Change Ringing
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Joanne Droppers Collection Biography Joanne Was Born In
Joanne Droppers Collection Biography Joanne was born in Ithaca, NY, on March, 29, 1932, the youngest child of Walter C. and Minnie W. Muenscher. She graduated from Cornell University in 1953 with a bachelor’s degree in music. It was at Cornell that she met and dated Garrett Droppers, who sang in the choir she directed. They were married in August 1953. She originally came to Alfred in 1961, when Garrett was appointed a professor of history at Alfred University. The couple had lived in Madison, WI, and Orono, ME, before settling in Alfred. In addition to being a housewife and mother to their three children, Joanne was employed periodically as an administrative assistant. Joanne loved playing piano and singing with her family. She was organist for several Episcopal congregations, a hand bell ringer, and played violin in local community orchestras. In 1976, she became a member of the American Guild of Carillonneurs and in 1977 she was appointed carillonneur for Alfred University, a position she held for 17 years. As Alfred University carillonneur, Joanne toured the United States and Canada, performing on many North American carillons. She also composed and arranged a number of songs for carillon, including Bach’s Suite #11 for Lute and Tubular Bells. One of her favorite tunes was the Oscar Meyer Weiner jingle, which she arranged for carillon and played at Alfred’s annual Hot Dog Day celebration. Garrett Droppers predeceased Joanne in 1986, and after her retirement in 1994, she moved to Arlington, VA, to be near her grandsons. While in Virginia, she continued her musical pursuits by playing carillons in the area. -
SAVED by the BELL ! the RESURRECTION of the WHITECHAPEL BELL FOUNDRY a Proposal by Factum Foundation & the United Kingdom Historic Building Preservation Trust
SAVED BY THE BELL ! THE RESURRECTION OF THE WHITECHAPEL BELL FOUNDRY a proposal by Factum Foundation & The United Kingdom Historic Building Preservation Trust Prepared by Skene Catling de la Peña June 2018 Robeson House, 10a Newton Road, London W2 5LS Plaques on the wall above the old blacksmith’s shop, honouring the lives of foundry workers over the centuries. Their bells still ring out through London. A final board now reads, “Whitechapel Bell Foundry, 1570-2017”. Memorial plaques in the Bell Foundry workshop honouring former workers. Cover: Whitechapel Bell Foundry Courtyard, 2016. Photograph by John Claridge. Back Cover: Chains in the Whitechapel Bell Foundry, 2016. Photograph by John Claridge. CONTENTS Overview – Executive Summary 5 Introduction 7 1 A Brief History of the Bell Foundry in Whitechapel 9 2 The Whitechapel Bell Foundry – Summary of the Situation 11 3 The Partners: UKHBPT and Factum Foundation 12 3 . 1 The United Kingdom Historic Building Preservation Trust (UKHBPT) 12 3 . 2 Factum Foundation 13 4 A 21st Century Bell Foundry 15 4 .1 Scanning and Input Methods 19 4 . 2 Output Methods 19 4 . 3 Statements by Participating Foundrymen 21 4 . 3 . 1 Nigel Taylor of WBF – The Future of the Whitechapel Bell Foundry 21 4 . 3 . 2 . Andrew Lacey – Centre for the Study of Historical Casting Techniques 23 4 . 4 Digital Restoration 25 4 . 5 Archive for Campanology 25 4 . 6 Projects for the Whitechapel Bell Foundry 27 5 Architectural Approach 28 5 .1 Architectural Approach to the Resurrection of the Bell Foundry in Whitechapel – Introduction 28 5 . 2 Architects – Practice Profiles: 29 Skene Catling de la Peña 29 Purcell Architects 30 5 . -
About CHANGE RINGING
All about CHANGE RINGING Provide a pop-up display explaining change-ringing to those attending and visiting the church. Page 6 METHODS RINGING METHODSThe mechanics of a bell It is traditional to start and Theswinging mechanics full-circle of a bell swinging means finish ringing with rounds full-circlethat we meansneed tothat restrict we need its to restrictmove its moveto one to oneposition. position. Not possible: Possible: Possible: Possible: The traditional notation shows each bell as a number starting at ‘1’ for the treble 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 (lightest bell) and running down the numbers to the tenor (heaviest bell). | X | | | | | | X X X | X X X X Bells are usually tuned to the major scale. If there are more than 9 bells, letters 4 8 2Provide 6 7 a1 pop-up 3 5 display 1 3explaining 2 4 5 change-ringi 6 7 8 ng to1 those3 2 attending 5 4 7 and6 8visiting 2the 1 church. 4 3 Page6 5 78 7 The basic method incorporating this rule is called … are substituted, so 0 = 10, E =11, T = 12, A = 13, B = 14, C = 15, D = 16. The1 2 basic3 4 5 6 method 7 8 incorporating this rule is called … X X X X Strokes 2 1Provide 4 3 a6 pop-up 5 8 display7 Now,explaining if change-ringiwe drawng ato linethose attendingjoining and up visiting the the church. -
A Proposed Campanile for Kansas State College
A PROPOSED CAMPANILE FOR KANSAS STATE COLLEGE by NILES FRANKLIN 1.1ESCH B. S., Kansas State College of Agriculture and Applied Science, 1932 A THESIS submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE KANSAS STATE COLLEGE OF AGRICULTURE AND APPLIED SCIENCE 1932 LV e.(2 1932 Rif7 ii. TABLE OF CONTENTS Page INTRODUCTION 1 THE EARLY HISTORY OF BELLS 3 BELL FOUNDING 4 BELL TUNING 7 THE EARLY HISTORY OF CAMPANILES 16 METHODS OF PLAYING THE CARILLON 19 THE PROPOSED CAMPANILE 25 The Site 25 Designing the Campanile 27 The Proposed Campanile as Submitted By the Author 37 A Model of the Proposed Campanile 44 SUMMARY '47 ACKNOWLEDGMENTS 54 LITERATURE CITED 54 1. INTRODUCTION The purpose of this thesis is to review and formulate the history and information concerning bells and campaniles which will aid in the designing of a campanile suitable for Kansas State College. It is hoped that the showing of a design for such a structure with the accompanying model will further stimulate the interest of both students, faculty members, and others in the ultimate completion of such a project. The design for such a tower began about two years ago when the senior Architectural Design Class, of which I was a member, was given a problem of designing a campanile for the campus. The problem was of great interest to me and became more so when I learned that the problem had been given to the class with the thought in mind that some day a campanile would be built. -
Church Bells Vol 7 (Bells and Bell Ringing)
December 2, 1876.] Church Bells. 5 Sir ,— Can any of your readers kindly send m e a copy of a set of rules that the Cathedral in 35 mins., consisting of 750 changes (corresponding with the have been found to work well for, (X) a Working M en’s Club and Reading-room; number of months that Mr. Royle lived). The ringers were:— Messrs. W. (3 ) a Clothing and Boot Club ; (3 ) a Coal Club; and (4) for the Belfry ? Cross, treble; Leather, 2nd; Holdgate, 3rd; Yates, 4th ; Lowcoclc, 5th; Moreton Pinkney, Banbury. T h e V i c a r . Brazier, 0th ; Grimshaw, 7th ; Astbury, jun. 8t li; .Cachus, 9th; Withers, tenor. S i r , — W ill you allow me through your columns to thank those who have Conducted by Mr. Cross. W eight of tenor, 25 cwt.; key, D.— Reported. so kindly replied to my letter of the 18th inst.? J. S. H . C h a m b e r l a in . Ringing at St. Giles’s, Cripplegate. Sormead Vicarage, Buntingford. O n Monday, Nov. 20th, twelve members of the Ancient Society of College 1 A. E. J.’ will be much obliged if any one could give her the address of Youths rang at St. Giles’s, Cripplegate, a true peal of Stedman’s Cinques, any establishment where fancy-work done by ladies is sold, and what com consisting of 5014 changes, in 3 hrs. 52 mins. The hand was as under:— mission they charge for selling it. H . W . Haley, sen. treble; H . Haley, jun. 2nd ; G. -
The Bells Were the St
1989. At the same time some of the bells were The St. Mary’s and St John’s Ringers The Bells reconfigured and the clock mechanism changed to go The Ringers are a joint band for both White Waltham around the wall rather than across the ringing chamber. and Shottesbrooke, a voluntary group under the & leadership of our Tower Captains, and we belong to the Bell Weight Note Date Founder Sonning Deanery Branch of the Oxford Diocesan Guild Bell Ringing Cwt- of Church Bell Ringers, founded in 1881. 1 4-0-0 E 1989 Recast by Whitechapel at The joint band (St Mary’s and St John’s) of bell-ringers 2 4-3-24 D 1989 Recast by Whitechapel is a very friendly group that welcomes new members. St. Mary’s and St John’s As well as our regular weekly practice sessions and 3 5-3-3 C 1989 Recast by Whitechapel ringing for Sunday service, we sometimes arrange an Churches outing to ring at other towers. 4 6-3-1 B 1989 Recast by Whitechapel 5 8-3-25 A 1989 Recast by Whitechapel We ring bells for: Sunday services and Weddings 6 12-0-9 G 1989 Recast by Whitechapel Special celebrations such as Christmas Day and St. John’s and its bells New Year’s Eve The church is set in the grounds of the Shottesbrooke Estate. The six bells are in good working order and are of some Civic occasions such as Remembrance Day antiquity. Three of the bells date from the first half of the 17th century, with the newest (the treble) being added in Practice evening is Friday 7.30 – 9p.m. -
A New History of the Carillon
A New History of the Carillon TIFFANY K. NG Rombouts, Luc. Singing Bronze: A History of Carillon Music. Translated by Com- municationwise. Leuven: Leuven University Press, 2014, 368 pp. HE CARILLON IS HIDDEN IN plain sight: the instrument and its players cannot be found performing in concert halls, yet while carillonneurs and Tkeyboards are invisible, their towers provide a musical soundscape and focal point for over six hundred cities, neighborhoods, campuses, and parks in Europe, North America, and beyond. The carillon, a keyboard instrument of at least two octaves of precisely tuned bronze bells, played from a mechanical- action keyboard and pedalboard, and usually concealed in a tower, has not received a comprehensive historical treatment since André Lehr’s The Art of the Carillon in the Low Countries (1991). A Dutch bellfounder and campanologist, Lehr contributed a positivist history that was far-ranging and thorough. In 1998, Alain Corbin’s important study Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside (translated from the 1994 French original) approached the broader field of campanology as a history of the senses.1 Belgian carillonneur and musicologist Luc Rombouts has now compiled his extensive knowledge of carillon history in the Netherlands, Belgium, and the United States, as well as of less visible carillon cultures from Curaçao to Japan, into Singing Bronze: A History of Carillon Music, the most valuable scholarly account of the instrument to date. Rombouts’s original Dutch book, Zingend Brons (Leuven: Davidsfonds, 2010), is the more comprehensive version of the two, directed at a general readership in the Low Countries familiar with carillon music, and at carillonneurs and music scholars. -
S'pring Carill-O'n Festival 1996
S'PRING CARILL-O'N FESTIVAL 1996 Margo Halsted has been the University Carillonneur and Assistant Professor of Campanology at the University of Friday, April 26 ~;::t:;:;:==~ Michigan School of Music since September 1987. For the 5 years 1977-87 she was Lecturer in Music and Carillon 5:00p.m. Carillon Recital neur at the University of California Riverside. Her Tin-shi Tam, ISU Carillonneur degrees are from Stanford University in Music and Education and the University of California, River side, in Music. In 1981 she earned a diploma from the Netherlands Carillon School. f=.===t~====~t=~ As a carillon recitalist, Halsted has performed Saturday, April 27 r extensively in the United States and Europe. Interested in early carillon music, she has dis covered, researched and published articles on 2:00 p.m. Seminar two historic manuscripts from Antwerp, and "The Carillon of Yesterday and she is currently working on publishing some Today" of the oldest carillon music found to date. Five Margo Halsted, guest carillonneur of her carillon compositions have been published. Music Hall, Room 130 Margo Halsted is an active participant in the Guild of Caril t=t====~ lonneurs in North America. She has been the consultant 3:00p.m. Carillon Recital for five chime and carillon installations. In 1995, the Margo Halsted, guest carillonneur GCNA presented her with a certificate for "Exceptional Service." 4:00 p.m. Campanile Tour Halsted was awarded the Berkeley Medal from the University of California, Berkeley, is an Honorary Member of the Belgian Carillon School and is listed in Who's Who in American Music. -
When Were Church Bells First Used? What Is English Change Ringing
Guildford Diocesan Guild of Church Bell Ringers When were Church Bells first used? How long do bells last? Saxon churches often had round stone towers like St Peter’s, Yaxham. Four of the bells in this tower are 400 years old Where are bells made? Croyland Abbey, in Lincolnshire, had the first known ring of bells tuned to a musical scale over 1,000 years ago! Johanna Sturdy cast this bell in London in 1460. She is 555 years old. She is one of the bells at Stoke D’Abernon and is rung every Sunday. Bell restoration These French Bell-founders are ‘fettling’ one of the new bells recently installed at Notre Dame Cathedral in Paris. What is English Change Ringing? The simplest sort of ringing is ‘Rounds’, where Much more interesting music is created by con- bells are rung continuously down the musical stantly changing the order of the bells. Ringers scale with 1 being the lightest and 8 being the do not use written ‘music’ for this: instead they heaviest bell: learn a pattern which allows the bells to weave between each other, rather like barn-dancing. 1 2 3 4 5 6 7 8 These methods often have quaint names, like: This would be monotonous after a while, but the music can be varied by the conductor, who calls Grandsire bells to change position. Some musical changes are Plain Bob Although bells last a long time, they do need maintenance. A sponsored abseil was part of the money-raising effort at Epsom Queens: Reverse Canterbury Pleasure Bob Doubles 1 3 5 7 2 4 6 8 Tittums: Double Norwich Court Bob Major 1 5 2 6 3 7 4 8 Plain Hunt Minor There are strict rules for ringing and naming Whittingtons: methods, maintained by the Central Council of 1 2 3 4 5 6 Can you see the pattern here? The challenge is to ring all 720 7 5 3 1 2 4 6 8 Church Bell Ringers. -
Bell Ringers' Bruises and Broken Bones: Capers and Crises in Campanology
necrosis of one rectus abdominis, a comparatively two out of 12 patients survived2). The lesson for today small weight of muscle, and from this the patient died is that many of these dialyses for traumatic anuria of uraemia a few days later. Compartmental muscle are avoidable by adequate first aid hydration and necrosis may have a similar outcome."9 alkalinisation as well as by an adequate dietary regimen The most important finding of this work in New- during recovery. castle, however, was the very high incidence of Finally, tribute should be paid to the Medical BMJ: first published as 10.1136/bmj.301.6766.1415 on 22 December 1990. Downloaded from death and of uraemia after resuscitation in patients Research Council, its scientific workers, and the with fractures of the pelvis. Many muscle fibres (as enthusiastic physicians, surgeons, pathologists, and contrasted with muscle tendons) are attached to nurses of the emergency medical service and of the the pelvis, and traumatic ruptures of muscle bellies armed forces during the war years-they contributed produce considerable ischaemic muscle necrosis due so much to our knowledge of this subject. mostly to damage to small blood vessels. Erasmus Barlow and I thought that such cases should be given 1 Bywaters EGL, Beall D. Crush injuries and renal function. BM7 1941;i: 427-32. adequate alkaline fluid on admission, both by mouth 2 Bywaters EGL. Ischaemic muscle necrosis. JAMA 1944;124:1103-9. and by vein. 3 Richards NT, Tattersall J, McCann M, Samson A, Mathias P, Johnson A. Dialysis for acute renal failure due to crush injuries after the Armenian By early 1945 we were back in London, then under earthquake. -
Campanologist Chronicles
25 24 CAMPANOLOGIST CHRONICLES The Parish Church has an up and coming band of ringers. Not only do they ring the bells for Sunday services and Tuesday practice night’s, but they also help with the ringing the church bells at Albury and Little Hadham. There aren’t as many ringers about as there once were. Bell ringing is something for both young and old. It helps keep you both physi- cally and mentally fit. It is a quite a commitment, week in week out ringing for both Sunday services and practice nights, as well as the occasional wedding and christening. Many of you will remember Charlie Jordan, he was taught to ring when he was 12 years old and was still ringing at 80. The bells at Much Hadham are hung for full circle ringing. This is where a wheel and rope are attached to the side each bell and the bell is swung back and forth on a headstock by a bell ringer through a little more than 360 degrees to get bell over the balance point for setting in a safe position of rest. Learning to ring is a bit like learning to ride bike. Letting go of the rope at the right time so you don’t go up in the air, helps! The ringing that takes place in known as ‘change ringing’ with both call chang- es and method ringing being rung. Due to the full circle ringing each bell can be carefully controlled to ‘strike’ with its clapper once every change. The simplest change is called ‘Rounds’ where the bells are in the order of 12345678, bells can be called to move one place at a time to reach tuneful changes such as ‘Queens’ 13572468 or ‘Whittington’s’ 12753468 “turn again Whittington” as Dick did all those years ago on his way to London. -
Latin Derivatives Dictionary
Dedication: 3/15/05 I dedicate this collection to my friends Orville and Evelyn Brynelson and my parents George and Marion Greenwald. I especially thank James Steckel, Barbara Zbikowski, Gustavo Betancourt, and Joshua Ellis, colleagues and computer experts extraordinaire, for their invaluable assistance. Kathy Hart, MUHS librarian, was most helpful in suggesting sources. I further thank Gaylan DuBose, Ed Long, Hugh Himwich, Susan Schearer, Gardy Warren, and Kaye Warren for their encouragement and advice. My former students and now Classics professors Daniel Curley and Anthony Hollingsworth also deserve mention for their advice, assistance, and friendship. My student Michael Kocorowski encouraged and provoked me into beginning this dictionary. Certamen players Michael Fleisch, James Ruel, Jeff Tudor, and Ryan Thom were inspirations. Sue Smith provided advice. James Radtke, James Beaudoin, Richard Hallberg, Sylvester Kreilein, and James Wilkinson assisted with words from modern foreign languages. Without the advice of these and many others this dictionary could not have been compiled. Lastly I thank all my colleagues and students at Marquette University High School who have made my teaching career a joy. Basic sources: American College Dictionary (ACD) American Heritage Dictionary of the English Language (AHD) Oxford Dictionary of English Etymology (ODEE) Oxford English Dictionary (OCD) Webster’s International Dictionary (eds. 2, 3) (W2, W3) Liddell and Scott (LS) Lewis and Short (LS) Oxford Latin Dictionary (OLD) Schaffer: Greek Derivative Dictionary, Latin Derivative Dictionary In addition many other sources were consulted; numerous etymology texts and readers were helpful. Zeno’s Word Frequency guide assisted in determining the relative importance of words. However, all judgments (and errors) are finally mine.