Educational Programs Given at ABA Conventions 19662015
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The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
The Liberty Bell: a Symbol for “We the People” Teacher Guide with Lesson Plans
Independence National Historical National Park Service ParkPennsylvania U.S. Department of the Interior The Liberty Bell: A Symbol for “We the People” Teacher Guide with Lesson Plans Grades K – 12 A curriculum-based education program created by the Independence Park Institute at Independence National Historical Park www.independenceparkinstitute.com 1 The Liberty Bell: A Symbol for “We the People” This education program was made possible through a partnership between Independence National Historical Park and Eastern National, and through the generous support of the William Penn Foundation. Contributors Sandy Avender, Our Lady of Lords, 5th-8th grade Kathleen Bowski, St. Michael Archangel, 4th grade Kate Bradbury, Rydal (East) Elementary, 3rd grade Amy Cohen, J.R. Masterman, 7th & 10th grade Kim General, Toms River High School North, 9th-12th grade Joyce Huff, Enfield Elementary School, K-1st grade and Library Coach Barbara Jakubowski, Strawbridge School, PreK-3rd grade Joyce Maher, Bellmawr Park, 4th grade Leslie Matthews, Overbrook Education Center, 3rd grade Jennifer Migliaccio, Edison School, 5th grade JoAnne Osborn, St. Christopher, 1st-3rd grade Elaine Phipps, Linden Elementary School, 4th-6th grade Monica Quinlan-Dulude, West Deptford Middle School, 8th grade Jacqueline Schneck, General Washington Headquarts at Moland House, K-12th grade Donna Scott-Brown, Chester High School, 9th-12th grade Sandra Williams, George Brower PS 289, 1st-5th grade Judith Wrightson, St. Christopher, 3rd grade Editors Jill Beccaris-Pescatore, Green Woods -
Joanne Droppers Collection Biography Joanne Was Born In
Joanne Droppers Collection Biography Joanne was born in Ithaca, NY, on March, 29, 1932, the youngest child of Walter C. and Minnie W. Muenscher. She graduated from Cornell University in 1953 with a bachelor’s degree in music. It was at Cornell that she met and dated Garrett Droppers, who sang in the choir she directed. They were married in August 1953. She originally came to Alfred in 1961, when Garrett was appointed a professor of history at Alfred University. The couple had lived in Madison, WI, and Orono, ME, before settling in Alfred. In addition to being a housewife and mother to their three children, Joanne was employed periodically as an administrative assistant. Joanne loved playing piano and singing with her family. She was organist for several Episcopal congregations, a hand bell ringer, and played violin in local community orchestras. In 1976, she became a member of the American Guild of Carillonneurs and in 1977 she was appointed carillonneur for Alfred University, a position she held for 17 years. As Alfred University carillonneur, Joanne toured the United States and Canada, performing on many North American carillons. She also composed and arranged a number of songs for carillon, including Bach’s Suite #11 for Lute and Tubular Bells. One of her favorite tunes was the Oscar Meyer Weiner jingle, which she arranged for carillon and played at Alfred’s annual Hot Dog Day celebration. Garrett Droppers predeceased Joanne in 1986, and after her retirement in 1994, she moved to Arlington, VA, to be near her grandsons. While in Virginia, she continued her musical pursuits by playing carillons in the area. -
Size-Frequency Relation and Tonal System in a Set of Ancient Chinese Bells: Piao-Shi Bianzhong
J. Acoust.Soc. Jpn. (E)10, 5 (1989) Size-frequency relation and tonal system in a set of ancient Chinese bells: Piao-shi bianzhong Junji Takahashi MusicResearch Institute, Osaka College of Music, Meishin-guchi1-4-1, Toyonaka, Osaka, 561 Japan (Received5 April 1989) Resonancefrequencies and tonalsystem are investigatedon a setof ancientChinese bells named"Piao-shi bianzhong." According to the measurementof 12 bellspreserved in Kyoto,it is foundthat a simplerelation between frequency and sizeholds well. The relationtells frequency of a bellinversely proportional to squareof its linearmeasure. It is reasonableto concludethat the set wascast for a heptatonicscale which is very similarto F# majorin our days. Precedingstudies in historyand archaeologyon Piao- shi bellsare also shortlyreviewed. PACSnumber: 43. 75.Kk •Ò•à) in Kyoto. In ƒÌ ƒÌ 2 and 3, historical and 1. INTRODUCTION archaeological studies on the set will be reviewed. In China from 1100 B.C. or older times (Zhou In ƒÌ 6, musical intervals of the set will be examined and it will be discussed for what tonal system the period), bronze bells named "zhong" (•à) of special shape with almond-like cross section and downward bells were cast. mouth had been cast and played in ritual orchestra. 2. SHORT REVIEW ON After the excavation of a set of 64 zhong bells in 1978 PIAO—SHI BIANZHONG from the tomb or Marquis Yi of Zeng (˜ðŒò‰³), vigorous investigations have been concentrated upon In about 1928, many bronze wares including some zhong bells from many fields of researches as ar- zhong bells were excavated from tombs of Jincun chaeology, history, musicology, and, acoustics. -
A New History of the Carillon
A New History of the Carillon TIFFANY K. NG Rombouts, Luc. Singing Bronze: A History of Carillon Music. Translated by Com- municationwise. Leuven: Leuven University Press, 2014, 368 pp. HE CARILLON IS HIDDEN IN plain sight: the instrument and its players cannot be found performing in concert halls, yet while carillonneurs and Tkeyboards are invisible, their towers provide a musical soundscape and focal point for over six hundred cities, neighborhoods, campuses, and parks in Europe, North America, and beyond. The carillon, a keyboard instrument of at least two octaves of precisely tuned bronze bells, played from a mechanical- action keyboard and pedalboard, and usually concealed in a tower, has not received a comprehensive historical treatment since André Lehr’s The Art of the Carillon in the Low Countries (1991). A Dutch bellfounder and campanologist, Lehr contributed a positivist history that was far-ranging and thorough. In 1998, Alain Corbin’s important study Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside (translated from the 1994 French original) approached the broader field of campanology as a history of the senses.1 Belgian carillonneur and musicologist Luc Rombouts has now compiled his extensive knowledge of carillon history in the Netherlands, Belgium, and the United States, as well as of less visible carillon cultures from Curaçao to Japan, into Singing Bronze: A History of Carillon Music, the most valuable scholarly account of the instrument to date. Rombouts’s original Dutch book, Zingend Brons (Leuven: Davidsfonds, 2010), is the more comprehensive version of the two, directed at a general readership in the Low Countries familiar with carillon music, and at carillonneurs and music scholars. -
China and the West: Music, Representation, and Reception
Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. paper) | ISBN 9780472122714 (e- book) Subjects: LCSH: Music—Chinese influences. | Music—China— Western influences. | Exoticism in music. -
Change Ringing
G. L. van der Sluijs Change ringing Bachelor thesis, June 7, 2016 Supervisor: dr. M. J. Bright Mathematisch Instituut, Universiteit Leiden Contents Introduction 3 1 Preliminaries 4 1.1 Change ringing terminology . 4 1.2 Words.................................. 7 2 The existence of an extent 8 2.1 Plain changes . 8 2.2 The Cayley graph . 8 2.3 Existence of an extent using only three changes . 10 3 Grandsire Triples 12 3.1 Description and basic properties . 12 3.2 Thompson’s proof . 14 3.3 The largest possible touch . 16 4 Rankin’s campanological theorem 18 4.1 Rankin’s theorem . 18 4.2 Application to Grandsire Triples . 18 4.3 Application to Double Norwich Court Bob Major . 19 5 The existence and construction of extents 21 5.1 Extent existence theorems . 21 5.2 Existence of Plain Bob Major extent with special bob leads . 23 5.3 Extent construction of Plain Bob Doubles . 23 References 26 2 Introduction This bachelor thesis will be concerned with the old English art of ringing church bells called change ringing. The development of change ringing in the early 17th century was mainly due to the invention of the full-circle wheel on which the bells were mounted. By pulling a rope, a bell would make a rotation of almost 360 degrees with a period of approximately two seconds. The time between two strikes of the same bell could be controlled rather accurately, which made it possible to ring a certain number of bells all after each other and keep repeating this in the same order. -
Help Us to Preserve This Unique Story and to Keep Sharing These American Ideals
Dear Friend, The ever-inspiring story of the Liberty Bell’s historic journey to Allentown tells of the bravery that led courageous patriots to save what is now a symbol of our democracy. This story captures the imagination and reminds all who walk into our museum of our hard-won freedoms. The Liberty Bell Museum offers an innovative educational program for elementary school students that links history, language arts, science and technology. We welcome families to a revitalized downtown Allentown through inspiring and enlightening community events. We promote the American ideals of freedom, liberty, civic responsibility and citizenship. We know that you feel the same passion to preserve our history and the symbols of freedom for future generations. Your thoughtful support and generous contribution help us share our unique history as well as provide new exhibits and programs. Up close and personal Our current exhibit is especially timely, created in consultation with local with history. historian Frank Whelan: “Last One In: American Ideals in Conflict with American Attitudes.” His lecture on March 15 explored some of the history of and the reactions to German, Jewish, Syrian and Hispanic people who immigrated to the Lehigh Valley. We also are featuring local artists like Amy Dorwang in the Trexler exhibit area, participating in the Hamilton District’s “Third Thursday” celebrations in downtown Allentown. And of special note for the next Pip the Mouse season, our holiday exhibit will be in memory of Dr. George Creegan, “the man behind the mouse.” Please support the Liberty Bell Museum and its programs with a generous donation! You also can order your tickets for our annual band concert on the enclosed form. -
S'pring Carill-O'n Festival 1996
S'PRING CARILL-O'N FESTIVAL 1996 Margo Halsted has been the University Carillonneur and Assistant Professor of Campanology at the University of Friday, April 26 ~;::t:;:;:==~ Michigan School of Music since September 1987. For the 5 years 1977-87 she was Lecturer in Music and Carillon 5:00p.m. Carillon Recital neur at the University of California Riverside. Her Tin-shi Tam, ISU Carillonneur degrees are from Stanford University in Music and Education and the University of California, River side, in Music. In 1981 she earned a diploma from the Netherlands Carillon School. f=.===t~====~t=~ As a carillon recitalist, Halsted has performed Saturday, April 27 r extensively in the United States and Europe. Interested in early carillon music, she has dis covered, researched and published articles on 2:00 p.m. Seminar two historic manuscripts from Antwerp, and "The Carillon of Yesterday and she is currently working on publishing some Today" of the oldest carillon music found to date. Five Margo Halsted, guest carillonneur of her carillon compositions have been published. Music Hall, Room 130 Margo Halsted is an active participant in the Guild of Caril t=t====~ lonneurs in North America. She has been the consultant 3:00p.m. Carillon Recital for five chime and carillon installations. In 1995, the Margo Halsted, guest carillonneur GCNA presented her with a certificate for "Exceptional Service." 4:00 p.m. Campanile Tour Halsted was awarded the Berkeley Medal from the University of California, Berkeley, is an Honorary Member of the Belgian Carillon School and is listed in Who's Who in American Music. -
International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28 -
Bell Ringers' Bruises and Broken Bones: Capers and Crises in Campanology
necrosis of one rectus abdominis, a comparatively two out of 12 patients survived2). The lesson for today small weight of muscle, and from this the patient died is that many of these dialyses for traumatic anuria of uraemia a few days later. Compartmental muscle are avoidable by adequate first aid hydration and necrosis may have a similar outcome."9 alkalinisation as well as by an adequate dietary regimen The most important finding of this work in New- during recovery. castle, however, was the very high incidence of Finally, tribute should be paid to the Medical BMJ: first published as 10.1136/bmj.301.6766.1415 on 22 December 1990. Downloaded from death and of uraemia after resuscitation in patients Research Council, its scientific workers, and the with fractures of the pelvis. Many muscle fibres (as enthusiastic physicians, surgeons, pathologists, and contrasted with muscle tendons) are attached to nurses of the emergency medical service and of the the pelvis, and traumatic ruptures of muscle bellies armed forces during the war years-they contributed produce considerable ischaemic muscle necrosis due so much to our knowledge of this subject. mostly to damage to small blood vessels. Erasmus Barlow and I thought that such cases should be given 1 Bywaters EGL, Beall D. Crush injuries and renal function. BM7 1941;i: 427-32. adequate alkaline fluid on admission, both by mouth 2 Bywaters EGL. Ischaemic muscle necrosis. JAMA 1944;124:1103-9. and by vein. 3 Richards NT, Tattersall J, McCann M, Samson A, Mathias P, Johnson A. Dialysis for acute renal failure due to crush injuries after the Armenian By early 1945 we were back in London, then under earthquake. -
Campanologist Chronicles
25 24 CAMPANOLOGIST CHRONICLES The Parish Church has an up and coming band of ringers. Not only do they ring the bells for Sunday services and Tuesday practice night’s, but they also help with the ringing the church bells at Albury and Little Hadham. There aren’t as many ringers about as there once were. Bell ringing is something for both young and old. It helps keep you both physi- cally and mentally fit. It is a quite a commitment, week in week out ringing for both Sunday services and practice nights, as well as the occasional wedding and christening. Many of you will remember Charlie Jordan, he was taught to ring when he was 12 years old and was still ringing at 80. The bells at Much Hadham are hung for full circle ringing. This is where a wheel and rope are attached to the side each bell and the bell is swung back and forth on a headstock by a bell ringer through a little more than 360 degrees to get bell over the balance point for setting in a safe position of rest. Learning to ring is a bit like learning to ride bike. Letting go of the rope at the right time so you don’t go up in the air, helps! The ringing that takes place in known as ‘change ringing’ with both call chang- es and method ringing being rung. Due to the full circle ringing each bell can be carefully controlled to ‘strike’ with its clapper once every change. The simplest change is called ‘Rounds’ where the bells are in the order of 12345678, bells can be called to move one place at a time to reach tuneful changes such as ‘Queens’ 13572468 or ‘Whittington’s’ 12753468 “turn again Whittington” as Dick did all those years ago on his way to London.