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50Th Anniversary of Kennedy's Berlin Speech: Berlin Meets Washington
50th Anniversary of Kennedy's Berlin Speech: Berlin Meets Washington Berlin/Washington, June 25, 2013 "Ich bin ein Berliner". These are the words most remembered from the famous speech given by President John F. Kennedy in Berlin 50 years ago on June 26, 1963. To commemorate this important anniversary, the German capital will be in Washington on June 26–27, 2013 to reintroduce itself to the people of America. President Barack Obama gave a speech at the Brandenburg Gate a week ago on June 19 during his visit to Berlin, citing Kennedy's significant words. The focus of the Washington trip is not only to commemorate Kennedy, but also to present Berlin as a hub for tourism and conventions in the heart of Europe, and as Europe's center of innovation. The delegation representing the city of Berlin on the Washington trip includes the Senator for the Interior Affairs and Mayor Frank Henkel and the CEO of visitBerlin, Burkhard Kieker. Frank Henkel, Senator for the Interior Affairs, Sports and Mayor, remarks: "For me, an important aim of this trip to Washington is to honor the great President John F. Kennedy and to remember his legendary speech in Berlin 50 years ago. With his visit to our divided city and his commitment, Kennedy was making much more than just a polite gesture. His words demonstrated an unprecedented level of respect for the people of West and East Berlin's unfaltering desire to be free. We Berliners in particular have a lot to thank the Americans for. The foundations of our nations' deep and steadfast friendship can be found in Berlin and were laid by President Kennedy." "Berlin owes many thanks to John F. -
Sympathy for Poland in German Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenSIUC 342 THE OPEN COURT. against your food blockade of Germany. In us there is no wile or guile. May we say that we expect to find none in you ? We have taken your professions that you are fighting for righteousness and peace at face value, without any discount. May we say that we expect those professions to be lived up to? "And may we add further, that we realize that words are slippery things, and may mean different things on different sides of the Atlantic? We do not want to destroy the future to avenge the past. A peace without victory may no longer be possible, but we shall certainly want to see a peace without punishment. We want to teach Germany a lesson, we do not want to reduce her to impo- tence. A minimum of common sense would tell us that a despoiled and ravaged Germany would simply make Central Europe the breed- ing ground for new wars. We see no more reason to give free play to French hate than to any other variety of it. Hate cannot insure peace ; only magnanimity can. We can shoot guns, big and little, but we do not expect to find any blood on the nails of our soldiers' boots. "In that way and for these purposes, our English friends, America makes war. And for these purposes she will make her future wars." SYMPATHY FOR POLAND IN GERMAN POETRY. BY MAXIMILIAN J. RUDWIN. -
Ich Bin Ein West-Berliner
Zürcher Beiträge zur Sicherheitspolitik und Konfliktforschung Heft Nr. 49 Christof Münger Ich bin ein West-Berliner Der Wandel der amerikanischen Berlinpolitik während der Präsidentschaft John F. Kennedys Forschungsstelle für Sicherheitspolitik und Konfliktanalyse Eidgenössische Technische Hochschule 8092 Zürich Zürich 1999 FSK auf dem Internet Die „Zürcher Beiträge“ sowie die anderen Publikationen der Forschungsstelle für Sicherheits- politik und Konfliktanalyse sind ebenfalls auf dem World Wide Web im Volltext verfügbar. http://www.fsk.ethz.ch/ Inhaltsverzeichnis Vorwort.............................................................................................................1 Summary...........................................................................................................3 Abkürzungen.....................................................................................................6 Einleitung........................................................................................................11 PHASE I Von Kennedys Amtsantritt bis zu seiner TV-Rede zur dritten Berlinkrise: Der Krisenherd Berlin und die Suche der USA nach einer neuen Politik gegenüber der ehemaligen Reichshauptstadt 1 Die Rahmenbedingungen der sechziger Jahre und ihr Einfluss auf John F. Kennedys frühe Berlinpolitik........................................................29 1.1 Kennedys Reaktion auf die neuen Rahmenbedingungen...............................31 1.2 Die ersten Einschätzungen der Berlinfrage durch die Kennedy-Administration ...........................................................................40 -
Nazi Saucers and Antigravity
PSYCHIC VIBRATIONS ROBERT SHEAFFER Nazi Saucers and Antigravity or decades there have been rumors just claims and rumors. Dr. Michael Salla, claims that unrepentant Nazi sympathizers about alleged “Nazi flying saucers,” founder of UFOlogy’s “exopolitics,” gave are secretly and steadily working to create Fsupposedly developed during the a talk on Nazi saucers to the International a Fourth Reich here in the United States. closing days of World War II, too late to UFO Congress in 2005 that was long on So far, this is just a standard paranoid, turn the tide of the war. In some versions wild claims but very short on evidence (see political rant. But Marrs has more interest- of the story, Hitler and some of his top this column, July/August 2005, available ing yarns to spin. He talks about a rumored officers used these saucers to escape to a online at http://tinyurl.com/5g3glp). secret “Nazi bell” (Die Glocke) that may secret base somewhere in the Antarctic, Now the Nazi saucer claims have been have powered the Nazi saucers. The “bell” from which they have been plotting a taken up again, this time by the well- was first written about by UFOlogist Nick comeback to once again try to take over known conspiracy author Jim Marrs. His Cook in his 2001 book, The Hunt for the world. Never has there been anything first conspiracy book was Crossfire: The Zero Point: Inside the Classified World of resembling actual proof of Nazi saucers, Plot That Killed Kennedy. That one was Antigravity Technology. As Marrs explains so successful that he followed it up with in an interview on Earthfiles, “It was sim- Robert Sheaffer is a Committee for several more, claiming conspiracies about ply called the bell because it was kind of Skeptical Inquiry fellow. -
Decorative Art in America Oscar Wilde Decorative Art in America
DECORATIVE ART IN AMERICA OSCAR WILDE DECORATIVE ART IN AMERICA A LECTURE BY OSCAR WILDE TOGETHER WITH LETTERS REVIEWS AND INTERVIEWS EDITED WITH AN INTRODUCTION BY RICHARD BUTLER GLAENZER NEW YORK BRENTANO'S MCMVI Copyright, 1906, by BRENTANO'S THE DE VlNNE PRIOSS CONTENTS PAGE INTRODUCTION • • VII DECORATIVE ART IN AMERICA • 1 JOAQUIN MILLER, THE GOOD SAMARITAN • 17 MRS. LANGTRY AS HESTER GRAZEBROOK 23 " VERA" AND THE DRAMA 3 1 MR. WHISTLER'S" TEN O'CLOCK" 39 THE RELATION OF DRESS TO ART · 47 THE TOMB OF KEATS 55 KEATS' SONNET ON BLUE · 63 ENGLISH POETESSES • LONDON MODELS • "DORIAN GRAY" AND ITS CRITICS 101 RUDYARD KIPLING AND THE ANGLO-INDIANS. 117 "A HOUSE OF POMEGRANATES" • 121 THE RELATION OF THE ACTOR TO THE PLAY 127 THE CENSURE AND "SALOME" 135 PARIS, THE ABODE OF ARTISTS 145 SARAH BERNHARDT AND " SALOME" • • • • 149 THE ETHICS OF JOURNALISM 153 DRAMATIC CRITICS AND "AN IDEAL HUSBAND" • • 161 NOTES Introduction . 175 Decorative Art in America • 181 Joaquin Miller, the Good Samaritan • 187 V vi CONTENTS PAGE Mrs. Langtry as Hester Grazebrook • • 193 "Vera" and the Drama . • 195 Mr. Whistler's" Ten O'Clock" • • 197 The Relation of Dress to Art . • • • • 201 20 The Tomb of Keats • 5 21 Keats' Sonnet on Blue • 9 English Poetesses • • • • 229 London Models . • 241 "Dorian Gray" and its Critics • 245 Mr. Kipling and the Anglo-Indians • 25 1 "A House of Pomegranates" . 253 The Relation of the Actor to the Play . 255 The Censure and "Salome" • 257 Paris, the Abode of Artists . · 261 Sarah Bernhardt and" Salome" • 263 The Ethics of Journalism • 265 Dramatic Critics and"An Ideal Husband" · 269 INDEX . -
Im Nonnengarten : an Anthology of German Women's Writing 1850-1907 Michelle Stott Aj Mes
Brigham Young University BYU ScholarsArchive Resources Supplementary Information 1997 Im Nonnengarten : An Anthology of German Women's Writing 1850-1907 Michelle Stott aJ mes Follow this and additional works at: https://scholarsarchive.byu.edu/sophsupp_resources Part of the German Literature Commons BYU ScholarsArchive Citation James, Michelle Stott, "Im Nonnengarten : An Anthology of German Women's Writing 1850-1907" (1997). Resources. 2. https://scholarsarchive.byu.edu/sophsupp_resources/2 This Book is brought to you for free and open access by the Supplementary Information at BYU ScholarsArchive. It has been accepted for inclusion in Resources by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. lm N onnengarten An Anthology of German Women's Writing I850-I907 edited by MICHELLE STOTT and JOSEPH 0. BAKER WAVELAND PRESS, INC. Prospect Heights, Illinois For information about this book, write or call: Waveland Press, Inc. P.O. Box400 Prospect Heights, Illinois 60070 (847) 634-0081 Copyright © 1997 by Waveland Press ISBN 0-88133-963-6 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission in writing from the publisher. Printed in the United States of America 765432 Contents Preface, vii Sources for further study, xv MALVIDA VON MEYSENBUG 1 Indisches Marchen MARIE VON EBNER-ESCHENBACH 13 Die Poesie des UnbewuBten ADA CHRISTEN 29 Echte Wiener BERTHA VON -
Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” Concert and Lecture Series
Loyola University Chicago Loyola eCommons History: Faculty Publications and Other Works Faculty Publications 5-2-1998 “Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” concert and lecture series David B. Dennis Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/history_facpubs Part of the History Commons Author Manuscript This is a pre-publication author manuscript of the final, published article. Recommended Citation Dennis, David B.. “Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” concert and lecture series. The American Bach Project and supported by the Wisconsin Humanities Council as part of the State of Wisconsin Sesquicentennial Observances, All Saints Cathedral, Milwaukee, Wisconsin, , : , 1998. Retrieved from Loyola eCommons, History: Faculty Publications and Other Works, This Article is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in History: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © David B. Dennis 1998 “Robert Schumann and the German Revolution of 1848” David B. Dennis Paper for “Music and Revolution,” concert and lecture series arranged by The American Bach Project and supported by the Wisconsin Humanities Council as part of the State of Wisconsin Sesquicentennial Observances, All Saints Cathedral Milwaukee, Wisconsin, 2 May 1998. 1 Let me open by thanking Alexander Platt and Joan Parsley of Ensemble Musical Offering, for inviting me to speak with you tonight. -
Henry Wadsworth Longfellow
Henry Wadsworth Longfellow By Thomas Wentworth Higginson HENRY WADSWORTH LONGFELLOW CHAPTER I LONGFELLOW AS A CLASSIC THE death of Henry Wadsworth Longfellow made the first breach in that well- known group of poets which adorned Boston and its vicinity so long. The first to go was also the most widely famous. Emerson reached greater depths of thought; Whittier touched the problems of the nation’s life more deeply; Holmes came personally more before the public; Lowell was more brilliant and varied; but, taking the English-speaking world at large, it was Longfellow whose fame overshadowed all the others; he was also better known and more translated upon the continent of Europe than all the rest put together, and, indeed, than any other contemporary poet of the English-speaking race, at least if bibliographies afford any test. Add to this that his place of residence was so accessible and so historic, his personal demeanor so kindly, his life so open and transparent, that everything really conspired to give him the highest accessible degree of contemporary fame. There was no literary laurel that was not his, and he resolutely declined all other laurels; he had wealth and ease, children and grandchildren, health and a stainless conscience; he had also, in a peculiar degree, the blessings that belong to Shakespeare’s estimate of old age,—“honor, love, obedience, troops of friends.” Except for two great domestic bereavements, his life would have been one of absolutely unbroken sunshine; in his whole career he never encountered any serious rebuff, while such were his personal modesty and kindliness that no one could long regard him with envy or antagonism. -
Büchergilde Gutenberg Zur Geschichte Einer Bildungsinstitution
Kanton St.Gallen Kantonsbibliothek Vadiana Büchergilde Gutenberg Zur Geschichte einer Bildungsinstitution Ausstellungsführer Ausstellung 11. bis 25. Juni 2021 Kantonsbibliothek Vadiana Ausstellungssaal Notkerstrasse 22 9000 St.Gallen Öffnungszeiten Montag – Freitag 10.00 – 18.00 Samstag 13.00 – 16.00 Vitrine 1 1924, Gründung in Leipzig: Erste Bücher 3 Vitrine 2 1928, Berlin: Arbeiterliteratur 5 Vitrine 3 1928, Berlin: Kultur – Reisebücher – Sport 7 Vitrine 4 1928 –1933, Berlin: Krise – Klassenkampf Machtergreifung der Nazionalsozialisten 8 Vitrine 5 1933: Gleichschaltung der Büchergilde Berlin Neubeginn in Zürich, Wien, Prag 9 Vitrine 6 Zürich: Schweizer Autoren, Buchgestalter und Illustratoren «Geistige Landesverteidigung» 11 Vitrine 7 Der Maler Richard Paul Lohse als Vertreter der Moderne in der Schweizerischen Buchgestaltung und Grafik 12 Vitrine 8 1947: Neubeginn der Büchergilde in Frankfurt Höhepunkt und Niedergang der Büchergilde Zürich 13 Vitrine 9 Die Büchergilde Gutenberg Frankfurt 14 Literatur Dressler, Helmut: Werden und Wirken der Büchergilde Gutenberg Zürich: Büchergilde Gutenberg, 1947 Bücher voll guten Geistes. 30 Jahre Büchergilde Gutenberg Frankfurt am Main: Büchergilde Gutenberg, 1954 © 2021 Kantonsbibliothek Vadiana, St.Gallen Text und Gestaltung: Hans-Peter Kaeser Vitrine 1 1924, Gründung in Leipzig: Erste Bücher Die Büchergilde Gutenberg wurde am 29. August 1924 vom Bildungsverband der deutschen Buchdrucker auf Antrag ihres Prä - Bruno Dressler (1879 –1952) sidenten Bruno Dressler als genossenschaftlich Präsident des Bildungsverbandes der Deut - schen Buchdrucker und Geschäftsleiter der organisierte Buchgemeinschaft gegründet. In gewerkschaftseigenen «Buchdruckerwerk - stätte». Leiter der Büchergilde in Leipzig der Folge übernahm Dressler auch die Leitung und Berlin, von 1934 –1945 im Exil in Zürich. der Gilde. Ihr erster Geschäftssitz war die Buch - stadt Leipzig. In diesen ersten Jahren der Weimarer Republik war, trotz wirtschaftlicher Not, eine kulturelle Aufbruchstimmung spür - bar. -
Images of the Golem in 20Th Century Austrian Literature
HEIMAT'S SENTRY: IMAGES OF THE GOLEM IN 20TH CENTURY AUSTRIAN LITERATURE A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in German By Jason P. Ager, M.A. Washington, DC December 18, 2012 Copyright 2012 by Jason P. Ager All Rights Reserved ii HEIMAT'S SENTRY: IMAGES OF THE GOLEM IN 20TH CENTURY AUSTRIAN LITERATURE Jason P. Ager, M.A. Thesis Advisor: Peter C. Pfeiffer , Ph.D . ABSTRACT In his collection of essays titled Unheimliche Heimat , W.G. Sebald asserts that, "Es ist offenbar immer noch nicht leicht, sich in Österreich zu Hause zu fühlen, insbesondere wenn einem, wie in den letzten Jahren nicht selten, die Unheimlichkeit der Heimat durch das verschiedentliche Auftreten von Wiedergänger und Vergangenheitsgespenstern öfter als lieb ins Bewußtsein gerufen wird" (Sebald 15-16). Sebald's term "Gespenster" may have a quite literal application; it is unheimlich to note, after all, how often the Golem makes unsettling appearances in twentieth-century Austrian-Jewish literature, each time as a protector and guardian of specific communities under threat. These iterations and reinventions of the Golem tradition give credence to Sebald’s description of Heimat as an ambivalent and often conflicted space, even in a relatively homogenous community, because these portrayals of Heimat juxtapose elements of innocence and guilt, safety and threat, logic and irrationality. In the face of the Holocaust's reign of death and annihilation, it seems fitting that Austrian-Jewish writers reanimated a long- standing symbol of strength rooted in religious tradition to counter destruction and find meaning in chaos and unexampled brutality. -
Christensen.Pdf
BERLINER BEITRÄGE ZUR SKANDINAVISTIK Titel/ Zurückbleiben. Tryk 1943–2001 title: Autor(in)/ Erik M. Christensen author: Kapitel/ »Ein Europäer in Berlin« chapter: In: Christensen, Erik M.: Zurückbleiben. Tryk 1943–2001. Berlin: Nordeuropa-Institut, 2001 ISBN: 3–927229–04–0 Reihe/ Berliner Beiträge zur Skandinavistik, Bd. 6 series: ISSN: 0933-4009 Seiten/ 239–255 pages: Diesen Band gibt es weiterhin zu kaufen. This book can still be purchased. © Copyright: Nordeuropa-Institut Berlin und Autoren. © Copyright: Department for Northern European Studies Berlin and authors. Ein Europäer in Berlin Als Georg Brandes im Juni 1914 nach New York kam, mußte die Polizei Tau sende von Menschen zerstreuen, für die in dem Theatersaal, in dem der däni• sche Kritiker seine Vorlesung über William Shakespeare hielt, kein Platz war. 1 Brandes wurde gehört, in der Alten wie in der Neuen Welt. In Skandi navien aber wurde er mehr als gehört, er wurde ein Begriff, fast mythisch: der unchristlich rastlose Intellektuelle, der Aufklärer selbst. Auch in unserem Jahrzehnt erscheinen seine Schriften in Dänemark. 1986 trafen sich einige hundert Philologen aus der ganzen Welt in Göteborg mit Brandes als Thema. Vor ein paarJahrenveröffentlichte ein führender schwedischer Literaturkriti ker einen Roman, in dem ein fiktiver Georg Brandes in einem heutigen Kon text die Hauptrolle spielt. Eine englischsprachige Einführung in die aktuelle Forschung um Georg Brandes erschien 1980 unter dem treffenden Titel The Activist Critic. 2 In Deutschland war es nicht anders. In der Kaiserzeit wurde er als der ohne Zweifel bedeutendste Kritiker der Epoche betrachtet. In der heutigen deutschen Wirklichkeit aber und in der heutigen deutschen Literaturge schichte ist Georg Brandes ein vergessener Mann. -
Adolf Hitler Adolf Diktator Des Deutschen Reichs Deutschen Des Diktator Clemens Von Lengsfeld JAHRE JAHRE TEIL 2 TEIL 1945 1939 VON VON DIE BIS BIS
Clemens von Lengsfeld Adolf Hitler Diktator des Deutschen Reichs gelesen von Gert Heidenreich im 20. Jahrhundert MENSCHEN MYTHEN MACHT MYTHEN MENSCHEN DIE JAHRE VON 1939 BIS 1945 TEIL 2 JUNGE BÖSEWICHTE Ein Ob unter der Schlagzeile „Die jungen Bösewichte“, die das Wochen- magazin „Der Spiegel“ im November 2002 titelte, oder unter dem g eheimnisvolleren Titel „Das Märtyrer-Medium“ in der Fachzeitschrift Porträt„Kunstforum“: Irene von Neuendorffs „Hitler-Projekt“ sorgte für Aufsehen in Presse und Ausstellungsbetrieb. So formuliert der Kunstkritiker Michael Hübl das Alleinstellungsmerkmal dieser Bildserie mit folgenden Worten: zu malen„Irene von Neuendorff betreibt eine präzise Re–Dämonisierung, und zwar nicht, um eine diffuse Mythisierung des NS–Regimes wiederzu- ist diebeleben, wie sie in Deutschland lang genug den scheinhaft als Vergan- genheitsbewältigung heroisierten Umgang mit der jüngeren Geschichte Coverbild: kennzeichnete. Mit Re–Dämonisierung ist gemeint: Von Neuendorff Irene von arbeitet wesentliche Merkmale der Kultfigur Hitler heraus. Indem von Geschichte Neuendorff. einer Adolf Hitler. Neuendorff das Weiche und Weibliche betont, die verfeinerte stoffliche Ecce homo. 1999. Öl auf Qualität der nachgerade anschmiegsamen Hemden; Lederjoppen, An- Leinwand züge und Uniformen zur Geltung bringt (…) zeigt Irene von Neuendorff gegen(120 × 90 cm) seitigen Bemächtigung. den „Führer“ als Verführer und stellt dadurch einen verdeckten, verdräng- ten, wenn nicht sogar geleugneten Täter–Täter–Zusammenhang her: Der Terror hat bei von Neuendorff ein sehr menschliches Gesicht – das Gesicht des Betrachters.“ (in: Kunstforum Bd. 162, Nov./Dez. 2002, Über das Kanonische). Das Projekt zeigt unter anderem eine Serie über- lebensgroßer Porträts Adolf Hitlers in Öl auf Leinwand gemalt. Die Ge- mälde unterscheiden sich von repräsentativen Herrschaftsgemälden nicht durch die Malweise, die neusachlich und realistisch ist, sondern durch die sie durchdringende Ironie.