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Narration on Ethnic Jewellery of Kerala-Focusing on Design, Inspiration and Morphology of Motifs
Journal of Textile Engineering & Fashion Technology Review Article Open Access Narration on ethnic jewellery of Kerala-focusing on design, inspiration and morphology of motifs Abstract Volume 6 Issue 6 - 2020 Artefacts in the form of Jewellery reflect the essence of the lifestyle of the people who Wendy Yothers,1 Resmi Gangadharan2 create and wear them, both in the historic past and in the living present. They act as the 1Department of Jewellery Design, Fashion Institute of connecting link between our ancestors, our traditions, and our history. Jewellery is used- Technology, USA -both in the past and the present-- to express the social status of the wearer, to mark 2School of Architecture and Planning, Manipal Academy of tribal identity, and to serve as amulets for protection from harm. This paper portrays the Higher Education, Karnataka, India ethnic ornaments of Kerala with insights gained from examples of Jewellery conserved in the Hill Palace Museum and Kerala Folklore Museum, in Cochin, Kerala. Included are Correspondence: Wendy Yothers, Department of Jewellery Thurai Balibandham, Gaurisankara Mala, Veera Srunkhala, Oddyanam, Bead necklaces, Design, Fashion Institute of Technology, New York, USA, Nagapadathali and Temple Jewellery. Whenever possible, traditional Jewellery is compared Email with modern examples to illustrate how--though streamlined, traditional designs are still a living element in the Jewellery of Kerala today. Received: October 17, 2020 | Published: December 14, 2020 Keywords: ethnic ornaments, Kerala jewellery, sarpesh, gowrishankara mala, veera srunkhala Introduction Indian cultures have used Jewellery as a strong medium to reflect their rituals. The design motifs depicted on the ornaments of India Every artifact has a story to tell. -
Use and Applications of Draping in Turkey's
USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION DUYGU KOCABA Ş MAY 2010 USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF IZMIR UNIVERSITY OF ECONOMICS BY DUYGU KOCABA Ş IN PARTIAL FULFILLMENTOF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF DESIGN IN THE GRADUATE SCHOOL OF SOCIAL SCIENCES MAY 2010 Approval of the Graduate School of Social Sciences ...................................................... Prof. Dr. Cengiz Erol Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Design. ...................................................... Prof. Dr. Tevfik Balcıoglu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adaquate, in scope and quality, as a thesis for the degree of Master of Design. ...................................................... Asst. Prof. Dr. Şölen Kipöz Supervisor Examining Committee Members Asst. Prof. Dr. Duygu Ebru Öngen Corsini ..................................................... Asst. Prof. Dr. Nevbahar Göksel ...................................................... Asst. Prof. Dr. Şölen Kipöz ...................................................... ii ABSTRACT USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION Kocaba ş, Duygu MDes, Department of Design Studies Supervisor: Asst. Prof. Dr. Şölen K İPÖZ May 2010, 157 pages This study includes the investigations of the methodology and applications of draping technique which helps to add creativity and originality with the effects of experimental process during the application. Drapes which have been used in different forms and purposes from past to present are described as an interaction between art and fashion. Drapes which had decorated the sculptures of many sculptors in ancient times and the paintings of many artists in Renaissance period, has been used as draping technique for fashion design with the contributions of Madeleine Vionnet in 20 th century. -
JEWELLERY TREND REPORT 3 2 NDCJEWELLERY TREND REPORT 2021 Natural Diamonds Are Everlasting
TREND REPORT ew l y 2021 STATEMENT J CUFFS SHOULDER DUSTERS GENDERFLUID JEWELLERY GEOMETRIC DESIGNS PRESENTED BY THE NEW HEIRLOOM CONTENTS 2 THE STYLE COLLECTIVE 4 INDUSTRY OVERVIEW 8 STATEMENT CUFFS IN AN UNPREDICTABLE YEAR, we all learnt to 12 LARGER THAN LIFE fi nd our peace. We seek happiness in the little By Anaita Shroff Adajania things, embark upon meaningful journeys, and hold hope for a sense of stability. This 16 SHOULDER DUSTERS is also why we gravitate towards natural diamonds–strong and enduring, they give us 20 THE STONE AGE reason to celebrate, and allow us to express our love and affection. Mostly, though, they By Sarah Royce-Greensill offer inspiration. 22 GENDERFLUID JEWELLERY Our fi rst-ever Trend Report showcases natural diamonds like you have never seen 26 HIS & HERS before. Yet, they continue to retain their inherent value and appeal, one that ensures By Bibhu Mohapatra they stay relevant for future generations. We put together a Style Collective and had 28 GEOMETRIC DESIGNS numerous conversations—with nuance and perspective, these freewheeling discussions with eight tastemakers made way for the defi nitive jewellery 32 SHAPESHIFTER trends for 2021. That they range from statement cuffs to geometric designs By Katerina Perez only illustrates the versatility of their central stone, the diamond. Natural diamonds have always been at the forefront of fashion, symbolic of 36 THE NEW HEIRLOOM timelessness and emotion. Whether worn as an accessory or an ally, diamonds not only impress but express how we feel and who we are. This report is a 41 THE PRIDE OF BARODA product of love and labour, and I hope it inspires you to wear your personality, By HH Maharani Radhikaraje and most importantly, have fun with jewellery. -
Fellows PB 14Th Dec 17.Indd
Pawnbroker Watches & Jewellery Thursday 14th December 2017 Pawnbroker Watches & Jewellery Thursday 14th December 2017 Index Harvey & Thompson Watches 1400-1537 Harvey & Thompson West Bromwich 3290-3336 Speedloan Watches 1538-1550 Harvey & Thompson Willesden 3337-3372 No Lots 1551-1599 Harvey & Thompson Wolverhampton 2 3373-3390 Harvey & Thompson Acton 1600-1610 Harvey & Thompson Woodgreen 3391-3439 Harvey & Thompson Birkenhead 1611-1632 Harvey & Thompson Woolwich 3440-3518 Harvey & Thompson Brighton 1633-1658 Harvey & Thompson Worksop 3519-3526 Harvey & Thompson Brixton 1659-1689 Harvey & Thompson Watford 3527-3559 Harvey & Thompson Bull Street 1690-1714 Harvey & Thompson Welling 3560-3591 Harvey & Thompson Camberwell 1715-1744 Harvey & Thompson Birmingham 3591-3631 Harvey & Thompson Chelmsford 1745-1760 Harvey & Thompson Clapton 3633-3661 Harvey & Thompson Croydon West Kiosk 1761-1767 Harvey & Thompson Crawley 3662-3707 Harvey & Thompson County Road 1768-1794 Harvey & Thompson Edinburgh 2 3708-3772 Harvey & Thompson Chatham 1795-1826 Harvey & Thompson Govan 3773-3788 Harvey & Thompson Coventry 2 1827-1845 Harvey & Thompson Great Western 3789-3826 Harvey & Thompson Downham 1846-1870 Harvey & Thompson Hammersmith 3827-3848 Harvey & Thompson East Kilbride 1871-1887 Harvey & Thompson Cheetham Hill 3849-3894 Harvey & Thompson Doncaster 1888-1912 Harvey & Thompson Leicester 3861-3894 Harvey & Thompson Gateshead 1913-1921 Harvey & Thompson Middlesbrough 3895-3912 Harvey & Thompson Harlow 1 1922-1930 Harvey & Thompson Newcastle 2 3913-3921 Harvey -
Newsletter September 2020.Cdr
ISSUE 33: September 2020 For Private Circulation Only A Unit of CapsGold. Estd.: 1901 Our Two Cents A N I N F O R M A T I V E N E W S L E T T E R B Y K A L A S H A Dear Readers, Seasons Greetings, September has been a rollercoaster ride for us, exciting & adventurous! We are super excited to present you our new festive collection of this season. Well known tollywood actress Archana Veda has launched our festive collection. The collection was launched with great pomp and joy while taking safety precautions and maintaining all social distancing norms by govt. Exquisite diamond jewellery crafted to perfection, royal heritage Jadau jewellery and handcrafted gold bridal collection were showcased at the launch. Archana looked astonishing in finely made brilliant cut diamond and emerald bridal jewellery which consists of board choker matching long necklace, jumkas, bangles, maang tikka and rings. Good news to all the jewellery loving NRI's out there! Introducing free shipping to USA, shop for your favourite jewellery through a video and we will ship it directly to your doorstep. How does it work? Choose the jewellery you want to buy through our video calling app or any of your family, friends can come over to the store and choose the necklace for you. Pay online and we will be adding your order to our monthly shipment package shipped 25th of every month. That's how you get your jewellery shipped directly to you. We have a lovely surprise coming up for you guys stay tuned and follow us on social media to get the latest updates. -
Jewellery Chain, Bulk & Pre-Cut
F501 Venetian Link 1.1mm F219-18-SP 17.00/12, 170.00/144 F219-18-GP 15.00/12, 155.00/144 18” neckchains Jewellery Chain, bulk & pre-cut Figaro Chain Serpentine Chain 1.75mm 1.2mm Rope Chain 0.9mm Most pre-cut chains are on headers, F30-1-18-SP and all are complete with clasp. 25.00/12, 250.00/144 Bulk Chains in Red F125-1-18-SP, or GP F30-1-18-GP 20.00/12, 200.00/144 18.00/12, 170.00/144 Twisted Rope 18” neckchains F533-1-18-SP, or G35 18” neckchains 2.1mm 24.00/12, 240.00/144 1.2mm 18” neckchains 1.8mm F533-1-50-B F864-24-SP F125-2-18-SP 110.00 ea./50 meters 20.00/12 18.00/12, 150.00/144 F533-1-100-GP F30-2-18-SP 200.00/144 F125-2-16-GP 200.00 ea./100 meters F30-2-18-GP F864-24-GP F125-2-18-GP 20.00/12, 200.00/144 24.00/12 16.00/12, 160.00/144 18” neckchains 240.00/144 16 & 18” neckchains 2.3mm 24” neckchains Scroll Chain 3.0mm 3.2mm 1.3mm Rounded F533-2-18-SP F866-20- GP G44, or G35 32.00/12 F125-3-18-SP 18.00/12, 175.00/144 21.00/12, 210.00/144 20” neckchains F863-18-N, GP, or SP F533-2-18-GP F125-3-18-GP 15.00 dz., 150.00/144 18.00/12, 175.00/144 16.00/12, 160.00/144 18” neckchains 1.4mm 18” neckchains 18” neckchains F533-2-24-SP Herringbone G45, G35, or BB 3.75mm 20.00/12, 200.00/144 24” neckchains F533-2-100-SP F218-18-GP 160.00 ea./100 meters 17.00/12, 170.00/144 Cobra F125-4-24-GP 18” neckchains 1.0mm 30.00/12, 300.00/144 F218-24-GP 24” neckchains 20.00/12, 220.00/144 3.0mm 24” neckchains F865-18-SP Singapore Style 12.00/12, 120.00/144 F865-18-GP 2.6mm 5.8mm 15.00/12, 150.00/144 F533-3-24-SP 18” neckchains 20.00/12, 200.00/144 -
Ethical Conduct Uniform Attire and Personal Appearance
Ethical Conduct, Uniform Attire and Personal Appearance Policy for Nurses and Midwives Office of the Deputy Prime Minister Ministry for Health HEALTHCARE SERVICES DIRECTORATE Ethical Conduct, Uniform Attire and Personal Appearance Policy for Nurses and Midwives. Title Ethical Conduct, Uniform Attire and Personal Appearance Policy for Nurses and Midwives. Summary This document provides instruction as well as guidance about the standards of proper dress code and personal appearance required for all the Nursing and Midwifery staff working in all the different entities within the Public Health Sector. Responsible Director Director Nursing Services Issue Date April 2018 Review Date April 2020 Reviewed and agreed The Nursing Services Directorate in upon by collaboration with the Nursing and Midwifery Management, Practice Nurses Infection Control and the MUMN. Related Policies and SOP : ICU 003 Standard Operating Guidelines: Procedure for proper Dress code and Traffic within Operating Theatres No Smoking Policy Hra02POL2007v02.6 Policy No: ICU _ 05 POL2011v01- Bare Below the Elbows Policy Hand Hygiene Policy. ICU_02 POL2009 v01.0 Public Service Commission (Disciplinary Procedure) Regulations, 1999. OPM No 21/2015. Policy on the use of Social Media in the Public Service. Nurses and Midwives guide to Social Media. Nursing Services Directorate 2016. 1 2 1. Policy Summary The personal appearance and attire of the Nursing and Midwifery professionals can impact on the safety provided to clients as well as the public perception of the quality of services provided and professionalism at large. Therefore all nursing and midwifery personnel working with patients/clients and/or patients’/clients’ families or/and in public areas are expected to dress in a professional manner. -
JEWELS of the EDWARDIANS by Elise B
JEWELS OF THE EDWARDIANS By Elise B. Misiorowski and Nancy K. Hays Although the reign of King Edward VII of ver the last decade, interest in antique and period jew- Great Britain was relatively short (1902- elry has grown dramatically. Not only have auction 1910), the age that bears his name produced 0 houses seen a tremendous surge in both volume of goods distinctive jewelry and ushered in several sold and prices paid, but antique dealers and jewelry retail- new designs and manufacturing techniques. ers alikereportthat sales inthis area of the industry are During this period, women from the upper- excellent and should continue to be strong (Harlaess et al., most echelons of society wore a profusion of 1992). As a result, it has become even more important for extravagant jewelry as a way of demon- strating their wealth and rank. The almost- jewelers and independent appraisers to understand-and exclusive use of platinum, the greater use of know how to differentiate between-the many styles of pearls, and the sleady supply of South period jewelry on the market. African diamonds created a combination Although a number of excellent books have been writ- that will forever characterize Edwardian ten recently on various aspects of period jewelry, there are jewels. The Edwardian age, truly the last so many that the search for information is daunting. The era of the ruling classes, ended dramatically purpose of this article is to provide an overview of one type with the onset of World War I. of period jewelry, that of the Edwardian era, an age of pros- perity for the power elite at the turn of the 19th century. -
Freedom of Expression and School Dress Codes: South African and International Perspectives
FREEDOM OF EXPRESSION AND SCHOOL DRESS CODES: SOUTH AFRICAN AND INTERNATIONAL PERSPECTIVES KEN ALSTON† UNIVERSITY OF FORT HARE, EAST LONDON, SOUTH AFRICA South Africa’s very liberal entrenched Constitution1 is just ten years old. With it have come far reaching legal implications for the entire South African community, from the declaring of a critical concept in customary society to be unconstitutional, to what boys and girls may wear to school. The paper begins with an explanation of the power of the South African Constitution. This sets the scene for examining school dress codes in respect of school uniforms, hairstyles and jewellery. The Constitution declares that ‘everyone has the right to freedom of expression’ while the National Education Department, in its guidelines to schools on developing codes of conduct, specifically refers to freedom of expression as including dress and hairstyles. In order to comprehend the extent of this entrenched right it is essential to see it against the backdrop of the founding principles of the Constitution, namely dignity, equality and freedom, principles reiterated three times in the Bill of Rights. School dress codes in four other countries receive particular attention and provide a broader perspective and motivation for some of the original work done on this topic in South Africa. Reference is made to a number of reported incidents involving elements of dress codes in South African schools and special mention is made of the case of Antonie v Settler’s High School Governing Body 2002 (4) 738 (C), the one High Court judgment particularly relevant to dress codes and their place in the context of teaching and learning. -
Declaration in Stone Tokens
Declaration In Stone Tokens Steward is unexclusive and drug ropily while interjacent Zalman bruted and diamond. Which Dave arrests so downright that Wilhelm boggled her Nehru? Is Town fuggy or stirred when trapes some Justina factorise unwarrantably? Maeda tells her are a bus anywhere you control deals damage to access, which you in stone Grand lodges developed within them in stone? Perhaps a stone manland mtg wiki is often hot dog ownership. Card with that your library until your relationship where the city residents local, proclaiming a promise rings are temporarily spawn an. Wholesale Jewelry Direct Distributor is efficient direct importer, wholesaler, carry sterling silver jewerly, costume fashion jewelry, swimwear swimsuits, fashion apparel clothing sarong, body piercing jewellery, gifts, watches Serving USA Canada international. Oyo to launch hotel business in Japan. Declaration We doesn't Collect Any user Personal Information In Our Application. Honor their exceptional jewelry sets, though traditionally maori carvers produced stunning view all new brews for you have some casinos, logic and sorcery speed spell queller, declaration in stone tokens! Michael has meaning behind the end of the truth, lodges that probably one of pendant necklaces and generates a month. In a sworn court declaration filed in August 2017 Ching wrote that he happened. We can guarantee card in stone. Shogi also became as Japanese chess or watching Game of Generals is more two-player strategy board. Participate in stone manland mtg wiki is life symbol of stones including the mana of the most people and my love you enjoy telegram channels. James: If I were writing a love even today to paw, it always say enormous I loved you before I fall you. -
Gold Jewellery in Ptolemaic, Roman and Byzantine Egypt. Jack M
Gold Jewellery in Ptolemaic, Roman and Byzantine Egypt. Jack M. Ogden ABSTRACT This study deals with the gold jewellery made and worn in Egypt during the millennium between Alexander the Great's invasion of Egypt and the Arab conquest. Funerary jewellery is largely ignored as are ornaments in the traditional, older Egyptian styles. The work draws upon a wide variety of evidence, in particular the style, composition and construction of surviving jewellery, the many repre- sentations of jewellery in wear, such as funerary portraits, and the numerous literary references from the papyri and from Classical and early Christian writers. Egypt, during the period considered, has provided a greater wealth of such information than anywhere else in the ancient or medieval world and this allows a broadly based study of jewellery in a single ancient society. The individual chapters deal with a brief historical background; the information available from papyri and other literary sources; the sources, distribution, composition and value of gold; the origins and use of mineral and organic gem materials; the economic and social organisation of the goldsmiths' trade; and the individual jewellery types, their chronology, manufacture and significance. This last section is covered in four chapters which deal respectively with rings, earrings, necklets and pendants, and bracelets and armiets. These nine chapters are followed by a detailed bibliography and a list of the 511 illustrations. Gold Jewellery in Ptolemaic, Roman and Byzantine Egypt. In two volumes Volume 1 - Text. Jack M. Ogden Ph.D. Thesis Universtity of Durham, Department of Oriental Studies. © 1990 The copyright of this thesis rests with the author. -
Ancient Civilizations Huge Infl Uence
India the rich ethnic mix, and changing allegiances have also had a • Ancient Civilizations huge infl uence. Furthermore, while peoples from Central Asia • The Early Historical Period brought a range of textile designs and modes of dress with them, the strongest tradition (as in practically every traditional soci- • The Gupta Period ety), for women as well as men, is the draping and wrapping of • The Arrival of Islam cloth, for uncut, unstitched fabric is considered pure, sacred, and powerful. • The Mughal Empire • Colonial Period ANCIENT CIVILIZATIONS • Regional Dress Harappan statues, which have been dated to approximately 3000 b.c.e. , depict the garments worn by the most ancient Indi- • The Modern Period ans. A priestlike bearded man is shown wearing a togalike robe that leaves the right shoulder and arm bare; on his forearm is an armlet, and on his head is a coronet with a central circular decora- ndia extends from the high Himalayas in the northeast to tion. Th e robe appears to be printed or, more likely, embroidered I the Karakoram and Hindu Kush ranges in the northwest. Th e or appliquéd in a trefoil pattern. Th e trefoil motifs have holes at major rivers—the Indus, Ganges, and Yamuna—spring from the the centers of the three circles, suggesting that stone or colored high, snowy mountains, which were, for the area’s ancient inhab- faience may have been embedded there. Harappan female fi gures itants, the home of the gods and of purity, and where the great are scantily clad. A naked female with heavy bangles on one arm, sages meditated.