Wagner 'S Das Liebesverbot
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A l WAGNER 'S DAS LIEBESVERBOT THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Danna Behne, B. M. E. Denton, Texas May, 1973 Behne, Danna, Wagner's Das Liebesverbot. Master of Music (Musicology), May, 1973, 192 pp., 162 illustrations, bibliography, 76 titles. Wagner's second opera Das Liebesverbot, composed in 1835 and first performed in Magdeburg in 1836, could be termed Wagner's "Italian" opera. It represents Wagner's attitudes and feelings at the time of its composition. During this period in Wagner's life the composer had be come particularly enchanted with Italian music and also with the Italian way of sensuous and carefree living. At the same time his disillusionment with German conservatism and pedantry also had an influence on the composition of this opera. Although Das Liebesverbot sounds for the most part like the French and Italian operas after which it was patterned, a few traits of the later Wagner can also be detected. The use of the leitmotif in Das Liebesverbot foreshadows its more highly developed use in the later dramas. The dramatic compactness in this early opera is also a characteristic trait of all of Wagner's operas. Das Liebesverbot was termed a "sin of my youth" by the composer and ordered never to be performed at Bayreuth. This decree was recently broken with the performance of the 1 2 opera by the Bayreuth International Youth Festival. Over the years a few other German and English theaters have staged Das Liebesverbot, among those being Munich, Leipzig, Berlin, Dortmund, Nottingham, and London. TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS .. ............ iv Chapter I. INTRODUCTION II. HISTORICAL BACKGROUND. ........ .4 Events Leading Up to the Composition of Das Liebesverbot The Composition and First Performance of Das Liebesverbot Further Attempts at a Performance of Das Liebesverbot III. THE TEXT AND MUSIC . The Story of Das Liebesverbot General Analysis of the Text A Detailed Analysis of the Music and Text Stylistic Conclusions IV. PERFORMANCES OF DAS LIEBESVERBOT.... ...... 156 Various Performances before 1972 Das Liebesverbot at the Bayreuth YouthFe"stival V. CONCLUSION................ ......... 184 BIBLIOGRAPHY ..................... ...........187 iii LIST OF ILLUSTRATIONS Figure Page 1. Das Liebesverbot, Number 1, measures 5-8 . 70 2. Das Liebesverbot, Number 1, measures 13-16 . 70 3. Das Liebesverbot, Number 1, measures 38-49 71 4. Das Liebesverbot, Number 1, measures 77-86 . 72 5. Das Liebesverbot, Number 1, measures 123-126 . 72 6. Das Liebesverbot, Number 1, measures 147-150 73 7. Tristan und Isolde, Act II, Scene 2, measures 1-4 . .... .. 73 8. Das Liebesverbot, Number 1, measures 199-202 . 74 9. Das Liebesverbot, Number 1, measures 283-286 74 10. Das Liebesverbot, Number 1, measures 377-381 . 75 11. Tannhauser, Act I, Scene 3, measures 146-149 75 12. Das Liebesverbot, Number 1, measures 454-457 . 75 13. Herold, Zampa, Overture, measures 1-4 .. 76 14. Herold, Zampa, Overture, measures 32-35 . 76 15. Herold, Zampa, Overture, measures 157-160 . 76 16. Das Liebesverbot, Number 2, measures 1-4 . 77 17. Das Liebesverbot, Number 2, measures 25-26 . 78 18. Das Liebesverbot, Number 2, measures 47-49 . 78 19. Das Liebesverbot, Number 2, measures 58-59 79 20. Das Liebesverbot, Number 2, measures 91-92 79 iv Figure Page 21. Das Liebesverbot, Number 2, measures 107-111 . ...... ................ .... 80 22. Das Liebesverbot, Number 2, measures 151-154o...........o. .... .......... 81 23. Das Liebesverbot, Number 2, measures 165-170. .. 81 24. Weber, Der Freischutz, Act I, Number 1, measures 111-112........ ......... ... .. 81 25. Das Liebesverbot, Number 2, measures 236-237 . 82 26. Das Liebesverbot, Number 2, measures 259-260 . 82 27. Das Liebesverbot, Number 2, measures 267-268 . 83 28. Das Liebesverbot, Number 2, measures 305-307 . 83 29. Das Liebesverbot, Number 2, measures 315-320 . 84 30. Das Liebesverbot, Number 2, measures 329-330.. 84 31. Das Liebesverbot, Number 2, measures 336-340.. 85 32. Das Liebesverbot, Number 2, measures 384-387 . 86 33. Das Liebesverbot, Number 2, measures 423-426 . 86 34. Das Liebesverbot, Number 3, measures 1-6 . 87 35. Tannhaiuser, Act III, measures 47-51 . ....... 88 36. Parsifal, Act I, measures 39-43...............88 37. Das Liebesverbot, Number 3, measures 17-19 . 89 38. Das Liebesverbot, Number 3, measures 37-39 . 89 39. Das Liebesverbot, Number 3, measures 74-81 . 90 40. Bellini, Norma, Act I, Number 6, measures 277-278 . ............. ...... 90 41. Das Liebesverbot, Number 3, measures 158-160 . 91 42. Das Liebesverbot, Number 4, measures 1-6 . 92 V Figure Page 43. Das Liebesverbot, Number 4, measures 6-10 92 44. Das Liebesverbot, Number 4, measures 10-14 93 45. Das Liebesverbot, Number 4, measures 51-55 94 46. Das Liebesverbot, Number 4, measures 82-87 94 47. Das Liebesverbot, Number 4, measures 106-110 . 95 48. Das Liebesverbot, Number 4, measures 183-185 . 95 49. Das Liebesverbot, Number 4, measures 237-240 . 96 50. Das Liebesverbot, Number 5, measures 23-26 97 51. Das Liebesverbot, Number 5, measures 43-48 97 52. Rossini, Barber of Seville, Number 8, measures 25-26 . 97 53. Das Liebesverbot, Number 5, measures 67-69 98 54. Das Liebesverbot, Number 5, measures 75-80 98 55. Das Liebesverbot, Number 5, measures 147-148 . 99 56. Das Liebesverbot, Number 5, measures 161-164 . 99 57. Das Liebesverbot, Number 5, measure 186 100 58. Das Liebesverbot, Number 5, measures 201-203 . 100 59. Das Liebesverbot, Number 5, measures 206-210 . 101 60. Das Liebesverbot, Number 5, measures 234-235 . 101 61. Herold, Zampa, Overture, measures 175-178 101 62. Das Liebesverbot, Number 5, measures 275-279 . 102 vi Figure Page 63. Das Liebesverbot, Number 5, measures 367-368 . ... ....... 103 64. Das Liebesverbot, Number 6, measures 1-4 . 103 65. Das Liebesverbot, Number 6, measures 9-10 . 104 66. Die Meistersinger von Nurnberg, Act III, Scene 5, measure 568 . ... 104 67. Das Liebesverbot, Number 6, measures 19-20 . 104 68. Das Liebesverbot, Number 6, measures 48-55 . 105 69. Das Liebesverbot, Number 6, measures 58-62 . 105 70. Das Liebesverbot, Number 6, measures 104-107.*.......................... 106 71. Das Liebesverbot, Number 6, measures 117-119................. ... -- -106 72. Das Liebesverbot, Number 6, measures 128-131................. ........... 106 73. Das Liebesverbot, Number 6, measures 196-200.................... ........ 107 74. Das Liebesverbot, Number 6, measures 219-226. ..... ......... 108 75. Das Liebesverbot, Number 6, measures 235-236.................. ........ 108 76. Das Liebesverbot, Number 6, measures 279-287.......... ................... 109 77. Beethoven, Fidelio, Number 14, measures 79-80. .... ........... 109 78. Tannhauser, Act II, Scene 4, measures 836-837 . 110 79. Das Liebesverbot, Number 6, measures 291-294 . 110 80. Das Liebesverbot, Number 6, measures 349-357 . 111 vii Figure Page 81. Auber, Masaniello, Number 5, measures 49-52...................---111 82. Das Liebesverbot, Number 6, measures 379-387 . ..........-.-.-.-.-.-.. 112 83. Tannhauser, Act III, Scene 1, measures 215-222.. ...... ... ... 112 84. Das Liebesverbot, Number 6, measures 404-406 . ........-.-.-.-.-.- 112 85. Das Liebesverbot, Number 6, measures 427-431 . ....... ........ 113 86. Das Liebesverbot, Number 6, measures 441-445.. ..............-.-.-.-.-.-. 113 87. Das Liebesverbot, Number 6, measures 456-459.. ...............-.- 114 88. Das Liebesverbot, Number 6, measures 521-524.. ...........-.-..... 115 89. Das Liebesverbot, Number 6, measures 602-604.. ...........-.-..... 115 90. Beethoven, Fidelio, Number 9, measures 5-6 . 115 91. Das Liebesverbot, Number 6, measures 607-612 . ....... 116 92. Tannhauser, Act II, Scene 4, measures 803-806.. ........................ 116 93. Das Liebesverbot, Number 6, measures 731-734.. .......-........... 117 94. Die Walkure, Act I, Scene 3, measures 60-61................................ 117 95. Die Walkure, Act II, Scene 5, measure 136 . 117 96. Das Liebesverbot, Number 6, measures 754-757 . 118 97. Beethoven, Piano Sonata, Op. 7, Second Movement, measures 1-4 . 118 viii Figure Page 98. Beethoven, Piano Sonata, Op. 26, First Movement, measures 1-4.....................119 99. Das Liebesverbot, Number 6, measures 833-836 . ....................... - - 119 100. Das Liebesverbot, Number 6, measures 861-864 . .1 *.....*................ - 0 120 101. Das Liebesverbot, Number 6, measures 953-954 . - - 120 102. Das Liebesverbot, Number 6, measures 976-977 . - - 121 103. Das Liebesverbot, Number 6, measures 1010-1012 . 0 121 104. Das Liebesverbot, Number 6, measures 1083-1086 0 - 122 105. Das Liebesverbot, Number 6, measure 1166 0 .122 106. Das Liebesverbot, Number 6, measures 1195-1197 . .............. ...... 122 107. Das Liebesverbot, Number 7, measures 3-6 123 108. Das Liebesverbot, Number 7, measures 33-34 124 109. Tannhauser, Act I, Scene 4, measures 245-247 . .9.0.0.*.0.9.0.0.0.*.0.0.1. 124 110. Das Liebesverbot, Number 7, measures 56-60 . 124 111. Das Liebesverbot, Number 7, measures 71-73 . 125 112. Das Liebesverbot, Number 7, measures 97-101. ........ ....... 125 113. Das Liebesverbot, Number 7, measures 187-189 126 114. Das Liebesverbot, Number 7, measures 199-204 . 126 115. Das Liebesverbot, Number 7, measures 217-218 . .00. ...00. 127 ix Figure Page 116. Das Liebesverbot, Number 7, measures 225-226 . .. 127 117. Das Liebesverbot, Number 7, measures 244-250 . 128 118. Das Liebesverbot, Number 8, measures 1-4 . 128 119. Das Liebesverbot,