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Thomas Silkstede's Renaissance-Styled Canopied Woodwork in the South Transept of Winchester Cathedral
Proc. Hampshire Field Club Archaeol. Soc. 58, 2003, 209-225 (Hampshire Studies 2003) THOMAS SILKSTEDE'S RENAISSANCE-STYLED CANOPIED WOODWORK IN THE SOUTH TRANSEPT OF WINCHESTER CATHEDRAL By NICHOLAS RIALL ABSTRACT presbytery screen, carved in a renaissance style, and the mortuary chests that are placed upon it. In Winchester Cathedral is justly famed for its collection of another context, and alone, Silkstede's work renaissance works. While Silkstede's woodwork has previ might have attracted greater attention. This has ously been described, such studies have not taken full been compounded by the nineteenth century account of the whole piece, nor has account been taken of thealteration s to the woodwork, which has led some important connection to the recently published renaissancecommentator s to suggest that much of the work frieze at St Cross. 'The two sets ofwoodwork should be seen here dates to that period, rather than the earlier in the context of artistic developments in France in the earlysixteent h century Jervis 1976, 9 and see Biddle sixteenth century rather than connected to terracotta tombs1993 in , 260-3, and Morris 2000, 179-211). a renaissance style in East Anglia. SILKSTEDE'S RENAISSANCE FRIEZE INTRODUCTION Arranged along the south wall and part of the Bishop Fox's pelican everywhere marks the archi west wall of the south transept in Winchester tectural development of Winchester Cathedral in Cathedral is a set of wooden canopied stalls with the early sixteenth-century with, occasionally, a ref benches. The back of this woodwork is mosdy erence to the prior who held office for most of Fox's panelled in linenfold arranged in three tiers episcopate - Thomas Silkstede (prior 1498-1524). -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
Reflections 3 Reflections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS AUSGABE 2019/2020 AUSGABE | TAUSEND FENSTER Der tschechische Sänger Karel Gott („Und samkeit in der großen Stadt beim Eurovision diese Biene, die ich meine, die heißt Maja …“) Song Contest 1968 in der Royal Albert Hall wurde vor allem durch seine vom böhmischen mit nur 2 Punkten den bescheidenen drei- SONG CONTEST CLUBS Timbre gekennzeichneten, deutschsprachigen zehnten Platz, fi ndet aber bis heute großen Schlager in den 1970er und 1980er Jahren zum Anklang innerhalb der ESC-Fangemeinde. Liebling der Freunde eingängiger U-Musik. Neben der deutschen Version, nahm Karel Copyright: Martin Krachler Ganz zu Beginn seiner Karriere wurde er Gott noch eine tschechische Version und zwei ÖSTERREICHISCHEN vom Österreichischen Rundfunk eingela- englische Versionen auf. den, die Alpenrepublik mit der Udo Jürgens- Hier seht ihr die spanische Ausgabe von „Tau- DUNCAN LAURENCE Komposition „Tausend Fenster“ zu vertreten. send Fenster“, das dort auf Deutsch veröff ent- Zwar erreichte der Schlager über die Ein- licht wurde. MAGAZINDAS DES Der fünfte Sieg für die Niederlande DIE LETZTE SEITE | ections Refl AUSGABE 2019/2020 2 Refl ections 4 Refl ections 99 Refl ections 6 Refl ections IMPRESSUM MARKUS TRITREMMEL MICHAEL STANGL Clubleitung, Generalversammlung, Organisation Clubtreff en, Newsletter, Vorstandssitzung, Newsletter, Tickets Eurovision Song Contest Inlandskorrespondenz, Audioarchiv [email protected] Fichtestraße 77/18 | 8020 Graz MARTIN HUBER [email protected] -
The Deinstallation of a Period Room: What Goes in to Taking One Out
Figure 1. Brown Pearl Hall, West Boxford, Massachusetts, about 1704. Figure 2. Oak Hill Parlor, early 19th century, Peabody, Massachusetts. 2006 WAG Postprints—Providence, Rhode Island The Deinstallation of a Period Room: What Goes in to Taking One Out Gordon Hanlon, Furniture and Frame Conservation, Museum of Fine Arts, Boston Melissa H. Carr, Masterwork Conservation ABSTRACT Many American museums installed period rooms in the early twentieth century. Eighty years later, different environmental standards and museum expansions mean that some of those rooms need to be removed and either reinstalled or placed in storage. Over the past four years the Museum of Fine Arts, Boston has deinstalled all of their European and American period rooms as part of a Master Plan to expand and reorganize the museum. The removal of the rooms was coordinated and supported by museum staff and performed by private contractors. The first part of this paper will discuss the background of the project and the particular issues of the museum to prepare for the deinstallation. The second part will provide an overview of the deinstallation of one specific, painted and fully-paneled room to illustrate the process. It will include comments on the planning, logistics, physical removal and documentation, as well as notes on its future reinstallation. Introduction he Museum of Fine Arts, Boston is in the process of implementing the first phase of a Master Plan which involves the demolition of the east wing of the museum and the building of a new American wing designed by the London-based architect Sir Norman Foster. This project required Tthat the museum’s eighteen period rooms (eleven American and seven European) and two large architec- tural doorways, on display in the east wing and a connector building, be deinstalled and stored during the construction phase. -
WADDELL, Lewis J
Pioneer Genealogical Society - Marriage Applications MALE NAME FEMALE NAME APPL. DATE BK PG WADDELL, Lewis J. WALLIN, Bessie 1 13 1923 14 346 Waddell, R. W. Hess, Carol Kay 12 26 1962 54 522 Waddell, Richard A. Welborn, Roxanne 12 12 1975 70 343 Waddell, William B. Venable, Linda L. 11 14 1979 75 29 Waddelow, Jim Milton Lee, Rena Jean 3 12 1971 64 273 WADDELOW, Raymond COVINGTON, Lucile M. 4 15 1933 25 196 Waddelow, Raymond Rosswell Gray, Johnnie Lee 4 11 1984 79 630 Waddle, Joseph H. Merchant, Allene J. 5 11 1962 54 60 Waddle, N. D. Stout, Melba 12 6 1960 52 432 WADE, B. H. WILLIAMS, Savanah 5 10 1930 22 631 Wade, Ben E. Conner, Letha Mae 11 16 1942 35 225 Wade, Cecil Claud Durette, Lillie May 12 13 1958 50 417 Wade, Darry N. Bridson, Elizabeth 9 15 1969 62 381 Wade, Dennis Alan Windle, Katheryn Lou 8 26 1978 73 392 Wade, Edward Charles Myers, Sharon Lynn 4 29 1960 52 20 Wade, Glenn Claypool, Beulah 3 15 1940 32 154 Wade, Henry H. Black, Mitzi 1 24 1951 42 199 Wade, James Daniel Higgins, Kimberly Sue 7 7 1981 77 14 Wade, James R. Rayburn, Jewel 11 12 1960 52 394 WADE, Lawrence O. MILLER, Gladys 3 6 1934 26 102 Wade, Lonnie Dewayne Pollard, Susan Elizabeth 8 17 1978 73 367 Wade, Michael Lynn White, Milynda Deann 12 28 1999 91 249 Wadkins, Otis E. McVay, Monnie Z. 12 18 1959 51 465 Wadley, S. B. Robinson, Ann 2 12 1947 38 461 WADSWORTH, Robert A. -
Hard Oktober 2018
MIT ANRUFBUS- GEWINNSPIEL! Seite 12 hard 10/18 04 Schule am See Stimmungsvoller Festakt zur Eröffnung 06 Rundes Jubiläum Feuerwehrjugend Hard feiert „50er“ 09 VCÖ Mobilitätspreis 2018 Projekt „Selbstständig zur Schule“ ausgezeichnet 12 Gewinnspiel Mit dem Anrufbus gratis nach Hause 15 Lehrlingstag Hard Erfolgreiche Premiere 18 Projekt „Zeitpolster“ Ein neues Vorsorgesystem stellt sich vor 19 Für den guten Zweck Flohmarkt im ehemaligen Alma-Gebäude 03 Editorial hard 10/18 „Zu ihrem 50-jährigen Jubiläum wünsche ich der Jugendfeuerwehr alles Gute!“ Liebe Harderinnen und Harder! Mit der Fertigstellung der „Schule am See“ haben wir einen bedeutenden Schritt gesetzt, die bestmögliche pädagogische Betreuung für unsere Kinder auch künftig sicherzustellen. Rund 42,5 Mio. Euro wurden in das größte Infrastrukturprojekt in der Geschichte unserer Gemeinde und damit in die Zukunft inves- tiert. Entsprechend groß war das Interesse an der feierlichen Eröffnung am 15. September. Tausende Harderinnen und Harder nutzten die Möglichkeit, sich an diesem Tag durch das zukunfts- orientierte Schulzentrum führen zu lassen und sich vor Ort von den vielen Vorzügen des Neubaus zu überzeugen. Ich bedanke mich an dieser Stelle herzlich bei allen Bürgerinnen und Bürgern für das große Interesse an unserer neuen Schule und für das große Lob und die Anerkennung, die uns entgegengebracht wurden. Gleichzeitig möchte ich die Gelegenheit nutzen und all jenen danken, die mit ihrem großen Einsatz dazu beigetragen haben, dass die Eröffnung so erfolgreich verlaufen ist. Die Mitglieder der Ortsfeuerwehr Hard leisten einen unent- behrlichen Beitrag zum Gemeindeleben und tragen mit ihrem ehrenamtlichen Einsatz wesentlich zu unserer Sicherheit und zu unserem Wohl bei. Damit dies so bleibt, ist es wichtig, junge Menschen als Nachwuchs zu gewinnen. -
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Allgemeine Infos Programm Oktober 2018
Spinnereistraße 10, 6971 Hard Tel. 0043 (0)5574/82731 www.kammgarn.at; Allgemeine Infos NEU: Spinnerei – die junge Kammgarn Die Spinnerei ist ein Ort zum Feiern und Tanzen, bis die Füße wehtun! ein Ort für einen gemütlichen Abend mit Freunden! ein Podium für heimische Bands und echte Geheimtipps! Ermäßigungen gibt es für Studenten, Schüler & 360 Card Besitzer. Wir freuen uns auf euch! Kulturpartnerschaft der Kammgarn Hard Besucherinnen und Besucher der Kammgarn begleiten geflüchtete Menschen bei Veranstaltungen. Kartenreservierungen unter 05574/697-0 oder 05574/82731 oder per mail: [email protected] Kartenvorverkauf oder Kartenversand direkt über musikladen.at, über ländleticket.com und in allen Raiffeisenbanken und Sparkassen. Programm Oktober 2018 Freitag, 05.10.2018 20.30 Uhr, Eintritt: 18,--/15,-- Paenda - EVOLUTION I SPINNEREI PÆNDA ist eine gekonnte Gratwanderung zwischen Hörerlebnis und Tanzbarkeit. Die Musik der in Wien lebenden Sängerin, Songwriterin und Produzentin ist so bunt, so anders und so vielfältig wie ihre Haarpracht. Mal emotional, mal voll nach vorne, mal eher schräg und rau, dann wieder weich und melodiös. In ihren Sound lässt sie Pop mit Elementen aus allen Spielarten elektronischer Musik zusammenfließen Die einzig geltende Regel: Nie verkopft den typischen PÆNDA-Pop-Appeal aus den Augen verlieren. Für das Live-Setup wurde eine Mischung aus DJing, live Vocals, Synths und Bass entwickelt, das mit einer all-girl Liveband besetzt wurde. Samstag, 06.10.2018 20.30 Uhr, Eintritt: 23,--/20,-- Vdelli Band - Back To Blues Tour 2018 MUSIK Bluesrock! Zeit- und schnörkellos, kraftvoll, dynamisch, melodisch, variantenreich: Es bedarf nur einiger weniger Attribute, um die musikalische Welt des australischen Trios VDELLI treffsicher zu beschreiben. -
SAMEDI 11 Janvier 2020 13 14 15
D E B A E C Q U E - D ’ O U I N C E - S A R R A U MArSEILLE – SAMEDI 11 JANvIEr 2020 13 14 15 16 17 18 19 20 21 D E B A E C Q U E - D ’ O U I N C E - S A R R A U samedi 11 janvier 2020 à 14H30 5 rue vincent-Courdouan 13006 Marseille vente inaugurale L'étonnante collection d'un amateur : 500 guitares électriques et acoustiques Expert Richard PICK • 06 71 63 17 32 Exposition publique Le vendredi 10 janvier de 14h à 18h et samedi 11 janvier de 9h à 12h renseignements +33 (0)4 91 50 00 00 - [email protected] Liste complète et photos sur www.debaecque.fr Commissaires priseurs habilités : Étienne de Baecque - Géraldine d’Ouince - Jean-Marie Sarrau L'EToNNANTE CoLLECTIoN D'uN AMATEur DE GuITArES L’amateur qui se sépare de cet ensemble rarissime a collectionné toute sa vie et a réuni, toujours en quête de diversité, plus de 500 guitares. Cet ensemble présente des instruments datant des années 1960 jusqu’aux années 2000, dont certains modèles rares. Féru de guitares italiennes et américaines, il s’est aussi penché sur les créations japonaises, coréennes, russes, allemandes, bulgares, tchèques, suédoises et anglaises… 98% de sa collection se compose de guitares électriques que viennent compléter quelques guitares acoustiques, des claviers et amplificateurs. De grandes marques prestigieuses américaines telles Gibson, Fender, Rickenbacker composent cette vacation que complète une grande variété de guitares vintages européennes : Eko, Vox, Davoli, Framus, Hofner, Welson, Burns, Goya… Les marques japonaises Ibanez et Teisco, quant à elles, sont aussi bien représentées dans cette vacation. -
Cheating Is Fine When the Result Is a Beautiful Copy of an Early Oak Chest
Project Project PHOTOGRAPHS BY GMC/ANTHONY BAILEY early piece of furniture with linenfold detail, the stock thickness needs to be 25mm for the stiles and rails and about 16-18mm for the panels. The legs are made of two pieces of 25mm oak to give the required thickness. I reserved the ray-figured boards for the linenfold panels. To make construction easier treat each face of the chest as one complete item. The front and back and the lid comprise complete ‘units’, Wealden linenfold cutters and and the ends and bottom are fitted others used in the project afterwards. T&G cutters Router cutters used Wealden’s Shaker-style large tongue- in this project and-groove (T&G) cutter set allows Wealden Tool Co: linenfold set, large neat jointing and panelling without tongue and groove set, chamfer 1 1 having to resort to mortice and tenons. T916B ⁄4 shank, V-groove T128 ⁄4 1 A router table and a large router will be shank, hinge morticing T310 ⁄4 shank, 1 needed for this operation. panel trim T8018B ⁄2 shank, beaded 1 1 Calculation of component sizes is edge T2503B ⁄4 shank, T2504B ⁄2 all important. Mark the square face English oak selected and machined ready shank, classic panel guided T1622B 1 sides and edges of the components for use ⁄4 shank. when planing to size and work to these marks as a datum throughout the several trial joints first and mark the project to ensure flush joint faces. correct shim with a felt-tip pen so that All the components for the end and Cut the stock for the legs and stiles the right one is used. -
DAY's ICE DREAM, the Iewest Uiing'il Stfots—A Ljabj
.'i -.; VOL IX. DOVER, MORRIS COUNTY, NEW JERSEY, SATURDAY, AUGUST 30 1879. &O.38 POETIC IHEIRON ERA AN EXOITIN9_SEA-0HA8E hut weather bnaai, heading as if to put 1 squared, aod ber helm lashed amidnhipa, ADA* POE'S IXDIA> F1UHT. and tba other on bis hip, pitched him \ 1 The public do themselves an butwei-L her and the Hloop-of-war, tbe M boat * craw of the schooner ten feet iuto tbe uir, Adam feU upon tMLWBB EVEBI SlTlM!! M Creeping Up the Slajfj£ , " IS 1K0IDEKT OF IBS Pill ZS 1812. HI JA.0H BBAOI The privateer now hoisted a largo wliicb performed this work jumping into his back at the edge of the water, but UioHoflly falliujf twiliglit American flag at tba {ore, and in a ff»w BENJ.H.VOOT. Tbe most nstouiahing, at the same tbeii boat as abo gathered away, bend- The memory of the brave actions of before his, antagonist could spring tipon absolute injustice if they pur- inomests a broad Danish battle eniign Ing directly for tbe sloop-of.war. The ElllTOUASurlUlMETOH. timo one of tlie moat amuH.ng, nautical those lardy pioneen, who won, foot by him he waa again on bin feet, aud, atuug fluttered from the peak «f tbo frigate, Ulu'io ihe cliiltlruu wliuru »t pUj; tnaiKDuvrea tbat even Yankeo ingenaity privateer had nothing to do for tbe time foot the vast territory, which comprises with Wtfe at the idea of being handled Office on Morrii Street near BUokwdl. whilo the ''meteor flag of England" was I WUB Unmiling our Bopo tiuutile, ever d«v)8od occurred duriug the war of but to keep tbe Indtaman between him- io many populous HUitcn of tho Went, &o eusilyt be attacked liingigautio oppo- chase their BOOTS and SHOES That lad met nit- unawares, , displayed at tbe tnaiit-liftad of tbe sloop- 1813. -
Views Spring 2010 02
views spring 2010 02 Letter from the Director welcome Dear Friends, Board of Trustees LEWIS KRUGER Chairman JEROME A. CHAZEN This past fall it was with great excitement that we celebrated our Chairman Emeritus BARBARA TOBER one year anniversary. To mark the occasion we hosted the PAPERBALL, Chairman Emerita JACK VIVINETTO which married the themes of a traditional first anniversary gift and Treasurer HOLLY HOTCHNER our exhibition Slash: Paper Under the Knife, which takes the pulse on a Director traditional technique and material. Hundreds of guests came out for StanlEY S. ARKIN AmbaSSADOR a night of dinner and dancing. As we move into our second full year DIEGO E. ARRIA Kay BUckSbaUM at 2 Columbus Circle, we continue our commitment to bringing you CECIly CARSon TZILI ChaRNEY vibrant exhibitions and programs that explore how art, craft, and Holly Hotchner Nanette L. Laitman Director SImona ChazEN design intersect in the visual arts today. MIchELE CohEN Dan DaILEY ERIC DobkIN For visitors and members alike, MAD is unique among New York MARCIA DoctER City cultural institutions. We celebrate living artists in our exhibi- LISA ElSon C. VIRGINIA FIELDS tions and offer access to artists working daily in our Open Studios. CARolEE FRIEDlanDER KRIS FUchS These bring artists and visitors together in a new way, providing a SEth GlIckEnhaUS SanDRA B. GRotta behind-the-scenes view into art-making. As they work on new pieces, CHRIS HackER EDWIN B. HathaWay artists demonstrate techniques in a variety of mediums. Visitors are LINDA JohnSon encouraged to ask questions about the materials and artistic pro- Ann KAPlan J.