Bible Stories in Story Order

Total Page:16

File Type:pdf, Size:1020Kb

Bible Stories in Story Order Bible Stories in Story Order Bible Story Bible References Episode Title Old Testament Abraham and three strangers Genesis 18:1-15; 21:1-7 FH31 Senators Only Amos speaks out Amos 7:10-17 FH27 Gladiator School Daniel and the Lions' Den Daniel 6:1-24a FH01 Long Journey David and Goliath 1 Samuel 17:1-51 FH03 Leviathan David and Jonathan 1 Samuel 18:5-9; chapter 20 FH29 Friends, Romans and Mystery Men David and Mephibosheth 2 Samuel chapters 4 and 9 FH30 Sowing the Seeds David and three Soldiers 2 Samuel 23:13-17 FH28 School's Out David spares Saul's life 1 Samuel chapter 26 FH19 Unwilling Guests David the Musician and King Saul 1 Samuel 16:14-23 FH03 Leviathan Elijah and the Prophets of Baal 1 Kings17:1; 18:1, 5-8, 16-39; 19:1-16 FH13 No Turning Back Elijah and the poor widow 1 Kings 17:1-16 FH34 Give and Take Elijah, Ahab and Naboth's vineyard 1 Kings chapter 21 FH16 The Ram Elisha and Naaman 2 Kings 5:1-17 FH20 Aid and Comfort Elisha and the woman with olive oil 2 Kings 4:1-7, 42-44 FH22 The Big Lift Esther the Queen Esther chapters 2-7 (not all suitable!) FH09 Doing Our Part Gideon and the Midianites Judges 6:1-16; 7:1-22 FH05 True Heroes Jacob and Esau Genesis chapters 25; 27; 32; 33 FH15 Over Walls Jethro the Midianite welcomes Moses the stranger Exodus 2:11-23 FH23 Home Jonah and the Big Fish Jonah chapters 1-2; 3:1-6 FH12 No Way Out Joseph and his Brothers Genesis 37:1-4, 18-36; 41:41-57; FH10 Horseplay chapters 42-44; 45:1-15 Joseph and Pharaoh's Dreams Genesis 40:1-8; 41:1-44 FH32 Senators First King David captures Jerusalem 2 Samuel 5:1-9; 1 Chronicles 11:1-9 FH14 One of Us Michal's rescue of David from King Saul 1 Samuel 18:6-11; 19:9-18 FH17 Rescue Strangers Moses and the Egyptian Slavemaster Exodus 2:1-15 FH06 Sweet Freedom Moses and the Exodus Exodus chapter 3; 4:1-12; chapter 5; FH11 Exodus 7:14-25; chapters 8-14 Moses and the miracle water Exodus 15:22-25; 16:1-3, 11-15; 17:1-6 FH18 Prince for a Day Moses and the Ten Commandments Exodus 20:1-17 FH39 The Road Ahead Moses, the desert trek and manna from heaven Exodus 16:11-26 FH25 Toadie on Trial Noah and the Ark Genesis chapters 6-8; 9:12-17 FH26 Hope Rahab and the Spies Joshua 2:1-24; 6:22-25 FH04 False Heroes Ruth and Naomi Ruth 1:1-22; 2:1-16 FH07 Lost in Alexandria Friends and Heroes Bible Stories in Story Order pg. 1 Samson and Delilah Judges 16:4-30 FH02 A Friend in High Places Samuel anoints Saul 1 Samuel chapter 9; 10:1-16 FH33 Rome Alone Shadrach and the Furnace Daniel 3:1-27 FH08 The One that Got Away Solomon’s wisdom with a baby 1 Kings 3:16-28 FH24 Desperate Measures The Boy Samuel and Eli 1 Samuel 1:1-28; 3:1-19 FH21 Hostages New Testament God releases Peter from Prison Acts 12:1-17 FH03 Leviathan Herod and the Wise Men Matt 2:1-18 FH21 Hostages Jesus and the Lepers Luke 17:11-19 FH37 Betrayal Jesus and the Moneylenders Mark 11:15-17 FH35 Spies and Lies Jesus and the Rich Young Man Mark 10:17-23 FH39 The Road Ahead Jesus and the Roman tax Mark 12: 13-17 FH36 Conflict Jesus and the Widow's Offering Mark 12:41-44 FH36 Conflict Jesus and Zacchaeus the tax collector Luke 19:1-10 FH31 Senators Only Jesus before Pilate Mark 15:1-15 FH38 Trials and Tribulations Jesus' Birth and the Revelation to the Shepherds Luke 2:1-38 FH05 True Heroes Jesus raises Jairus's daughter Luke 8:40-56 FH32 Senators First Jesus calms the storm Mark 4:35-41 FH29 Friends, Romans and Mystery Men Jesus carries his cross Mark 15:16-23 FH38 Trials and Tribulations Jesus cures a sick woman Mark 5:21, 25-34 FH20 Aid and Comfort Jesus feeds the five thousand Mark 6:30-44 FH22 The Big Lift Jesus heals a paralysed Man Mark 2:1-12 FH35 Spies and Lies Jesus heals Blind Bartimaeus Mark 10:46-52 FH33 Rome Alone Jesus in the temple as a boy Luke 2:41-52 FH14 One of Us Jesus rides into Jerusalem Mark 11:1-11 FH35 Spies and Lies Jesus seen on the road Luke 24:13-43 FH39 The Road Ahead Jesus Speaks in Nazareth Luke 4:14-24, 28-30 FH28 School's Out Jesus washes the Disciples' feet John 13:2-15 FH37 Betrayal John the Baptist Luke 3:1-16, 21-22 FH27 Gladiator School Joseph of Cyprus (Barnabas) Acts 4:32-37 FH09 Doing Our Part Paul and Barnabas Acts 14:8-20 FH17 Rescue Strangers Paul and Elymas Acts 13:4-12 FH18 Prince for a Day Paul and the Shipwreck Acts chapter 27; 2 Corinthians 11:25ff FH16 The Ram Paul appeals to Caesar Acts 24:27 - 25:12 FH24 Desperate Measures Paul escapes from the mob Acts 17:1-10a FH23 Home Paul escapes in a basket 2 Corinthians 11:32-33 FH15 Over Walls Paul speaks to Agrippa Acts 25:13 to 26:1, 9-29 FH26 Hope Paul, Silas and the earthquake Acts 16:16-36 FH19 Unwilling Guests Friends and Heroes Bible Stories in Story Order pg. 2 Paul's disappearance Acts 28:15-24, 30-31 FH25 Toadie on Trial Peter and John heal a Lame man Acts 3:1-16; 4:1-22; 5:17-42 FH08 The One that Got Away Peter heals Aeneas and raises Tabitha Acts 9:32-42 FH04 False Heroes Peter's friendship with Cornelius Acts 10:9-28 FH02 A Friend in High Places Philip and Simon the Sorcerer Acts 8:4-23 FH10 Horseplay Saul on the Road to Damascus Acts 9:1-18 FH06 Sweet Freedom The Crucifixion Mark 15:24-37 FH38 Trials and Tribulations The First Pentecost Acts 2:1-21 FH13 No Turning Back The House built on Rock Matthew 7:24-29 FH30 Sowing the Seeds The Last Supper Matthew 26:17-30 FH11 Exodus The Last Supper and Jesus' Arrest Mark 14:17-19, 29-46, 53, 66-72 FH37 Betrayal The Miraculous Catch of Fish Luke 5:5-11 FH01 Long Journey The Parable of the Good Samaritan Luke 10:30-37 FH07 Lost in Alexandria The Parable of the Lost Sheep Matt 18:10-14 FH34 Give and Take The Parable of the Prodigal Son Luke 15:11-32 FH12 No Way Out The Parable of the Sower Matthew 13:1-9 FH30 Sowing the Seeds The Parable of the Tenants in the Vineyard Mark 12:1-9 FH36 Conflict Friends and Heroes Bible Stories in Story Order pg. 3 .
Recommended publications
  • FALLEN HEROES SERMON SERIES NOAH – Genesis 6:5-22 June 27, 2021 Rev
    FALLEN HEROES SERMON SERIES NOAH – Genesis 6:5-22 June 27, 2021 Rev. Kory Wilcoxson There’s probably no Bible story more beloved by children than Noah’s Ark. What kid doesn’t like boats and animals? I’ve seen baby’s nurseries decorated with Noah’s Ark-themed murals and stuffed animals and crib sheets and musical mobiles. There are lots of children’s bibles that tell the sanitized version of this story with pictures of lambs and bunnies and giraffes making their way onto the ark two by two. When we first learn this story, we learn about how Noah obeyed God and God protected Noah and when the flood waters finally receded everyone lived happily ever after…well, at least for a couple days. That’s the version of the story we’re told growing up. But the real story is a lot more complex and morally ambiguous than what we learned in Sunday school. For our summer sermon series, we’re looking at some favorite stories from the Bible that may be a different than what we learned growing up. The series is called “Fallen Heroes” because not all the heroes we learned about deserve that title. Here’s what makes this so problematic for our story today. The fallen hero isn’t Noah. Noah does everything God asks of him. He doesn’t balk. He doesn’t complain. In fact, he doesn’t speak a word during the whole story. OK, after the flood he gets a little drunk, but let’s cut the guy some slack.
    [Show full text]
  • An Examination of Superhero Tropes in My Hero Academia
    The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Projects and Capstones Theses, Dissertations, Capstones and Projects Spring 5-29-2020 The World’s Greatest Hero: An Examination of Superhero Tropes in My Hero Academia Jerry Waller [email protected] Follow this and additional works at: https://repository.usfca.edu/capstone Part of the Comparative Literature Commons, Japanese Studies Commons, Modern Literature Commons, and the Visual Studies Commons Recommended Citation Waller, Jerry, "The World’s Greatest Hero: An Examination of Superhero Tropes in My Hero Academia" (2020). Master's Projects and Capstones. 1006. https://repository.usfca.edu/capstone/1006 This Project/Capstone is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Projects and Capstones by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. The World’s Greatest Hero: An Examination of Superhero Tropes in My Hero Academia ​ Jerry Waller APS 650: MAPS Capstone Seminar May 17, 2020 1 Abstract In this paper the author explores the cross-cultural transmission of genre archetypes in illustrated media. Specifically, the representation of the archetype of American superheroes as represented in the Japanese manga and anime series, My Hero Academia. Through ​ ​ examination of the extant corpus of manga chapters and anime episodes for the franchise, the author draws comparison between characters and situations in the manga series with examples from American comic books by Marvel Comics and DC Comics.
    [Show full text]
  • “Heroes of Faith: Joseph”
    “HEROES OF FAITH: JOSEPH” JOSEPH IN PRISON (Genesis 39:20 - 41:14) But the LORD was with Joseph in the prison and showed him his faithful love. (Genesis 39:21) CHALLENGES STRENGTHEN MY FAITH IN GOD IF I… 1. TURN TO GOD DURING MY CHALLENGE. So he took Joseph and threw him into the prison where the king’s prisoners were held, and there he remained. (Genesis 39:20) MY FAITH GROWS STRONGER WHEN I TURN TO GOD DURING MY PROBLEMS. 2. SERVE OTHERS WHEN I GET STUCK. When Joseph saw them the next morning, he noticed that they both looked upset. “Why do you look so worried today?” he asked them. And they replied, “We both had dreams last night, but no one can tell us what they mean.” “Interpreting dreams is God’s business,” Joseph replied. “Go ahead and tell me your dreams.” (Genesis 40:6-8) Those who refresh others will themselves be refreshed. (Proverbs 11:25) 3. DON’T BECOME BITTER WHEN DISAPPOINTED. And please remember me and do me a favor when things go well for you. Mention me to Pharaoh, so he might let me out of this place. For I was kidnapped from my homeland, the land of the Hebrews, and now I’m here in prison, but I did nothing to deserve it. (Genesis 40:14-15) Pharaoh’s chief cup-bearer, however, forgot all about Joseph, never giving him another thought. (Genesis 40:23) 4. TRUST GOD IS WITH ME WHEN I FEEL FORGOTTEN. But the LORD was with Joseph in the prison and showed him his faithful love.
    [Show full text]
  • Expansions on the Book of Genesis 1.Pdf
    Expansions upon the Book of Genesis Introductory Remarks Some years ago I had made a verse-by-verse outline of Genesis–not every verse but those I deemed important–with a specific view in mind. While information about Genesis or any biblical book can be fascinating and informative, it remains secondary to the intent of this document which aimed at assisting the reader to expand his or her understanding and experience of lectio divina. That is to say, a person is encouraged to read a biblical verse or two (usually no more than that) and then lay aside the Bible itself while keeping it at hand in case one needs to return to the text. The need usually arises from the presence of distractions, of thinking of things other than the sacred text. This gesture of putting down the Bible is significant...not so much to allow for reflection, important as that is, but as a sign that one is disposed to resting in God’s presence. More specifically, after reading a short verse one feels a deep peace welling up, so at this point one no longer feels the need to use his or her mind to ponder the text. This happens at the prompting of divine grace–a person doesn’t ask for it, it simply happens–provided that one is obedient to the text. And so we come to the purpose not only of these reflections but of other biblically related documents on this home page: to assist the reader in the act of lectio divina. To assist in this process, the document at hand presents a fleshing out of the Book of Genesis from what could be taken as a mythic point of view.
    [Show full text]
  • Large-Scale Strategy and Compositional Design in the Early Music of Genesis
    Copyrighted Material 12 Large-Scale Strategy and Compositional Design in the Early Music of Genesis MARK SPICER Th e title of this chapter might remind some readers of an article by Andrew Mead that appeared in Perspectives of New Music more than two decades ago (Mead 1985), in which the author used sophisticated set-theoretic analytical techniques to dig beneath the surface of Arnold Schoenberg’s music, disclos- ing a “large-scale strategy” at work within several of the twelve-tone composi- tions. Mead had the advantage of writing for a scholarly community already well convinced of Schoenberg’s genius. I suspect the idea of placing the music of the British rock group Genesis in the same league as Schoenberg would be greeted with considerable skepticism—if not downright horror—by many musicologists, and this is certainly not my intent in the present essay. (Alas, it will probably require some drastic revolutions in taste before such early- Genesis classics as “Th e Return of the Giant Hogweed” are admitted into the canon of twentieth-century masterworks.) But I do hope to show that despite being several musical worlds removed from Schoenberg, Genesis’ music is rich, diverse, and equally worthy of our analytical attention. One of the most infl uential and long-lasting of the so-called “progressive rock” bands that emerged in Britain around 1970 in the wake of the Beatles, Genesis is probably better known to most pop-rock fans as the supergroup who made frequent appearances on the Billboard charts during the 1980s and early 1990s, with
    [Show full text]
  • Bibliography of Genesis Articles at Gordon*
    1008 Andrews University Seminary Studies 38.2 (Autumn 2000) 293-305. Copyright © 2000 by Andrews University Press; Cited with permission. TERMINOLOGICAL PATTERNS AND GENESIS 38 WILFRIED WARNING Schulzentrum Seminar Marienhohe Darmstadt, Germany In recent studies a detailed analysis of the narrative outline of the Judah and Tamar episode has been presented.1 These analyses interpret Gen 38 as a literary whole possessing a distinct structural unity and design, a narrative in which the “analysis of structure or ‘form’ has brought to light the ‘content’”;2 and concerning the position of Gen 38 in the extant text and its linguistic and thematic interrelation with the Joseph story it has been concluded: 1 E. M. Menn proposes that "since the motifs of birth and naming appear earlier in the narrative as well (Gen 38:3-5), Genesis 38 may be viewed as a double tale of procreation, in which initial biological and social discontinuity is twice overcome, first in Gen 38:1-5 and next in Gen 38:6-30" (Judah and Tamar [Genesis 38] in Ancient Jewish Exegesis: Studies in Literary Form and Hermeneutics, Supplements to the Journal for the Study of Judaism 51 [Leiden: E.J. Brill, 1997], 15). The second part of the narrative, vv. 6-30, is subdivided by her as follows: vv. 6-11; 12-19;20-23; 24-26; 27-30 (19-28). A. J. Lambe, considering Gen 38 "one of the best examples of ... the Bible's `smaller literary wholes,"' presents a different and somewhat chiastic outline consisting of "five phases of development" ("Genesis 38: Structure and Literary Design," in The World of Genesis: Persons, Places, Perspectives, JSOTSup 257, ed.
    [Show full text]
  • Heroes and Philosophy
    ftoc.indd viii 6/23/09 10:11:32 AM HEROES AND PHILOSOPHY ffirs.indd i 6/23/09 10:11:11 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy Edited by Robert Arp Metallica and Philosophy Edited by William Irwin Family Guy and Philosophy Edited by J. Jeremy Wisnewski The Daily Show and Philosophy Edited by Jason Holt Lost and Philosophy Edited by Sharon Kaye 24 and Philosophy Edited by Richard Davis, Jennifer Hart Week, and Ronald Weed Battlestar Galactica and Philosophy Edited by Jason T. Eberl The Offi ce and Philosophy Edited by J. Jeremy Wisnewski Batman and Philosophy Edited by Mark D. White and Robert Arp House and Philosophy Edited by Henry Jacoby Watchmen and Philosophy Edited by Mark D. White X-Men and Philosophy Edited by Rebecca Housel and J. Jeremy Wisnewski Terminator and Philosophy Edited by Richard Brown and Kevin Decker ffirs.indd ii 6/23/09 10:11:12 AM HEROES AND PHILOSOPHY BUY THE BOOK, SAVE THE WORLD Edited by David Kyle Johnson John Wiley & Sons, Inc. ffirs.indd iii 6/23/09 10:11:12 AM This book is printed on acid-free paper. Copyright © 2009 by John Wiley & Sons, Inc. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or autho- rization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750–8400, fax (978) 646–8600, or on the web at www.copyright.com.
    [Show full text]
  • Heroes of Faith
    Published by Chapel Library 2603 West Wright St. Pensacola, Florida 32505 USA Sending Christ-centered materials from prior centuries worldwide Worldwide: please use the online downloads worldwide without charge. In North America: please write for a printed copy without charge. We do not ask for donations, send promotional mailings, or share the mailing list. THE HEROES OF FAITH A. W. Pink 1886-1952 Contents 1. The Excellency of Faith (Heb. 11:1-3) .......................................................................................................... 2 2. The Faith of Abel (Heb. 11:4)........................................................................................................................ 7 3. The Faith of Enoch (Heb. 11:5-6)................................................................................................................ 11 4. The Faith of Noah (Heb. 11:6-7) ................................................................................................................. 15 5. The Call of Abraham (Heb. 11:8)................................................................................................................ 20 6. The Life of Abraham (Heb. 11:9-10)........................................................................................................... 25 7. The Faith of Sarah (Heb. 11:11-12)............................................................................................................. 29 8. The Perseverance of Faith (Heb. 11:13-14)................................................................................................
    [Show full text]
  • Collective of Heroes: Arrow's Move Toward a Posthuman Superhero Fantasy
    St. Cloud State University theRepository at St. Cloud State Culminating Projects in English Department of English 12-2016 Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy Alyssa G. Kilbourn St. Cloud State University Follow this and additional works at: https://repository.stcloudstate.edu/engl_etds Recommended Citation Kilbourn, Alyssa G., "Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy" (2016). Culminating Projects in English. 73. https://repository.stcloudstate.edu/engl_etds/73 This Thesis is brought to you for free and open access by the Department of English at theRepository at St. Cloud State. It has been accepted for inclusion in Culminating Projects in English by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy by Alyssa Grace Kilbourn A Thesis Submitted to the Graduate Faculty of St. Cloud State University in Partial Fulfillment of the Requirements for the degree of Master of Arts in Rhetoric and Writing December, 2016 Thesis Committee: James Heiman, Chairperson Matthew Barton Jennifer Tuder 2 Abstract Since 9/11, superheroes have become a popular medium for storytelling, so much so that popular culture is inundated with the narratives. More recently, the superhero narrative has moved from cinema to television, which allows for the narratives to address more pressing cultural concerns in a more immediate fashion. Furthermore, millions of viewers perpetuate the televised narratives because they resonate with the values and stories in the shows. Through Fantasy Theme Analysis, this project examines the audience values within the Arrow’s superhero fantasy and the influence of posthumanism on the show’s superhero fantasy.
    [Show full text]
  • 2/17/19 ​Take Home
    2/17/19 TAKE HOME Speaker: Isaac Parra ​ (Further study on today’s message for individuals, familie​ s, or small groups) Ordinary Heroes: Abraham GETTING STARTED 1) Have you ever wanted to be a superhero? If so, who and why? If not, why not? 2) If you were in Abraham’s sandals, how do you think you would react to God’s call for your life? Explain your answer. 3) Is there anything in this week’s message that caught your attention, challenged you or confused you? DIGGING DEEPER 1. What does having a personal relationship with God have to do with being all in and following God’s call for your life? 2. When Abraham heard God’s plan he chose faith over feelings and logic. Where are you at when it comes to faith, feelings and logic? What do you typically base your decisions on? What have you seen as a result? 3. In your opinion, is it ok to question God? Read Psalm 13. What do you notice about David’s questions and the rest of the Psalm. What does this teach us about questioning God? 4. Abraham made some mistakes as he waited on God, but God still fulfilled His promise to him. How does that make you feel to know that God’s plan is bigger than your mistakes? Share an example of this from your life. 5. After God gave Abraham a son fulfilling His promise, God tested him and asked him to sacrifice Isaac. Why do you think God would ask Abraham for this after going through all that he did already? What can we learn and apply to our lives with Abraham’s example? TAKE AWAY 1.
    [Show full text]
  • Heroes of Faith Section of Hebrews 11
    Lesson 5 The Faith of Isaac Introduction Isaac, the son of promise, is the main character in view from the middle of Genesis 25 through 27. His name appears in other places in Scripture … where he is usually mentioned favorably. He did not always do everything right, but he is mentioned in the heroes of faith section of Hebrews 11. By faith Isaac blessed Jacob and Esau concerning things to come. – Hebrews 11.20 Like his father before him, Isaac died without seeing God’s promise of the possession of the land of Canaan fulfilled. But he did pass the promise on to his sons, who then passed them down to their sons. It is these men to whom Hebrews 11.13-16 applies. They were so confident in God’s promises, they believed what they never saw, and never gave up. This is the assurance of faith that the Hebrew writer commends. These men never doubted that the promises would come true. They did not die in the despair of unfulfilled dreams, but in the perfect peace of unfulfilled promises, confident because they were God’s promises. They knew by faith that God would fulfill the promises because they knew He was a covenant-keeping God and a God of truth.7 Isaac’s journey of faith In a time when material possessions, power, and money reigned supreme when it came to inheritances, Isaac received promises. Isaac, who lived longer than any of the patriarchs, 180 years old – Genesis 35.27- 29, and yet gets a small amount of attention when compared to the other patriarchs.
    [Show full text]
  • Comic Book Heroes Superhelden Zwischen Comic Und Fernsehen
    ARNO METELING Comic Book Heroes Superhelden zwischen Comic und Fernsehen Am 25. September 2006 startet die Fernsehserie HEROES1 in den USA auf dem Kanal der National Broadcasting Company (NBC) und ist seit dem 10. Okto- ber 2007 in Deutschland auf RTL 2 zu sehen. Mit 14,4 Millionen Zuschauern und damit einem Zuschaueranteil von 6,4 % war die erste Folge von HEROES die erfolg- reichste Serienpremiere von NBC seit fünf Jahren.2 Bislang wurden drei Volumes von HEROES ausgestrahlt: die erste Staffel, Volume 1 (Genesis) mit 23 Folgen, eine zweite Staffel, Volume 2 (Generations) mit 11 Folgen,3 sowie eine dritte Halbstaffel, Volume 3 (Villains) mit 13 Folgen. Als zweite Hälfte der dritten Staffel läuft Volu- me 4 ab Februar 2009 unter dem Titel Fugitives mit 12 Folgen.4 HEROES weist Aspekte verschiedener Seriengenres wie Mystery oder Science Fic- tion auf, ist aber eindeutig dem Superheldengenre zuzuordnen. Es geht um Men- schen, die entdecken, dass sie Superkräfte besitzen, damit in Schwierigkeiten gera- ten, sich zeitweilig zu Gruppen zusammenschließen oder zu Feinden werden und letztlich die übermenschliche Verantwortung tragen, die Welt zu retten. Als Fern- sehserie über Superhelden steht HEROES dabei nicht nur in einer langen Tradition seriellen Erzählens, die spätestens seit der populären Fortsetzungsliteratur des 19. Jahrhunderts einsetzt. Sie muss sich auch mit Regeln und Konventionen ausei- nander setzen, die vom paradigmatischen Medium der Gattung aufgestellt worden sind: dem Superhelden-Comic. Im Folgenden soll an einigen Aspekten gezeigt wer- den, wie die Fernsehserie HEROES das Superheldengenre adaptiert und in welchem 1 HEROES, USA 2006-, C: Tim Kring. 2 In Deutschland brachte es die Folge auf 1,72 Millionen Zuschauer, was einem Zuschaueranteil von 9,8 % entspricht.
    [Show full text]