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Spencer Sunshine*
Journal of Social Justice, Vol. 9, 2019 (© 2019) ISSN: 2164-7100 Looking Left at Antisemitism Spencer Sunshine* The question of antisemitism inside of the Left—referred to as “left antisemitism”—is a stubborn and persistent problem. And while the Right exaggerates both its depth and scope, the Left has repeatedly refused to face the issue. It is entangled in scandals about antisemitism at an increasing rate. On the Western Left, some antisemitism manifests in the form of conspiracy theories, but there is also a hegemonic refusal to acknowledge antisemitism’s existence and presence. This, in turn, is part of a larger refusal to deal with Jewish issues in general, or to engage with the Jewish community as a real entity. Debates around left antisemitism have risen in tandem with the spread of anti-Zionism inside of the Left, especially since the Second Intifada. Anti-Zionism is not, by itself, antisemitism. One can call for the Right of Return, as well as dissolving Israel as a Jewish state, without being antisemitic. But there is a Venn diagram between anti- Zionism and antisemitism, and the overlap is both significant and has many shades of grey to it. One of the main reasons the Left can’t acknowledge problems with antisemitism is that Jews persistently trouble categories, and the Left would have to rethink many things—including how it approaches anti- imperialism, nationalism of the oppressed, anti-Zionism, identity politics, populism, conspiracy theories, and critiques of finance capital—if it was to truly struggle with the question. The Left understands that white supremacy isn’t just the Ku Klux Klan and neo-Nazis, but that it is part of the fabric of society, and there is no shortcut to unstitching it. -
Anti-Zionism and Antisemitism Cosmopolitan Reflections
Anti-Zionism and Antisemitism Cosmopolitan Reflections David Hirsh Department of Sociology, Goldsmiths, University of London, New Cross, London SE14 6NW, UK The Working Papers Series is intended to initiate discussion, debate and discourse on a wide variety of issues as it pertains to the analysis of antisemitism, and to further the study of this subject matter. Please feel free to submit papers to the ISGAP working paper series. Contact the ISGAP Coordinator or the Editor of the Working Paper Series, Charles Asher Small. Working Paper Hirsh 2007 ISSN: 1940-610X © Institute for the Study of Global Antisemitism and Policy ISGAP 165 East 56th Street, Second floor New York, NY 10022 United States Office Telephone: 212-230-1840 www.isgap.org ABSTRACT This paper aims to disentangle the difficult relationship between anti-Zionism and antisemitism. On one side, antisemitism appears as a pressing contemporary problem, intimately connected to an intensification of hostility to Israel. Opposing accounts downplay the fact of antisemitism and tend to treat the charge as an instrumental attempt to de-legitimize criticism of Israel. I address the central relationship both conceptually and through a number of empirical case studies which lie in the disputed territory between criticism and demonization. The paper focuses on current debates in the British public sphere and in particular on the campaign to boycott Israeli academia. Sociologically the paper seeks to develop a cosmopolitan framework to confront the methodological nationalism of both Zionism and anti-Zionism. It does not assume that exaggerated hostility to Israel is caused by underlying antisemitism but it explores the possibility that antisemitism may be an effect even of some antiracist forms of anti- Zionism. -
Folk for Art's Sake: English Folk Music in the Mainstream Milieu
Volume 4 (2009) ISSN 1751-7788 Folk for Art’s Sake: English Folk Music in the Mainstream Milieu Simon Keegan-Phipps University of Sheffield The English folk arts are currently undergoing a considerable resurgence; 1 practices of folk music, dance and drama that explicitly identify themselves as English are the subjects of increasing public interest throughout England. The past five years have seen a manifold increase in the number of professional musical acts that foreground their Englishness; for the first time since the last 'revival period' of the 1950s and 60s, it is easier for folk music agents to secure bookings for these English acts in England than Scottish and Irish (Celtic) bands. Folk festivals in England are experiencing greatly increased popularity, and the profile of the genre has also grown substantially beyond the boundaries of the conventional 'folk scene' contexts: Seth Lakeman received a Mercury Music Awards nomination in 2006 for his album Kitty Jay; Jim Moray supported Will Young’s 2003 UK tour, and his album Sweet England appeared in the Independent’s ‘Cult Classics’ series in 2007; in 2003, the morris side Dogrose Morris appeared on the popular television music show Later with Jools Holland, accompanied by the high-profile fiddler, Eliza Carthy;1 and all-star festival-headliners Bellowhead appeared on the same show in 2006.2 However, the expansion in the profile and presence of English folk music has 2 not been confined to the realms of vernacular, popular culture: On 20 July 2008, BBC Radio 3 hosted the BBC Proms -
BASTEDO. an Acoustic Band Who Brand Their Style of Music, Simply...‘Suburban Blues’
BASTEDO. An acoustic band who brand their style of music, simply...‘Suburban Blues’. Website: itsbastedo.com; Email: [email protected] Twitter: @itsbastedo; Videos: youtube.com/itsbastedo Facebook: facebook.com/itsbastedo Flickr: Bastedo Images; SoundCloud: soundcloud.com/bastedo Releases: Tough Love EP Credits: Hansesail, SMM, MU Work not Play Campaign, Daily Mail, Interview by Judith Jacobs, Alexandra Bastedo Animal Sanctuary with Simon Mulligan (Internationally renowned Classical Pianist) & Steve Rubie (606 club Chelsea), Beck Theatre, Proud Galleries, Troubadour, The Vineyard, EcoVelocity, Lord Mayor’s Show… What is Suburban Blues? Recognisable blues themes, sensibilities and sentiments with a fresh soulful twist, by way of the London suburbs. “We have coined the term SQUISH, to describe the songwriting and performance style, that is: Soulful, Quirky, Unique, Intelligent, Sophisticated and Heartfelt.” Who are Bastedo? Permanent Bastedo members are lead singer and founding member Alex Watson with vocalists Sophia Toomey and Celia Chriette providing vocal harmonies and aural treats. "We work with a range of musicians depending on the project or occasion, but the guitar and 3 vocals is our main line up. Bastedo perform mainly original songs however in amongst their original work you will often hear a selection of carefully chosen covers. All are infused with Bastedo flavour. That is gorgeous 3 part harmonies and indominatable spirit. "It would be a shame not to take advantage of the massive catalogue of amazing and beautiful songs out there in the ether. We love singing and performing and more often than not, we include cover versions of songs we like and feel will inspire our audience and provide knowing reference points alongside our original material." Love of music has brought Bastedo together, but friendship and the shared love of music keeps them together. -
PAUL YOUNG in the Middle of the 1980S, Paul Young Became One Of
PAUL YOUNG In the middle of the 1980s, Paul Young became one of the biggest pop stars in the world, creating a body of work that endures to this day. A blend of the old school and new school, he was the epitome of someone who had worked his way up from – quite literally – the factory floor to become a superstar, scoring number one singles on both sides of the Atlantic. When he broke through in 1983, his Anthony Price besuited look was one of two iconic pop images in the UK that year. The other was David Bowie, then under his serious moonlight. Paul Young was born in the rock’n’roll era and grew up during the beat boom. Born in Luton in January 1956, he took piano lessons, was a self- taught guitarist, and as a teenager, fell under the thrall of Island Records. Young loved Free and because of them, he began listening to things around the margins, things that they listened to. He wanted to play bass like Andy Fraser and sing like Paul Rodgers. “I was always drawn towards to blues and soul.” Young recalls. “Even though Free had had a hit with ‘All Right Now’, they were a blues band, they knew they needed a pop song, so they wrote a pop song, and it was a hit. But when you look at their other stuff, they went straight back to the blues.” In 1972, aged 16, Young took up a position at the Vauxhall manufacturing plant in Luton, serving an apprenticeship just like his father before him. -
June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices. -
ARTS EVENTS the Talbot Theatre Whitchurch Leisure Centre Heath Road SY13 2BY 01948 660660
ARTS EVENTS The Talbot Theatre Whitchurch Leisure Centre Heath Road SY13 2BY 01948 660660 TUESDAY 26TH APRIL 7.30PM ‘THE DRESSMAKER’ (12A) 1hr 58mins A stylish drama based on Rosalie Ham’s best-selling novel. The Dressmaker is the story of femme fatale Tilly Dunnage (Kate Winslet) who returns to her small hometown in the country to right the wrongs of the past. TUESDAY 3RD MAY 7.30PM ‘DAD’S ARMY’ (U) 1hr 40 mins A cinema remake of the classic sitcom with a stellar cast including Michael Gambon, Toby Jones, Bill Nighy, Catherine Zeta Jones and Tom Courtenay. The Walmington-on-Sea Home Guard platoon deal with a visiting female journalist and a German spy at the end of World War II. FRIDAY 20TH MAY 7.30PM ‘A WALK IN THE WOODS’ (15) 1hr 45 mins This biographical adventure-comedy will be shown in conjunction with Whitchurch Walking Festival. After spending two decades in England, Bill Byson returns to the US where he decides that the best way to connect with his homeland is to hike the Appalachian Trail with one of his oldest friends. SATURDAY 21ST MAY 8PM NORTH SHROPSHIRE FOLK PRESENTS ‘SAM CARTER’ Sam Carter is a singer/songwriter in constant demand for his captivating live performances. A Horizon Award-winner for Best Newcomer at the 2010 BBC Radio 2 Folk Awards, he has toured with Bellowhead and performs with Jim Moray in their new contemporary electric folk band False Lights. ‘The finest English-style finger-picking guitarist of his generation’ - Jon Boden. Tickets £12 (£10) TUESDAY 24TH MAY 7.30PM ‘SPOTLIGHT’ (15) 2 hrs 8mins Winner of Best Picture at the Oscars and Best Original Screenplay at both the Oscars and BAFTAs. -
Dougie Maclean the Wilson Family Granny’S Attic Mrsackroyd Rheingans Sisters Moore, Moss & Rutter Anthony John Clarke
Cleckheaton, West Yorkshire Dougie MacLean The Wilson Family Granny’s Attic MrsAckroyd Rheingans Sisters Moore, Moss & Rutter Anthony John Clarke Concerts, Singarounds, Ceilidh, Parade, Morris Sides, Sunday Fun Day, Street Entertainment and lots lots more … A warm and friendly Festival in the heart of West Yorkshire Come along and join in the fun Supported by Online Tickets from Dougie MacLean (Sat 7th July 2018) “Dougie MacLean is Scotland's pre-eminent singer-songwriter and a national musical treasure” (SingOut USA) who has developed a unique blend of lyrical, 'roots based' songwriting and instrumental composition. He is internationally renowned for his song 'Caledonia', music for 'Last of the Mohicans' and inspired performances. His songs have been covered by Paolo Nutini, Amy MacDonald, Ronan Keating, Mary Black, Frankie Miller, Cara Dillon, Kathy Mattea and many other top performers. He has received two prestigious Tartan Clef Awards, a place in the Scottish Music Hall of Fame, a Lifetime Achievement Award from BBC Radio 2 Folk Awards and an OBE! The Wilson Family (Saturday 7th July 2018) The Wilson Family were very honoured to be the latest recipients to have been awarded the EFDSS Gold Badge Award in October 2017. The glorious, powerful, vocal harmony of The Wilson Family of Billingham, Teesside has rung out in folk clubs and festivals continuously for the last 40+ years. The Brothers sing traditional and traditionally-orientated songs, with deep understanding, joy and good humour. It will be good to have them back in Cleckheaton Granny’s Attic (Sat 7th July 2018) Cohen Braithwaite-Kilcoyne (Melodeon, Concertina, Vocals), George Sansome (Guitar, Vocals) and Lewis Wood (Fiddle, Vocals) – are a folk trio who play the tradition with verve, energy and their own inimitable style. -
SANDY DENNY UNDER REVIEW: an Independent Critical Analysis, Limited Collectors Edition
SANDY DENNY UNDER REVIEW: An Independent Critical Analysis, Limited Collectors Edition The difference between a critical analysis of {$Sandy Denny} or {$The Velvet Underground} and {$The Rolling Stones} is that with a lot less information available on this extraordinary singer the audience is more limited. The good news is that this edition of the "Under Review" series actually lives up to the documentary status it claims, and does, indeed, hold one's attention and inform better than the {^Green Day: Under Review 1995-2000 The Middle Years}, which is basically a bunch of critics blowing lots of hot air. It seems with these "DVD/Fanzine" type commentaries that the lesser known the subject matter, the better the critique. Denny is a singer that deserves so much more acclaim and study, and this is an excellent starting point, as is the {$Kate Bush} "Under Review", and even the {$David Bowie} {^Under Review 1976-79 Berlin} analysis which concentrates on his dark but fun period. {$Fairport Convention} fiddler {$Dave Swarbrick}, journeyman {$Martin Carthy}, {$Cat Stevens} drummer {$Gerry Conway} of Denny's band, {$Fotheringay} and {$Pentangle}'s {$John Renbourn} contribute as does {$Fairport Convention} biographer {$Patrick Humphries}. That's the extra effort missing in some of these packages which makes this close to two hour presentation all the more interesting. Perhaps more important than the very decent {$Kate Bush} analysis by the {^Under Review} team, there's a "Limited Collector's Edition" with a cardboard slipcover. It's a very classy presentation and a very important history that deserves shelf space in any good library. -
UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat. -
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11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer. -
Fasanojazz 2015 26 Maggio Al 12 Giugno
MERCOLEDì 22 APRILE 2015 Diciotto anni di Fasano Jazz! Il popolare festival di Fasano (BR) compie la maggiore età e per la diciottesima edizione propone il consueto e apprezzato programma di lusso, un cartellone ricco di novità in scena dal FasanoJazz 2015 26 maggio al 12 giugno. Quella del 2015 è un'edizione attesissima, che conferma le scelte coinvolgenti e appassionate della direzione artistica XVIII Edizione dal 26 maggio-12 giugno 2015. Il di Domenico De Mola: musica di qualità, ingressi gratuiti e prezzi festival compie la maggiore età! popolari, location affascinanti in una vera e propria cittadella del jazz e del rock. Quest'anno poi, oltre al sito www.fasanojazz.it, il festival si avvale anche della App per Android 'FasanoJazz': gratuita, creata con gli studenti dell'IISS Salvemini di Fasano e reperibile su Play Store di Google, CRISTIAN PEDRAZZINI con informazioni, immagini e un simpatico giochino per appassionati jazz e prog. L'evento di punta dell'edizione n. 18 è l'unica data estiva al centrosud dei leggendari Caravan. Da anni Fasano Jazz ha lanciato un autentico gemellaggio musicale con la città di Canterbury: le varie incarnazioni dei Soft Machine, gli Hatfield and The North, Richard Sinclair, Jimmy [email protected] Hastings e i Gong del compianto Daevid Allen (al quale il festival è SPETTACOLINEWS.IT dedicato) sono alcuni dei nomi provenienti dalla scena di Canterbury che hanno partecipato con successo al festival, ma mancavano all'appello i fondamentali Caravan. Inarrestabili dal 1968, emblematici in quell'abbraccio tra jazz e rock tipico del Canterbury Sound e tanto amato a Fasano, si esibiranno al Teatro Kennedy lunedì 1 giugno nella formazione del 2015, capitanata come sempre dal carismatico Pye Hastings e dal violinista Geoffrey Richardson.