Grandsire by J

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Grandsire by J Grandsire by J. Armiger Trollope File 02: Grandsire Caters, Grandsire Cinques, History, Bibliography – Pages 83 to 130 This document is provided for you by The Whiting Society of Ringers visit www.whitingsociety.org.uk for the full range of publications and articles about bells and change ringing GH.AND8lRE CATERS (i) TilE Nl!'."l'HOD 12345678!J)Mk 1 2 7 5 9 3 8 4 Dodge l J a e 6~ 9 1 3 5 4 7 6 9 8) Thirds. 2 1 7 !) 5 8 3 (l 4 6-7 down. 231456789 271593846 324165870 725139486 3 4 2 6 1 8 5 9 I 752314968 436281957 ;')73241698 46382917i:i 537426189 04839271:3 354762819 084937251 3-i567829l 869,~73521 436587921 8 9 6 7 4 5 3 1 ~}Pass Treble·. -!U3859712 9 8 7 G 5 4 1 3 ~ in 7 -lj. fi48395172 978561423 ti 8 4 9 3 1 5 2 ?}Pass Tt·eble 7958162c!o3 S ll 9 4 1 3 2 5 7 in G-6. 759182634 ~96142375 :)71928364. 981624735 <i1729384H 91821)7453 15273948() 192876543 1 2 5 3 7 4 9 () 8) Dotlge _______I 2 9 7 8 56 3 4lD o d ge 8 9 2 1 57 3 9 4 8 (l J4_-:i down. 2 1 9 8 7 6 5 4 3 - down. 23137496 ... 2 9 1 7 8 5 6 3 4 52314769S 927158364 [)3241678!1 972:513846 3 5 4 2 (l 1 8 7 g 7 9 5 2 3 1 4 8 6 345628197 7:i!l324168 436582917 :i/3942618 463859271 .)37496281 6483957~1 35-1769821 G8493751~ 3 4 5 u 7 8 9 1 2 8 6 9 4 7 3 1 5 2}l'a.<;;; Tr·ebl·· -!3(),)87192 8 9 6 7 4 1 3 2 5 in f.i-7. 463851729 98761423:) U 4 8 3 1 5 2 7 9}Pass Treble 978162433 G 8 4 1 3 2 5 9 7 in 4-5. 7 9 1 8 2 6 5 ·1 3 861423957 71928S634 8 1 6 2 -i 9 3 7 G r.ontinued 172958364 1 8 2 6 9 4 7 3 5 on next page 83 1_2-~G 7 4 5 31 Dodge 24163!):)07 .J.:2Hl83!).)7 8 9 2 1 8 6 9 4 7 3 i) r - up. 40:!81037:) 281967453 U 4 8 2 0 I 7 3 ~ 829176543 ()84!:1271:)3 89~715634 H li Y 4 7 2 G l 3 9872Gl36-i H!lll745231 97832314_(; !JX7BG~321 79583:!-!10 !)78~1)3JJ:2 7i>93842o1 7 !J ;) 8 3 li 1 -t 2 573948(321 7 5 0 3 8 1 " 2 J G 3 7 ,_1 9 o 8 1 ~ 5 7 ~ U 1 8 2 U L 35-!7G91l:l2 G3710~8!G 3 4 5 6 7 1 9 2 8 3 5 1 7 2 9 4- H t\ 436517~08 3 l G 2 7 4 !l (i i:!}Tutned rtom 4 6 3 1 ;') 2 7 8 9}l'ass Treble L 3 2 5 4 7 n U l:l lead by (j 4 1 3 2 5 8 7 9 in ::l-,1. 1 :2 3 ! :i (l 7 8 f) Treble. 61-!238:)07 16248l!-J:)7 A llob. 1 2 (j 8 ~-=--~ .) l ~-~dgu~. 7,:J!J18:21i3! 2 1 ti 4 8 3 9 5 7 f 5 7 1 U :! 8 3 li -l Call Bob. 26184037:) ;)]7:2038-!ti (j 2 8 1 9 4 7 3 i) J57U28:3o-! 682017-J-53 1 7 G ~ 0 :3 8 -l 0 8 (j 0 2 7 1 5 4 3 8967~:)13-1 7 1 ;) !) :2 8 :3 li 4 9876;)2314 7 .) 1 :2 !-l :l 8 i I) 0785u324l ;j 7 :2 1 tl !) J 8 ll 795830421 750384612 5739,1816:2 _-\ Single. 5 3 7 -1 9 1 8 2 (i 1 .> n 1 s 2 '' :\ ± 35471028(.1 :) 7 1 U 2 8 :l ll ~ (\til Single. 345172!JGR •il7:29:18iG 4 3 1 5 2 7 li 9 S}Pass Treble l .) 7 !) 2 s :3 6 -1. 4 1 3 2 5 G 7 8 9 in 2-:3. l ;j 7 :2 !) :3 8 4 tj l 4 2 3 6 5 8 7 9 ;)}7U:28:31il 1 2 4 6 3 8 5 0 7) D u d gc G 7 1 2 9 ~ 8 4 U 4 2 1 4 3 G 5 8 7 9 -G up. 7321:!UiSG THE rules for ringing Grandsu·e Catet·s are closely based on those for Tt·iplcs and there is no need to explain them in detail here. In view, however, of the greater difficulty experienced by the begin net· in ringing on a larger numbet· of bells, it is desirable for him to pay increasing attention to the coursing order as well as to the sequence of the dodges . .-\s in the ringing of Major methods, it is usual to keep the tenors in their plain course coursing order, so in ringing Grandsire Caters it is customary to fix the position of the heavier bells and to keep them coursing each other. The three ways in which this is usually done are:- (a) l'lain Cour8c I'IJ8ilion.-The three larget· bells course each other in the order 8, !), 7, and stt'ike in the order 7, 8, 9, at the course end. (b) TiliwH l'o.~ition.-'l'ho throe larger bells course each other in the order 7, H, 0, and strike in the order D, 7, 8, at the course end. 'rhis is undoubtedly the most popular· position among Grandsire Cater l'ingers. (c) flandstrnkc Home I'nsition.-'l'he three larger bells course each other in the order 7, 9, H, and strike in the order 8, 7, 9, at the course end. SCALES FOR PRICKING (a) The Pla·in Cow·sc Position. ~34G678!) First Lead End ~::;:~7-!9()8 A Bob gives 75203846 Second ~7G9:3S4u. 97285634 Third :2 !) 7 8 r; (J :l 4. 89267453 Fourth 289G74S3 68249375 Fifth 26849375 46238597 Sixth 2 4 ll :l 8 3 u 7 34256789 28,!!'iU78!) Seventh " 53274968 85 (h) 1'he Tittum Pos-itiuu. From the Tittum Course End 2 3 4 5 6 9 7 8- A Bob at 89 (-i.e., a Bob at which 8 and 9 dodge together behind) produces Lead End 4 ll 2 :1 7 G I; 9 and Natural Tittum Oourse End 'f B () 5 2 U 7 S. A Bob at. 78 produces Lead End and Tittum Comse End 3 4 2 56 l) 7 8. A Bob Middle (at which the Ninth dodges in 4-5 up) pJ·oduces Lead End 53 2 9 4 8 6 7 and Natural Tittum Course End G 2 4 3 6. This call, usually employed in old style lung cow·se peals to move the bell" behind the Ninth," cuts out the cout·se end row and is usually given by the figtU·es at the Bob lead end only. Ninth Before with a Single (made at the first lead end of the Course) produces the Lead End !i 9 2 8 3 7 •l t1 and the Nat.w·al Tittum Course End G :~ 4 2 G U 7 8. A Tittum Course ft·orn l 2 J ·1 5 Oil 7 8. (i) called 9 in & 2. (ii) called 8 in & 1. 23456978 2345G97o 952837·!6 25394807 78965421:1 - 8927563·t - 4673829G - 6784932:) 43627689 64738392 423:)6!)78 03457289 05J2497o (c) 'J.'he Handslroke Home Position. !<"rom the Handstroke Horne Course End 2 3 4 5 6 8 7 9 - A Bob at 98 pt·oduces Lead End 4 G 2 3 7 G 9 8 and Natura.! Handstroke Home Course Rnd 4 3 6 S 2 8 7 0. A Bob at 79 produces Lead End and Handstroke Home Course End 3 4 2 5 6 8 7 9. 85 A Ila.ndstt•oke Home Course from 1 2 3 4 5 () 8 7 !:l. (i) called 8 in & 2. (ii) called 9 in & I. 23456879 23456879 H!"i2!J3746 25384967 - 7!J80G,!23 -98275634 --167:39285 -u7948325 4:Hi27i)98 64739582 ,~~H;itJ879 G84ii7298 65324!;79 GRANDSIRE CATERS (ii) DEVELOPMENT OF COJI[POSITI0-'1 OF fiJI t.he methods possible on chw·ch bells none is generally more musically eJYective than Grandsire Caters, whether it is judged from the standpoint. of the outside listener· or of t.he actual ringer. The four Sixes nearest to the course end of Htedman Caters have a greater musical value than anything_in Grandsi.re, and the same may he said of some leads of Treble Bob Royal. 8uperlativc Smprise and other Major· methods can at times give a variety of music and t·hyt.hm which delight the ears of those who know how to listen for them, and there are few methods which will not at times afford charm when they are rung as they should be. But among them all there is hardly one which is so consist.ent.ly pleasing as Grandsire Caters. '.fhe fact that it consists lat·gcly of plain hunting, with comparatively few changes of cotu·sing order, gives a unity to the :inusic which might have been monotony were it not that the varying positions in comsing order of the Treble and Bells-in-the-Hunt afford sufficient relief.
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