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Narration on Ethnic Jewellery of Kerala-Focusing on Design, Inspiration and Morphology of Motifs
Journal of Textile Engineering & Fashion Technology Review Article Open Access Narration on ethnic jewellery of Kerala-focusing on design, inspiration and morphology of motifs Abstract Volume 6 Issue 6 - 2020 Artefacts in the form of Jewellery reflect the essence of the lifestyle of the people who Wendy Yothers,1 Resmi Gangadharan2 create and wear them, both in the historic past and in the living present. They act as the 1Department of Jewellery Design, Fashion Institute of connecting link between our ancestors, our traditions, and our history. Jewellery is used- Technology, USA -both in the past and the present-- to express the social status of the wearer, to mark 2School of Architecture and Planning, Manipal Academy of tribal identity, and to serve as amulets for protection from harm. This paper portrays the Higher Education, Karnataka, India ethnic ornaments of Kerala with insights gained from examples of Jewellery conserved in the Hill Palace Museum and Kerala Folklore Museum, in Cochin, Kerala. Included are Correspondence: Wendy Yothers, Department of Jewellery Thurai Balibandham, Gaurisankara Mala, Veera Srunkhala, Oddyanam, Bead necklaces, Design, Fashion Institute of Technology, New York, USA, Nagapadathali and Temple Jewellery. Whenever possible, traditional Jewellery is compared Email with modern examples to illustrate how--though streamlined, traditional designs are still a living element in the Jewellery of Kerala today. Received: October 17, 2020 | Published: December 14, 2020 Keywords: ethnic ornaments, Kerala jewellery, sarpesh, gowrishankara mala, veera srunkhala Introduction Indian cultures have used Jewellery as a strong medium to reflect their rituals. The design motifs depicted on the ornaments of India Every artifact has a story to tell. -
Use and Applications of Draping in Turkey's
USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION DUYGU KOCABA Ş MAY 2010 USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF IZMIR UNIVERSITY OF ECONOMICS BY DUYGU KOCABA Ş IN PARTIAL FULFILLMENTOF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF DESIGN IN THE GRADUATE SCHOOL OF SOCIAL SCIENCES MAY 2010 Approval of the Graduate School of Social Sciences ...................................................... Prof. Dr. Cengiz Erol Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Design. ...................................................... Prof. Dr. Tevfik Balcıoglu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adaquate, in scope and quality, as a thesis for the degree of Master of Design. ...................................................... Asst. Prof. Dr. Şölen Kipöz Supervisor Examining Committee Members Asst. Prof. Dr. Duygu Ebru Öngen Corsini ..................................................... Asst. Prof. Dr. Nevbahar Göksel ...................................................... Asst. Prof. Dr. Şölen Kipöz ...................................................... ii ABSTRACT USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION Kocaba ş, Duygu MDes, Department of Design Studies Supervisor: Asst. Prof. Dr. Şölen K İPÖZ May 2010, 157 pages This study includes the investigations of the methodology and applications of draping technique which helps to add creativity and originality with the effects of experimental process during the application. Drapes which have been used in different forms and purposes from past to present are described as an interaction between art and fashion. Drapes which had decorated the sculptures of many sculptors in ancient times and the paintings of many artists in Renaissance period, has been used as draping technique for fashion design with the contributions of Madeleine Vionnet in 20 th century. -
Claw® Ii Polyaxial Compression Plating System 150871-0
EN CLAW® II POLYAXIAL COMPRESSION PLATING SYSTEM 150871-0 The following languages are included in this packet: English (en) Deutsch (de) Nederlands (nl) Français (fr) Español (es) Italiano (it) Português (pt) 中文- Chinese (sch) Türkçe (tk) For additional languages, visit our website www.wmt.com. Then click on the Prescribing Information option. For additional information and translations please contact the manufacturer or local distributor. M C 0086* P Wright Medical Technology, Inc. Wright Medical UK Ltd 1023 Cherry Road 3rd Avenue Memphis, TN 38117 Letchworth U.S.A Herts, SG6 2JF UK * The CE-Marking of Conformity is applied per catalog number and appears on the outer label, if applicable. October 2013 Printed in U.S.A. Attention Operating Surgeon IMPORTANT MEDICAL INFORMATION WRIGHT MEDICAL CLAW®II POLYAXIAL COMPRESSION PLATING SYSTEM (150871-0) OUTLINE: I. GENERAL PRODUCT INFORMATION A. CONTRAINDICATIONS B. POTENTIAL COMPLICATIONS AND ADVERSE REACTIONS C. PRECAUTIONS D. HANDLING AND STERILIZATION E. STORAGE CONDITIONS II. SPECIFIC PRODUCT INFORMATION A. CLAW® II POLYAXIAL COMPRESSION PLATING SYSTEM DEFINITIONS Symbols and abbreviations may be used on the package label. The following table provides the definition of these symbols and abbreviations. Table 1. Definitions of Symbols and Abbreviations Symbol Definition g Batch code h Catalog number D Do not re-use Y Caution, consult accompanying documents i Consult operating instructions H Use by l Temperature limitation p Keep dry Keep away from sunlight N Date of manufacture 2 M Manufacturer P Authorized EC Representative in the European Community I Sterilized using ethylene oxide K Sterilized using radiation STERILE GAS Sterilized using gas plasma J Sterilized using aseptic processing techniques Do not use if packaging is ripped or damaged For prescription use only Abbreviation Material Ti Titanium Ti6Al4V Titanium Alloy CoCr Cobalt Chrome Alloy SS Stainless Steel UHMWPE Ultra High Molecular Weight Polyethylene 3 I. -
JEWELLERY TREND REPORT 3 2 NDCJEWELLERY TREND REPORT 2021 Natural Diamonds Are Everlasting
TREND REPORT ew l y 2021 STATEMENT J CUFFS SHOULDER DUSTERS GENDERFLUID JEWELLERY GEOMETRIC DESIGNS PRESENTED BY THE NEW HEIRLOOM CONTENTS 2 THE STYLE COLLECTIVE 4 INDUSTRY OVERVIEW 8 STATEMENT CUFFS IN AN UNPREDICTABLE YEAR, we all learnt to 12 LARGER THAN LIFE fi nd our peace. We seek happiness in the little By Anaita Shroff Adajania things, embark upon meaningful journeys, and hold hope for a sense of stability. This 16 SHOULDER DUSTERS is also why we gravitate towards natural diamonds–strong and enduring, they give us 20 THE STONE AGE reason to celebrate, and allow us to express our love and affection. Mostly, though, they By Sarah Royce-Greensill offer inspiration. 22 GENDERFLUID JEWELLERY Our fi rst-ever Trend Report showcases natural diamonds like you have never seen 26 HIS & HERS before. Yet, they continue to retain their inherent value and appeal, one that ensures By Bibhu Mohapatra they stay relevant for future generations. We put together a Style Collective and had 28 GEOMETRIC DESIGNS numerous conversations—with nuance and perspective, these freewheeling discussions with eight tastemakers made way for the defi nitive jewellery 32 SHAPESHIFTER trends for 2021. That they range from statement cuffs to geometric designs By Katerina Perez only illustrates the versatility of their central stone, the diamond. Natural diamonds have always been at the forefront of fashion, symbolic of 36 THE NEW HEIRLOOM timelessness and emotion. Whether worn as an accessory or an ally, diamonds not only impress but express how we feel and who we are. This report is a 41 THE PRIDE OF BARODA product of love and labour, and I hope it inspires you to wear your personality, By HH Maharani Radhikaraje and most importantly, have fun with jewellery. -
The Jewellery Market in the Eu
CBI MARKET SURVEY: THE JEWELLERY MARKET IN THE EU CBI MARKET SURVEY THE JEWELLERY MARKET IN THE EU Publication date: September 2008 CONTENTS REPORT SUMMARY 2 INTRODUCTION 5 1 CONSUMPTION 6 2 PRODUCTION 18 3 TRADE CHANNELS FOR MARKET ENTRY 23 4 TRADE: IMPORTS AND EXPORTS 32 5 PRICE DEVELOPMENTS 44 6 MARKET ACCESS REQUIREMENTS 48 7 OPPORTUNITY OR THREAT? 51 APPENDICES A PRODUCT CHARACTERISTICS 53 B INTRODUCTION TO THE EU MARKET 56 C LIST OF DEVELOPING COUNTRIES 57 This survey was compiled for CBI by Searce Disclaimer CBI market information tools: http://www.cbi.eu/disclaimer Source: CBI Market Information Database • URL: www.cbi.eu • Contact: [email protected] • www.cbi.eu/disclaimer Page 1 of 58 CBI MARKET SURVEY: THE JEWELLERY MARKET IN THE EU Report summary This survey profiles the EU market for precious jewellery and costume jewellery. The precious jewellery market includes jewellery pieces made of gold, platinum or silver all of which can be in plain form or with (semi-) precious gemstones, diamonds or pearls. The costume jewellery market includes imitation jewellery pieces of base metal plain or with semi-precious stones, glass, beads or crystals. It also includes imitation jewellery of any other material, cuff links and hair accessories. This survey excludes second-hand jewellery and luxury goods such as gold and silver smith’s ware (tableware, toilet ware, smokers’ requisites etc.) and watches. Consumption Being the second largest jewellery market after the USA, the EU represented 20% of the world jewellery market in 2007. EU consumers spent € 23,955 million with Italy, UK, France and Germany making up the lion’s share (70%). -
2020-1 Mountain Man Jewelry—Realistic
2020-1 Mountain Man Jewelry—Realistic REALISTIC BEAR CLAW The Realistic Claw and Tooth Pendants look so real that they have even fooled conservation officers! & TOOTH NECKLACES They come on a 32” deerskin neckstrap. All multi-claw necklaces have oxidized (antiqued) brass beads, as do the single-claw grizzly and polar bear necklaces. All of the other single-claw necklaces have a glass crow bead. (Deer: Odocoileus virginianus, wild). These are NOT Native assembled. Non-Indian Assembled in the USA REALISTIC POLAR BEAR 560-101 560-201 560-105 CLAW NECKLACES Bear Claw Bear Tooth Bear Claw Code Description Price 560-101 Realistic Bear Claw Necklace:1-Claw $ 5.22 560-103 Realistic Bear Claw Necklace:3-Claw $15.34 560-105 Realistic Bear Claw Necklace:5-Claw $21.42 560-110 Realistic Bear Claw Necklace:10-Claw $36.47 560-120 Realistic Bear Claw Necklace:20-Claw $72.93 560-803 560-805 560-201 Realistic Bear Tooth Necklace:1-Tooth $ 5.22 560-801 560-203 Realistic Bear Tooth Necklace:3-Tooth $15.34 560-205 Realistic Bear Tooth Necklace:5-Tooth $21.42 Code Description Price 560-210 Realistic Bear Tooth Necklace:10-Tooth $36.47 560-801 Realistic Polar Bear Claw Necklace:1-Claw $ 15.34 560-220 Realistic Bear Tooth Necklace:20-Tooth $72.93 560-803 Realistic Polar Bear Claw Necklace:3-Claw $ 42.55 560-805 Realistic Polar Bear Claw Necklace:5-Claw $ 54.69 560-810 Realistic Polar Bear Claw Necklace:10-Claw $109.40 560-820 Realistic Polar Bear Claw Necklace:20-Claw $218.79 REALISTIC GRIZZLY BEAR CLAW NECKLACES REALISTIC WOLF CLAW NECKLACES 5.75” long! 560-401 -
For Creative Minds
For Creative Minds The For Creative Minds educational section may be photocopied or printed from our website by the owner of this book for educational, non-commercial uses. Cross-curricular teaching activities, interactive quizzes, and more are available online. Go to www.ArbordalePublishing.com and click on the book’s cover to explore all the links. You may not have seen a quartz crystal like the one that Julie found in this story, but you’ve probably seen quartz. Tan beach sand is mostly quartz that has weathered into tiny bits. Quartz is one of the most common minerals on earth. A mineral is a natural solid that has its own chemical makeup and crystal structure. Minerals are the “building blocks” of our world. They can be metal ores like silver and gold, or they can be crystals like the quartz that Julie found. The salt you put on your food is a mineral too. Plant, animal, or mineral? A matching activity Minerals are combined together to make different things, both in nature (rocks) and by humans. Which of these things come from or are made from plants, animals, or minerals? steak tan beach sand chalk eggs cotton t-shirt salad jewelry orange juice wool sweater jewelry sand, beach tan chalk, Minerals: Animals: steak, egg, wool sweater wool egg, steak, Animals: Plants: salad, orange juice, cotton t-shirt cotton juice, orange salad, Plants: Become a rockhound! Searching for rocks and minerals can be lots of fun. However, you should get permission from the person who owns the land where you will be searching. -
Newsletter September 2020.Cdr
ISSUE 33: September 2020 For Private Circulation Only A Unit of CapsGold. Estd.: 1901 Our Two Cents A N I N F O R M A T I V E N E W S L E T T E R B Y K A L A S H A Dear Readers, Seasons Greetings, September has been a rollercoaster ride for us, exciting & adventurous! We are super excited to present you our new festive collection of this season. Well known tollywood actress Archana Veda has launched our festive collection. The collection was launched with great pomp and joy while taking safety precautions and maintaining all social distancing norms by govt. Exquisite diamond jewellery crafted to perfection, royal heritage Jadau jewellery and handcrafted gold bridal collection were showcased at the launch. Archana looked astonishing in finely made brilliant cut diamond and emerald bridal jewellery which consists of board choker matching long necklace, jumkas, bangles, maang tikka and rings. Good news to all the jewellery loving NRI's out there! Introducing free shipping to USA, shop for your favourite jewellery through a video and we will ship it directly to your doorstep. How does it work? Choose the jewellery you want to buy through our video calling app or any of your family, friends can come over to the store and choose the necklace for you. Pay online and we will be adding your order to our monthly shipment package shipped 25th of every month. That's how you get your jewellery shipped directly to you. We have a lovely surprise coming up for you guys stay tuned and follow us on social media to get the latest updates. -
JEWELS of the EDWARDIANS by Elise B
JEWELS OF THE EDWARDIANS By Elise B. Misiorowski and Nancy K. Hays Although the reign of King Edward VII of ver the last decade, interest in antique and period jew- Great Britain was relatively short (1902- elry has grown dramatically. Not only have auction 1910), the age that bears his name produced 0 houses seen a tremendous surge in both volume of goods distinctive jewelry and ushered in several sold and prices paid, but antique dealers and jewelry retail- new designs and manufacturing techniques. ers alikereportthat sales inthis area of the industry are During this period, women from the upper- excellent and should continue to be strong (Harlaess et al., most echelons of society wore a profusion of 1992). As a result, it has become even more important for extravagant jewelry as a way of demon- strating their wealth and rank. The almost- jewelers and independent appraisers to understand-and exclusive use of platinum, the greater use of know how to differentiate between-the many styles of pearls, and the sleady supply of South period jewelry on the market. African diamonds created a combination Although a number of excellent books have been writ- that will forever characterize Edwardian ten recently on various aspects of period jewelry, there are jewels. The Edwardian age, truly the last so many that the search for information is daunting. The era of the ruling classes, ended dramatically purpose of this article is to provide an overview of one type with the onset of World War I. of period jewelry, that of the Edwardian era, an age of pros- perity for the power elite at the turn of the 19th century. -
Freedom of Expression and School Dress Codes: South African and International Perspectives
FREEDOM OF EXPRESSION AND SCHOOL DRESS CODES: SOUTH AFRICAN AND INTERNATIONAL PERSPECTIVES KEN ALSTON† UNIVERSITY OF FORT HARE, EAST LONDON, SOUTH AFRICA South Africa’s very liberal entrenched Constitution1 is just ten years old. With it have come far reaching legal implications for the entire South African community, from the declaring of a critical concept in customary society to be unconstitutional, to what boys and girls may wear to school. The paper begins with an explanation of the power of the South African Constitution. This sets the scene for examining school dress codes in respect of school uniforms, hairstyles and jewellery. The Constitution declares that ‘everyone has the right to freedom of expression’ while the National Education Department, in its guidelines to schools on developing codes of conduct, specifically refers to freedom of expression as including dress and hairstyles. In order to comprehend the extent of this entrenched right it is essential to see it against the backdrop of the founding principles of the Constitution, namely dignity, equality and freedom, principles reiterated three times in the Bill of Rights. School dress codes in four other countries receive particular attention and provide a broader perspective and motivation for some of the original work done on this topic in South Africa. Reference is made to a number of reported incidents involving elements of dress codes in South African schools and special mention is made of the case of Antonie v Settler’s High School Governing Body 2002 (4) 738 (C), the one High Court judgment particularly relevant to dress codes and their place in the context of teaching and learning. -
Ancient Civilizations Huge Infl Uence
India the rich ethnic mix, and changing allegiances have also had a • Ancient Civilizations huge infl uence. Furthermore, while peoples from Central Asia • The Early Historical Period brought a range of textile designs and modes of dress with them, the strongest tradition (as in practically every traditional soci- • The Gupta Period ety), for women as well as men, is the draping and wrapping of • The Arrival of Islam cloth, for uncut, unstitched fabric is considered pure, sacred, and powerful. • The Mughal Empire • Colonial Period ANCIENT CIVILIZATIONS • Regional Dress Harappan statues, which have been dated to approximately 3000 b.c.e. , depict the garments worn by the most ancient Indi- • The Modern Period ans. A priestlike bearded man is shown wearing a togalike robe that leaves the right shoulder and arm bare; on his forearm is an armlet, and on his head is a coronet with a central circular decora- ndia extends from the high Himalayas in the northeast to tion. Th e robe appears to be printed or, more likely, embroidered I the Karakoram and Hindu Kush ranges in the northwest. Th e or appliquéd in a trefoil pattern. Th e trefoil motifs have holes at major rivers—the Indus, Ganges, and Yamuna—spring from the the centers of the three circles, suggesting that stone or colored high, snowy mountains, which were, for the area’s ancient inhab- faience may have been embedded there. Harappan female fi gures itants, the home of the gods and of purity, and where the great are scantily clad. A naked female with heavy bangles on one arm, sages meditated. -
Jza Magazine Issue 2021
Officially endorsed by the Jewellery Council of South Africa (JCSA) Regency Rocks 2021 AUTUMN Magical win charms with Tsogo Sun Silver Linings Storybook Now serving fabulousness! Photo by Karina Tess on Unsplash All that glitters . and more Subscribe for FREE! Email your full name and contact number to [email protected] 2 Of course, in a world which is frequently resetting itself – A note from the regardless of season – and in which we ourselves search for different ways to re-emerge, EDITOR- colour is a welcome tonic for the body, mind and soul. So the canvas of the storybook IN-CHIEF you're about to feast your eyes upon has been painted with passion, life, love and even laughter. Our paintbrush Saturday, 20 March is the is called “jewellery” and it’s all in colour! autumnal equinox in South Africa. And Team JZA is rather delighted Across the blue seas, we welcome Smitha Sadanandan as that this issue not only echoes our Editor-at-Large, who reminded me: “It doesn’t matter if the spectrum of the season’s it’s autumn – who doesn’t like ice-cream!?” gorgeous hues of gold, orange, And on that note, enjoy our serving of fabulousness! yellow, burgundy and brown, but pays equal attention to the rest of nature’s wonderful palette. Although, with the autumn breezes in the air, we might sway over a little to the odd Editor-in-Chief favourite or two (or three)… Jason Aarons Smitha Sadanandan Adri Viviers Gill Hyslop JZA's Editor-at-Large is Chicago- Adri is Editor of JZA’s sister Gill has been in the publishing based Smitha – a freelance magazine, SA Jewellery News industry for more than 30 years, journalist specialising in the (SAJN), the official publication of having worked on numerous B2B luxury industry.