DOCSLIB.ORG

Abonnemangstjänsten Playstation™Now Får Ett Nytt Lägre Pris Och Utökas Med Fler Storspel

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Abonnemangstjänsten Playstation™Now Får Ett Nytt Lägre Pris Och Utökas Med Fler Storspel 2019-10-01 15:30 CEST Abonnemangstjänsten PlayStation™Now får ett nytt lägre pris och utökas med fler storspel Efter den senaste globala expansionen för PlayStation™Now som täcker 19 territorier presenterade Sony Interactive Entertainment (SIE) idag lägre priser och fler storspel till sin banbrytande abonnemangstjänst för molnbaserade spel. PlayStation Now-abonnemang kostar nu 110 SEK för en månadsprenumeration och nya spännande titlar tillkommer under en begränsad tid, exempelvis Grand Theft Auto V*och God of War som läggs till bland de fler än 800** PlayStation-spel som finns tillgängliga i tjänsten. PlayStation Now är den första och enda abonnemangstjänsten för konsolspel på marknaden som använder molnteknik för att leverera ett oöverträffat antal spel. Från och med idag erbjuds PlayStation Now, som finns på PlayStation®4-system (PS4™) och PC till följande priser, i linje med priserna för andra strömningstjänster för underhållning. Befintliga kunder ser den här prisändringen nästa faktureringsperiod: 110 SEK per månad, 270 SEK per kvartal och 650 SEK per år. PlayStation Now utökas även med branschens största spelbibliotek för en abonnemangstjänst för konsolspel där ytterligare storspel finns tillgängliga under en begränsad period. Spelen kan strömmas till PS4-system eller PC, eller hämtas till PS4-system. De nya titlarna tillhör de mest spelade och hyllade spelen på PS4-plattformen och kommer att läggas till varje månad. Idag lanseras: • God of War–God of War från Santa Monica Studio fick ett antal ”Game of the Year”-priser 2018 över hela världen. • Grand Theft Auto V –Grand Theft Auto V från Rockstar Games är det mest sålda spelet i den nuvarande generationen. • inFAMOUS Second Son™–från Sucker Punch Productions är ett av de mest sålda PlayStation 4-spelen hittills. • UNCHARTED 4: A Thief's End™–Naughty Dogs prisbelönta spel från 2016 som BAFTA utsåg till bästa spel 2017. – Efter PlayStation Now-expansionen tidigare i år har vi täckning för mer än 70 procent av vår globala PS4-användarbas, vilket gör detta till det perfekta tillfället att förnya tjänsten med ett mer tilltalande pris och ett starkare innehållserbjudande. Vi har samlat på oss massor av kunskap om molnspel sedan PlayStation Now lanserades 2014. Det, tillsammans med vår 25-åriga erfarenhet inom spelbranschen och de starka partnerskap vi har utvecklat tillsammans med spelutgivare, gör att vi kan fortsätta att vara ledande och nyskapande inom det här området i takt med att spelbranschen utvecklas, säger Jim Ryan, vd för Sony Interactive Entertainment. Med den senaste expansionen börjar SIE även sin första globala marknadsföringskampanj för PlayStation Now för att ökar medvetenheten i alla de 19 territorier där tjänsten erbjuds. Det omfattar tv-sändningar och digitala kampanjer, samt ett nytt utseende och en ny känsla för PlayStation Now-varumärket. Här kan du se den nya tv-reklamen. Om PlayStation™Now PlayStation™Now lanserades 2014 och ger spelare möjlighet att välja hur de vill få tillgång till sitt spelinnehåll. Spelare kan välja att strömma hundratals PlayStation®4-(PS4™), PlayStation®3-och PlayStation®2-spel som finns på PS4-systemet eller på PC-enheter, eller hämta fler än 300** PS4-spel till sina PS4-system. Vissa hämtade spel har funktioner för nedladdningsbart material och andra tillägg som köpts av användaren, samt PS4 Pro-förbättringar. Nya kunder kan få en sju dagars kostnadsfri testperiod. Mer information finns på playstation.com/psnow *Grand Theft Auto V finns att hämta och strömma via PS Now från lanseringen, Grand Theft Auto Online och Rockstar Games Social Club blir tillgängliga för användare som hämtar GTAV vid lanseringen. Onlinefunktioner som Grand Theft Auto Online och Rockstar Games Social Club är för närvarande endast tillgängliga i den nedladdade versionen. **Innehållet kan variera mellan olika regioner Sony Interactive Entertainment (SIE) är världsledande inom interaktiv och digital underhållning och ansvarar för varumärket PlayStation® och tillhörande produkter och tjänster. PlayStation har stått för innovation på spelmarknaden ända sedan den allra första PlayStation-konsolen lanserades i Japan 1994. Blandprodukterna och tjänsterna i PlayStation-familjen ingår PlayStation®4, PlayStation®VR, PlayStation®Vita, PlayStation®3, PlayStation™Store, PlayStation®Plus, PlayStation™Video, PlayStation™Music, PlayStation™Now, PlayStation™Vue samt alla populära PlayStation-spel från SIE Worldwide Studios. SIE har sitt huvudkontor i San Mateo, Kalifornien och är ett helägt dotterbolag till Sony Corporation med globala funktioner i Kalifornien, London och Tokyo.PlayStation och PS4 är registrerade varumärken som tillhör Sony Interactive Entertainment Inc. Alla andra varumärken tillhör sina respektive ägare. Kontaktpersoner Johanna Sturk Presskontakt Pressservice Gullers Grupp [email protected].
Load more

Recommended publications
  • How-To-Change-Language-From-Japanese-To-English-On-Ps4
    1 / 2 How-to-change-language-from-japanese-to-english-on-ps4 Apr 16, 2021 — WindowsSteamMaciOSAndroidXbox OnePlayStation 4PlayStation 5Nintendo ... In North America, Fallout 4 supports English and French voice and text. ... In Japan, Fallout 4 supports Japanese voice and text. Note: On consoles, you may need to adjust the system level language settings to gain access to .... Select Save. Note: Netflix shows the 5-7 most relevant languages based on your location and language settings. Not all languages .... Apr 20, 2021 — The game supports the following voice-over language settings: English; German; French; Italian; Spanish; Japanese; Korean; Chinese .... Dec 5, 2020 — Fortnite is available in multiple languages; English is its default language. The other languages that users can set are French, German, Japanese, .... Jan 28, 2020 — How to change the language of PlayStation 4 · Close all applications in use, such as applications, message services and more. · Go to Settings – .... I could never understand "次は Station Name" when I was in Japan. ... is also given in English, but the second, soon arriving in announcement (まもなく~, mamonaku…) ... Hashirō Yamanote-sen for PS4 & NS! ... The language is a very polite form. ... Please change here for the Saikyo line, the Shonan-Shinjuku line and the ... Dec 15, 2017 — However if it was default Japanese you could've got the Japanese ... I am not sure if the Japanese version has the option to convert to English, .... To change your language in Fortnite use these steps below: 1. Open Fortnite. 2. Click on the hamburger menu in the top right corner and c.. Feb 12, 2020 — Here are all of your options: Arabic; English; French; German; Italian; Japanese; Korean; Polish; Portuguese (Brazil); Russian; Spanish; Spanish ...
    [Show full text]
  • Inside the Video Game Industry
    Inside the Video Game Industry GameDevelopersTalkAbout theBusinessofPlay Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman Downloaded by [Pennsylvania State University] at 11:09 14 September 2017 First published by Routledge Th ird Avenue, New York, NY and by Routledge Park Square, Milton Park, Abingdon, Oxon OX RN Routledge is an imprint of the Taylor & Francis Group, an Informa business © Taylor & Francis Th e right of Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman to be identifi ed as authors of this work has been asserted by them in accordance with sections and of the Copyright, Designs and Patents Act . All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Names: Ruggill, Judd Ethan, editor. | McAllister, Ken S., – editor. | Nichols, Randall K., editor. | Kaufman, Ryan, editor. Title: Inside the video game industry : game developers talk about the business of play / edited by Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman. Description: New York : Routledge is an imprint of the Taylor & Francis Group, an Informa Business, [] | Includes index. Identifi ers: LCCN | ISBN (hardback) | ISBN (pbk.) | ISBN (ebk) Subjects: LCSH: Video games industry.
    [Show full text]
  • Bruteforce Ps4 Download Bruteforce Save Data Version 4.7
    bruteforce ps4 download Bruteforce save data version 4.7. Most people looking for Bruteforce save data version 4.7 downloaded: Bruteforce Save Data. Bruteforce Save Data is free database that contains the latest cheats for PS3 games. MS Access Save Binary Data As Files Software. This software offers a solution to users who want to extract binary files from an MS Access database. Aunsoft Video Converter. Aunsoft Video Converter is a program that converts DTS HD and Dolby TrueHD audio to AC3, AAC and MP3 files. Similar choice. › Bruteforce save data latest version › Bruteforce save data windows 10 › Bruteforce save data v4.5.1 › Bruteforce save data for XP › Bruteforce save data 4.5 1 › Bruteforce save data 4.7 zip. Programs for query ″bruteforce save data version 4.7″ BN+ Brute Force Hash Attacker. It's completely open source and available under the GNU General Public License. This application uses BN+ Library, an open source .Net utilities library. Brute Force Linking Loophole. Brute Force Linking Loophole is a nice and simple to use software. LastBit PDF Password. PDF Password recovers lost passwords to password-protected PDF files (*. software features a bruteforce attack feature . brute force. Brute force limited edition is a free program that enables you to get the password information for an ID. MegaCipher3. Privacy is Your Basic Right FEATURES - encrypt unlimited number of files with strong patented encryption algorithm. password using bruteforce - does not . SemuaBisnis.com encryptor. ASCII to Binary, Binary to ASCII, ASCII to Hex, Hex to ASCII, Binary to Hex, Hex to Binary . Decode, Caesar Bruteforce , DES Crypt .
    [Show full text]
  • Vgarchive : My Video Game Collection 2021
    VGArchive : My Video Game Collection 2021 Nintendo Entertainment System 8 Eyes USA | L Thinking Rabbit 1988 Adventures in the Magic Kingdom SCN | L Capcom 1990 Astérix FRA | L New Frontier / Bit Managers 1993 Astyanax USA | L Jaleco 1989 Batman – The Video Game EEC | L Sunsoft 1989 The Battle of Olympus NOE | CiB Infinity 1988 Bionic Commando EEC | L Capcom 1988 Blades of Steel SCN | L Konami 1988 Blue Shadow UKV | L Natsume 1990 Bubble Bobble UKV | CiB Taito 1987 Castlevania USA | L Konami 1986 Castlevania II: Simon's Quest EEC | L Konami 1987 Castlevania III: Dracula's Curse FRA | L Konami 1989 Chip 'n Dale – Rescue Rangers NOE | L Capcom 1990 Darkwing Duck NOE | L Capcom 1992 Donkey Kong Classics FRA | L Nintendo 1988 • Donkey Kong (1981) • Donkey Kong Jr. (1982) Double Dragon USA | L Technōs Japan 1988 Double Dragon II: The Revenge USA | L Technōs Japan 1989 Double Dribble EEC | L Konami 1987 Dragon Warrior USA | L Chunsoft 1986 Faxanadu FRA | L Nihon Falcom / Hudson Soft 1987 Final Fantasy III (UNLICENSED REPRODUCTION) USA | CiB Square 1990 The Flintstones: The Rescue of Dino & Hoppy SCN | B Taito 1991 Ghost'n Goblins EEC | L Capcom / Micronics 1986 The Goonies II NOE | L Konami 1987 Gremlins 2: The New Batch – The Video Game ITA | L Sunsoft 1990 High Speed ESP | L Rare 1991 IronSword – Wizards & Warriors II USA | L Zippo Games 1989 Ivan ”Ironman” Stewart's Super Off Road EEC | L Leland / Rare 1990 Journey to Silius EEC | L Sunsoft / Tokai Engineering 1990 Kings of the Beach USA | L EA / Konami 1990 Kirby's Adventure USA | L HAL Laboratory 1993 The Legend of Zelda FRA | L Nintendo 1986 Little Nemo – The Dream Master SCN | L Capcom 1990 Mike Tyson's Punch-Out!! EEC | L Nintendo 1987 Mission: Impossible USA | L Konami 1990 Monster in My Pocket NOE | L Team Murata Keikaku 1992 Ninja Gaiden II: The Dark Sword of Chaos USA | L Tecmo 1990 Rescue: The Embassy Mission EEC | L Infogrames Europe / Kemco 1989 Rygar EEC | L Tecmo 1987 Shadow Warriors FRA | L Tecmo 1988 The Simpsons: Bart vs.
    [Show full text]
  • Gaikai - Wikipedia Case 3:19-Cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not Logged in Talk Contributions Create Account Log In
    Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 1 of 8 EXHIBIT B Gaikai - Wikipedia Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Gaikai From Wikipedia, the free encyclopedia Main page Gaikai (外海, lit. "open sea", i.e. an expansive outdoor space) is an American company which provides technology for the streaming of high- Contents Gaikai Featured content end video games.[1] Founded in 2008, it was acquired by Sony Interactive Entertainment in 2012. Its technology has multiple applications, Current events including in-home streaming over a local wired or wireless network (as in Remote Play between the PlayStation 4 and PlayStation Vita), as Random article well as cloud-based gaming where video games are rendered on remote servers and delivered to end users via internet streaming (such as Donate to Wikipedia the PlayStation Now game streaming service.[2]) As a startup, before its acquisition by Sony, the company announced many partners using Wikipedia store [3] the technology from 2010 through 2012 including game publishers, web portals, retailers and consumer electronics manufacturers. On July Founded November 2008 Interaction 2, 2012, Sony announced that a formal agreement had been reached to acquire the company for $380 million USD with plans of establishing Headquarters Aliso Viejo, California, U.S. [4] Help their own new cloud-based gaming service, as well as integrating streaming technology built by Gaikai into PlayStation products, resulting Owner Sony [5] [6] About Wikipedia in PlayStation Now and Remote Play.
    [Show full text]
  • Billy Harper Animation Director at Sucker Punch Productions [email protected]
    Billy Harper Animation Director at Sucker Punch Productions [email protected] Summary My professional experience is best expressed by the recommendations on my resume. I will let those speak for me. I get emotional for a living. Experience Character/Cinematic Supervisor at Sucker Punch Productions September 2009 - Present (5 years 5 months) Responsible for working with Animation, Character, Design, Environment, and Engineering teams to develop characters, cinematics, animations, animation rigs and pipelines. Taking that information and applying it to schedules for the character, cinematic, and animation artists, and making sure everything is on track. Collaborating with the Art Director to make sure our style fits with the rest of the visuals. Then creating characters and animation that will help define that style and inspire the art team. Co-Founder/Character Director at Dreamhive, LLC October 2006 - August 2009 (2 years 11 months) Besides co-founding the studio, I was the Character Director and Director of Client Affairs. As Director of Client Affairs, I was responsible for landing and managing contracts with Morgan Rose, Ready at Dawn, EA Salt Lake, SCEA, BottleRocket, and Madonna. I was also the key person in setting up a very exciting partnership with Jason Rubin, Andy Gavin, and Jason Kay's entertainment group, Monkey Gods A Character Director for our studio, I performed various Character Modeling, Texturing, and Rigging tasks. I also grew into an Animation Direction role on teams ranging from 5 to 10 animators working remotely on several projects. I also pioneered new ground beta testing Autodesk's Mudbox software. My techniques for using the software caught the eye of Autodesk and they had me do multiple talks up and down the east coast.
    [Show full text]
  • Honra E Redenção Samurai
    ÍNDICE Honra e redenção samurai Ghost of Tsushima, grande lançamento da Sucker Punch Productions, está próximo, e vamos preparar você para este exclusivo de PS4 com as informações mais relevantes sobre o jogo e sua desenvolvedora. O título contará com um enredo dramático e se passará durante a Primeira Invasão Mongol ao Japão, e iremos lhe transportar para a ilha de Tsushima do século XIII, para já entrar na ambientação do jogo. Como games de samurai nunca são demais, trazemos os dez melhores títulos com essa temática — será que você conhece todos? Boa leitura! - Alberto Canen DIRETOR EDITORIAL Alberto canen PRÉVIA Editorial Ghost of 03 Tsushima (PS4) DIRETOR GERAL / PROJETO GRÁFICO Leandro Alves Sérgio Estrella GHOST OF TSUSHIMA A ambientação DIRETOR DE PAUTAS Farley Santos 14 histórica e Nicholas Wagner geográfica Vinícius Veloso DIRETOR DE DEVELOPERS REVISÃO Pedro Franco Sucker Punch: 24 Conheça a sua DIRETOR DE trajetória ARTE/ CAPA Leandro Alves TOP 10 DIRETOR DE DIAGRAMÇÃO Melhores jogos João Pedro Souza 32 de Samurai REDAÇÃO Mário Carvalho FAÇA SUA ASSINATURA E receba todas as edições em REVISÃO seu computador, Davi Sousa Emanuelly Rosas smartphone ou tablet Icaro Sousa GRÁTIS com antecedência, Vladimir Machado além de brindes, DA REVISTA promoções e edições bônus! GAMEBLAST DIAGRAMAÇÃO Daniel Oliveira João Pedro de Sousa Leandro Alves Yury Trindade ASSINAR! gameblast.com.br 2/ 45 PRÉVIA por Mário Carvalho Revisão: Vladimir Machado PS4 Diagramação: Leandro Alves promete mergulhar o jogador em uma inesquecível epopeia medieval japonesa A ilha de Tsushima está repleta de invasores mongóis, seu poderio militar e tecnológico representam uma ameaça imparável.
    [Show full text]
  • A Study for the Artist Through Theories of Art & Visual Perception
    This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Building 'Game worlds' : a study for the artist through theories of art & visual perception Lee, Jolly Yu See 2017 Lee, J. Y. S. (2017). Building 'Game worlds' : a study for the artist through theories of art & visual perception. Master's thesis, Nanyang Technological University, Singapore. http://hdl.handle.net/10356/70522 https://doi.org/10.32657/10356/70522 Downloaded on 27 Sep 2021 20:17:27 SGT Building ‘Game Worlds’: A Study For the Artist Through Theories of Art & Visual Perception by Lee Yu See Jolly Supervised by Kenneth Feinstein A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts Research programme in the School of Arts, Design and Media Nanyang Technological University May 2016 2 Acknowledgement The process of research is never an easy road and there are many people to be grateful to. This will be done in my acknowledgements and unfortunately, it may not be enough to express the amount of gratitude I have for all the encouragement, guidance and help received. Firstly, Rudolf Arnheim’s literature inspired the inclusion of the topic of visual perception within this research on visual game world. He was an exceptional psychologist, theorist and writer, who created Art and Visual Perception and The Power of the Center. It is an honour to study and apply his perceptual theories into the medium of video games. Secondly, I would like to thank the Professor and Chair, Vibeke Sorenson, for this wonderful opportunity to conduct a research within the School of Art, Design, and Media.
    [Show full text]
  • Download Only Ps4 Exclusives Playstation Exclusives
    download only ps4 exclusives PlayStation exclusives. Take your pick from a massive catalogue of games that you’ll only find on PlayStation 4. God of War. Journey into the fearsome Norse wilds where Kratos must master his legendary rage – not only to learn from his bloody past… but to give his son a future. Astro Bot Rescue Mission. Meet Astro, the little hero with a big mission to save his crew – and only you can help him, using the power of PlayStation VR across 26 fantastic missions. The masters of cutting-edge, narrative-driven action adventures, Santa Monica-based developer Naughty Dog has delivered some of PlayStation 4's most critically acclaimed titles. Uncharted 4: A Thief's End. Join legendary – and retired – fortune hunter Nathan Drake on one last globe-trotting adventure where he’s forced to decide what he’s willing to sacrifice to save the ones he loves. Uncharted 4: A Thief's End. Join legendary – and retired – fortune hunter Nathan Drake on one last globe-trotting adventure where he’s forced to decide what he’s willing to sacrifice to save the ones he loves. The Last of Us Part II. Experience a brutal post-pandemic world where how you survive is almost as important as survival itself. The next chapter of Ellie’s harrowing adventure begins here… The Last of Us Part II. Experience a brutal post-pandemic world where how you survive is almost as important as survival itself. The next chapter of Ellie’s harrowing adventure begins here… Uncharted: The Lost Legacy. Step into the adventuring shoes of series' favourite Chloe Frazer and with the aid of renowned mercenary Nadine Ross and venture to India’s Western Ghats to locate the Golden Tusk of Ganesh.
    [Show full text]
  • The Paradox of Interactive Fiction a New Approach to Imaginative Participation in Light of Interactive Fiction Experiences
    The Paradox of Interactive Fiction A New Approach to Imaginative Participation in Light of Interactive Fiction Experiences Thesis submitted for the degree of doctor in Philosophy at the University of Antwerp to be defended by Nele Van de Mosselaer Faculty of Arts – Department of Philosophy Supervised by prof. dr. Arthur Cools & prof. dr. Erik Myin Antwerp 2020 De paradox van interactieve fictie Een nieuwe benadering van verbeelding in het licht van interactieve fictie-ervaringen Proefschrift voorgelegd tot het behalen van de graad van doctor in de Wijsbegeerte aan de Universiteit Antwerpen te verdedigen door Nele Van de Mosselaer Faculteit Letteren en Wijsbegeerte – Department Wijsbegeerte Promotoren: prof. dr. Arthur Cools & prof. dr. Erik Myin Antwerpen 2020 Acknowledgements “My friends are my power!” – Sora, Kingdom Hearts (Square Enix 2002) Writing this dissertation on our interactions with the fictional worlds, characters, and objects represented in videogames was in many ways a fun endeavor. This is the case not only because it involved some actual videogame play, but also because I learned a lot in the last three years. I sincerely hope this dissertation also provides its readers with interesting insights, and helpfully contributes to the philosophy of fiction, which still has a remarkable focus on non-interactive works of literature, theatre, and film. At least in that way, my fearful encounters with zombies, stressful rescue missions of aliens, and countless deaths also gain some relevance outside of the respective fictional worlds in which they occurred. Although my interactions with videogame characters often inspired me to criticize established philosophical ideas on emotions, actions, and desires towards fiction, these characters were particularly unhelpful when it came to philosophical discussions, moral support, and constructive feedback on my manuscripts.
    [Show full text]
  • Physically Based Shading in Eory and Practice
    Physically Based Shading in eory and Practice SIGGRAPH 2020 Course Course Organizers Stephen Hill Lucaslm Stephen McAuley Sony Santa Monica Studio Presenters Laurent Belcour Unity Technologies Will Earl MPC Film Niklas Harrysson Autodesk Sebastien´ Hillaire Epic Games Naty Hoffman Lucaslm Lee Kerley Sony Pictures Imageworks Jasmin Patry Sucker Punch Productions Rob Pieke´ SideFX Igor Skliar MPC Film Jonathan Stone Lucaslm Additional Contributors Pascal Barla Inria Megane´ Bati IOGS Iliyan Georgiev Autodesk Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for prot or commercial advantage and that copies bear this notice and the full citation on the rst page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author. Copyright is held by the owner/author(s). SIGGRAPH ’20 Courses, August 17, 2020, Virtual Event, USA ACM 978-1-4503-7972-4/20/08. 10.1145/3388769.3407523 Course Description Physically based shading has transformed the way we approach production rendering and simplied the lives of artists in the process. By employing shading models that adhere to physical principles, one can readily create high quality, realistic materials that maintain their appearance under a variety of lighting environments. In contrast, traditional ad hoc models required extensive tweaking to achieve comparable results — due to less intuitive behavior or unnecessary complexity — and were liable to break under dierent illumination. Consequently, physically based models have become widely adopted in lm and game production, particularly as they are oen no more dicult to implement or evaluate.
    [Show full text]
  • Corporate Report 2019
    Fill the world with emotion, through the power of creativity and technology. Dreams & Curiosity Pioneer the future with dreams and curiosity. Diversity Pursue the creation of the very best by harnessing diversity and varying viewpoints. Integrity & Sincerity Earn the trust for the Sony brand through ethical and responsible conduct. Sustainability Fulfill our stakeholder responsibilities through disciplined business practices. 02 Message from the CEO A Creative Entertainment Company with a Solid Foundation of Technology Born out of our founders’ dream of enriching people’s lives through the power of technology, today Sony is a corporate group that operates entertainment businesses, including games, music, motion pictures, animation and other content intellectual property (IP); electronics businesses; and direct to consumer (DTC) services businesses including PlayStation™Network (PSN) and financial services. People are at the core of all of these businesses. Based on our Purpose to “fill the world with emotion, through the power of creativity and technology,” we at Sony will continue our efforts to grow and deliver even greater value by “getting closer to people.” Kenichiro Yoshida President and CEO, Representative Corporate Executive Officer 03 Sony’s Value Creation are underpinned by technology and by our highly Let me explain the three focus areas of our mid- diverse and talented employees. range plan, the progress we have made in the first Sony’s founders had a strong desire to enhance Based on our unique purpose, identity and year of the plan (the fiscal year ended March 31, 2019), people’s lives through the power of technology. direction, we will harness our diversity and realize the and our future direction.
    [Show full text]