Upper Richmond Road, Barnes, SW15 £335 Per Week

Total Page：16

File Type：pdf, Size：1020Kb

Fulham 843 Fulham Road London SW6 5HJ Tel: 020 7731 7788 [email protected] Upper Richmond Road, Barnes, SW15 £335 per week (£1,456 pcm) 2 bedrooms, 1 Bathroom Preliminary Details A lovely two double bedroom flat situated on the first floor of a stunning Victorian conversion in Putney. The property has a spacious reception room, a separate modern kitchen, plenty of storage and also benefits from having off street parking which is on a first come first served basis. Its location is conveniently situated moments away from Putney High Street providing easy access to both East Putney Station and Putney Overground making it ideal of professional sharers a couple looking for extra space. Key Features • Two double bedrooms • First floor • Stunning Victorian conversion • Spacious reception room • Modern kitchen • Fantastic location Fulham | 843 Fulham Road, London, SW6 5HJ | Tel: 020 7731 7788 | [email protected] 1 Area Overview Barnes is home to Olympic Studios on Church Road which proudly boasts a history of recording artists such as The Beatles, The Rolling Stones, David Bowie and Eric Clapton to name but a few. It is also home to the Wetland Centre managed by the Wildfowl and Wetlands Trust and is a natural habitat for many different breeds of the ornithological variety. © Collins Bartholomew Ltd., 2013 Nearest Stations Putney (0.5M) Barnes (0.7M) East Putney (0.8M) Fulham | 843 Fulham Road, London, SW6 5HJ | Tel: 020 7731 7788 | [email protected] 2 Energy Efficiency Rating & Environmental Impact (CO2) Rating Council Tax Bands Council Band A Band B Band C Band D Band E Band F Band G Band H Wandsworth £ 497 £ 580 £ 663 £ 746 £ 912 £ 1,077 £ 1,243 £ 1,492 Average £ 934 £ 1,060 £ 1,246 £ 1,401 £ 1,713 £ 2,024 £ 2,335 £ 2,803 Disclaimer Every care has been taken with the preparation of these Particulars but complete accuracy cannot be guaranteed. If there is any point, which is of particular importance to you, we will be pleased to check the information for you. These Particulars do not constitute a contract or part of a contract. Photographs, measurements, floor plans and distances are reproduced as a guide only and it cannot be inferred that any item shown is included in the sale. The Fixtures, Fittings & Appliances have not been tested and therefore no guarantee can be given that they are in working order. Lease details, service charges and ground rent (where applicable) and council tax are given as a guide only. The copyright of all details, photographs and floor plans remain exclusive to Portico. Fulham | 843 Fulham Road, London, SW6 5HJ | Tel: 020 7731 7788 | [email protected] 3.

Copy Link

Recommended publications

Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Afﬁnity-Afﬁnity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
[Show full text]
30 Barnes High Street London, Sw13 9Lw 5
5 EXCLUSIVE 2 BEDROOM APARTMENTS WITH TERRACES IN THE HEART OF BARNES VILLAGE 30 BARNES HIGH STREET LONDON, SW13 9LW LOCATION Barnes village is located about 40 minutes from Central London by road and rail. It has the calm and peaceful atmosphere of a country village, and is renowned for its strong sense of community, large areas of green common land, the riverside setting and the beautiful duck pond. Excellent transport links and world The Green is adjacent to the 120 class schools render the locality acres of open terrain at Barnes popular for buyers and renters alike Common, and additional open who wish to bring up families in space is provided by the Wetland a safe, attractive setting but still and Wildfowl Centre. The village benefit from fast and efficient location within a great loop of access to Central London. the Thames means that there is no shortage of riverside walks Barnes Village retains a distinctly and activities. Every year Barnes rural ambience, especially around becomes the focus of attention the Green – complete with willow- during the world-famous Boat Race; fringed pond and actually is a much situated halfway along the Race’s more substantial park than the route, it offers the best vantage name suggests. point for spectators. 30 BARNES HIGH STREET LONDON, SW13 9LW Camden Primrose Hill Islington Kings Cross Shoreditch Maida Vale Clerkenwell Barbican Holborn Marylebone City of Bayswater Soho London Ealing Common White City Mayfair Ealing Acton Shepherd’s Bush Hyde Park Waterloo Southwark Bedford Holland Westminster Park Park Kensington Belgravia Gunnersbury Park Hammersmith Earls Court Chiswick Pimlico Bremtford Chelsea West 30 Kensington Ri BARNES HIGH STREET ver Thames LONDON, SW13 9LW Nine Elms Battersea Park Kew Grove Park Syon Gardens Barnes Fulham Parsons Park Green Dukes Meadows Barn Elms Golf Club Putney Battersea Common Chelsea Mortlake Harbour North Sheen Richmond East Sheen Putney Brixton Wandsworth Town Clapham Roehampton Common Richmond Park 1k RICHMOND UPON THAMES Barnes is in the London Borough of Richmond upon Thames.
[Show full text]
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful.
[Show full text]
Itemized Gear Rental (1).Pages
WILL BEAT ANY LOCALLY ADVERTISED PRICE ON RENTALS!!! GEAR SPECS PRICING SERIAL # www.nw- PHONE: domenicthe camera.com 3603196667 [email protected] om Spring 2019 Domenic OPEN 7 Generous Free Drop Gear List Barbero DP/ days a week Phone and pickup Director/ by support on all Producer appointment rentals over 1000.00 within 10 miles of 98107 CAMERAS SPECS INVENTORY LINKS TO PRICE AND IN DEPTH PACKAGE GEAR OPTIONS SPECS Arri Alexa 4k, Large www.arri.co 2000/day LF Format, m full kit Arriraw. WILL BEAT ANY LOCALLY ADVERTISED PRICE ON RENTALS!!! GEAR SPECS PRICING SERIAL # ARRI Alexa 3.2k arriraw, https:// 1250.00 k1.00038 MINI, with Prores www.arri.co Base Kit 73-21125 EVF, cage, 4444xq, m/ Body, PL, Cam cards, batts, 4444, 422, alexamini/ EF, Accessories Anamorphic Monitor, license, Batts, k2.00058 cfast cards, Cards, 61-6983 EF mount, reader EVF PL mount, Cage, side Internal v-mount k2.00011 ND’s, Aleviii plate for 031631EF Sensor gimbals M1 technology, EI 800, 14.5 1500.00/day EF Mount stops DR CINE KIT across grid, Mattebox, k2.00032 Accurate EVF, Follow 16-2117- Skin tones focus, Rails, PLT-1 Sticks and PL Mount discount on lenses and accessories. Arri Amira 3.2k arriraw, https:// 1000.00/day w/ EVF Prores www.arri.co Base Kit 4444xq, m/camera/ Body, PL, 4444, 422, amira/ EF, cfast cards, camera_det Monitor, EF mount, ails/amira- Batts, PL mount, premium Cards, Internal reader. ND’s, Aleviii Sensor 1300.00/day technology, CINE KIT EI 800, 14.5 Mattebox, stops DR EVF, Follow across grid, focus, Rails, Accurate Sticks and Skin tones discount on lenses and accessories.
[Show full text]
Andy Roberts Urban Cowboy 01
ANDY ROBERTS 01 URBAN COWBOY www.thebeesknees.com ANDY ROBERTS 02 URBAN COWBOY The first seeds for this album were sown in October 1970. Everyone, my Morgan Studios had been started by well-known drummer Barry Morgan post Liverpool Scene band, was put out of business in a devastating four years before, and was Samwell’s studio of choice. His principal client instant when our long wheelbase Transit was side swiped in Basingstoke in those days was Cat Stevens, who was well on his way to being a global by a jack-knifing flatbed, killing Paul Scard, our 19-year-old roadie, and superstar. One day after a Matthews session I was taking my time packing injuring Andy Rochford, his colleague. up my guitars, when in strolled Alan Davies, who was Steve’s right hand man on acoustic (still is, as far as I know). Alan and I knew each other from The musicians in the band were all safely back in London when it way back, when we had both at various times played with Jeremy Taylor happened. Earlier we had played at Southampton University, and I was and Sydney Carter. I showed him the Kriwaczek String Organ I had with Plainsong rehearsal photographs by Harry Isles sitting in drummer John Pearson’s kitchen in Bruton Place, having a cup me (a unique stringed instrument, designed by a great friend of mine, of of tea with John, Dave Richards and Paul, when Andy Rochford phoned up which I was at that time the sole exponent!), and then we began playing to ask if Paul could possibly return to Southampton to fetch him.
[Show full text]
Cultural Partnership Strategy 2015 - 2019 Foreword
CULTURAL PARTNERSHIP STRATEGY 2015 - 2019 FOREWORD I am delighted to present Richmond upon Thames’ Cultural Partnership Strategy 2015 – 2019. The strategy defines the Borough’s commitment to the creative arts and aims to ensure that Richmond continues to be known for providing a high quality cultural environment for both residents and visitors alike. Culture enriches the lives of everyone and makes a valuable contribution to the health and wellbeing of our community. Through our Cultural Partnership Strategy I believe we have the opportunity to extend the quality and impact of the arts sector. It has been a pleasure to see the Borough’s cultural community working together to develop and shape this strategy. It is exciting to see the commitments that have been made and I am thrilled by the possibilities that this will bring to us all in Richmond upon Thames over the next four years. Councillor Meena Bond Cabinet Member for Arts, Culture and Sport 2 CULTURAL PARTNERSHIP STRATEGY 2015 - 2019 INTRODUCTION This Cultural Partnership Strategy sets out the four-year strategy for culture in the London Borough of Richmond upon Thames 2015- 2019 which has been developed in partnership between the cultural organisations in the Borough and the Council. The strategy outlines the Cultural Partnership’s shared vision for culture in the Borough. We believe collaboration across the local cultural sector will achieve the greatest benefit for residents in terms of our individual lives; our community; individual wellbeing and the local economy. The Strategy focuses on three goals which we believe our resources can most effectively be invested, as individual organisations, and through the Council’s cultural services and commissioned activities.
[Show full text]
The Script in Studio the Script Bible Series Presents
The Script in studio The Script Bible series presents 2014 Inside this issue: Birthplaces of 2 The Script In Studio the first album The shed in 2 Special Edition for The Script Bible Challenge Dublin Olympic Studios 3 Thank you for playing the “hibernation” period. Us- Here’s to many more al- challenge with me this ing public interviews (and bums to be created, mem- winter, it’s been a lot of google heavily) I put this ories to cherish, songs to Science&Faith 3 fun to have all here. Con- together to try to give us sing. in Santa Monica gratulations for winning fans a little insight to how this special booklet, hope the albums we all love so Studios of the 4 you’re gonna enjoy it! much, were born. second album The following stories were I’m so proud of the jour- Studio 3, through 5 published as a series of ney the lads have covered the eyes of The blog posts on The Script and really looking forward Script Bible blog in February, to the rest that’s still ahead 2014, right in the middle of us! #3 and The 5 Voice UK of The Script’s “The stories behind the Working on the music” 6 fourth album About The Script Bible Special thanks for their help and support to: The blog started in Au- Family was a better dis- and precious. And if we Frederica, gust, 2013 to share all traction than I could’ve can learn to accept and @fredericah20 those stories I’ve collected planned for had it been a love who we are through Jasinta, during my obsessive re- conscious decision.
[Show full text]
Are We Still Rolling?
Are We Still Phill BRrowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums To Sally: Thank you for everything. I could not have achieved as much without you. “There’s my truth, there’s your truth, and then there’s The Truth.” -Steve Smith “This is my truth - some may disagree.” -Phill Brown In memory of musicians, producers, family and friends who did not make it to 2010: Robert Ash, Mark Bolan, John Bonham, Lenny Breau, Linda Brown, Vicki Brown, Leslie Brown, Jenny Bruce, David Byron, Sandy Denny, Dave Domlio, Jim Capaldi, Mongezi Feza, Lowell George, Keith Harwood, Alex Harvey, Bill Hicks, Nicky Hopkins, Brian Jones, Paul Kossoff, Vincent Crane, Ronnie Lane, John Martyn, George Melly, Bob Marley, Steve Marriott, Jimmy Miller, Denise Mills, Willie Mitchell, Roy Morgan, Mickie Most, Harry Nilsson, Kenji Omura, Robert Palmer, Mike Patto, Cozy Powell, Keith Relf, Lou Reizner, Nigel Rouse, Del Shannon, Norman Smith, Alan Spenner, Guy Stevens, Peter Veitch, Kevin Wilkinson, Suzanne Wightman and Chris Wood. Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Copyright 2010 by Phill Brown Published by Tape Op Books www.tapeop.com [email protected] (916) 444-5241 Distributed by Hal Leonard www.halleonard.com Art Direction by John Baccigaluppi Editing by Larry Crane Graphic Design by Scott McChane Proofreading by Caitlin Gutenberger Legal Counsel by Alan Korn Front Cover photo by Roger Hillier Phill would like to thank Larry Crane and John Baccigaluppi at Tape Op Books, Roger Hillier, Julian Gill, Robert Palmer, Barbara Marsh, Dana Gillespie, John Fenton, Ray Doyle, Steve Smith, Sasha Mitchell, Caroline Hillier and Paula Beetlestone.
[Show full text]
113 White Hart Lane, Barnes, SW13 0JL £1,195,000 Freehold No Chain13 Cardigan Road, Barnes, SW13 0BH
113 White Hart Lane, Barnes, SW13 0JL £1,195,000 Freehold No Chain13 Cardigan Road, Barnes, SW13 0BH 113 White Hart Lane is a fabulous period terraced home, built around 1880. These highly desirable Victorian houses are beautifully proportioned and offers flexible accommodation situated in this sought after location consisting of approximately 1600 sq ft. • Double Reception Room • Open plan kitchen/dining room • Cellar • 4 Bedrooms • 2 Bathrooms • Roof Terrace • Rear garden • London Borough of Richmond upon Thames 113 White Hart Lane, Barnes, SW13 0JL Inside is a wonderfully traditional layout of double reception room leading to a sunny semi-glazed kitchen dining room at the rear. Upstairs, there are four bedrooms and two bathrooms, enough to quieten the most vehement of demands. Mortlake H Street London SW148JN North Worple Way is a quiet residential street that runs parallel to the railway line so it is incredibly convenient for both Barnes Bridge and Mortlake Stations. As short walk into Barnes which is the ultimate village within a city, and life long residents become misty-eyed about their childhood spent feeding the ducks on the pond, and sneaking into the Olympic Studios Cinema for a romantic teenage tryst. There are wonderful pubs along the river, and the annual Boat Race is a huge deal. Over 95% of the shops are independent, and it is renowned for its schools, Barnes Primary and East Sheen Primary are the closest outstanding state school, and St Pauls, Colet Court, The Harrodian, Ibstock and The Swedish School are also close by. Communications are excellent, with Barnes Bridge Station (Waterloo 25 mins) a short walk away, a good bus service to Hammersmith tube (District, Piccadilly, Hammersmith & Fulham).
[Show full text]
Barnes Film Festival Homepage
largest ever pool of submissions. We celebrate the diversity of filmmaking with our online platform and our aim is to give our filmmakers more visibility internationally. As well as the adult competition, we once again celebrate our youth showcase to provide a platform for the newest generations of storytelling and creative expression. Building on collaborations from last year with The Guardian, The Whickers and the world’s largest disability film festival, Oska Bright, this year we are excited to form Ladies and gentlemen... new connections with The Iraqi Film Institute, The Film and TV charity and of course our fantastic new sponsors ...welcome to BFF2021! Our programme is jam Waterbear Network who have inspired us with their packed full of new films, discussions and workshops incredible free platform of environmental film. where we not only celebrate so many incredibly gifted Our curation this year explores the many narratives and emerging directors, but also dive into discussions on wide-ranging voices of our Short Film Finalists. Poignant and diversity, identity, our environment, creativity and above creatively told stories reflect themes on humanity’s mental all connectivity and getting great films out there for you anguish, our inherent need for belonging and identity, the to see! In 2020 Covid-19 forced us to be clear about what struggles within families amidst cultural pressures, and how was important. Connectivity! And whilst we reluctantly communities can come together and present the beauty fall back on online access once more, we hope to open of their best or indeed the very ugliness of their worst.
[Show full text]
Kew Bridge News
September/October 2016 KEW BRIDGE NEWS Welcome to the fourth issue of Kew Bridge News. Your editors are Contents among the first residents, two of them having arrived in 2012, and one in 2013. We are all committed to 8 Kew Bridge Road. All three Meet the Concierge 2 of us love living here in what we regard as a brilliant development in a stunning location on the banks of the Thames and on the edge of one Paddleboarding at Kew 3 of the world’s great cities. Vingt et Un 4 or (the Kew Bridge) Pontoon Our commitment through the bimonthly newsletter and our companion website (www.kbnews.org) is threefold: first, to bring Open House London 6 news of events that are happening in our part of London, whether it’s at Kew Gardens, the National Archives, one of our local cinemas, What’s On 8 theatres or museums, on the river, or under the auspices of a local society or group; secondly, to address issues of concern closer to home, both within and without the development itself; thirdly, to provide a means of communication for owners and residents (and many residents are not owners) to let us know their concerns. We would like to remind all leaseholders of the agreement As to the first of these objectives, a starting point will always be the we have negotiated with back page of Kew Bridge News, but, once our website is up and Chestertons - one of London’s running (we hope by the end of September at the latest), we shall be adding events there throughout the year.
[Show full text]
Jon Astley When I Was Asked to Remaster the Who Catalogue, I Couldn’T find Any Tommy Masters at All in the MCA (Universal) Vaults
Resolution 3.2 March 04 3/3/04 9:09 PM Page 44 craft ‘What do you think?’ We said it sounded fantastic so he mixed the whole of the album, I put it on a DVD-A here, we sent it to the label and some other people, got some input, then started all over again! It was getting feedback about placement — was he being too extreme, putting guitars in the back speakers — that sort of thing. Elliot brought the Neal Young 5.1 with him to demonstrate. Pete was encouraged, we said: ‘There are no rules, do what you think sounds good.’ When he first put the 8-track 1-inch up, Pete couldn’t believe how great the bass and drums sounded compared to the result on the LP, so initially he set it out to be a sort of tribute to Keith and John because the playing is just so great. The Who were so late in delivering the original Tommy that Kit Lambert was left in the studio to finish mixing it while they went on the road. It’s Kit’s mix on the vinyl LP, and it was Kit’s mix that Andy Macpherson and I emulated when we remixed it in stereo in 1995 — the reason we did that was because no one could find the masters. This must be the moment for you to reveal to Resolution readers the truth behind the long run- ning rumours of missing Tommy master tapes! Jon Astley When I was asked to remaster the Who catalogue, I couldn’t find any Tommy masters at all in the MCA (Universal) vaults.
[Show full text]