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Journal ^ Association of Jewish Refugees
VOLUME 7 NO.S MAY 2007 journal ^ Association of Jewish Refugees How the Jewish refugees thanked Britain One of the most striking initiatives ever Jewish Congregation (Belsize Square mounted by the AJR was the 'Thank-You Synagogue), as well as representatives of the Britain' Fund, which evolved out of a Czech and Hungarian refugees. Among them proposal in 1963 that the Jewish refugees were AJR Chairman Alfred S. Dresel, Amold from Central Europe should make a public Horwell, Egon Larsen, Hans Blumenau, gestiire of thanks to their adopted homeland. Hans Jaeger and the indispensable Wemer The idea was the brainchild of Victor Ross, Rosenstock. Happily, two are still with us: a former refugee who had worked in Victor Ross and Carl Flesch, while Eric publishing and journalism and had written Gould's widow Katia has for years been one a humorous account of the refugee of this joumal's much valued proof-readers. experience, Basic British; as readers know, The Mall Room, British Academy The Fund proved an outstanding he still wields an elegant pen today. The which were to be used for the awarding of success. The organisers' target of £40-60,000 AJR, and in particular its chairman, Hans research fellowships and the holding of was easily exceeded; by the time the Fund Reichmann (who died in 1964), had been annual (later biennial) lectures, both under was handed over to the British Academy at thinking along similar lines. After the AJR the auspices of the British Academy, a a ceremony in the Saddlers' Hall on 8 took on the administration of the fund- highly respected institution that to this day November 1965, it had reached £96,000, raising, Ross became co-chairman of the plays a significant role in supporting and several hundred thousand pounds in today's Fund's organising committee, alongside promoting research and scholarship in the money and an astonishing sum for a Werner M. -
Finding Koko
1 A Wish for Koko by Julie Brinckloe 2 This book was created as a gift to the Gorilla Foundation. 100% of the proceeds will go directly to the Foundation to help all the Kokos of the World. Copyright © by Julie Brinckloe 2019 Grumpkin Press All rights reserved. Photographs and likenesses of Koko, Penny and Michael © by Ron Cohn and the Gorilla Foundation Koko’s Kitten © by Penny Patterson, Ron Cohn and the Gorilla Foundation No part of this book may be used or reproduced in whole or in part without prior written consent of Julie Brinckloe and the Gorilla Foundation. Library of Congress U.S. Copyright Office Registration Number TXu 2-131-759 ISBN 978-0-578-51838-1 Printed in the U.S.A. 0 Thank You This story needed inspired players to give it authenticity. I found them at La Honda Elementary School, a stone’s throw from where Koko lived her extraordinary life. And I found it in the spirited souls of Stella Machado and her family. Principal Liz Morgan and teacher Brett Miller embraced Koko with open hearts, and the generous consent of parents paved the way for students to participate in the story. Ms. Miller’s classroom was the creative, warm place I had envisioned. And her fourth and fifth grade students were the kids I’d crossed my fingers for. They lit up the story with exuberance, inspired by true affection for Koko and her friends. I thank them all. And following the story they shall all be named. I thank the San Francisco Zoo for permission to use my photographs taken at the Gorilla Preserve in this book. -
At Lowther School
WELCOME TO ISSUE 10 We hope you enjoyed our Spring issue. Welcome to our Summer issue, our final issue of the year. Summer term is popu- lar term; the sun is (usually) shining, we get to use our amazing playing field and we get to take part in fun activities like Sports Day and Creative Arts Week. This issue is jam-packed with lots of interesting, informative and fun features. Have a wonderful Summer holiday break. See you in September! Page WHAT’S INSIDE NEWS The Daily Mile by Year 3 3 A Sports Event We’ll Never Forget by Sami, 5N 4 JUST FOR FUN Recipe—make colourful toast! 5 Summer wordsearch FEATURES & The Serious Feature—Healthy Eating by Year 3 6-7 What Is Our Favourite Lowther Trip by KS1 CARTOONS 8-9 The Big Interview—School Governor (and chef) Sarah Brecher 10—11 Puzzles—The Brain Drain! 12 One Minute Interview—Miss Mould from Oak Class ENTERTAINMENT “What The Ladybird Heard” by Julia Donaldson, reviewed by Medina, Maple 14– 15 “Judy Moody” by Megan McDonald, reviewed by Madeleine, 5P & REVIEWS “Percy Jackson & The Lightning Thief” by Rick Riordan, reviewed by Jessica, 5P Book Genre Of the Month: Humour Film: ‘Disney’s The Jungle Book’, reviewed by Nicole, 5P Music: ‘Now 43’ , reviewed by Scarlett, 5P CREATIVE At Lowther School by Emily, Elm Class 16—17 Everest: The Final Push by Oliver W, 5N WRITING After The Journey by Sara, 4G The Ladybird by Betsy, Willow Class Arin The Alien by Ava, Pine Class SPORTS 2016—Lowther’s Year In Sport 18—19 BACK COVER Lowther—A Year In Sport 20 Some jokes from Samuel in Beech Class: Joke 1: There were two snakes. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
Murrle Bennett: the Anglo-German Style
To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp 7 1 -2 0 2 1 9 1 ISSUE 2488 | antiquestradegazette.com | 17 April 2021 | UK £4.99 | USA $7.95 | Europe €5.50 S E E R 50years D koopman rare art V A I R N T antiques trade G T H E KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Coin auction houses end Murrle Bennett: the four-year joint venture are nine staff members (the by Laura Chesters Anglo-German style group has a total of 60 staff). It intends to hold its first auction Jewellery by the Anglo-German firm Murrle Bennett, London coin specialists back at 399 Strand in the which thrived for two decades before the First World Baldwin’s and St James’ autumn. War, appeals today for the reasons it did in the early 20th Auctions have ended their St James’ Auctions, founded tie-up after four years. by Stephen Fenton of century. The jewellery is good quality, effortlessly stylish The stopping of the joint dealership Knightsbridge and (in comparison with handmade or precious stone venture was without costs and Coins, will continue to be jewels of the period) relatively affordable. Stanley Gibbons Group based at 10 Charles II Street, St (owner of Baldwin’s) said it was James’s, in London. The Murrle Bennett output, which embraced all flavours a “major milestone” to “bring Alongside Fenton there are of European Art Nouveau, is a focus of this week’s coin auctions back in house nine full-time employees plus jewellery feature on pages 12-18. -
Felix Issue 0539, 1980
John Passmore, Rachel Snec, Liz Lindsay and Steve Marshall win the sabbatical elections 1980 THE NEWSPAPER OF IMPERIAL COLLEGE UNION Friday 14th March 1980 Issue Number 548 Nick Jenkins GUILDS IN ICU SABBATICAL ELECTION RESULTS STRIKES SHOCK (Results give the number of first preferences for each candidate) Just after this photgraph was taken, outside the Queens, 50 Guildsmen and women went to Strikes (a local hamburger PRESIDENT HONORARY SECRETARY restaurant reknowned for its Barney McCabe 404 Chris Veale 138 waiters). As the FELIX Editor John Passmore 757 Liz Lindsay 1,124 was ordering his usual Sirloin Mick Berry 593 Frank James 418 and Chips with a large • Strawberry milkshake; Pat JOHN PASSMORE passed quota after LIZ LINDSAY passed quota on first Leggett, the newly elected allocation of Barney McCabe's and Mick preference vote. Guilds President was involved Berry's votes. in argument over his over FELIX EDITOR zealous use of the relish tray. DEPUTY PRESIDENT Lars Wernberg-Moller 409 The waiter would not allow Pat to Steve Marshall 792 Rachel Snee 1,068 order. Some moments later the John Tidy 616 Paul Williams 589 entire contingent of Guildsmen STEVE MARSHALL passed quota on were asked to leave the RACHEL SNEE passed quota on first reallocation of Lars Wernberg-Moller's restaurant... see page 3. preference vote. votes. Dear Sir Sir respect to the royalty expected. the Coca-Cola trick does not work. However, dipping one's I would just like to say, through With regard to the qualities My slide rule tells me that the your columns, a huge thank you required for leadership in difference between a 35p/tonne union card into ESB has the to everyone who helped me with, industry, I think it could be royalty and a 60p/tonne royalty effect of partially melting the encouraged me with, and laugh- argued that academic superiority would be a substantial £357,000. -
Sir Hugh Casson Interviewed by Cathy Courtney: Full Transcript of the Interview
IN PARTNERSHIP WITH NATIONAL LIFE STORIES LEADERS OF NATIONAL LIFE Sir Hugh Casson Interviewed by Cathy Courtney C408/16 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] IMPORTANT Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ([email protected]) British Library Sound Archive National Life Stories Interview Summary Sheet Title Page Ref no: C408/16/01-24 Playback no: F1084 – F1093; F1156 – F1161; F1878 – F1881; F2837 – F2838; F6797 Collection title: Leaders of National Life Interviewee’s surname: Casson Title: Mr Interviewee’s forename: Hugh Sex: Male Occupation: Architect Date and place of birth: 1910 - 1999 Mother’s occupation: Father’s occupation: Dates of recording: 1990.02.13, 1990.02.16, 1990.02.19, 1990.03.13, 1990.04.19, 1990.05.11, 1990.05.22, 1990.08.28, 1990.07.31, 1990.08.07, 1991.05.22, 1991.06.03, 1991.06.18, 1991.07.13 Location of interview: Interviewer's home, National Sound Archive and Interviewee's home Name of interviewer: Cathy Courtney Type of recorder: Marantz CP430 Type of tape: TDK 60 Mono or stereo: Stereo Speed: N/A Noise reduction: Dolby B Original or copy: Original Additional material: Copyright/Clearance: Interviewer’s comments: Sir Hugh Casson C408/016/F1084-A Page 1 F1084 Side A First interview with Hugh Casson - February 13th, 1990. -
Modern British Aldeburgh Thompson’S
THOMPSON’S ALDEBURGH GALLERY MODERN BRITISH MODERN BRITISH 175 High Street, Aldeburgh, Suffolk. IP15 5AN Tel: +44 (0)1728 453 743 Email: [email protected] 3 Seymour Place, Marylebone, London, W1H 5AZ Tel: +44 (0)207 935 3595 Email: [email protected] www.thompsonsgallery.co.uk MODERN BRITISH The Modern British Art era began after the first World War, an inherently significant cultural period. This epoch saw the rise of painters and sculptors such as Henry Moore, John Piper, Mary Potter, Terry Frost, Sir Robin Philipson, John Bellany, and Mary Fedden to name a few. This period of artistic output contains a range of style and focus- natural subject matter such as landscape and still life remained emphasised; scenes of leisure and enjoyment were prevalent; and those elevating abstraction saw a surge of interest and legitimacy much in part to Picasso’s growing influence. Thompson’s Gallery has proudly specialised in Modern British Art since its founding in 1982, and invite you to enjoy this expertly selected range of works from this pivotal period. 175 High Street, Aldeburgh Suffolk. IP15 5AN Tel: +44 (0)1728 453 743 [email protected] www.thompsonsgallery.com Framed images and the entire exhibition can be viewed on our website, Monday to Friday: 10am - 5pm Saturday:10am - 5pm www.thompsonsgallery.com Sunday:11am - 5pm All paintings are for sale on receipt of this catalogue THOMPSON’S GALLERIES - MODERN BRITISH THOMPSON’S GALLERIES - MODERN BRITISH John Armstrong ARA (1893-1973) John Armstrong is most notable for his Surrealist painting style, debuting in 1928 with a solo show at Leicester Galleries. -
London Pp38 49 4/2/04 1:38 Pm Page 48
London_pp38_49 4/2/04 1:38 pm Page 48 TIMESAVER LONDON! past simple; multi-word verbs London Zoo London Zoo is in Regent’s Park near the centre of London. It’s open every day of the year except Christmas Day. There are 600 different species (kinds) of animals, birds, insects and reptiles there. It has changed a lot since it first opened in 1828, and although many people now think it’s cruel to keep animals in zoos, it’s a good place to protect* animals in danger and to educate people, especially children, about the natural world. Some of the animals became living legends in their lifetimes. Guy the Gorilla Guy got his name from the day when he was born – Guy Fawkes Day (November 5th). He was born in 1947 and arrived at the zoo holding a little metal* hot water bottle. He was very gentle and everyone loved him. When sparrows* flew into his enclosure (the space where he lived), he picked them up* gently in his hand, looked at them closely, and then let them fly away. Signs everywhere told the visitors not to feed the animals, but people gave Guy sweets and he got toothache. He died during an operation* to remove his tooth. There’s a statue of Guy at London Zoo. VOCABULARY CHECK LIST Belinda, the Bird-eating Spider What is it in Belinda died in 1993 when she was 23 years your language? old. She was a great advert* for London Zoo Find out! because she helped hundreds of people to protect conquer* their spider phobia. -
Modern British and Irish Art Montpelier Street, London | 16 September 2020
Modern British and Irish Art Montpelier Street, London | 16 September 2020 Modern British and Irish Art Montpelier Street, London | Wednesday 16 September 2020, at 1pm BONHAMS BIDS ENQUIRIES IMPORTANT INFORMATION Montpelier Street +44 (0) 20 7447 7447 Janet Hardie The United States Government Knightsbridge +44 (0) 20 7447 7401 fax Specialist has banned the import of ivory into London SW7 1HH [email protected] +44 (0) 20 7393 3949 the USA. Lots containing ivory are www.bonhams.com [email protected] indicated by the symbol Ф printed To bid via the internet please beside the lot number in this visit www.bonhams.com Catherine White catalogue. VIEWING Junior Cataloguer Sunday 13 September Please note that bids should be +44 (0) 20 7393 3884 REGISTRATION 11am -3pm submitted no later than 4pm [email protected] IMPORTANT NOTICE Monday 14 September on the day prior to the auction. Please note that all customers, 9am- 4.30pm New bidders must also provide PRESS ENQUIRIES irrespective of any previous activity Tuesday 15 September proof of identity when submitting [email protected] with Bonhams, are required to 9am-4.30pm bids. Failure to do this may result complete the Bidder Registration Wednesday 16 September in your bids not being processed. Form in advance of the sale. The CUSTOMER SERVICES 9am - 11am form can be found at the back of Bidding by telephone will only be Monday to Friday every catalogue and on our website Viewing is by timed appointment accepted on a lot with the lower 8.30am – 6pm at www.bonhams.com and should only, please contact Catherine estimate in excess of £500. -
Camouflage and Surrealism
Ann Elias Camouflage and Surrealism amouflage in the Twenty-first century is a subject and practice of military science, biological science, culture and society. All are contexts in which concealment and deception—the conceptual underpinnings of Ccamouflage—find physical, visual and psychological expression. Camouflage’s ever-increasing associations today with war, nature, and everyday life are apparent in the global escalation of national military patterns, in intensifying interest in the chemistry and physics of animal behaviours and colours, in expanding cooption of military aesthetics for street fashion, and in the growing popularity of camouflage as a conceptual tool for cultural analysis.1 The word itself gradually spread from French into all languages after the First World War (WWI) when France, the first nation in military history, established a formalsection de camouflage.2 By 1925, ‘camouflage’ was increasingly used to identify animal concealment and deception, science’s terminology having become enmeshed with military lingo. Before the war, however, common biological terms were ‘mimicry’ and ‘concealing coloration’, indeed the very terms and natural phenomena that were brought to military attention by naturalists and scientists, including Abbott H. Thayer, for the development of camouflage in WWI.3 This essay is about intersections of nature, art and war but with an emphasis on how post-war European art was impacted by what Paul Fussell called ‘the new stylish foreign word camouflage’ and also by camouflage aesthetics.4 Roy R. Behrens has written extensively on this subject, but Behrens aside there is surprisingly little investigation of camouflage in relation to the European avantgarde of the 1920s and 1930s. -
MODERN BRITISH and IRISH ART | Knightsbridge, London | Tuesday 10 March 2015 22608
RT A RISH I MODERN BRITISH AND 2015 10 March Tuesday Knightsbridge, London MODERN BRITISH AND IRISH ART | Knightsbridge, London | Tuesday 10 March 2015 22608 MODERN BRITISH AND IRISH ART Tuesday 10 March 2015 at 14.00 Knightsbridge, London BONHAMS ENQUIRIES Please see page 2 for bidder IMPORTANT INFORMATION Montpelier Street Emma Corke information including after-sale The United States Government Knightsbridge +44 (0) 20 7393 3949 collection and shipment has banned the import of ivory London SW7 1HH [email protected] into the USA. Lots containing www.bonhams.com Please see back of catalogue ivory are indicated by the symbol Shayn Speed for important notice to bidders Ф printed beside the lot number VIEWING +44 (0) 20 7393 3909 in this catalogue. Sunday 8 March 2015 [email protected] ILLUSTRATION 11.00 – 15.00 Front cover: Lot 110 Monday 9 March 2015 CUSTOMER SERVICES Back cover: Lot 14 09.00 – 16.30 Monday to Friday 08.30 – 18.00 Inside front: Lot 44 Tuesday 10 March 2015 +44 (0) 20 7447 7447 Inside back: Lot 174 09.00 –11.00 SALE NUMBER BIDS 22608 +44 (0) 20 7447 7448 +44 (0) 20 7447 7401 fax CATALOGUE To bid via the internet please visit £12 www.bonhams.com Live online bidding is Please note that bids should be available for this sale submitted no later than 24 hours Please email [email protected] before the sale. with “Live bidding” in the subject line 48 hours before the auction New bidders must also provide to register for this service.