The Anti-Globalization Movement on Television News Raphi Rechitsky
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Exclusion and the Global Political Economy: from Critique to Rethinking
EXCLUSION AND THE GLOBAL POLITICAL ECONOMY: FROM CRITIQUE TO RETHINKING By Daniel Pierre-Antoine A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Political Science Carleton University Ottawa, Ontario © Daniel Pierre-Antoine, 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 C an ad a C an ad a Your file Votre reference ISBN: 978-0-494-18230-7 Our file Notre reference ISBN: 978-0-494-18230-7 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
68: Protest, Policing, and Urban Space by Hans Nicholas Sagan A
Specters of '68: Protest, Policing, and Urban Space by Hans Nicholas Sagan A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Architecture in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Galen Cranz, Chair Professer C. Greig Crysler Professor Richard Walker Summer 2015 Sagan Copyright page Sagan Abstract Specters of '68: Protest, Policing, and Urban Space by Hans Nicholas Sagan Doctor of Philosophy in Architecture University of California, Berkeley Professor Galen Cranz, Chair Political protest is an increasingly frequent occurrence in urban public space. During times of protest, the use of urban space transforms according to special regulatory circumstances and dictates. The reorganization of economic relationships under neoliberalism carries with it changes in the regulation of urban space. Environmental design is part of the toolkit of protest control. Existing literature on the interrelation of protest, policing, and urban space can be broken down into four general categories: radical politics, criminological, technocratic, and technical- professional. Each of these bodies of literature problematizes core ideas of crowds, space, and protest differently. This leads to entirely different philosophical and methodological approaches to protests from different parties and agencies. This paper approaches protest, policing, and urban space using a critical-theoretical methodology coupled with person-environment relations methods. This paper examines political protest at American Presidential National Conventions. Using genealogical-historical analysis and discourse analysis, this paper examines two historical protest event-sites to develop baselines for comparison: Chicago 1968 and Dallas 1984. Two contemporary protest event-sites are examined using direct observation and discourse analysis: Denver 2008 and St. -
Film Festival 2008
THE LEO AWARDS and PACIFIC CINÉMATHÈQUE proudly present TALKBACK A FILM ARTIST SALON WITH LEO AWARDS 2008 NOMINEES FILM FESTIVAL 2008 THURSDAY, MAY 22 @ CINEMA 319 at PACIFIC CINÉMATHÈQUE Join First Weekend Club for an evening of intimate The Leo Awards, the annual celebration of excellence in made-in-B.C. film and television, were established in conversations with some of BC’s finest filmmaking talent 1998 to honour the best of B.C. film and television, and are presented each year at a gala awards ceremony. at the the swanky Cinema 319 at 319 Main Street. Since 2003, they have been a project of the Motion Picture Arts and Sciences Foundation of British Columbia, a non-profit society formed to celebrate and promote the achievements of the B.C. film and television industry. Keep your movie ticket stub from any of the Leo Award Film Festival screenings at Pacific Cinémathèque and your THURSDAY, MAY 15 admission fee to the Talkback will be waived. The Leo Awards Film Festival provides an opportunity for members of the general public to share in the impressive FEATURE LENGTH DRAMA accomplishments of our B.C. filmmakers. Public screening of this year’s Leo Awards nominees in several program Visit www.firstweekendclub.ca for event details and categories — encompassing features, documentaries, short dramas, and student productions — will be presented updates on featured guests. FRIDAY, MAY 16 over five days, May 15-19, at Pacific Cinémathèque. The 10th Annual Leo Awards Celebration and Gala Awards DOCUMENTARY Ceremony will take place the following weekend, May 23 & 24, at the Westin Bayshore Vancouver. -
November 30, 1999 in Seattle
NovemberThe Seattle 30, WTO 1999 Protests One seventeen-year-old girl grabbed by an aging trucker for “mindlessly” smashing a GAP A memoir and analysis, with an eye to the future window subjected him to a thirty second diatribe: “Immigrant Asian women are lured to Saipan to work a seven-day week fenced in with barbed wire, they’re forbidden to even take a piss while they sew these fucking clothes!” she yelled. “Teenage girls in Honduras work 14-hour shifts for 50 cents an hour and Chinese migrant women in Russia earn less than a quarter of that making this stuff. Chief Executive Millard Dexter earns $24,000 an hour—that’s $47 million a year—and GAP Chairman Donald Fisher is worth $8 billion. This company spends over $500 million a year advertising this shit while its workers starve. Don’t call me fucking mindless!” He stood in stunned silence as glass rained down around him. “Pick up a brick, asshole!” someone shouted. For a minute he looked N30 like he was considering it. The People’s Republications of CrimethInc. November 30, 2006 Fourteen years ago, many of us didn’t even know we were anarchists. We made tentative steps to change our lives, without a clear idea of where we were going or why. We joined environmental organizations and formed punk rock bands. We experimented with cooperative living, confronta- tional unemployment, and politically motivated crime. We occupied trees; we traveled around the planet as witnesses and volunteers; we developed new traditions and codes of ethics. In the course of these adventures, we found each other, one by one; but we still felt isolated, still doubted our own strength, still wondered how to approach the revolu- tion some of us dreamed of. -
The Coffees of the Secretary-General Naomi Klein
THE COFFEES OF THE SECRETARY-GENERAL NAOMI KLEIN 24 November 2015 The Coffees of the Secretary-General: Naomi Klein 2 THE COFFEES OF THE SECRETARY-GENERAL Bringing New Perspectives to the OECD Secretary-General’s Speech Writing and Intelligence Outreach Unit Short Bio Naomi Klein NAOMI KLEIN is an award-winning journalist, syndicated columnist and author of the New York Times and #1 international bestseller, The Shock Doctrine: The Rise of Disaster Capitalism. Published worldwide in 2007, The Shock Doctrine has been published in 30 languages with over one million copies in print. It appeared on multiple ‘best of year’ lists including as a New York Times Critics’ Pick of the Year. Rachel Maddow called The Shock Doctrine, "The only book of the last few years in American publishing that I would describe as a mandatory must-read.” Naomi Klein’s first book, No Logo: Taking Aim at the Brand Bullies was also an international bestseller, translated into over 25 languages with more than a million copies in print. The New York Times called it “a movement bible.” In 2011, Time Magazine named it as one of the Top 100 non-fiction books published since 1923. A tenth anniversary edition of No Logo was published worldwide in 2009. The Literary Review of Canada has named it one of the hundred most important Canadian books ever published. A collection of her writing, Fences and Windows: Dispatches from the Front Lines of the Globalization Debate was published in 2002. In 2007, the six-minute companion film to The Shock Doctrine, created by Alfonso Cuaron, acclaimed director of Children of Men, was an Official Selection of the Venice Biennale, San Sebastien and Toronto International Film Festivals. -
Battle in Seattle Actor Listäƒ (Cast)
Battle in Seattle Actor Listă (Cast) Jennifer Carpenter https://ro.listvote.com/lists/film/actors/jennifer-carpenter-230641/movies Charlize Theron https://ro.listvote.com/lists/film/actors/charlize-theron-80046/movies Ryan McDonald https://ro.listvote.com/lists/film/actors/ryan-mcdonald-3453826/movies Ken Kirzinger https://ro.listvote.com/lists/film/actors/ken-kirzinger-1228672/movies Richard Ian Cox https://ro.listvote.com/lists/film/actors/richard-ian-cox-721273/movies Christopher Jacot https://ro.listvote.com/lists/film/actors/christopher-jacot-434088/movies Bill Clinton https://ro.listvote.com/lists/film/actors/bill-clinton-1124/movies Michelle Rodriguez https://ro.listvote.com/lists/film/actors/michelle-rodriguez-184219/movies Andre 3000 https://ro.listvote.com/lists/film/actors/andre-3000-448837/movies Peter Shinkoda https://ro.listvote.com/lists/film/actors/peter-shinkoda-7176910/movies Martin Henderson https://ro.listvote.com/lists/film/actors/martin-henderson-461278/movies Alberta Mayne https://ro.listvote.com/lists/film/actors/alberta-mayne-4711766/movies Rade Šerbedžija https://ro.listvote.com/lists/film/actors/rade-%C5%A1erbed%C5%BEija-434291/movies Tzi Ma https://ro.listvote.com/lists/film/actors/tzi-ma-598178/movies Barbara Tyson https://ro.listvote.com/lists/film/actors/barbara-tyson-2884044/movies Ray Liotta https://ro.listvote.com/lists/film/actors/ray-liotta-211280/movies Daniel Bacon https://ro.listvote.com/lists/film/actors/daniel-bacon-5216474/movies Connie Nielsen https://ro.listvote.com/lists/film/actors/connie-nielsen-231951/movies -
The Representation of Globalization in Films About Africa
The Representation of Globalization in Films About Africa A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Abdullah H. Mohammed August 2012 © 2012 Abdullah H. Mohammed. All Rights Reserved. 2 This dissertation titled The Representation of Globalization in Films About Africa by ABDULLAH H. MOHAMMED has been approved for the School of Interdisciplinary Arts and the College of Fine Arts by Michael B. Gillespie Assistant Professor of Film Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT MOHAMMED, ABDULLAH H., Ph.D., August 2012, Interdisciplinary Arts The Representation of Globalization in Films About Africa (200 pp.) Director of Dissertation: Michael B. Gillespie This dissertation explores how films about Africa depict contemporary economic globalization. Particular attention is paid to the ways in which narrative styles and visual imagery are used to project themes of economic globalization and how these styles are ideologically framed to reflect the neoliberal economic policies in Africa. By concentrating upon the ways in which these films represent globalization, this project breaks from the popular tendency in discussions related to cinema and globalization in Africa to apply a political economy approach that focuses mainly on the socioeconomic and political structures of film industry in Africa. Accordingly, this dissertation generates a dialogue between the art of cinema and the critical discourse on globalization -
Acting out Citizenship in Global and Local Contexts Whitney Nicole Hardin Wayne State University
Wayne State University Wayne State University Dissertations 1-1-2014 Acting Out Citizenship In Global And Local Contexts Whitney Nicole Hardin Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the Rhetoric Commons Recommended Citation Hardin, Whitney Nicole, "Acting Out Citizenship In Global And Local Contexts" (2014). Wayne State University Dissertations. Paper 1049. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. ACTING OUT CITIZENSHIP IN GLOBAL AND LOCAL CONTEXTS by WHITNEY N. HARDIN DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2014 MAJOR: ENGLISH (Rhetoric & Composition) Approved by: _________________________________________ Advisor Date _________________________________________ _________________________________________ _________________________________________ ACKNOWLEDGMENTS This project would never have been completed if not for the network of supportive and tolerant people around me, some of whom I want to recognize here. Richard Marback, for his thoughtful direction, and for allowing me the space to explore ideas without direction, even when I don't want to. I often arrive at his office in a panic, and never leave it without feeling better. Jeff -
An Ungovernable Force? Food Not Bombs, Homeless Activism
AN UNGOVERNABLE FORCE? FOOD NOT BOMBS, HOMELESS ACTIVISM AND POLITICS IN SAN FRANCISCO, 1988-1995 by SEAN MICHAEL PARSON A DISSERTATION Presented to the Department ofPolitical Science and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor ofPhilosophy September 2010 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Sean Parson Title: "An Ungovernable Force? Food Not Bombs, Homeless Activism and Politics in San Francisco, 1988-1995" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the degree in the Department ofPolitical Science by: Gerald Berk, Chairperson, Political Science Joseph Lowndes, Member, Political Science Deborah Baumgold, Member, Political Science Michael Dreiling, Outside Member, Sociology and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. September 4,2010 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. III © 2010 Sean M. Parson IV An Abstract ofthe Dissertation of Sean Michael Parson for the degree of Doctor ofPhilosophy in the Department ofPolitical Science to be taken September 2010 Title: AN UNGOVERNABLE FORCE? FOOD NOT BOMBS, HOMELESS ACTIVISM AND POLITICS IN SAN FRANCISCO, 1988-1995 Approved: ~ _ Gerald Berk This study examines the interaction between two anarchist support groups for the homeless, Food Not Bombs and Homes Not Jails, and the city ofSan Francisco between 1988 and 1995. Food Not Bombs provides free meals in public spaces and protests government and corporate policies that harm the poor and homeless. Homes Not Jails is a sister group ofFood Not Bombs that opens up unused houses and government buildings to provide housing for homeless residents. -
Making Globalization Ordinary 221
Making Globalization Ordinary 221 On Teaching Making Globalization Ordinary: Teaching Globalization in the American Studies Classroom Stacy Takacs The publication in 1983 of Benedict Anderson’s Imagined Communities marked a turning point in the scholarship of the nation state and of national cultures. By daring to suggest that nations were “imagined political communi- ties” emerging out of distinctly historical circumstances, Anderson challenged the status of the nation as a taken-for-granted category of analysis. His argu- ment was well-received not because it was original, but because it crystallized an emerging consensus from within a variety of academic fields that the nation was not the only possible lens through which to examine culture, politics, economics, or history. As David Noble points out, the “aesthetic authority” of the nation—its capacity to organize thought and analysis—had to be actively sustained through practices of suppression, exclusion, and fabrication (Noble 2002, 273). By the 1940s, the work of defending the boundaries (real and sym- bolic) of the nation became increasingly difficult. World War II, the Cold War, and anti-colonial struggles made the global context of national life inescapable while the struggles of oppressed minorities within the nation for civil rights and social recognition exposed national coherence as fiction. Scholars in a variety of fields began to look beyond the paradigm of the nation for ways to understand political, economic, and social relations. They took up comparative international studies and focused on subnational circuits of culture; they began to excavate the histories of “peoples without history” (Wolf 1982) and to examine patterns of global similarity; they even sought to discover how nationalism became a 0026-3079/2008/4903/4-221$2.50/0 American Studies, 49:3/4 (Fall/Winter 2008): 221-254 221 222 Stacy Takacs truly transnational phenomenon. -
SIMPLY WASHINGTON Simply Washington Is a Publication of the Office of the Secretary of State, Olympia, Washington
SIMPLY WASHINGTON Simply Washington is a publication of the Office of the Secretary of State, Olympia, Washington. January 2020 With thanks to the donors who made this publication possible. No state funds were used to print Simply Washington. For more information contact: Office of the Secretary of State PO Box 40220 Olympia, WA 98504-0220 SIMPLY 360-902-4151 WASHINGTON Front cover, left to right: Cape Flattery in Neah Bay, EB Adventure Photography Mt. Rainier National Park, DonLand Fall colors in Washington state, Suzi Pratt 2020 Washington vineyard in fall, ARSimonds Wheat fields in Palouse, Bill Perry Opposite page: Mt. Rainier, VDB Photos All images from Shutterstock.com. Welcome to Simply Washington, your guide to the many wonderful features of Washington state — the beauty, the bounty, and the people who make this such a remarkable place to live. Explore a timeline of events, the history and heritage of our First Citizens, and how Washington became the 42nd state of the United States of America. Read about some trailblazing Washingtonian women in our state’s elected offices and dive into the details of our vibrant system of self-government through initiative and referendum. Along with some fun state facts, see glimpses of our natural scenic wonders and peruse endless opportunities for outdoor recreation. Learn about world-famous Washington industries and companies headquartered here; from software and aerospace to fashion and online entrepreneurs. Secretary of State Kim Wyman Our tech-savvy residents are quite ingenious and we have leaders in biomedical research and health care, among many other fields. We are also one of the most trade-dependent states in the nation, particularly for agricultural products and transportation equipment.