68: Protest, Policing, and Urban Space by Hans Nicholas Sagan A
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Soldiers and Veterans Against the War
Vietnam Generation Volume 2 Number 1 GI Resistance: Soldiers and Veterans Article 1 Against the War 1-1990 GI Resistance: Soldiers and Veterans Against the War Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation (1990) "GI Resistance: Soldiers and Veterans Against the War," Vietnam Generation: Vol. 2 : No. 1 , Article 1. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol2/iss1/1 This Complete Volume is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. GI RESISTANCE: S o l d ie r s a n d V e t e r a n s AGAINST THE WAR Victim am Generation Vietnam Generation was founded in 1988 to promote and encourage interdisciplinary study of the Vietnam War era and the Vietnam War generation. The journal is published by Vietnam Generation, Inc., a nonprofit corporation devoted to promoting scholarship on recent history and contemporary issues. ViETNAM G en eratio n , In c . ViCE-pRESidENT PRESidENT SECRETARY, TREASURER Herman Beavers Kali Tal Cindy Fuchs Vietnam G eneration Te c HnIc a I A s s is t a n c e EdiTOR: Kali Tal Lawrence E. Hunter AdvisoRy BoARd NANCY ANISFIELD MICHAEL KLEIN RUTH ROSEN Champlain College University of Ulster UC Davis KEVIN BOWEN GABRIEL KOLKO WILLIAM J. SEARLE William Joiner Center York University Eastern Illinois University University of Massachusetts JACQUELINE LAWSON JAMES C. -
USA, the World Is Watching: Mass Violations by U.S. Police of Black
USA: THE WORLD IS WATCHING MASS VIOLATIONS BY U.S. POLICE OF BLACK LIVES MATTER PROTESTERS’ RIGHTS Amnesty International is a global movement of more than 7 million people who campaign for a world where human rights are enjoyed by all. Our vision is for every person to enjoy all the rights enshrined in the Universal Declaration of Human Rights and other international human rights standards. We are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. © Amnesty International 2020 Except where otherwise noted, content in this document is licensed under a Creative Commons Cover photo: A line of Minnesota State Patrol officers in Minneapolis, Minnesota (attribution, non-commercial, no derivatives, international 4.0) licence. © Victor J. Blue https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode For more information please visit the permissions page on our website: www.amnesty.org Where material is attributed to a copyright owner other than Amnesty International this material is not subject to the Creative Commons licence. First published in 2020 by Amnesty International Ltd Peter Benenson House, 1 Easton Street London WC1X 0DW, UK Index: AMR 51/2807/2020 Original language: English amnesty.org CONTENTS TITLE PAGE ABREVIATIONS 4 TERMINOLOGY 4 EXECUTIVE SUMMARY 6 KEY RECOMMENDATIONS 6 METHODOLOGY 8 POLICE USE OF DEADLY FORCE 9 FAILURE TO TRACK HOW MANY PEOPLE ARE KILLED BY POLICE IN THE USA 12 DISCRIMINATORY POLICING AND THE DISPROPORTIONATE IMPACT -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Spatial Politics, Historiography, Method Introduction
1 Spatial Politics, Historiography, Method Introduction Bu şehirde ölmek yeni birşey değil elbet Sanki yaşamak daha büyük bir marifet! (Ha, to die in this city brings no new thrill, Living is a much finer skill!) —can yücel (2005), “Yesenin’den Intihar Pusulası Moskova’dan” 1.1 URBAN ACTIVISM IN ISTANBUL Imagine a city characterized by the radicalization en masse of students, workers, and professional associations. Imagine as a core aspect of struggle their inventive fabrication of a suite of urban spatial tactics, including militant confrontation over control and use of the city’s public spaces, shantytowns, educational institutions, and sites of production. Sounds and fury, fierceness and fearlessness. Picture a bat- tle for resources, as well as for less quantifiable social goods: rights, authority, and senses of place. Consider one spatial outcome of this mobilization—a city tenu- ously segregated on left/right and on left/left divisions in nearly all arenas of public social interaction, from universities and high schools to coffee houses, factories, streets, and suburbs. Even the police are fractured into political groups, with one or another of the factions dominant in neighborhood stations. Over time, escalat- ing industrial action by trade unions, and increasing violence in the city’s edge suburbs change activists’ perceptions of urban place. Here is a city precariously balanced between rival political forces and poised between different possible futures, even as its inhabitants charge into urban confrontation and polarization. Imagine a military insurrection. Total curfew. Flights in and out of the country suspended, a ban on theater and cultural activities, schools and universities shut down. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Film Festival 2008
THE LEO AWARDS and PACIFIC CINÉMATHÈQUE proudly present TALKBACK A FILM ARTIST SALON WITH LEO AWARDS 2008 NOMINEES FILM FESTIVAL 2008 THURSDAY, MAY 22 @ CINEMA 319 at PACIFIC CINÉMATHÈQUE Join First Weekend Club for an evening of intimate The Leo Awards, the annual celebration of excellence in made-in-B.C. film and television, were established in conversations with some of BC’s finest filmmaking talent 1998 to honour the best of B.C. film and television, and are presented each year at a gala awards ceremony. at the the swanky Cinema 319 at 319 Main Street. Since 2003, they have been a project of the Motion Picture Arts and Sciences Foundation of British Columbia, a non-profit society formed to celebrate and promote the achievements of the B.C. film and television industry. Keep your movie ticket stub from any of the Leo Award Film Festival screenings at Pacific Cinémathèque and your THURSDAY, MAY 15 admission fee to the Talkback will be waived. The Leo Awards Film Festival provides an opportunity for members of the general public to share in the impressive FEATURE LENGTH DRAMA accomplishments of our B.C. filmmakers. Public screening of this year’s Leo Awards nominees in several program Visit www.firstweekendclub.ca for event details and categories — encompassing features, documentaries, short dramas, and student productions — will be presented updates on featured guests. FRIDAY, MAY 16 over five days, May 15-19, at Pacific Cinémathèque. The 10th Annual Leo Awards Celebration and Gala Awards DOCUMENTARY Ceremony will take place the following weekend, May 23 & 24, at the Westin Bayshore Vancouver. -
Selected Chronology of Political Protests and Events in Lawrence
SELECTED CHRONOLOGY OF POLITICAL PROTESTS AND EVENTS IN LAWRENCE 1960-1973 By Clark H. Coan January 1, 2001 LAV1tRE ~\JCE~ ~')lJ~3lj(~ ~~JGR§~~Frlt 707 Vf~ f·1~J1()NT .STFie~:T LA1JVi~f:NCE! i(At.. lSAG GG044 INTRODUCTION Civil Rights & Black Power Movements. Lawrence, the Free State or anti-slavery capital of Kansas during Bleeding Kansas, was dubbed the "Cradle of Liberty" by Abraham Lincoln. Partly due to this reputation, a vibrant Black community developed in the town in the years following the Civil War. White Lawrencians were fairly tolerant of Black people during this period, though three Black men were lynched from the Kaw River Bridge in 1882 during an economic depression in Lawrence. When the U.S. Supreme Court ruled in 1894 that "separate but equal" was constitutional, racial attitudes hardened. Gradually Jim Crow segregation was instituted in the former bastion of freedom with many facilities becoming segregated around the time Black Poet Laureate Langston Hughes lived in the dty-asa child. Then in the 1920s a Ku Klux Klan rally with a burning cross was attended by 2,000 hooded participants near Centennial Park. Racial discrimination subsequently became rampant and segregation solidified. Change was in the air after World "vV ar II. The Lawrence League for the Practice of Democracy (LLPD) formed in 1945 and was in the vanguard of Post-war efforts to end racial segregation and discrimination. This was a bi-racial group composed of many KU faculty and Lawrence residents. A chapter of Congress on Racial Equality (CORE) formed in Lawrence in 1947 and on April 15 of the following year, 25 members held a sit-in at Brick's Cafe to force it to serve everyone equally. -
Gray, Neil (2015) Neoliberal Urbanism and Spatial Composition in Recessionary Glasgow
Gray, Neil (2015) Neoliberal urbanism and spatial composition in recessionary Glasgow. PhD thesis. http://theses.gla.ac.uk/6833/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Neoliberal Urbanism and Spatial Composition in Recessionary Glasgow Neil Gray MRes Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Geographical and Earth Sciences College of Science and Engineering University of Glasgow November 2015 i Abstract This thesis argues that urbanisation has become increasingly central to capital accumulation strategies, and that a politics of space - commensurate with a material conjuncture increasingly subsumed by rentier capitalism - is thus necessarily required. The central research question concerns whether urbanisation represents a general tendency that might provide an immanent dialectical basis for a new spatial politics. I deploy the concept of class composition to address this question. In Italian Autonomist Marxism (AM), class composition is understood as the conceptual and material relation between ‘technical’ and ‘political’ composition: ‘technical composition’ refers to organised capitalist production, capital’s plans as it were; ‘political composition’ refers to the degree to which collective political organisation forms a basis for counter-power. -
Chapter One: Postwar Resentment and the Invention of Middle America 10
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Jeffrey Christopher Bickerstaff Doctor of Philosophy ________________________________________ Timothy Melley, Director ________________________________________ C. Barry Chabot, Reader ________________________________________ Whitney Womack Smith, Reader ________________________________________ Marguerite S. Shaffer, Graduate School Representative ABSTRACT TALES FROM THE SILENT MAJORITY: CONSERVATIVE POPULISM AND THE INVENTION OF MIDDLE AMERICA by Jeffrey Christopher Bickerstaff In this dissertation I show how the conservative movement lured the white working class out of the Democratic New Deal Coalition and into the Republican Majority. I argue that this political transformation was accomplished in part by what I call the "invention" of Middle America. Using such cultural representations as mainstream print media, literature, and film, conservatives successfully exploited what came to be known as the Social Issue and constructed "Liberalism" as effeminate, impractical, and elitist. Chapter One charts the rise of conservative populism and Middle America against the backdrop of 1960s social upheaval. I stress the importance of backlash and resentment to Richard Nixon's ascendancy to the Presidency, describe strategies employed by the conservative movement to win majority status for the GOP, and explore the conflict between this goal and the will to ideological purity. In Chapter Two I read Rabbit Redux as John Updike's attempt to model the racial education of a conservative Middle American, Harry "Rabbit" Angstrom, in "teach-in" scenes that reflect the conflict between the social conservative and Eastern Liberal within the author's psyche. I conclude that this conflict undermines the project and, despite laudable intentions, Updike perpetuates caricatures of the Left and hastens Middle America's rejection of Liberalism. -
Construction Guidelines for Wildlife Fencing and Associated Escape and Lateral Access Control Measures
CONSTRUCTION GUIDELINES FOR WILDLIFE FENCING AND ASSOCIATED ESCAPE AND LATERAL ACCESS CONTROL MEASURES Requested by: American Association of State Highway and Transportation Officials (AASHTO) Standing Committee on the Environment Prepared by: Marcel P. Huijser, Angela V. Kociolek, Tiffany D.H. Allen, Patrick McGowen Western Transportation Institute – Montana State University PO Box 174250 Bozeman, MT 59717-4250 Patricia C. Cramer 264 E 100 North, Logan, Utah 84321 Marie Venner Lakewood, CO 80232 April 2015 The information contained in this report was prepared as part of NCHRP Project 25-25, Task 84, National Cooperative Highway Research Program, Transportation Research Board. SPECIAL NOTE: This report IS NOT an official publication of the National Cooperative Highway Research Program, Transportation Research Board, National Research Council, or The National Academies. Wildlife Fencing and Associated Measures Disclaimer DISCLAIMER DISCLAIMER STATEMENT The opinions and conclusions expressed or implied are those of the research agency that performed the research and are not necessarily those of the Transportation Research Board or its sponsors. The information contained in this document was taken directly from the submission of the author(s). This document is not a report of the Transportation Research Board or of the National Research Council. ACKNOWLEDGEMENTS This study was requested by the American Association of State Highway and Transportation Officials (AASHTO), and conducted as part of the National Cooperative Highway Research Program (NCHRP) Project 25-25 Task 84. The NCHRP is supported by annual voluntary contributions from the state Departments of Transportation. Project 25-25 is intended to fund quick response studies on behalf of the AASHTO Standing Committee on the Environment. -
Fire Blight Fire Blight Is One of the Most Destructive Diseases of Apple and Erwinia Amylovora (Burrill) Winslow Pear Trees
Disease Identification Sheet No. 03 (revised) 1994 _TR_E_E_F_R_U_IT_C_R_O_P_S_f-M ~:tgmted CORNELL COOPERATIVE EXTENSION 1 Sanagement Fire Blight Fire blight is one of the most destructive diseases of apple and Erwinia amylovora (Burrill) Winslow pear trees. Outbreaks are sporadic in most parts of the North Wayne F. Wilcox east, but can cause extensive tree damage when they do occur. Therefore, the necessary intensity of control programs will vary Department of Plant Pathology, NYS Agricultural considerably for different plantings and in different years, de Experiment Station at Geneva, Cornell University pending on individual orchard factors and weather conditions. Fig.1. Fig.2. Fig. 3. Fig. 5. Fig. 4. Fig. 8. Fig. 6. Fig. 7. Symptoms associated with suckers, and it appears that many develop when bacteria move systemically from scion infections down Fire blight produces several different types of symptoms, ?e into the rootstock. The factors that influence this systemic pending on what plant parts are attacked and when. The f1rst movement are unknown. symptom to appear, shortly after bloom, is that of blossom blight. In the early stages of infection, blossoms appear water soaked and gray-green but quickly turn brown or black; gener Control ally, the entire cluster becomes blighted and killed (Fig. 1). The Fire blight is best controlled using an integrated approach that most obvious symptom of the disease is the shoot blight phase, combines (a) horticultural practices designed to minimize tree which first appears one to several weeks after petal fall. The susceptibility and disease spread; (b) efforts to reduce the leaves and stem on young, succulent shoot tips turn brown or amount of inoculum in the orchard; and (c) well-timed sprays of black and bend over into a characteristic shape similar to the bactericides to protect against infection under specific sets of top of a shepherd's crook or candy cane (Fig. -
The Anti-Globalization Movement on Television News Raphi Rechitsky
Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 5-2005 Spectacle and Distortion: The Anti-Globalization Movement on Television News Raphi Rechitsky Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Rechitsky, Raphi, "Spectacle and Distortion: The Anti-Globalization Movement on Television News" (2005). Honors Theses. Paper 294. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. "Spectacle and Distortion: The Anti-Globalization Movement on Television News" By Raphi Rechitsky Southern Illinois University-Carbondale Presented to the Honors Department as a B.A. Thesis May 12,2005 Spectacle and Distortion Rechitsky, I Objectivity in journalism is an illusion, a hollow word, yet it becomes so real to its perpetrators, who have been poisoned with the lie from the first day ofjournalism school, that they end up not only believing in it, but letting it form the whole foundation of their profession. - Mumia Abu Jamal "Death Blossoms: Reflections From a Prh:oner ofConscience" A little broken glass in the streets of Seattle has transformed the World Trade Organization into a popular icon for the unregulated globalization that tramples human values on every continent, among rich and poor alike. - William Greider "The Battle Beyond Seattle" 60 Minutes is going to do what we always thought they were going to do---which is sensationalize property destruction. And I think that's a good thing.