Jewellery Lookbook Fw 19/20
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Treatise on Combined Metalworking Techniques: Forged Elements and Chased Raised Shapes Bonnie Gallagher
Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 1972 Treatise on combined metalworking techniques: forged elements and chased raised shapes Bonnie Gallagher Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Gallagher, Bonnie, "Treatise on combined metalworking techniques: forged elements and chased raised shapes" (1972). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. TREATISE ON COMBINED METALWORKING TECHNIQUES i FORGED ELEMENTS AND CHASED RAISED SHAPES TREATISE ON. COMBINED METALWORKING TECHNIQUES t FORGED ELEMENTS AND CHASED RAISED SHAPES BONNIE JEANNE GALLAGHER CANDIDATE FOR THE MASTER OF FINE ARTS IN THE COLLEGE OF FINE AND APPLIED ARTS OF THE ROCHESTER INSTITUTE OF TECHNOLOGY AUGUST ( 1972 ADVISOR: HANS CHRISTENSEN t " ^ <bV DEDICATION FORM MUST GIVE FORTH THE SPIRIT FORM IS THE MANNER IN WHICH THE SPIRIT IS EXPRESSED ELIEL SAARINAN IN MEMORY OF MY FATHER, WHO LONGED FOR HIS CHILDREN TO HAVE THE OPPORTUNITY TO HAVE THE EDUCATION HE NEVER HAD THE FORTUNE TO OBTAIN. vi PREFACE Although the processes of raising, forging, and chasing of metal have been covered in most technical books, to date there is no major source which deals with the functional and aesthetic requirements -
Hamilton Jewelers Is Pleased to Present This 95Th Signature Edition Anniversary Signature Edition of Our Fine Jewelry, Timepiece, and Gift Portfolio
D E A R F R I E N D S , Hamilton Jewelers is pleased to present this 95th Signature Edition Anniversary Signature Edition of our fine jewelry, timepiece, and gift portfolio. As we commemorate our 95th year as a family owned firm, we are proud to celebrate our heritage of trust and commitment to excellence that we H have embraced since 1912. A M When creating this portfolio, our vision was to present a P R I N C E T O N I luxurious showcase across various areas of interest. 92 Nassau Street L T While ‘luxury’ can be defined as many things from leisure Princeton, New Jersey 08542 O time to a special travel adventure to bespoke clothing, we 609.683.4200 N aimed to focus on ‘luxury by design’. That meant our L A W R E N C E V I L L E buyers shopped the world to bring you the very best of 2542 Brunswick Pike J Hamilton Exclusive Collections, as well as the finest E We invite you to shop our catalog Lawrenceville, New Jersey 08648 designer jewelry ensembles, timepieces, home décor W selections in any of our five locations 609.771.9400 items, and more. E L or online at hamiltonjewelers.com. R E D B A N K You’ll find exquisite new pieces in our Couture “Private E 19 Broad Street Reserve” suites, vintage appeal in our “Heritage” R Red Bank, New Jersey 07701 Collection, and the innovative style of haute fashion in our S 732.741.9600 real life runway adaptations. -
Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me. -
Hercules Jewelry Project
Hercules Knot Jewelry Series I thoroughly enjoyed my wire wrapping jewelry projects, but in the course of researching and building the class, I was inspired to learn real metalsmithing. I’ve been assembling earrings and necklaces for decades, but suddenly I really wanted to solder, and set gems, and fabricate! Fortunately, my good friend Fjorlief InHaga is a brilliant artisan, and she’s been teaching me and letting me use her studio. THE HERCULES KNOT aka HERAKLES, Reef Knot or Square Knot This motif represents strength and came to be associated with marriage. Brides wore their belts tied this way (see my paper on Roman Weddings). It was a common motif in the Greco-Roman world though the Republic and Early – Mid Empire. 1 2 3 Above, gold bracelet and ring from the 1st century BCE – 2nd CE. Silver mirror, 4th century CE. I imagine this would have been a lovely wedding present. Below: Necklaces dated to the 2nd-3rd century, an armband (#6), and rings from 5rd century BCE to 3rd CE . I have included only a small number of the large quantity of eXtant artifacts. Combined with the variations in assembly technique and clasps, the abundance of pieces shows that the Hercules Knot was a style that was widespread and made by many different artisans. 4 5 6 7 8 9 10 For my first project, I wanted to duplicate the look of these early Imperial necklaces of emerald and gold. For cost purposes, I used brass and glass, which was a commonly-used substitute for stones in period. -
Narration on Ethnic Jewellery of Kerala-Focusing on Design, Inspiration and Morphology of Motifs
Journal of Textile Engineering & Fashion Technology Review Article Open Access Narration on ethnic jewellery of Kerala-focusing on design, inspiration and morphology of motifs Abstract Volume 6 Issue 6 - 2020 Artefacts in the form of Jewellery reflect the essence of the lifestyle of the people who Wendy Yothers,1 Resmi Gangadharan2 create and wear them, both in the historic past and in the living present. They act as the 1Department of Jewellery Design, Fashion Institute of connecting link between our ancestors, our traditions, and our history. Jewellery is used- Technology, USA -both in the past and the present-- to express the social status of the wearer, to mark 2School of Architecture and Planning, Manipal Academy of tribal identity, and to serve as amulets for protection from harm. This paper portrays the Higher Education, Karnataka, India ethnic ornaments of Kerala with insights gained from examples of Jewellery conserved in the Hill Palace Museum and Kerala Folklore Museum, in Cochin, Kerala. Included are Correspondence: Wendy Yothers, Department of Jewellery Thurai Balibandham, Gaurisankara Mala, Veera Srunkhala, Oddyanam, Bead necklaces, Design, Fashion Institute of Technology, New York, USA, Nagapadathali and Temple Jewellery. Whenever possible, traditional Jewellery is compared Email with modern examples to illustrate how--though streamlined, traditional designs are still a living element in the Jewellery of Kerala today. Received: October 17, 2020 | Published: December 14, 2020 Keywords: ethnic ornaments, Kerala jewellery, sarpesh, gowrishankara mala, veera srunkhala Introduction Indian cultures have used Jewellery as a strong medium to reflect their rituals. The design motifs depicted on the ornaments of India Every artifact has a story to tell. -
Use and Applications of Draping in Turkey's
USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION DUYGU KOCABA Ş MAY 2010 USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF IZMIR UNIVERSITY OF ECONOMICS BY DUYGU KOCABA Ş IN PARTIAL FULFILLMENTOF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF DESIGN IN THE GRADUATE SCHOOL OF SOCIAL SCIENCES MAY 2010 Approval of the Graduate School of Social Sciences ...................................................... Prof. Dr. Cengiz Erol Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Design. ...................................................... Prof. Dr. Tevfik Balcıoglu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adaquate, in scope and quality, as a thesis for the degree of Master of Design. ...................................................... Asst. Prof. Dr. Şölen Kipöz Supervisor Examining Committee Members Asst. Prof. Dr. Duygu Ebru Öngen Corsini ..................................................... Asst. Prof. Dr. Nevbahar Göksel ...................................................... Asst. Prof. Dr. Şölen Kipöz ...................................................... ii ABSTRACT USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION Kocaba ş, Duygu MDes, Department of Design Studies Supervisor: Asst. Prof. Dr. Şölen K İPÖZ May 2010, 157 pages This study includes the investigations of the methodology and applications of draping technique which helps to add creativity and originality with the effects of experimental process during the application. Drapes which have been used in different forms and purposes from past to present are described as an interaction between art and fashion. Drapes which had decorated the sculptures of many sculptors in ancient times and the paintings of many artists in Renaissance period, has been used as draping technique for fashion design with the contributions of Madeleine Vionnet in 20 th century. -
Weights of Various Metals in Pounds Per *Cubic Foot
Weights of Various Metals in Pounds Per *Cubic Foot Aluminum 168.48 Copper 559.87 Manganese 463.10 Silver 654.91 Antimony 419.99 Gold 1206.83 Mercury 849.00 Stainless Steel (18-8) 494.21 Beryllium 113.70 Gun Metal (Aver.) 544.00 Molybdenum 637.63 Steel, Cast/Rolled 490.00 Bismuth 611.00 Iridium 1396.00 Monel Metal 556.00 Tin 455.67 Brass (Approx.) 535.68 Iron 491.09 Nickel 555.72 Titanium 283.39 Bronze, Alum. 481.00 Iron, Cast Grey 442.00 Osmium 1402.00 Tungsten 1204.41 Bronze (Approx.) 541.00 Iron, Wrought 480.00 Palladium 712.00 Vanadium 374.97 Cadmium 540.86 Iron, Slag 172.00 Platinum 1339.20 Zinc 445.30 Chromium 428.00 Lead 707.96 Rhodium 755.00 *1728 CU. IN. PER CU. FT. Cobalt 552.96 Magnesium 108.51 Ruthenium 765.00 Weights of Other Materials in Pounds Per *Cubic Foot Acids, Muriatic, 40% 75.00 Earth, Common Loam 75.00-90.00 Maple, Hard 43.00 Rubber, Goods 94.00 Acids, Nitric, 91% 94.00 Earth, Dry/Loose 76.00 Maple, White 33.00 Sand, Clay & Earth, Dry 100.00 Acids, Sulphuric, 87% 112.00 Earth, Dry/Packed 95.00 Marble 170.00 Sand, Clay & Earth, Wet 120.00 Alcohol, 100% 49.00 Earth, Mud/Packed 115.00 Masonry, Rubble 130.00-150.00 Sand, Pure Quartz, Dry90.00-106.00 Asbestos 153.00 Elm, White 45.00 Masonry, Ashlar 140.00-160.00 Sandstone, Blustone 147.00 Ash, White, Red 40.00 Fats 58.00 Mortar 100.00 Slate 175.00 Asphaltum 81.00 Fir, Douglas 30.00 Mud, River 90.00 Snow, Freshly Fallen 10.00 Basalt 184.00 Fir, Eastern 25.00 Oil, Kerosene 52.00 Snow, Wet 50.00 Brick, Paving 150.00 Flour, Loose 28.00 Oil, Mineral 57.00 Soap Stone, Tall 169.00 Brick, Com. -
JEWELLERY TREND REPORT 3 2 NDCJEWELLERY TREND REPORT 2021 Natural Diamonds Are Everlasting
TREND REPORT ew l y 2021 STATEMENT J CUFFS SHOULDER DUSTERS GENDERFLUID JEWELLERY GEOMETRIC DESIGNS PRESENTED BY THE NEW HEIRLOOM CONTENTS 2 THE STYLE COLLECTIVE 4 INDUSTRY OVERVIEW 8 STATEMENT CUFFS IN AN UNPREDICTABLE YEAR, we all learnt to 12 LARGER THAN LIFE fi nd our peace. We seek happiness in the little By Anaita Shroff Adajania things, embark upon meaningful journeys, and hold hope for a sense of stability. This 16 SHOULDER DUSTERS is also why we gravitate towards natural diamonds–strong and enduring, they give us 20 THE STONE AGE reason to celebrate, and allow us to express our love and affection. Mostly, though, they By Sarah Royce-Greensill offer inspiration. 22 GENDERFLUID JEWELLERY Our fi rst-ever Trend Report showcases natural diamonds like you have never seen 26 HIS & HERS before. Yet, they continue to retain their inherent value and appeal, one that ensures By Bibhu Mohapatra they stay relevant for future generations. We put together a Style Collective and had 28 GEOMETRIC DESIGNS numerous conversations—with nuance and perspective, these freewheeling discussions with eight tastemakers made way for the defi nitive jewellery 32 SHAPESHIFTER trends for 2021. That they range from statement cuffs to geometric designs By Katerina Perez only illustrates the versatility of their central stone, the diamond. Natural diamonds have always been at the forefront of fashion, symbolic of 36 THE NEW HEIRLOOM timelessness and emotion. Whether worn as an accessory or an ally, diamonds not only impress but express how we feel and who we are. This report is a 41 THE PRIDE OF BARODA product of love and labour, and I hope it inspires you to wear your personality, By HH Maharani Radhikaraje and most importantly, have fun with jewellery. -
The Jewellery Market in the Eu
CBI MARKET SURVEY: THE JEWELLERY MARKET IN THE EU CBI MARKET SURVEY THE JEWELLERY MARKET IN THE EU Publication date: September 2008 CONTENTS REPORT SUMMARY 2 INTRODUCTION 5 1 CONSUMPTION 6 2 PRODUCTION 18 3 TRADE CHANNELS FOR MARKET ENTRY 23 4 TRADE: IMPORTS AND EXPORTS 32 5 PRICE DEVELOPMENTS 44 6 MARKET ACCESS REQUIREMENTS 48 7 OPPORTUNITY OR THREAT? 51 APPENDICES A PRODUCT CHARACTERISTICS 53 B INTRODUCTION TO THE EU MARKET 56 C LIST OF DEVELOPING COUNTRIES 57 This survey was compiled for CBI by Searce Disclaimer CBI market information tools: http://www.cbi.eu/disclaimer Source: CBI Market Information Database • URL: www.cbi.eu • Contact: [email protected] • www.cbi.eu/disclaimer Page 1 of 58 CBI MARKET SURVEY: THE JEWELLERY MARKET IN THE EU Report summary This survey profiles the EU market for precious jewellery and costume jewellery. The precious jewellery market includes jewellery pieces made of gold, platinum or silver all of which can be in plain form or with (semi-) precious gemstones, diamonds or pearls. The costume jewellery market includes imitation jewellery pieces of base metal plain or with semi-precious stones, glass, beads or crystals. It also includes imitation jewellery of any other material, cuff links and hair accessories. This survey excludes second-hand jewellery and luxury goods such as gold and silver smith’s ware (tableware, toilet ware, smokers’ requisites etc.) and watches. Consumption Being the second largest jewellery market after the USA, the EU represented 20% of the world jewellery market in 2007. EU consumers spent € 23,955 million with Italy, UK, France and Germany making up the lion’s share (70%). -
2018.19 Sterling Silver Catalog Final Compressed.Pdf
A NOTE FROM THE DESIGNER Innovative new designs are only appreciated when related to my collections from the past. Many have said, “Charles, you are only as good as your next collection.” My new collections will mix and match, layer and stack, and balance off my previous collections in a perfectly paired manner. My design style is passionately evolving as my collector’s standards continually rise. I design jewelry with the modern woman in mind. You have passion, you have style and wearing my jewelry will blend seamlessly with both. Family owned and operated, my company is very much in tune with the day to day responsibilities many of my collectors bare. That is why I strive to develop and add to my collections designs that are unique, versatile, and generational. Ultimately, I strive to transition every one of my customers into a Charles Krypell collector. All of my jewelry will transcend time, setting apart your style in the modern day and creating lasting memories for future generations. Timeless design and detailed craftsmanship will give you the confidence that only true quality can inspire. Show the world the essence of you, one piece at a time. Enjoy, Charles Krypell MOTHER-OF-PEARL COLLECTION Sterling Silver pendant $395 • lariat $880 • earrings $795 2 | Charles Krypell Charles Krypell | 3 "V" COLLECTION Sterling Silver necklace $220 ring $195 earrings $195 4 | Charles Krypell IVY COLLECTION Sterling Silver with Yellow Gold earrings $475 rondel pendant $199 cuff bracelet $1,250 ring $385 IVY TWO-TONE COLLECTION sterling silver -
9F41a1f5e9.Pdf
index windsor pearls 1 freshwater in silver 7 tahitian in silver 23 brilliance 28 lace 4 1 pearl exotics 49 vintage795 57 classics in 14k gold 65 tahitian in 14k gold 79 pearl basics studs & strands 87 modern-king by imperial Luxury statement pearl jewelry designs crafted in sterling silver. For decades freshwater pearl farmers have been attempting to develop new culturing techniques in order to produce larger and rounder pearls than ever before. We are proud to announce that our farmers have cracked the code producing affordable top quality pearls from 13-16mm! Ring: 616079/FW-WT 1 Pendant: 686453/FW18 Earrings: 626453/FW Pendant: 687230/FW18-1S Earrings: 627230/FW Ring: 617230/FW 2 Pendant: 684791/FW18 Earrings: 624791/FW Ring: 613791/FW Pendant: 689947/FW18 Earrings: 624671/FW Ring: 619947/FW 3 Necklace: 996520/18WH Earrings: 626913/FW 4 Necklace: 669913 5 Pendant: 689913/18 Earrings: 629913 Bracelet: 639913 Pendant: 686971/FW18 Earrings: 626971/FW 6 VALUE, SELECTION and STYLE Pendant: 683786/18 Earrings: 623786 Ring: 613786 7 Pendant: 684095/FW18 Earrings: 624095/FW Pendant: 685919/FW18 Earrings: 625919/FW Ring: 615919/FW 8 Pendant: 685991/FW18 Earrings: 625991/FW Pendant: 689951/FW18 Earrings: 629951/FW Ring: 619951/FW 9 Pendant: 685103/FW18 Earrings: 625103/FW18 Pendant: 685417/18 Earrings: 625417 Ring: 615417 10 Necklace: 664010 Bracelet: 633149 Necklace: 663760 Earrings: 623760 Bracelet: 633760 11 A. Pendant: 688304/FW18 B. Earrings: 628304/FW C. Pendant: 688340/FW18 D. Earrings: 628340/FW C A B D 12 E. Pendant: 683699/FW18 F. Earrings: 623699/FW G. Pendant: 687330/FW18 H. -
FNSW Jewellery Policy
JEWELLERY Regulations regarding jewellery are covered by the Laws of the Game – Law 4 LAW 4 – PLAYERS’ EQUIPMENT SAFETY – “A player must not use equipment or wear anything that is dangerous to himself or another player (including any kind of jewellery).” This includes anti-discrimination bands, leather necklaces and any other loose wristbands. The taping of jewellery is no longer allowed (including earrings and wedding rings). Sweatbands may be worn. Any player not complying with these regulations will not be allowed to play. For more detailed information please refer to: Football NSW Jewellery Policy FFA Notice: Medic Alert Bracelets and Necklaces Additional Information Medic Alert bracelets and necklaces: These may be worn subject to the Football NSW Jewellery Policy and FFA Medic Alert bracelet and necklaces notice herein. Necklaces: All necklaces must be removed. Only Medical alert necklaces may be worn but they must be taped securely as per the Football NSW Jewellery Policy. Bracelets: All bracelets must be removed. All bracelets [including metal, rope, fabric, leather, etc] must be removed. Only Medical alert bracelets may be worn. All parts of the medical alert bracelet must be covered by tape except where the medical information is shown on the bracelet as per the Football NSW Jewellery Policy. Rings: All rings must be removed. Rings, including wedding bands, are not permitted and must be removed in accordance with Law 4 of the Game. Body Piercing Jewellery: All body piercing jewellery is deemed to be jewellery and therefore is not permitted and must be removed in accordance with Law 4 of the Game.