel: +44 (0)207 935 3595 Email: [email protected] www.thompsonsgallery.co.uk MODERN BRITISH The Modern British Art era began after the first World War, an inherently significant cultural period. This epoch saw the rise of painters and sculptors such as Henry Moore, John Piper, Mary Potter, Terry Frost, Sir Robin Philipson, John Bellany, and Mary Fedden to name a few. This period of artistic output contains a range of style and focus- natural subject matter such as landscape and still life remained emphasised; scenes of leisure and enjoyment were prevalent; and those elevating abstraction saw a surge of interest and legitimacy much in part to Picasso’s growing influence. Thompson’s Gallery has proudly specialised in Modern British Art since its founding in 1982, and invite you to enjoy this expertly selected range of works from this pivotal period. 175 High Street, Aldeburgh Suffolk. IP15 5AN Tel: +44 (0)1728 453 743 [email protected] www.thompsonsgallery.com Framed images and the entire exhibition can be viewed on our website, Monday to Friday: 10am - 5pm Saturday:10am - 5pm www.thompsonsgallery.com Sunday:11am - 5pm All paintings are for sale on receipt of this catalogue THOMPSON’S GALLERIES - MODERN BRITISH THOMPSON’S GALLERIES - MODERN BRITISH John Armstrong ARA (1893-1973) John Armstrong is most notable for his Surrealist painting style, debuting in 1928 with a solo show at Leicester Galleries.
    [Show full text]
  • London Pp38 49 4/2/04 1:38 Pm Page 48
    London_pp38_49 4/2/04 1:38 pm Page 48 TIMESAVER LONDON! past simple; multi-word verbs London Zoo London Zoo is in Regent’s Park near the centre of London. It’s open every day of the year except Christmas Day. There are 600 different species (kinds) of animals, birds, insects and reptiles there. It has changed a lot since it first opened in 1828, and although many people now think it’s cruel to keep animals in zoos, it’s a good place to protect* animals in danger and to educate people, especially children, about the natural world. Some of the animals became living legends in their lifetimes. Guy the Gorilla Guy got his name from the day when he was born – Guy Fawkes Day (November 5th). He was born in 1947 and arrived at the zoo holding a little metal* hot water bottle. He was very gentle and everyone loved him. When sparrows* flew into his enclosure (the space where he lived), he picked them up* gently in his hand, looked at them closely, and then let them fly away. Signs everywhere told the visitors not to feed the animals, but people gave Guy sweets and he got toothache. He died during an operation* to remove his tooth. There’s a statue of Guy at London Zoo. VOCABULARY CHECK LIST Belinda, the Bird-eating Spider What is it in Belinda died in 1993 when she was 23 years your language? old. She was a great advert* for London Zoo Find out! because she helped hundreds of people to protect conquer* their spider phobia.
    [Show full text]
  • Modern British and Irish Art Montpelier Street, London | 16 September 2020
    Modern British and Irish Art Montpelier Street, London | 16 September 2020 Modern British and Irish Art Montpelier Street, London | Wednesday 16 September 2020, at 1pm BONHAMS BIDS ENQUIRIES IMPORTANT INFORMATION Montpelier Street +44 (0) 20 7447 7447 Janet Hardie The United States Government Knightsbridge +44 (0) 20 7447 7401 fax Specialist has banned the import of ivory into London SW7 1HH [email protected] +44 (0) 20 7393 3949 the USA. Lots containing ivory are www.bonhams.com [email protected] indicated by the symbol Ф printed To bid via the internet please beside the lot number in this visit www.bonhams.com Catherine White catalogue. VIEWING Junior Cataloguer Sunday 13 September Please note that bids should be +44 (0) 20 7393 3884 REGISTRATION 11am -3pm submitted no later than 4pm [email protected] IMPORTANT NOTICE Monday 14 September on the day prior to the auction. Please note that all customers, 9am- 4.30pm New bidders must also provide PRESS ENQUIRIES irrespective of any previous activity Tuesday 15 September proof of identity when submitting [email protected] with Bonhams, are required to 9am-4.30pm bids. Failure to do this may result complete the Bidder Registration Wednesday 16 September in your bids not being processed. Form in advance of the sale. The CUSTOMER SERVICES 9am - 11am form can be found at the back of Bidding by telephone will only be Monday to Friday every catalogue and on our website Viewing is by timed appointment accepted on a lot with the lower 8.30am – 6pm at www.bonhams.com and should only, please contact Catherine estimate in excess of £500.
    [Show full text]
  • Camouflage and Surrealism
    Ann Elias Camouflage and Surrealism amouflage in the Twenty-first century is a subject and practice of military science, biological science, culture and society. All are contexts in which concealment and deception—the conceptual underpinnings of Ccamouflage—find physical, visual and psychological expression. Camouflage’s ever-increasing associations today with war, nature, and everyday life are apparent in the global escalation of national military patterns, in intensifying interest in the chemistry and physics of animal behaviours and colours, in expanding cooption of military aesthetics for street fashion, and in the growing popularity of camouflage as a conceptual tool for cultural analysis.1 The word itself gradually spread from French into all languages after the First World War (WWI) when France, the first nation in military history, established a formalsection de camouflage.2 By 1925, ‘camouflage’ was increasingly used to identify animal concealment and deception, science’s terminology having become enmeshed with military lingo. Before the war, however, common biological terms were ‘mimicry’ and ‘concealing coloration’, indeed the very terms and natural phenomena that were brought to military attention by naturalists and scientists, including Abbott H. Thayer, for the development of camouflage in WWI.3 This essay is about intersections of nature, art and war but with an emphasis on how post-war European art was impacted by what Paul Fussell called ‘the new stylish foreign word camouflage’ and also by camouflage aesthetics.4 Roy R. Behrens has written extensively on this subject, but Behrens aside there is surprisingly little investigation of camouflage in relation to the European avantgarde of the 1920s and 1930s.
    [Show full text]
  • MODERN BRITISH and IRISH ART | Knightsbridge, London | Tuesday 10 March 2015 22608
    RT A RISH I MODERN BRITISH AND 2015 10 March Tuesday Knightsbridge, London MODERN BRITISH AND IRISH ART | Knightsbridge, London | Tuesday 10 March 2015 22608 MODERN BRITISH AND IRISH ART Tuesday 10 March 2015 at 14.00 Knightsbridge, London BONHAMS ENQUIRIES Please see page 2 for bidder IMPORTANT INFORMATION Montpelier Street Emma Corke information including after-sale The United States Government Knightsbridge +44 (0) 20 7393 3949 collection and shipment has banned the import of ivory London SW7 1HH [email protected] into the USA. Lots containing www.bonhams.com Please see back of catalogue ivory are indicated by the symbol Shayn Speed for important notice to bidders Ф printed beside the lot number VIEWING +44 (0) 20 7393 3909 in this catalogue. Sunday 8 March 2015 [email protected] ILLUSTRATION 11.00 – 15.00 Front cover: Lot 110 Monday 9 March 2015 CUSTOMER SERVICES Back cover: Lot 14 09.00 – 16.30 Monday to Friday 08.30 – 18.00 Inside front: Lot 44 Tuesday 10 March 2015 +44 (0) 20 7447 7447 Inside back: Lot 174 09.00 –11.00 SALE NUMBER BIDS 22608 +44 (0) 20 7447 7448 +44 (0) 20 7447 7401 fax CATALOGUE To bid via the internet please visit £12 www.bonhams.com Live online bidding is Please note that bids should be available for this sale submitted no later than 24 hours Please email [email protected] before the sale. with “Live bidding” in the subject line 48 hours before the auction New bidders must also provide to register for this service.
    [Show full text]