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Williquette Uccs 0892N 10490.Pdf (1.599Mb)
INVESTIGATING THE REASONS WOMEN WEAR CHOKER NECKLACES by HEATHER ANN WILLIQUETTE B.A., University of Wisconsin-Eau Claire, 2015 A thesis submitted to the Graduate Faculty of the University of Colorado Colorado Springs in partial fulfillment of the requirements for the degree of Master of Arts Department of Psychology 2019 ii This thesis for the Master of Arts degree by Heather Ann Williquette has been approved for the Department of Psychology by Laith Al-Shawaf, Chair Michael A. Kisley Michelle J. Escasa-Dorne Date 7-31-2019 iii Williquette, Heather Ann (M.A., Psychology) Investigating the Reasons Women Wear Choker Necklaces Thesis directed by Assistant Professor Laith Al-Shawaf ABSTRACT Choker necklaces have been around for centuries, carrying with them different cultural and societal connotations. However, little to no research investigates the reasons why women continue to wear choker necklaces today. Three studies were conducted in an attempt to explain why women may choose to wear choker necklaces. The first study (N = 204) examined women’s self-reports pertaining to her physical appearance and behaviors, and men’s perceptions of a woman in a photo on various measures. For the photo evaluations, we manipulated three different photos of three different women to create two conditions of a woman either wearing a choker or not wearing a choker. Men were randomly assigned to one of these conditions and were asked to evaluate the photograph. Findings reveal that women who self-reported wearing chokers more frequently had higher sociosexual orientations than women who self-reported wearing chokers less frequently, and men perceived the woman in the Choker condition to have a higher sociosexual orientation than the woman in the Nonchoker condition. -
Narration on Ethnic Jewellery of Kerala-Focusing on Design, Inspiration and Morphology of Motifs
Journal of Textile Engineering & Fashion Technology Review Article Open Access Narration on ethnic jewellery of Kerala-focusing on design, inspiration and morphology of motifs Abstract Volume 6 Issue 6 - 2020 Artefacts in the form of Jewellery reflect the essence of the lifestyle of the people who Wendy Yothers,1 Resmi Gangadharan2 create and wear them, both in the historic past and in the living present. They act as the 1Department of Jewellery Design, Fashion Institute of connecting link between our ancestors, our traditions, and our history. Jewellery is used- Technology, USA -both in the past and the present-- to express the social status of the wearer, to mark 2School of Architecture and Planning, Manipal Academy of tribal identity, and to serve as amulets for protection from harm. This paper portrays the Higher Education, Karnataka, India ethnic ornaments of Kerala with insights gained from examples of Jewellery conserved in the Hill Palace Museum and Kerala Folklore Museum, in Cochin, Kerala. Included are Correspondence: Wendy Yothers, Department of Jewellery Thurai Balibandham, Gaurisankara Mala, Veera Srunkhala, Oddyanam, Bead necklaces, Design, Fashion Institute of Technology, New York, USA, Nagapadathali and Temple Jewellery. Whenever possible, traditional Jewellery is compared Email with modern examples to illustrate how--though streamlined, traditional designs are still a living element in the Jewellery of Kerala today. Received: October 17, 2020 | Published: December 14, 2020 Keywords: ethnic ornaments, Kerala jewellery, sarpesh, gowrishankara mala, veera srunkhala Introduction Indian cultures have used Jewellery as a strong medium to reflect their rituals. The design motifs depicted on the ornaments of India Every artifact has a story to tell. -
Use and Applications of Draping in Turkey's
USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION DUYGU KOCABA Ş MAY 2010 USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF IZMIR UNIVERSITY OF ECONOMICS BY DUYGU KOCABA Ş IN PARTIAL FULFILLMENTOF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF DESIGN IN THE GRADUATE SCHOOL OF SOCIAL SCIENCES MAY 2010 Approval of the Graduate School of Social Sciences ...................................................... Prof. Dr. Cengiz Erol Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Design. ...................................................... Prof. Dr. Tevfik Balcıoglu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adaquate, in scope and quality, as a thesis for the degree of Master of Design. ...................................................... Asst. Prof. Dr. Şölen Kipöz Supervisor Examining Committee Members Asst. Prof. Dr. Duygu Ebru Öngen Corsini ..................................................... Asst. Prof. Dr. Nevbahar Göksel ...................................................... Asst. Prof. Dr. Şölen Kipöz ...................................................... ii ABSTRACT USE AND APPLICATIONS OF DRAPING IN TURKEY’S CONTEMPORARY FASHION Kocaba ş, Duygu MDes, Department of Design Studies Supervisor: Asst. Prof. Dr. Şölen K İPÖZ May 2010, 157 pages This study includes the investigations of the methodology and applications of draping technique which helps to add creativity and originality with the effects of experimental process during the application. Drapes which have been used in different forms and purposes from past to present are described as an interaction between art and fashion. Drapes which had decorated the sculptures of many sculptors in ancient times and the paintings of many artists in Renaissance period, has been used as draping technique for fashion design with the contributions of Madeleine Vionnet in 20 th century. -
Storage Treasure Auction House (CLICK HERE to OPEN AUCTION)
09/28/21 04:44:04 Storage Treasure Auction House (CLICK HERE TO OPEN AUCTION) Auction Opens: Tue, Nov 27 5:00am PT Auction Closes: Thu, Dec 6 2:00pm PT Lot Title Lot Title 0500 18k Sapphire .38ct 2Diamond .12ct ring (size 9) 0533 Watches 0501 925 Ring size 6 1/2 0534 Watches 0502 925 Chain 0535 Watches 0503 925 Chain 0536 Watches 0504 925 Bracelet 0537 Watches 0505 925 Tiffany company Braceltes 0538 Watch 0506 925 Ring size 7 1/4 0539 Watch 0507 925 Necklace Charms 0540 Watches 0508 925 Chain 0541 Watches 0509 925 Silver Lot 0542 Kenneth Cole Watch 0510 925 Chain 0543 Watches 0511 925 Silver Lot 0544 Pocket Watch (needs repair) 0512 925 Necklace 0545 Pocket Watch 0513 10K Gold Ring Size 7 1/4 0546 Earrings 0514 London Blue Topaz Gemstone 2.42ct 0547 Earrings 0515 Vanity Fair Watch 0548 Earrings 0516 Geneva Watch 0549 Earrings 0517 Watches 0550 Earrings 0518 Jordin Watch 0551 Earrings 0519 Fossil Watch 0552 Earrings 0520 Watches 0553 Necklace 0521 Watches & Face 0554 Necklaces 0522 Necklace 0555 Necklace Charms 0523 Watches 0556 Necklace 0524 Kenneth Cole Watch 0557 Necklaces 0525 Pennington Watch 0558 Belly Dancing Jewelry 0526 Watch 0559 Bracelet 0527 Watches 0560 Horseshoe Necklace 0528 Watches 0561 Beaded Necklaces 0529 Watch Parts 0562 Mixed Jewelry 0530 Watches 0563 Necklace 0531 Watch 0564 Earrings 0532 Watch 0565 Chains 1/6 09/28/21 04:44:04 Lot Title Lot Title 0566 Necklace 0609 Chains 0567 Necklace 0610 Necklace 0568 Necklace 0611 Necklace 0569 Necklace 0612 Bracelets 0570 Necklace 0613 Necklace With Black Hills gold Charms 0571 -
Hollands (800) 232-1918 2012 Fine Western Jewelry Since 1936 Fax (325) 653-3963
RETAIL (325) 655-3135 PRICELIST HOLLANDS (800) 232-1918 2012 FINE WESTERN JEWELRY SINCE 1936 FAX (325) 653-3963 Page 2&3 SPUR JEWELRY Regular Junior Spurette Necklace Spurette Earrings 1 3/8" tall 1" tall 5/8" tall 5/8" tall R-P-A $185 J-P-A $185 SN-P-A $160 SE-P-A $ 320 R-P-B 230 J-P-B 230 SN-P-B 190 SE-P-B 380 R-P-C 260 J-P-C 260 SN-P-C 215 SE-P-C 415 R-HC-A 215 J-HC-A 215 SN-HC-A 175 SE-HC-A 350 R-HC-B 260 J-HC-B 260 SN-HC-B 205 SE-HC-B 410 R-HC-C 290 J-HC-C 290 SN-HC-C 230 SE-HC-C 460 R-GO-A 270 J-GO-A 270 SN-GO-A 230 SE-GO-A 460 R-GO-B 320 J-GO-B 320 SN-GO-B 260 SE-GO-B 520 R-GO-C 350 J-GO-C 350 SN-GO-C 290 SE-GO-C 580 R-G-A 1100 J-G-A 900 SN-G-A 625 SE-G-A 1250 R-G-B 1250 J-G-B 1050 SN-G-B 725 SE-G-B 1450 R-G-C 1250 J-G-C 1050 SN-G-C 725 SE-G-C 1450 Spur necklace is price above plus chain. Spur necklace is price above plus chain. Spurette pin is price of spurette necklace plus $35.00. Cufflinks are price above multiplied by two. -
JEWELLERY TREND REPORT 3 2 NDCJEWELLERY TREND REPORT 2021 Natural Diamonds Are Everlasting
TREND REPORT ew l y 2021 STATEMENT J CUFFS SHOULDER DUSTERS GENDERFLUID JEWELLERY GEOMETRIC DESIGNS PRESENTED BY THE NEW HEIRLOOM CONTENTS 2 THE STYLE COLLECTIVE 4 INDUSTRY OVERVIEW 8 STATEMENT CUFFS IN AN UNPREDICTABLE YEAR, we all learnt to 12 LARGER THAN LIFE fi nd our peace. We seek happiness in the little By Anaita Shroff Adajania things, embark upon meaningful journeys, and hold hope for a sense of stability. This 16 SHOULDER DUSTERS is also why we gravitate towards natural diamonds–strong and enduring, they give us 20 THE STONE AGE reason to celebrate, and allow us to express our love and affection. Mostly, though, they By Sarah Royce-Greensill offer inspiration. 22 GENDERFLUID JEWELLERY Our fi rst-ever Trend Report showcases natural diamonds like you have never seen 26 HIS & HERS before. Yet, they continue to retain their inherent value and appeal, one that ensures By Bibhu Mohapatra they stay relevant for future generations. We put together a Style Collective and had 28 GEOMETRIC DESIGNS numerous conversations—with nuance and perspective, these freewheeling discussions with eight tastemakers made way for the defi nitive jewellery 32 SHAPESHIFTER trends for 2021. That they range from statement cuffs to geometric designs By Katerina Perez only illustrates the versatility of their central stone, the diamond. Natural diamonds have always been at the forefront of fashion, symbolic of 36 THE NEW HEIRLOOM timelessness and emotion. Whether worn as an accessory or an ally, diamonds not only impress but express how we feel and who we are. This report is a 41 THE PRIDE OF BARODA product of love and labour, and I hope it inspires you to wear your personality, By HH Maharani Radhikaraje and most importantly, have fun with jewellery. -
The Jewellery Market in the Eu
CBI MARKET SURVEY: THE JEWELLERY MARKET IN THE EU CBI MARKET SURVEY THE JEWELLERY MARKET IN THE EU Publication date: September 2008 CONTENTS REPORT SUMMARY 2 INTRODUCTION 5 1 CONSUMPTION 6 2 PRODUCTION 18 3 TRADE CHANNELS FOR MARKET ENTRY 23 4 TRADE: IMPORTS AND EXPORTS 32 5 PRICE DEVELOPMENTS 44 6 MARKET ACCESS REQUIREMENTS 48 7 OPPORTUNITY OR THREAT? 51 APPENDICES A PRODUCT CHARACTERISTICS 53 B INTRODUCTION TO THE EU MARKET 56 C LIST OF DEVELOPING COUNTRIES 57 This survey was compiled for CBI by Searce Disclaimer CBI market information tools: http://www.cbi.eu/disclaimer Source: CBI Market Information Database • URL: www.cbi.eu • Contact: [email protected] • www.cbi.eu/disclaimer Page 1 of 58 CBI MARKET SURVEY: THE JEWELLERY MARKET IN THE EU Report summary This survey profiles the EU market for precious jewellery and costume jewellery. The precious jewellery market includes jewellery pieces made of gold, platinum or silver all of which can be in plain form or with (semi-) precious gemstones, diamonds or pearls. The costume jewellery market includes imitation jewellery pieces of base metal plain or with semi-precious stones, glass, beads or crystals. It also includes imitation jewellery of any other material, cuff links and hair accessories. This survey excludes second-hand jewellery and luxury goods such as gold and silver smith’s ware (tableware, toilet ware, smokers’ requisites etc.) and watches. Consumption Being the second largest jewellery market after the USA, the EU represented 20% of the world jewellery market in 2007. EU consumers spent € 23,955 million with Italy, UK, France and Germany making up the lion’s share (70%). -
9F41a1f5e9.Pdf
index windsor pearls 1 freshwater in silver 7 tahitian in silver 23 brilliance 28 lace 4 1 pearl exotics 49 vintage795 57 classics in 14k gold 65 tahitian in 14k gold 79 pearl basics studs & strands 87 modern-king by imperial Luxury statement pearl jewelry designs crafted in sterling silver. For decades freshwater pearl farmers have been attempting to develop new culturing techniques in order to produce larger and rounder pearls than ever before. We are proud to announce that our farmers have cracked the code producing affordable top quality pearls from 13-16mm! Ring: 616079/FW-WT 1 Pendant: 686453/FW18 Earrings: 626453/FW Pendant: 687230/FW18-1S Earrings: 627230/FW Ring: 617230/FW 2 Pendant: 684791/FW18 Earrings: 624791/FW Ring: 613791/FW Pendant: 689947/FW18 Earrings: 624671/FW Ring: 619947/FW 3 Necklace: 996520/18WH Earrings: 626913/FW 4 Necklace: 669913 5 Pendant: 689913/18 Earrings: 629913 Bracelet: 639913 Pendant: 686971/FW18 Earrings: 626971/FW 6 VALUE, SELECTION and STYLE Pendant: 683786/18 Earrings: 623786 Ring: 613786 7 Pendant: 684095/FW18 Earrings: 624095/FW Pendant: 685919/FW18 Earrings: 625919/FW Ring: 615919/FW 8 Pendant: 685991/FW18 Earrings: 625991/FW Pendant: 689951/FW18 Earrings: 629951/FW Ring: 619951/FW 9 Pendant: 685103/FW18 Earrings: 625103/FW18 Pendant: 685417/18 Earrings: 625417 Ring: 615417 10 Necklace: 664010 Bracelet: 633149 Necklace: 663760 Earrings: 623760 Bracelet: 633760 11 A. Pendant: 688304/FW18 B. Earrings: 628304/FW C. Pendant: 688340/FW18 D. Earrings: 628340/FW C A B D 12 E. Pendant: 683699/FW18 F. Earrings: 623699/FW G. Pendant: 687330/FW18 H. -
SPRING / SUMMER 2016 / SUMMER SPRING YOU Create a Marketplace for Artisan Businesses, Enabling Them To Provide Dignified Jobs in Vulnerable Communities
PAGE 1 SPRING / SUMMER 2016 / SUMMER SPRING YOU create a marketplace for artisan businesses, enabling them to provide dignified jobs in vulnerable communities A growing Dignified MARKETPLACE JOBS TOGETHER we’re building a Children are Women are CHERISHED EMPOWERED THIS SEASON WE DESIGNED OUR COLLECTION IN PARTNERSHIP WITH 29 ARTISAN BUSINESSES IN 12 COUNTRIES, WE develop artisan businesses through fair trade Responsible Collaborative Long–Term Capacity FINANCING DESIGN PARTNERSHIP BUILDING People have We are JOBS CONNECTED THIS SEASON WE DESIGNED OUR COLLECTION IN PARTNERSHIP WITH 29 ARTISAN BUSINESSES IN 12 COUNTRIES, DIRECTLY IMPACTING THOUSANDS OF ARTISANS. VISIT NOONDAYCOLLECTION.COM TO EXPLORE WHY YOUR PURCHASES MATTER. C D B A PAGE 4 A COLORBLOCK LEAF EARRINGS India, Wood, Resin, 1.5”L, 1”W, EA141NA $28 NEW! B LANH NECKLACE Vietnam, Mixed Metal, Ethically Harvested Water Buffalo Horn, Shade Varies, 21”L, 3”L Extender Chain, NE245AU $108 C UNDERGROUND CUFF India, Mixed Metal, Leather, 1.25”W, Adjustable, BR143CF $34 NEW! D FORTITUDE EARRINGS Haiti, Leather Backing, Upcycled Metal, Shade Varies, 2”L, 1.4”W, EA176HA $38 INTRODUCING A NEW LINE OF JEWELRY AND An Atlas ofACCESSORIES INSPIRED BY OUR GLOBAL ADVENTURES Exploration PAGE 5 PAGE 6 B A D C LAYERS THAT Charm PAGE 7 NEW! A HALF MOON NECKLACE Ethiopia, Upcycled Metal and Artillery, Cotton Thread, 24”L, Adjustable, NE237EA $34 NEW! B WHIRLPOOL NECKLACE Peru, Semi Precious Stone, Silver Plated, Natural Stone Variation, 16.75”L, NE252FE $58 NEW! C TASSELED CHARM NECKLACE Ethiopia, -
JEWELS of the EDWARDIANS by Elise B
JEWELS OF THE EDWARDIANS By Elise B. Misiorowski and Nancy K. Hays Although the reign of King Edward VII of ver the last decade, interest in antique and period jew- Great Britain was relatively short (1902- elry has grown dramatically. Not only have auction 1910), the age that bears his name produced 0 houses seen a tremendous surge in both volume of goods distinctive jewelry and ushered in several sold and prices paid, but antique dealers and jewelry retail- new designs and manufacturing techniques. ers alikereportthat sales inthis area of the industry are During this period, women from the upper- excellent and should continue to be strong (Harlaess et al., most echelons of society wore a profusion of 1992). As a result, it has become even more important for extravagant jewelry as a way of demon- strating their wealth and rank. The almost- jewelers and independent appraisers to understand-and exclusive use of platinum, the greater use of know how to differentiate between-the many styles of pearls, and the sleady supply of South period jewelry on the market. African diamonds created a combination Although a number of excellent books have been writ- that will forever characterize Edwardian ten recently on various aspects of period jewelry, there are jewels. The Edwardian age, truly the last so many that the search for information is daunting. The era of the ruling classes, ended dramatically purpose of this article is to provide an overview of one type with the onset of World War I. of period jewelry, that of the Edwardian era, an age of pros- perity for the power elite at the turn of the 19th century. -
Key Details We Look for at Inspection
Key Details We Look for at Inspection Please not that these lists are not all inclusive but highlight areas that most often cause difficulty. Additional details are included on spec sheets for individual costumes. Boys’ Costumes Achterhoek: 1. Overall appearance of costume 2. Do you have the correct hat? This is the high one. Volendam is shorter. 3. The collar extends to the edge of the shirt and can be comfortably buttoned at the neck. 4. Ring on scarf and is visible above vest. If necessary use a gold safety pin to hold the ring in place. 5. Is the scarf on the inside of the vest, front and back? 6. Shirt buttons are in the center of the front band 7. The vest closes left over right. 8. The chain is in the 2nd buttonhole from the bottom 9. Welt pockets are made correctly and in the correct position. 10. Pants clear shoes. 11. Pants have a 6” hem Marken: 1.Overall appearance of costume 2.Red shirt underneath jacket 3.Red stitching on jacket placket 4.Closes as a boy (L. over R.) 5.Pants at mid-calf when pulled straight 6.Pants down 1” from waist Nord Holland Sunday: 1. Overall appearance of costume 2. Correct hat and scarf 3. Neck - can fit 1 finger 4. 2 dickies (one solid and one striped) 5. Jacket - collar flaps lay smooth 6. Buttonholes are horizontal 7. Jacket closes as a boy (left over right) 8. Cord, hook and eye at back of pants 9. Pants clear shoes 10.6 inch hem Noord Holland Work: 1. -
Freedom of Expression and School Dress Codes: South African and International Perspectives
FREEDOM OF EXPRESSION AND SCHOOL DRESS CODES: SOUTH AFRICAN AND INTERNATIONAL PERSPECTIVES KEN ALSTON† UNIVERSITY OF FORT HARE, EAST LONDON, SOUTH AFRICA South Africa’s very liberal entrenched Constitution1 is just ten years old. With it have come far reaching legal implications for the entire South African community, from the declaring of a critical concept in customary society to be unconstitutional, to what boys and girls may wear to school. The paper begins with an explanation of the power of the South African Constitution. This sets the scene for examining school dress codes in respect of school uniforms, hairstyles and jewellery. The Constitution declares that ‘everyone has the right to freedom of expression’ while the National Education Department, in its guidelines to schools on developing codes of conduct, specifically refers to freedom of expression as including dress and hairstyles. In order to comprehend the extent of this entrenched right it is essential to see it against the backdrop of the founding principles of the Constitution, namely dignity, equality and freedom, principles reiterated three times in the Bill of Rights. School dress codes in four other countries receive particular attention and provide a broader perspective and motivation for some of the original work done on this topic in South Africa. Reference is made to a number of reported incidents involving elements of dress codes in South African schools and special mention is made of the case of Antonie v Settler’s High School Governing Body 2002 (4) 738 (C), the one High Court judgment particularly relevant to dress codes and their place in the context of teaching and learning.