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THE INVISIBLE LANDSCAPE: Mind, Hallucinogens, and the I Ching
To inquire about Time Wave software in both Macintosh and DOS versions please contact Blue Water Publishing at 1-800-366-0264. fax# (503) 538-8485. or write: P.O. Box 726 Newberg, OR 97132 Passage from The Poetry and Prose of William Blake, edited by David V. Erdman. Commentary by Harold Bloom. Copyright © 1965 by David V. Erdman and Harold Bloom. Published by Doubleday Company, Inc. Used by permission. THE INVISIBLE LANDSCAPE: Mind, Hallucinogens, and the I Ching. Copyright © 1975, 1993 by Dennis J. McKenna and Terence K. McKenna. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address HarperCollins Publishers, 10 East 53rd Street, New York, NY 10022. Interior design by Margery Cantor and Jaime Robles FIRST PUBLISHED IN 1975 BY THE SEABURY PRESS FIRST HARPERCOLLINS EDITION PUBLISHED IN 1993 Library of Congress Cataloging-in-Publication Data McKenna, Terence K., 1946- The Invisible landscape : mind, hallucinogens, and the I ching / Terence McKenna and Dennis McKenna.—1st HarperCollins ed. p. cm. Includes bibliographical references and index. ISBN 0-06-250635-8 (acid-free paper) 1. I ching. 2. Mind and body. 3. Shamanism. I. Oeric, O. N. II. Title. BF161.M47 1994 133—dc2o 93-5195 CIP 01 02 03 04 05 RRD(H) 11 12 13 14 15 16 17 18 19 20 In Memory of our dear Mother Thus were the stars of heaven created like a golden chain To bind the Body of Man to heaven from falling into the Abyss. -
1 the Intersection Between Politics
1 THE INTERSECTION BETWEEN POLITICS, CULTURE, AND SPIRITUALITY: AN INTERDISCIPLINARY INVESTIGATION OF PERFORMANCE ART ACTIVISM AND CONTEMPORARY SOCIETAL PROBLEMS A Thesis Presented to The Honors Tutorial College Ohio University In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Fine Arts in Dance by Justin M. Middlebrooks June 2012 2 This thesis has been approved by The Honors Tutorial College and the School of Dance Marina Walchli Professor, Dance Thesis advisor Marina Walchli Professor, Dance Honors Tutorial College Director of Studies, Dance Jeremy Webster Dean, Honors Tutorial College 3 Contents Foreword Initial Interactions with Culture, Politics, and Spirituality 4 One An Introduction to the Project 9 Two Perspectives on Contemporary Movements and Sociopolitical Problems 13 Three Performance Art and Activism 31 Four An Emerging Cultural Paradigm Shift 43 Five Summary and Conclusion 66 Glossary 69 Appendix I 71 Appendix II 124 Appendix III DVD Works Cited 143 4 Foreword Initial Interactions with Culture, Politics, and Spirituality Since my early childhood, and throughout my young adult life, I diligently pursued various cultural experiences and forms of artistic expression. My primary interest, for both personal and academic inquiries, is the investigation of various cultural and sub-cultural groups and their experiences. The rituals and performance customs of particular modern and indigenous communities offers an intriguing glimpse into worlds I have yet to travel. I will briefly discuss my previous adventures with international travel, religious and spiritual quests, and my examination of a multitude of artistic and cultural genres like theatre and dance. Both my previous cultural experiences and the performance elements of cross- cultural studies directly influenced my choreography while in the School of Dance at Ohio University. -
LUCY PDF ONLINE.Indd
Astro-Chthonic Anomaly Exoskeleton of the flabby body Pulpy sack, cowering in a UFO Invertebrate inebriation Egg and runny stuff Jism network White spunk running down black rubber Battery ooze The old ones and their young-uns Amorphous appendage Ectoplasm sculpture Mike Kelley, Minor Histories, 2004 I lost... you know, I lost another day, what I lost was gold, golden notions... erased.. smoke dreams, phantoms... Communion, dir. Philippe Mora, 1989 Somewhere there the land is hollow. Penda’s Fen, dir. Alan Clarke, 1974 Through a vertiginous core sample from the astral to the subterranean, through veiny portals of extraocular musculature, the line of sight descends from murky air that’s filled with spectres of unknown beings. It passes over lithic monuments and pastoral wastes, down through the windblown grassy tufts, mossy materials, compost, loam and grit. It bores into the shell of the earth, down through endless geologic strata, into the caverns of the chthonic* imaginary. Within the lurid, conchological walls of this dank, clammy basement, a lucid dream-vision of an extra-terrestrial serpent uncoils from an incubation. A temporal anomaly in the crypt. (CREAKING) (INAUDIBLE) (CREAKING CONTINUES) (CHIMING) (EARS RINGING) (MUFFLED SPEECH) I cannot hear! (EARS RINGING) Oh! (GROANING) Please! (CHANTING IN THE DISTANCE)1 ‘All of us gaze into that “dark glass” in which the dark myth takes shape, adumbrating the invisible truth. In this glass the eyes of the spirit glimpse an image which we call the self, fully conscious of the fact that it is an anthropomorphic image which we have merely named but not explained.’ 2 * The term “chthonic” comes from the Greek chthonios, meaning of, in, or under the earth. -
Timothy Leary's Legacy and the Rebirth of Psychedelic Research
Timothy Leary’s legacy and the rebirth of psychedelic research The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Lattin, Don. 2019. Timothy Leary’s legacy and the rebirth of psychedelic research. Harvard Library Bulletin 28 (1), Spring 2017: 65-74. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:41647383 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Timothy Leary’s Legacy and the Rebirth of Psychedelic Research Don Lattin imothy Leary, the self-proclaimed “high priest” of the psychedelic counterculture of the 1960s, issued countless proclamations and prophecies Tduring his three decades in the public eye. Here’s one he made in San Francisco in 1965, just a couple years afer the fellows at Harvard College dismissed him as a lecturer in clinical psychology:1 “I predict that within one generation we will have across the bay in Berkeley a Department of Psychedelic Studies. Tere will probably be a dean of LSD.» Two generations later, the University of California at Berkeley has yet to establish its Department of Psychedelic Studies. But, as is ofen the case with Timothy Leary, the high priest was half right in his prediction that mainstream academia would someday rediscover the value of psychedelic research. Harvard does not have a dean of LSD, but it now has something called “Te LSD Library.” Tat would be the Ludlow-Santo Domingo Library, an intoxicating collection housed at Harvard Library that includes many items from the Timothy Leary archive. -
The Politics of Loving Blackness in the UK By
The Politics of Loving Blackness in the UK By Lisa Amanda Palmer A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY Department of American and Canadian Studies The University of Birmingham March 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Can ‘loving blackness’ become a new discourse for anti-racism in the UK and the broader black diaspora? This thesis will critically assess the concept of ‘loving blackness as political resistance’ as outlined by the African American feminist bell hooks (1992). The thesis will show the ways in which blackness has been both negated and denigrated in western cultures and thus constructed in opposition to notions of love and humanness. Conversely, love and blackness are also rehabilitated in different ways by Black diasporic populations in Britain through the transnational space. The transnational space can provide opportunities for constructing, networks of care, love and anti racist strategies that affirm the value of blackness and Black life. However, the transnational space can also be fraught with risks, dangers and exclusions providing Black and migrant populations with uneven forms of citizenship and belonging to western neo-liberal states. -
The Power of Culture: an Exploration of Collective Transformation GEORGIA KELLY CHESTER ARNOLD CONSCIOUSNESS, PASSION, & PURPOSE PASSION, CONSCIOUSNESS
The Power of Culture: An Exploration of Collective Transformation GEORGIA KELLY CHESTER ARNOLD CONSCIOUSNESS, PASSION, & PURPOSE PASSION, CONSCIOUSNESS, 32 SEPTEMBER–NOVEMBER 2006 • # 12 • SHIFT: AT THE FRONTIERS OF CONSCIOUSNESS “Hope remains only in the most difficult task of all: to reconsider everything from the ground up, so as to shape a living society inside a dying society.” —Albert Camus oes culture evolve? Or does society, established civilization, by its very structure, denies through unconscious social agreements, simply such a transformation.” D recycle the same patterns century after century To pursue personal transformation without being in updated packaging? Examining the social trends engaged in social transformation or to engage in social throughout recorded history,it would be easy to draw the transformation without a commitment to personal conclusion that we are creatures of a deterministic world. transformation is to continue a well-established cultural Cultures steeped in Social Darwinian cycles of war, pattern: dualism.The separation of body from soul, the conquest, and power struggles might be our fate as long personal from the political, the spiritual from the as humans inhabit the Earth.What is it in our cultural story material, all suggest that one area is more important than that recycles war, exploitation, and empire? What are the the other or should take precedence. Believing that unconscious social agreements that make these cycles all of creation is one is not the same as living as if we all but inevitable? are one.The former is a personal belief; the latter is the Every culture has stories about its origins and integration of theory and practice, or praxis. -
284 Erik Davis Highweirdness Emerged in June, 2019 As a Joint Publication of MIT and Strange Attractorpress.1Thispublishingallia
284 Book Reviews Erik Davis, High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies. Estonia: Strange Attractor Press / MIT Press, 2019. ix–545 p. ISBN: 9781907222870. High Weirdness emerged in June, 2019 as a joint publication of MIT and Strange Attractor Press.1 This publishing alliance is reflected in Davis’ attempt to appeal to both an academic and non-academic audience, the former a renowned aca- demic press, the latter an independent publishing house dedicated to an eclec- tic mixture of esoteric, pulp, and underground culture. In terms of design, the volume definitely leans towards the aesthetics of Strange Attractor: the front cover of High Weirdness depicts UFO-like mushrooms beaming a ray of light into the centre of a luminous triangle—a nod to the occultural density of the book’s subject matter. High Weirdness presents a history of three influential countercultural fig- ures in 1970s America—Terence McKenna, Robert Anton Wilson, and Philip K. Dick.The study focuses on a selection of visionary experiences the three men underwent between the years 1971–1974. Davis investigates these by means of a close reading of the individual accounts, and places these within their histori- cal and discursive contexts. However, Davis retains an openness regarding the ultimate status of his subjects’ visions, auditions, and alleged revelations. Plac- ing himself within the Pragmatist lineage of William James, Davis rejects any form of reductionism. His intellectual investigations are merely to be regarded as approximations, never claiming full grasp of the ontological provenance of the three men’s experiences. This methodological ethos is furthermore sub- stantiated in one of the opening quotes in High Weirdness by William James: ‘Something always escapes’ (xi). -
Narrating the Unspeakable Making Sense of Psychedelic Experiences in Drug Treatment
ISSN: 2535-3241 Vol. 3, No. 2 (2019): 116-140 https://doi.org/10.5617.7365 Article Narrating the Unspeakable Making Sense of Psychedelic Experiences in Drug Treatment Shana Harris University of Central Florida Abstract The use of psychedelic substances has been described as an ‘unspeakable primary experi- ence,’ one that is personal and ultimately indescribable. The ineffable quality of such an experience, however, does not prohibit or invalidate attempts to explain it. The struggle to narrate one’s experience is instead an important endeavor. But, how does narration work if the psychedelic experience is truly unspeakable? What kind of narratives are possible? What kinds of narrative work do psychedelics foreclose? This article addresses these ques- tions by analyzing narratives generated about the use of psychedelics for drug treatment. Drawing on 16 months of ethnographic research at drug treatment centers in Baja Cali- fornia, Mexico, this article examines what narration looks like in the context of a psy- chedelic-based drug treatment modality. It pays particular attention to how people in treatment retell – or struggle to retell – their experiences with psychedelics to make sense of them and then articulate them for the researcher. I argue that psychedelic experiences pose a unique challenge for the anthropological study of these substances, particularly their therapeutic use. I show how these experiences resist narrativization in multiple ways, presenting both ethnographic and epistemological obstacles to the production of anthro- pological knowledge. Keywords addiction, drug treatment, narrative, psychedelics, Mexico Introduction Ethnobotanist and psychedelic advocate Terence McKenna describes the use of psychedelic substances as an ‘unspeakable primary experience,’ one that is ‘pri- vate, personal … and ultimately unspeakable’ (McKenna 1991, 257). -
Terence Mckennaand Death
maps bulletin • volume xx number 1 maps bulletin • volume xx number 1 49 Terence McKenna and Death By Alexander Beiner & David Jay Brown To follow is a short summary of the late ethnobotanist Terence McK- include entities performing experiments on the individual, enna’s views on death. An except from the interview that I did with finding oneself in a ‘nursery’ environment and a general ‘realer Terence in 1989 is followed by Alexander Beiner’s summary of a talk than real’ sensation surrounding the whole process. To people thatDavid: Terence Do you gave have at the any Esalen thoughts Institute on what happens to human who study the reports of UFO abductees this may sound very inconsciousness 1994. after biological death? familiar. Indeed, Rick Strassman, Graham Hancock and others have convincingly elucidated a strong phenomenological link between these seemingly distinct experiences. It is understandable that, given these crossovers, many Terence: I’ve thought about it. When I think about it I feel people see DMT entities as extraterrestrial intelligences. McK- like I’m on my own. The Logos doesn’t want to help here, and enna himself sometimes seemed to lean toward this conclu- has nothing to say to me on the subject of biological death. sion, so it might then come as a surprise to hear him muse What I imagine happens is that for the self time begins to later in the same talk: “I think in service of parsimony... these flow backwards; even before death, the act of dying is the act [entities] must be human souls.” This statement raises some of reliving an entire life, and at the end of the dying process, beautiful and eerie prospects. -
Democratic Foundations for Spiritually Responsive Pedagogy
Democratic Foundations for Spiritually Responsive Pedagogy Audrey Lingley Abstract Spirituality has been identified as an important component of democratic education by influential scholars such as Dewey, Freire, hooks, and Noddings. However, many teachers in the United States do not engage openly with a framework for understanding, organizing, and integrating pedagogical knowledge of spirituality within the context of culturally conscious social justice education. Drawing from an analysis of the works of Dewey, Noddings, Freire, and hooks and using a critical construct of spirituality that emphasizes inquiry, practical experience, meaning making, and awareness of interconnectedness, I argue that spiritually responsive pedagogy is a vital element of emancipatory, culturally responsive education in public schools. Submit a response to this article Submit online at democracyeducationjournal.org/home Read responses to this article online http://democracyeducationjournal.org/home/vol24/iss2/6 he purpose of this essay is to disrupt practitioner It is my view that democratic educators should directly engage silence around spirituality by analyzing the works of with an emancipatory construct of spirituality as enthusiastically as four influential democratic educators on the topic of they engage with other equally significant topics of critical social teaching with a spiritually responsive pedagogy. Use of the term justice pedagogy. Such engagement is necessary as a political act spiritualT may be problematic due to its discursive ambiguity. that challenges the aggressive binary of mind/soul foisted upon However, within the literature on democratic pedagogy, there is education by Western male epistemic privilege wherein students some guidance for educators who seek to incorporate a spiritually and teachers who experience their spirituality as central are responsive pedagogy. -
“Stoned Ape Theory” on the Origins of Consciousness and Language: Implications for Language Pedagogy
Journal of Conscious Evolution Volume 16 Issue 1 Articles from an Art and Consciousness Article 6 Class 11-7-2020 An Exploration of Linguistic Relativity Theory for Consideration of Terence McKenna’s “Stoned Ape Theory” on the Origins of Consciousness and Language: Implications for Language Pedagogy Nicole Lopez California Institute of Integral Studies Follow this and additional works at: https://digitalcommons.ciis.edu/cejournal Part of the Clinical Psychology Commons, Cognition and Perception Commons, Cognitive Psychology Commons, Critical and Cultural Studies Commons, Family, Life Course, and Society Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Liberal Studies Commons, Social and Cultural Anthropology Commons, Social and Philosophical Foundations of Education Commons, Social Psychology Commons, Sociology of Culture Commons, Sociology of Religion Commons, and the Transpersonal Psychology Commons Recommended Citation Lopez, Nicole (2020) "An Exploration of Linguistic Relativity Theory for Consideration of Terence McKenna’s “Stoned Ape Theory” on the Origins of Consciousness and Language: Implications for Language Pedagogy," Journal of Conscious Evolution: Vol. 16 : Iss. 1 , Article 6. Available at: https://digitalcommons.ciis.edu/cejournal/vol16/iss1/6 This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in Journal of Conscious Evolution by an authorized editor of Digital Commons @ CIIS. For more information, -
Managed Madness Gabriel Roberts [email protected]
University of Washington Tacoma UW Tacoma Digital Commons MAIS Projects and Theses School of Interdisciplinary Arts and Sciences Spring 2019 Managed Madness Gabriel Roberts [email protected] Follow this and additional works at: https://digitalcommons.tacoma.uw.edu/ias_masters Part of the Other Philosophy Commons Recommended Citation Roberts, Gabriel, "Managed Madness" (2019). MAIS Projects and Theses. 59. https://digitalcommons.tacoma.uw.edu/ias_masters/59 This Open Access (no embargo, no restriction) is brought to you for free and open access by the School of Interdisciplinary Arts and Sciences at UW Tacoma Digital Commons. It has been accepted for inclusion in MAIS Projects and Theses by an authorized administrator of UW Tacoma Digital Commons. Running head: MANAGED MADNESS 1 Managed Madness: Foucault & McKenna’s Use of Madness and The Psychedelic Experience As A Tool of Critique Gabriel D. Roberts A proposal submitted in partial fulfillment of the requirements for the Degree of Master's Arts in Interdisciplinary Studies Gabriel D. Roberts Proposed Supervisor Dr. Asao Inoue - (MAIS) Proposed Reader(s) Dr. Ingrid Walker - (IAS) MANAGED MADNESS 2 Table of contents Author’s note…………………………………………………………………………....3 Abstract …………………………………………………………………………………4 Introduction……………………………………………………………………………...8 Chapter 1: A philosopher’s new set of eyes…………………………………………....14 Chapter 2: Foucault’s perspective on Madness………………………………………...18 Chapter 3: Terence McKenna & The Psychedelic Lens……………………………......28 Chapter 4: Interviews…………………………………………………………………...39 Chapter 5: Final Thoughts……………………………………………………………...52 References……………………………………………………………………………...60 MANAGED MADNESS 3 Author Note Special thanks are in order to Dr. Asao Inoue who has shown me the power of words and how they shape the reality that we share. His insights on pedagogy, classical rhetoric and writing have enabled me to greatly expand my own knowledge and skill.