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Bohren & the CLUB of GORE Piano Nights

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Bohren & the CLUB of GORE Piano Nights Album namens 'Cold Reading' zurückzukeh- aus dem Jahre 1968 durch, handelt es sich ren. Und das ist mir glücklicherweise nicht beim 2014er 'Paradise Filter' um ihren drei- entgangen. Kopf der Band ist Keyboarder zehnten Output. Auf dass die Zahl der Band Tony Bronsdon, der mit seinem gefühlvollen Glück bringt! Immerhin gehören sie auch zu Tastenspiel dieses Album dominiert. Auch der Sorte Altprogger, die in den erfolgreichen Gitarrist/Bassist/Keyboarder Tony Lowe war Zeiten schlechte Plattenverträge abschlossen in den Anfängen schon dabei, als neues Mit- und die verkehrten Manager zur Seite stehen glied macht Sänger/Schlagzeuger Will Hack hatten. Es ist ihnen nicht viel Geld zur Alters- das Trio komplett. Wunderbare Keyboards, versorgung geblieben, so dass sie sich zur feines Gitarrenspiel und sehr angenehmer Finanzierung von 'Paradise Filter' von der Gesang - das alles zusammen macht eine aus- Künstlerwebseite 'Pledgemusic' unterstützen gesprochen runde Sache aus dieser überra- ließen. Am 13. August 2013 wurde die Vor- schenden Wiederkehr. Ich nenne mal exem- finanzierung über die treue Caravan-Fange- BOHREn & THE CLUB OF GORE plarisch den Titel 'Fast Decay', eine lustige meinde gestartet und schon am 16. September Piano nights keyboard-dominierte Nummer, die mich bis- konnte Gründungsmitglied Pye Hastings das (Pias / Rough Trade, 2014) weilen schwer an die holländische Formation Erreichen der kalkulierten Produktionskosten Die Entdeckung der Langsamkeit, die uner- Trace um deren Keyboarder Rick van der Lin- bestätigen. Da die zehn Kompositionen mit trägliche Leichtigkeit der Einfachheit (oder den erinnert. Hervorragendes Spiel an der einer gesamten Laufzeit von 49:23 Minuten der Einsamkeit?) - wer sich in ungestörten Orgel, überhaupt nicht verkopft oder völlig im Konzept standen, war der Produktions- 61 Minuten mit Bohren eine Piano Night ver- überladen, sondern einfach nur peppig und prozess in einem Bauernhofstudio in der Can- schafft, dem stehen tatsächlich echte Entde- schön anzuhören. Gefolgt von einem Song, terbury Region bis zum November zügig abge- ckungen ins Haus. Beispielsweise die, wie viel der ein wenig Camel-Feeling versprüht. Was schlossen. Ab Februar 2014 begann der offi- klischeefreie Atmosphäre ein Yamaha-Piano sich aber mal ausnahmsweise nicht auf das zielle Vertrieb. Was erwartet den Proggie nun bzw. Orgel- und Rhodes-Sounds bzw. Vibra- Camel-spezifische Gitarrenspiel bezieht, son- auf Caravans dreizehnter? Nun ja - ich phon, Kontrabass, verwehtes Saxophon und dern auf die Gesamtatmosphäre auf einem bezeichne es mal so, wie es mir mit vielen überwiegend mit Jazzbesen gespieltes Drumkit Album wie 'Moonmadness', denn genau daran aktuellen Outputs der in den frühen siebziger erzeugen können. Oder die Überlegung, wie erinnern Melodieführung und Gesangsparts. Jahren erfolgreichen Progbands geht - die sich ein Film Noir in Musik anhören könnte... Auch 70er Genesis lassen sich gelegentlich Scheibe hat Licht und Schatten. Die kompo- Soviel unpeinliche Melancholie war seit Vegaz' heraushören (bezogen auf Gitarren- und Key- sitorische Güte hat nicht mehr die durchge- letztem Album nicht mehr! Und das Ganze boardarbeit). Aber Bram Stoker sind keine hende Klasse wie auf ihren frühen Werken. noch mit Titeln wie 'Im Rauch', 'Fahr Zur Kopisten, sondern bringen hier modernen Einige Tracks driften ins Poppig-main- Hölle', 'Unrasiert' oder 'Verloren (Alles)'. Wie Symphonic Prog aus dem Jahre 2013 zu streamige ab (z. B. I’m On My Way, Fingers wunderbar. PS: The Club Of Gore is coming Gehör, der zwar an den 70er Stil angelehnt In The Till, Trust Me I’m A Doctor), andere to a club near you in February or March! ist, aber auch heutzutage noch in dieser Form wiederum atmen verstärkt süßliche Balladen- Klaus Reckert funktioniert. Ein sehr feines Album, Respekt! atmosphäre (z.B. Farewell My Old Friend, I’ll Jürgen Meurer Be There For You). Dann gibt es auch starke Kompositionen, bei denen die typischen Cara- van-Trademarks mit jazzig-rockigen Elemen- ten, dem quäkenden Hammondorgelsound und einem elektrisierenden Violinenspiel im Vordergrund stehen. Bis auf das Titelstück, das aus der Feder von Geoffrey Richardson und Jan Schelhaas stammt, wurden alle Stücke von Pye Hastings komponiert. Und gerade der Schlusstrack 'Paradise Filter' war neben 'Dead Man Walking' auf Anhieb einer meiner Lieblingstracks. Zum einen gefällt mir beim Titelstück die warme und sonore Stimme von Geoffrey Richardson sowie sein Flötenspiel BRAM sTOKER richtig gut, zum anderen beinhaltet die sechs- Cold Reading CARAvAn minütige Ballade einen klassischen Caravan- (Sunn Creative, 2013) Paradise Filter Instrumentalpart, der mein Herz höher schla- Dass eine Band namens Bram Stoker Anfang (Eigenproduktion, 2014) gen lässt. Auch wenn die dreizehnte Cara- der 70er in England bei Art Rock Fans ange- Elf Jahre sind schon wieder vergangen, seit- van-Studioscheibe Licht und Schatten wirft, sagt war, war mir bisher völlig entgangen. Es dem die Canterbury-Prog-Urgesteine mit 'The so ist die aktuelle Besetzung um Pye Hastings langte gerade mal zu einem Album, danach Unauthorised Breakfast Item' eine Studio- (Leadgesang, Gitarre) mit Geoffrey Richardson löste man sich auf. Um jetzt, gerade mal mehr scheibe veröffentlicht hatten. Zählt man ihre (Violine, Flöte, Gitarre, Mandoline, Cello, als 40 Jahre später, mit einem fantastischen Studiowerke seit ihrem Debütalbum 'Caravan' Lead- und Backgroundgesang), Jan Schelhaas.
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