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Upper Richmond Road, Barnes, SW15 £335 Per Week
Fulham 843 Fulham Road London SW6 5HJ Tel: 020 7731 7788 [email protected] Upper Richmond Road, Barnes, SW15 £335 per week (£1,456 pcm) 2 bedrooms, 1 Bathroom Preliminary Details A lovely two double bedroom flat situated on the first floor of a stunning Victorian conversion in Putney. The property has a spacious reception room, a separate modern kitchen, plenty of storage and also benefits from having off street parking which is on a first come first served basis. Its location is conveniently situated moments away from Putney High Street providing easy access to both East Putney Station and Putney Overground making it ideal of professional sharers a couple looking for extra space. Key Features • Two double bedrooms • First floor • Stunning Victorian conversion • Spacious reception room • Modern kitchen • Fantastic location Fulham | 843 Fulham Road, London, SW6 5HJ | Tel: 020 7731 7788 | [email protected] 1 Area Overview Barnes is home to Olympic Studios on Church Road which proudly boasts a history of recording artists such as The Beatles, The Rolling Stones, David Bowie and Eric Clapton to name but a few. It is also home to the Wetland Centre managed by the Wildfowl and Wetlands Trust and is a natural habitat for many different breeds of the ornithological variety. © Collins Bartholomew Ltd., 2013 Nearest Stations Putney (0.5M) Barnes (0.7M) East Putney (0.8M) Fulham | 843 Fulham Road, London, SW6 5HJ | Tel: 020 7731 7788 | [email protected] 2 Energy Efficiency Rating & Environmental Impact (CO2) Rating Council Tax Bands Council Band A Band B Band C Band D Band E Band F Band G Band H Wandsworth £ 497 £ 580 £ 663 £ 746 £ 912 £ 1,077 £ 1,243 £ 1,492 Average £ 934 £ 1,060 £ 1,246 £ 1,401 £ 1,713 £ 2,024 £ 2,335 £ 2,803 Disclaimer Every care has been taken with the preparation of these Particulars but complete accuracy cannot be guaranteed. -
Full Results of Survey of Songs
Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
30 Barnes High Street London, Sw13 9Lw 5
5 EXCLUSIVE 2 BEDROOM APARTMENTS WITH TERRACES IN THE HEART OF BARNES VILLAGE 30 BARNES HIGH STREET LONDON, SW13 9LW LOCATION Barnes village is located about 40 minutes from Central London by road and rail. It has the calm and peaceful atmosphere of a country village, and is renowned for its strong sense of community, large areas of green common land, the riverside setting and the beautiful duck pond. Excellent transport links and world The Green is adjacent to the 120 class schools render the locality acres of open terrain at Barnes popular for buyers and renters alike Common, and additional open who wish to bring up families in space is provided by the Wetland a safe, attractive setting but still and Wildfowl Centre. The village benefit from fast and efficient location within a great loop of access to Central London. the Thames means that there is no shortage of riverside walks Barnes Village retains a distinctly and activities. Every year Barnes rural ambience, especially around becomes the focus of attention the Green – complete with willow- during the world-famous Boat Race; fringed pond and actually is a much situated halfway along the Race’s more substantial park than the route, it offers the best vantage name suggests. point for spectators. 30 BARNES HIGH STREET LONDON, SW13 9LW Camden Primrose Hill Islington Kings Cross Shoreditch Maida Vale Clerkenwell Barbican Holborn Marylebone City of Bayswater Soho London Ealing Common White City Mayfair Ealing Acton Shepherd’s Bush Hyde Park Waterloo Southwark Bedford Holland Westminster Park Park Kensington Belgravia Gunnersbury Park Hammersmith Earls Court Chiswick Pimlico Bremtford Chelsea West 30 Kensington Ri BARNES HIGH STREET ver Thames LONDON, SW13 9LW Nine Elms Battersea Park Kew Grove Park Syon Gardens Barnes Fulham Parsons Park Green Dukes Meadows Barn Elms Golf Club Putney Battersea Common Chelsea Mortlake Harbour North Sheen Richmond East Sheen Putney Brixton Wandsworth Town Clapham Roehampton Common Richmond Park 1k RICHMOND UPON THAMES Barnes is in the London Borough of Richmond upon Thames. -
'A Kiss on the Ocean' Is the New Single from the Dowling Poole, Announces Closeup PR
Nov 25, 2014 21:30 GMT 'A Kiss On The Ocean' is the new single from The Dowling Poole, announces CloseUp PR On 1 December 2014, The Dowling Poole released ‘A Kiss On The Ocean’, the second downloadable single from their acclaimed album ‘Bleak Strategies’, which was funded through a PledgeMusic initiative which saw the artists’ many fans coming together to get the project off the ground. The Sun said, “This awesome pairing results in glorious and slightly unhinged psychedelic pop rock”. Mojo hailed, “A classic British rock album heavy on power pop smarts” whilst Classic Rock stated, “Flawless and exhilarating, this demands to be the soundtrack to all of our waking summer dreams”. Formed by singer-songwriters and multi-instrumentalists Willie Dowling (ex Honeycrack/Jackdaw4) and Jon Poole (ex Cardiacs), The Dowling Poole have created something truly special. Jon Poole says, “‘A Kiss On The Ocean’ was an audience favourite on our recent tour, although the jaunty pop disguises a slightly unsettling side, since it's really a song by a narcissist, singing while staring at his own reflection. When we first started recording ‘Bleak Strategies’, I would write Willie little messages every day in red lipstick on the bathroom mirror just to unnerve him a little. I think that's where this song started although it took us a while to get the right measure of light and shade.” Willie adds, “Of course it was Whitney Houston who invented self- love when she sang her impudent, preposterous and self-indulgent nonsense, ‘The Greatest Love of All’. I'm still not entirely sure what she meant but I like to think that we went one better with this one.” The single is accompanied with three tracks not on the album; ‘The Straw Man’ is a wry comment on the frenzy of confusion and doubt created by the Jimmy Saville debacle, and there is also a live acoustic version of ‘Hey Stranger’, a song written as a celebration of the life of Tim Smith, Jon's friend and former band partner in Cardiacs, who has been seriously ill for a number of years. -
The Big Bopper Died for Your Sins
Concordia Seminary - Saint Louis Scholarly Resources from Concordia Seminary Master of Divinity Thesis Concordia Seminary Scholarship 3-1-1970 The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth John Metzig Concordia Seminary, St. Louis, [email protected] Follow this and additional works at: https://scholar.csl.edu/mdiv Part of the Practical Theology Commons Recommended Citation Metzig, John, "The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth" (1970). Master of Divinity Thesis. 101. https://scholar.csl.edu/mdiv/101 This Thesis is brought to you for free and open access by the Concordia Seminary Scholarship at Scholarly Resources from Concordia Seminary. It has been accepted for inclusion in Master of Divinity Thesis by an authorized administrator of Scholarly Resources from Concordia Seminary. For more information, please contact [email protected]. TABLE OF CONTENTS Content Page I. THE• INTRODUCTION 1 II. THE PAPER . 3 III. THE FOOTNOTES BIBLIOGRAPHY 34 INTRODUCTION I'm not trying to cause a big sensation I'm just ttitkirtg 'bout my generation. -Peter Townshend (for The Who) 1 The problem with trying to write a paper on the subject of rock is that the field is so diverse and varied that it is all but impossible to describe everything in complete detail. Furthermore, the entire subject of the effects of rock on a listening audience varies considerably from listener to listener. The teen-ager just likes, the sound of the music and the feelings that the music brings out in him, while the adult still thinks of rock as a lot of noise no matter how many magazine articles they read or TV programs they see. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
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Andy Roberts Urban Cowboy 01
ANDY ROBERTS 01 URBAN COWBOY www.thebeesknees.com ANDY ROBERTS 02 URBAN COWBOY The first seeds for this album were sown in October 1970. Everyone, my Morgan Studios had been started by well-known drummer Barry Morgan post Liverpool Scene band, was put out of business in a devastating four years before, and was Samwell’s studio of choice. His principal client instant when our long wheelbase Transit was side swiped in Basingstoke in those days was Cat Stevens, who was well on his way to being a global by a jack-knifing flatbed, killing Paul Scard, our 19-year-old roadie, and superstar. One day after a Matthews session I was taking my time packing injuring Andy Rochford, his colleague. up my guitars, when in strolled Alan Davies, who was Steve’s right hand man on acoustic (still is, as far as I know). Alan and I knew each other from The musicians in the band were all safely back in London when it way back, when we had both at various times played with Jeremy Taylor happened. Earlier we had played at Southampton University, and I was and Sydney Carter. I showed him the Kriwaczek String Organ I had with Plainsong rehearsal photographs by Harry Isles sitting in drummer John Pearson’s kitchen in Bruton Place, having a cup me (a unique stringed instrument, designed by a great friend of mine, of of tea with John, Dave Richards and Paul, when Andy Rochford phoned up which I was at that time the sole exponent!), and then we began playing to ask if Paul could possibly return to Southampton to fetch him. -
Cultural Partnership Strategy 2015 - 2019 Foreword
CULTURAL PARTNERSHIP STRATEGY 2015 - 2019 FOREWORD I am delighted to present Richmond upon Thames’ Cultural Partnership Strategy 2015 – 2019. The strategy defines the Borough’s commitment to the creative arts and aims to ensure that Richmond continues to be known for providing a high quality cultural environment for both residents and visitors alike. Culture enriches the lives of everyone and makes a valuable contribution to the health and wellbeing of our community. Through our Cultural Partnership Strategy I believe we have the opportunity to extend the quality and impact of the arts sector. It has been a pleasure to see the Borough’s cultural community working together to develop and shape this strategy. It is exciting to see the commitments that have been made and I am thrilled by the possibilities that this will bring to us all in Richmond upon Thames over the next four years. Councillor Meena Bond Cabinet Member for Arts, Culture and Sport 2 CULTURAL PARTNERSHIP STRATEGY 2015 - 2019 INTRODUCTION This Cultural Partnership Strategy sets out the four-year strategy for culture in the London Borough of Richmond upon Thames 2015- 2019 which has been developed in partnership between the cultural organisations in the Borough and the Council. The strategy outlines the Cultural Partnership’s shared vision for culture in the Borough. We believe collaboration across the local cultural sector will achieve the greatest benefit for residents in terms of our individual lives; our community; individual wellbeing and the local economy. The Strategy focuses on three goals which we believe our resources can most effectively be invested, as individual organisations, and through the Council’s cultural services and commissioned activities. -
The Script in Studio the Script Bible Series Presents
The Script in studio The Script Bible series presents 2014 Inside this issue: Birthplaces of 2 The Script In Studio the first album The shed in 2 Special Edition for The Script Bible Challenge Dublin Olympic Studios 3 Thank you for playing the “hibernation” period. Us- Here’s to many more al- challenge with me this ing public interviews (and bums to be created, mem- winter, it’s been a lot of google heavily) I put this ories to cherish, songs to Science&Faith 3 fun to have all here. Con- together to try to give us sing. in Santa Monica gratulations for winning fans a little insight to how this special booklet, hope the albums we all love so Studios of the 4 you’re gonna enjoy it! much, were born. second album The following stories were I’m so proud of the jour- Studio 3, through 5 published as a series of ney the lads have covered the eyes of The blog posts on The Script and really looking forward Script Bible blog in February, to the rest that’s still ahead 2014, right in the middle of us! #3 and The 5 Voice UK of The Script’s “The stories behind the Working on the music” 6 fourth album About The Script Bible Special thanks for their help and support to: The blog started in Au- Family was a better dis- and precious. And if we Frederica, gust, 2013 to share all traction than I could’ve can learn to accept and @fredericah20 those stories I’ve collected planned for had it been a love who we are through Jasinta, during my obsessive re- conscious decision. -
Are We Still Rolling?
Are We Still Phill BRrowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums To Sally: Thank you for everything. I could not have achieved as much without you. “There’s my truth, there’s your truth, and then there’s The Truth.” -Steve Smith “This is my truth - some may disagree.” -Phill Brown In memory of musicians, producers, family and friends who did not make it to 2010: Robert Ash, Mark Bolan, John Bonham, Lenny Breau, Linda Brown, Vicki Brown, Leslie Brown, Jenny Bruce, David Byron, Sandy Denny, Dave Domlio, Jim Capaldi, Mongezi Feza, Lowell George, Keith Harwood, Alex Harvey, Bill Hicks, Nicky Hopkins, Brian Jones, Paul Kossoff, Vincent Crane, Ronnie Lane, John Martyn, George Melly, Bob Marley, Steve Marriott, Jimmy Miller, Denise Mills, Willie Mitchell, Roy Morgan, Mickie Most, Harry Nilsson, Kenji Omura, Robert Palmer, Mike Patto, Cozy Powell, Keith Relf, Lou Reizner, Nigel Rouse, Del Shannon, Norman Smith, Alan Spenner, Guy Stevens, Peter Veitch, Kevin Wilkinson, Suzanne Wightman and Chris Wood. Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Copyright 2010 by Phill Brown Published by Tape Op Books www.tapeop.com [email protected] (916) 444-5241 Distributed by Hal Leonard www.halleonard.com Art Direction by John Baccigaluppi Editing by Larry Crane Graphic Design by Scott McChane Proofreading by Caitlin Gutenberger Legal Counsel by Alan Korn Front Cover photo by Roger Hillier Phill would like to thank Larry Crane and John Baccigaluppi at Tape Op Books, Roger Hillier, Julian Gill, Robert Palmer, Barbara Marsh, Dana Gillespie, John Fenton, Ray Doyle, Steve Smith, Sasha Mitchell, Caroline Hillier and Paula Beetlestone.