Decameron Vittore Branca Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Decameron Vittore Branca Pdf Decameron vittore branca pdf Continue 02 maggio 2013 -31 maggio 2013 In occasione del VII centenario della nascita di Giovanni Boccaccio, l'edizione del Decameron a cura di Vittore Branca viene venduta a 20. Acquista online Although Giovanni Boccaccio was born in France and grew up and educated in Naples, where he wrote his first works under the patronage of the French ruler Anzhevin, Boccaccio always considered himself Tuscan like Petrarch and Dante. After Boccaccio returned to Florence in 1340, he witnessed an outbreak of the great plague, or Black Death, in 1348. This provided a place for his most famous work, the folk prose masterpiece by Il Decamerone (Decameron) (1353). This collection of 100 stories, narrated by 10 Florentines who leave the plague-infested Florence in the nearby mountain town of Fizole, is a clear testament to the beginning of the Renaissance in Italy. The highly finished work had a huge impact on Chaucer, Shakespeare, Dryden, Keats and Tennyson, despite the fact that it has established itself as a great classic of Italian fictional prose. Although Chaucer did not mention Boccaccio's name, his Canterbury tales are clearly modeled on Decamerone. Boccaccio's other important works are Dante's short life and commentary on Divine Comedy; Philocolo (1340) prosaic romance; Philostrato (1335), a poem about Troyla and Cressida; and Hecei (1340-41), a poem dedicated to the history of Hez, Palamon and Arzit. Boccascio's only attempt to write the epic was the work that Chaucer made his Knight's Tale. Boccaccio's last work, written in Italian, was a dark, cautionary tale called Corbaccio (1355). The nymph song (1346), as a counter-staff for the decameron, shows that it is possible to read the decameron as an allegory, with the plague representing the spiritual plague of medieval Christianity, viewed from the point of view of Renaissance humanism. Many of the decameronic tales are really pagan versions of medieval sermons about sin and curses with morality reversed. After 1363, Boccaccio focused on trying to gain enduring fame, writing in Latin a series of lives of memorable men and women and the genealogy of pagan gods. Boccaccio died in 1375. Vittore BrancaBorn (1913-07-09)9 July, 1913SavonaDiedMay 28, 2004 (2004-05-28) (aged 90)Venice Vittore Branca (Savona, July 9, 1913 - Venice, May 28, 2004) was a philologist, literary critic and Italian academic. Branca was an emeritus professor of Italian literature at the University of Padua until his death in 2004, as well as one of Boccaccio's most famous contemporary scholars. He was a man with strong religious roots during World War II who participated in guerrilla warfare. Vittore Branca was born in Savon in 1913, but spent most of her childhood on Lake Como. After graduating from classical high school Chiabrera in Savona, Savona, 1931 he attended the entrance exams in Scuola Normale Superiore di Pisa. In those years it became part of FUCI. In protest, the young Branca appeared before the examination committee in the badge of a Catholic rally, whose youth circles were suppressed by the fascist regime. On this occasion he has his first meeting with John Gentile, who became his master. He graduated in 1935 with the highest grades. Two years later, he was in Florence to collaborate with the Academy della Crusca in a national edition of Boccaccio's work. He started teaching in high school. In July 1943, he participated in the work that led to the development of the Camaldoli Code. After Mussolini's arrest (executed two days after the completion of the Code), Branca actively cooperated with the Resistance. His cordial relationship with Monsignor Giovanni Battista Montini and the mediation of these with Alsid de Gasperi made him a prominent member of Florentine anti-fascism, allowing him to represent the Catholic region of resistance in the direction of the Tuscan CNL. In 1944, he was contacted by Gentile, then president of the Academy of Italy, who invited him to collaborate for the charity of his homeland in New Anthology magazine. Branca, despite his deep association with the philosopher, rejected the offer, deciding to continue the fight against Nazi fascism. Gentile was killed by some guerrillas in April of that year. In August, Branca participated in the dramatic events of the Florence Uprising that led to the liberation of the city. During the years of the Republic of The Republic, De Gasperi proposed him as Deputy Secretary of Christian Democracy. Branca declined an invitation to actively engage in academic research and career. From 1944 to 1949 he taught at the University of Florence and at the Faculty of Master's Degree Maria Assunta in Rome. In 1949, together with Giovanni Ghetto, he founded the magazine Italian Letters. From 1952 to 1953 he was in Paris as a visiting professor at the University of the Sorbonne. In 1953, he began his career at the University of Padua, to which he will remain connected throughout his life. In the same year he joined the board of directors of the Giorgio Sini Foundation, from Venice, from 1972 to 1995, he was Vice President and then became President from 1995 to 1996. From 1968 to 1972 he was rector of the University of Bergam. In 1968, he headed an authoritative committee to establish the Institute of Foreign Language and Literature at the university. He collaborated with UNESCO several times until 1970. He died in Venice on 28 May 2004 at the age of 91. In Padua, it was dedicated to the circulating library and the adjoining studio hall through Portello. He left his library as a special foundation at the Library of Normal High School. Branca's contribution to education and academic activities research is fundamental. In 1962, he defined Hamilton 90 as The Precious Autograph of Decameron, written by Boccaccio around 1370. In 1998, he discovered a manuscript made under the personal direction of Boccaccio, also a decameron conceived in the mid-fifties of the 1300s and officially composed in 1360. Branca's research also influenced the philological field. Definitions of tradition were characterized (i.e. the study of the tradition of the end of the manuscript itself) and the characteristic tradition (the ways and reasons why this tradition was created, from the point of view of fine and musical art). Works of Criticism and Literary History Singing of the Twentieth Century (Florence, 1936) History of Criticism in Decameron (Rome, 1939) Notes on the religious literature of the threeth century (Florence, 1939) Notes for the history of the soul of Manzoni , in Convivium , XIII, (1941) Mistics of the 13th and 13th centuries (Rome, 1942) Emilio de Marchi and meditative realism (Brescia, 1946) Alfieri and the pursuit of style (Florence, 1947) History of collections of rhymes and classic collections , in the orientation and problems of Italian literature (Milan, 1948) Canticle Frate Sole (Florence, 1950) Medieval Boccaccio (Florence, 1956) Tradition of works by Giovanni Boccaccio (Rome, 1958) Literary Civilization of Italy (Florence, 1962) Unfinished Second Centurion Angelo Politiano (Florence, 1962) European Humanism and Venetian Humanism, own essays and essays collected by Vittor Branca (Florence) , 1964) Poetics of Renewal and HagiographicAl Traditions in Vita Nualoova, in Miscellanea Italo (Siciliania) , 1966) European Renaissance and the Venetian Renaissance id.id. (Florence, 1967) Fulvio Texts in The Court of Urban VIII and Felipe IV , in Revista de Occident (Madrid, 1969) New Methods of Criticism (Rome, 1970) Sebastiano Ciampi (Warsaw, 1970) Manzonian Cases (Venice, 1973) Concept, History, Myths and Images of the Middle Ages (Florence, 1973) Philology, Criticism, History , in collaboration with Jean Starobinski (Milan, 1978) Alfieri and the pursuit of style with five new essays (Bologna , 1979) Venetian humanism , in the history of Venetian culture , Vol. 3 (Vicenza, 1980) Medieval boccaccio and new research by Decameron , Sansoni editor, Florence, 1981 Politician and Humanism Words (Turin, 1983) Boccaccio displayed (Florence, 1985) Merchants and Writers (Milan, 1986) Tuscan esophagus (Venice, 1989) Ezop Veneto (Padova, 1992) Giovanni Boccaccho. Biographical Profile (Florence, 1997) Fiction Dream (Florence, 1983) Ponte Santa Trinity (Venice, 1988) Awards CnL Gold Medal CNL Tuscany Gold Medal Benemerites Culture Knight of the Order of the Italian Republic Officier de la Legion d'Honorary Commissioner of the Order of Poland restored the Gold Medal for Culture Commissioner Honorary Citizen of Malta Florence (2002 ) Venice Institute of Science, Literature and The Arts, of which he was president from 1979 to 1985 He also received honorary degrees from the following universities: Budapest (1967) New York (1973) Bergamo (1973) Sorbonne of Paris (1973)1976) McGill of Montreal (1985) Cologne (1998) Links to The Pastoros of Stoke, memory of Vittor Branca, a celebration, was uttered on November 27, 2005 (PDF). Archive from the original (PDF) dated February 21, 2007. Archive Corriere della Sera. archiviostorico.corriere.it (in Italian). Received 2017-09-04. Archive Corriere della Sera. archiviostorico.corriere.it (in Italian). Received 2017-09-04. Vittore Branca e la resistenza. www.rodoni.ch. Received 2017-09-04. The Honourable Cesare Campa. Archive from the original 2005-01-15. UniBg - Pagina not trovata : Pagina is not trovata. www.unibg.it. Received 2017-09-04. I must Decameron di Giovanni Boccaccio, by La Repubblica, January 10, 1998. Il primo Decameron, Il Manifesto, January 10, 1998. Archive from the original 2001-07-07. Two decamerons by Giovanni Boccaccio, La Repubblica, January 10, 1998. Archive from the original 2001-07-07. First Decameron, Manifesto, January 10, 1998. Archive from the original 2001-07-07. Notes by Giorgio Padoan, Vittore Branca, at AA. VV., Italian literature. Critics, vol. V, Milan, Marzorati, 1987, page 3851- 3861. Extracted from decameron vittore branca pdf. decameron vittore branca einaudi. decameron a cura di vittore branca.
Recommended publications
  • Petrarch and Boccaccio Mimesis
    Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The
    [Show full text]
  • Plague and Progress: an Analysis of Giovanni Boccaccioâ•Žs
    University of Portland Pilot Scholars Honors Projects Honors Program 12-2020 Plague and Progress: An Analysis of Giovanni Boccaccio’s Decameron and Reform during the Initial Outbreak of the Black Death Ben Hecko Follow this and additional works at: https://pilotscholars.up.edu/hon_projects Part of the European History Commons, Public Health Commons, Social History Commons, and the Sociology of Culture Commons Citation: Pilot Scholars Version (Modified MLA Style) Hecko, Ben, "Plague and Progress: An Analysis of Giovanni Boccaccio’s Decameron and Reform during the Initial Outbreak of the Black Death" (2020). Honors Projects. 27. https://pilotscholars.up.edu/hon_projects/27 This Project is brought to you for free and open access by the Honors Program at Pilot Scholars. It has been accepted for inclusion in Honors Projects by an authorized administrator of Pilot Scholars. For more information, please contact [email protected]. Plague and Progress: An Analysis of Giovanni Boccaccio’s Decameron and Reform during the Initial Outbreak of the Black Death By Ben Hecko Submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in History University of Portland December 2020 When considering the forces that shape a society, few have as lasting of an effect as a pandemic. They break down social hierarchies, economic systems, religious practices, and nearly every other element of society. To say that this is relevant in the year 2020 would be a gross understatement. The Coronavirus pandemic has fundamentally altered the way in which society functions at nearly every level. It has changed what it means to be a student, an employee, a businessowner, a medical worker.
    [Show full text]
  • V. Branca. in Memoriam
    Heliotropia 2.2 (2004) http://www.heliotropia.org Vittore Branca (Savona, 1913 – Venice, 2004) In Memoriam Students of Boccaccio — “Boccacciani,” Branca liked to call our sodality — all know how much in his debt we are as scholars. From the book that marked his debut, Il cantare trecentesco e il Boccaccio del “Filostrato” e del “Teseida” (1936), up to his last major contribution on the editorial history of the Certaldan’s masterpiece, Il capolavoro del Boccaccio e due diverse redazioni (in collaboration with Maurizio Vitale, 2002), his activ- ity as a Boccaccista spanned nearly seventy years, producing more on It- aly’s greatest prose narrator than anyone ever had before in a corpus that seemed to defy limits of the humanly possible for a single individual. The same year as his first book, he published in La Rassegna the article that would be the nucleus for his second, Linee di una storia della critica al “Decameron” (1939), and on this groundwork he constructed a major new edition of the Decameron (1950–51). The complexities of its text and dif- fusion, which he first catalogued and mapped in Studi di Filologia Ita- liana (1950), updated in Tradizione delle opere I (1958) and again in Tradizione delle opere II (1991), would continue actively to engage him for the rest of his life. Striking a polemic with De Sanctis and his post-Ro- mantic partisans, whose Boccaccio was an iconoclastic spirit two hundred years ahead of his time (“il medioevo non solo negato ma canzonato”), he argued compellingly for a Boccaccio medievale (1956). The publishing history of that seminal essay collection, through successive new editions in multiple languages, is emblematic of Branca’s unflagging energies in maintaining a project, once begun, always open and subject to correction, refinement, expansion, and updating.
    [Show full text]
  • CURRICULUM VITAE Victoria Kirkham, Professor Emerita 604 S
    CURRICULUM VITAE Victoria Kirkham, Professor Emerita 604 S. Washington Sq. Department of Romance Languages Apt. 207 521 Williams Hall, University of Pennsylvania Philadelphia, PA 19106 tel. 215-898-7428 ; fax 215-898-0933 e-mail: [email protected] Education Wellesley College (Italian and French), B.A., 1964. Università Statale di Milano (part time student), 1964-65. University of Illinois (Italian), M.A., 1967. Johns Hopkins University (Romance Languages), M.A., 1969; Ph.D., 1972. Doctoral dissertation: "The Filocolo of Giovanni Boccaccio with an English Translation of the Thirteen Questioni d'amore," Director, Charles S. Singleton. Teaching Positions Professor Emerita of Romance Languages, University of Pennsylvania, 2011 - Full Professor, Romance Languages, University of Pennsylvania, 1994 - Associate Professor, Romance Languages, University of Pennsylvania, 1978-94. Graduate Group, Comparative Literature, University of Pennsylvania, 1978 - Assistant Professor, Romance Languages, University of Pennsylvania, 1972-78. Assistant Professor, Italian, State University of New York, Buffalo, 1970-72. Teaching Assistant, Italian Literature, Johns Hopkins University, 1967-70. Teaching Assistant, Italian Language, University of Illinois at Urbana, 1965-67. Fulbright Teaching Assistant of English, Istituto Tecnico Industriale Statale "Omar," Novara, Italy, 1964-65. Visiting Professor: Johns Hopkins University, for a weekly graduate seminar: Women in Poetry: From the Troubadors to the Petrarchans, spring semester, 1999. Harvard Center for Renaissance Studies in Florence, Villa I Tatti, fall semester, 2012. Fellowships, Honors, and Awards Pendleton Scholarship, 1960-64, Wellesley College. Fulbright Teaching Assistantship of English, Novara, Italy, 1964-65. National Defense Education Act Graduate Fellowship, Johns Hopkins University, 1967-70. University of Pennsylvania Junior Faculty Summer Research Fellowship, 1974.
    [Show full text]
  • Calandrino and the Powers of the Stone: Rhetoric, Belief and the Progress of Ingegno in Decameron VIII.3
    Heliotropia 1.1 (2003) http://www.heliotropia.org Calandrino and the Powers of the Stone: Rhetoric, Belief and the Progress of Ingegno in Decameron VIII.3 occaccio’s heliotrope appears in the first of his Calandrino tales, the third of the antepenultimate, eighth day of storytelling by the B brigata. That there are four tales featuring Calandrino (the Floren- tine painter Nozzo di Perino, appearing in VIII.3, VIII.6, IX.3, IX.5) as the collection nears its end is highly significant within the economy of the col- lection.1 Finding a group of tales sharing the same character or characters — unprecedented in the Decameron — suggests a modification, in the last group of days (each group marked by a weekend break: tales I–II, III–VII, VIII–X) of Boccaccio’s rules for ordering his tale-telling, a kind of anomaly potentially more disruptive than the privilege of Dioneo. Although sugges- tive recent studies have postulated distinct groupings for the tales based on Boccaccio’s inclusion of other Trecento artists,2 Calandrino’s exploits with his fellow painters Bruno and Buffalmacco and with other Florentine wits such as Maso del Saggio, and with the Bologna-trained doctor Mae- stro Simone,3 may also suggest a cluster of Florentine types (artisans, wags, frauds clever, pompous, or failed) whose concatenated adventures herald the return of the brigata itself to the complex social order of the 1 For biographical information on Giovannozzo di Pierino, or Calandrino, see the notes to Branca’s edition of the Decameron (Milan: Mondadori, 1976): 1410–11, and Luciano Bellosi, Buffalmacco e il Trionfo della Morte (Turin: Einaudi, 1974): 68–73, 98–99, 124–30.
    [Show full text]
  • The Italian Literature of the Axis War (1944–1974) and the Collective Memories of World War II
    Royal Holloway, University of London School of Modern Languages, Literatures and Cultures Italian Studies The Italian Literature of the Axis War (1944–1974) and the Collective Memories of World War II by Guido Bartolini Supervisor: Prof Giuliana Pieri Thesis Submitted for the Degree of Doctor of Philosophy Royal Holloway, July 2018 2 Declaration of Authorship I Guido Bartolini hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: _______________________ 3 Abstract This thesis analyses a selection of texts that are part of the Italian literature of the Axis War, written Between 1945 and 1975, examining the relationship between literary representations and the Italian collective memory discourse of World War Two. This study Builds on a number of theoretical frameworks, combining memory studies, historiography, thematic criticism, and narratology, which are used in order to explore the relations Between literature and memory narratives aBout the past. As a result of this interdisciplinary approach, the analysis centres on those figures of repetition (topoi, themes, masterplots) that characterise, at different levels of complexity, the texts of the corpus and that have been taken as points of connection between literary representations and collective memory narratives. Through the study of the most recurrent tropes across the corpus, this thesis pinpoints the existence of dominant structures that affected the literary representation of the Axis War, which have strong links to the ways in which the Second World War and the Fascist past have been narrativised in postwar Italy.
    [Show full text]
  • Politics Italian Style Queen Victoria in Italy the Pope Francis Effect Veronese at the National Gallery RIVISTA Garibaldi Remembered 2014-2015
    Politics Italian Style Queen Victoria in Italy The Pope Francis Effect Veronese at the National Gallery RIVISTA Garibaldi Remembered 2014-2015 The Magazine of 1 Dear readers diting a magazine has been a novel experience for subjects mention a remarkable Australian, Mary Gaunt. See us both – and much more challenging than either if you can spot her! of us anticipated. But it has brought rich rewards: E Finally, we would like to thank Rivista’s former editorial team, engaging with many different people with an interest in Italy Alex Richardson and Georgina Gordon-Ham, for all their and British-Italian relations, exploring ideas and learning new help and support in handing over the baton to us. We hope skills to name but a few. to maintain the very high standards that they set for the In this our first issue we have made a few changes. We are magazine. aware that Rivista readers are a loyal bunch and hope that the new look will not upset established reading habits. We Buona lettura! are mindful, however, that no magazine can remain static, Linda Northern and Vanessa Hall-Smith and to this end we have re-ordered the content so that the featured articles appear at the beginning and articles and news relating to the British-Italian Society have been moved to the later pages. Part of the thinking behind these changes is to reach out to a broader readership who may be drawn to a particular article, with a view to encouraging new members. We are most grateful to all who have contributed, whether Rivista regulars or first-timers.
    [Show full text]
  • <Em>Il Capolavoro Del Boccaccio E Due Diverse Redazioni.</Em> 2 Vols
    Heliotropia - An online journal of research to Boccaccio scholars Volume 2 Volume 2 (2004) Issue 1 Article 8 January 2004 Il capolavoro del Boccaccio e due diverse redazioni. 2 vols. Venice: Istitutio Veneto di Scienze, Lettere ed Arti, 2002. €60: Vol. 1. Maurizio Vitale, La riscrittura del "Decameron". I mutamenti linguistici. Pp. 571; Vol. 2. Vittore Branca, Variazioni stilistiche e narrative. Pp. 220. Victoria Kirkham University of Pennsylvania Follow this and additional works at: https://scholarworks.umass.edu/heliotropia Recommended Citation Kirkham, Victoria (2004) "Il capolavoro del Boccaccio e due diverse redazioni. 2 vols. Venice: Istitutio Veneto di Scienze, Lettere ed Arti, 2002. €60: Vol. 1. Maurizio Vitale, La riscrittura del "Decameron". I mutamenti linguistici. Pp. 571; Vol. 2. Vittore Branca, Variazioni stilistiche e narrative. Pp. 220.," Heliotropia - An online journal of research to Boccaccio scholars: Vol. 2 : Iss. 1 , Article 8. Available at: https://scholarworks.umass.edu/heliotropia/vol2/iss1/8 This Book Review is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Heliotropia - An online journal of research to Boccaccio scholars by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Kirkham: <em>Il capolavoro del Boccaccio e due diverse redazioni.</em> 2 v Heliotropia 2.1 (2004) http://www.heliotropia.org Il capolavoro del Boccaccio e due diverse redazioni. 2 vols. Venice: Istituto Veneto di Scienze, Lettere ed Arti, 2002. €60: Vol. 1. Maurizio Vitale, La riscrittura del “Decameron”. I muta- menti linguistici. Pp. 571; Vol. 2. Vittore Branca, Variazioni stilistiche e narrative.
    [Show full text]
  • Religious Boundaries and Exchange in Boccaccio's Il
    The Gods Which Are Not: Religious Boundaries and Exchange in Boccaccio’s Il Filocolo* Corey Flack "Sepera le sante reliquie dalle inique, ché non è giusta cosa che una terra quella che l'altre occupi […] Voi le vedrete tutte vermiglie rosseggiare, come se di fuoco fossero, e quelle che così fatte vedrete, di quelle sicuri vivete che siano de' romani giovani morti in questo luogo.” --Giovanni Boccaccio, Filocolo, V.90.2-41 After the numerous travels and trials at the heart of the Filocolo, the protagonists Florio and Biancifiore return to the field of battle where the romanzo’s events were set in motion, and where we as readers are presented precisely with the scene described above: a field covered in bones, “de' romani e degli spagnoli insiememente mescolate” (“of Romans and Spaniards mixed together,” V. 88.5), with the bones of the Romans glowing vermilion. Yet as the text points out in its first pages, the difference imbued in those bones is not ethnic or political, but religious: their red phosphorescence is the reification of their sacredness, for they are the bones of Christians, and their holy quality is made visible by the program of religious conversion that undergirds the entirety of Giovanni Boccaccio’s youthful romanzo. As much as it is a marker of the sacred, that red glow is a sign of anxiety concerning the need to separate the “sante” from the “inique,” to not let those two spheres touch. While Boccaccio seeks to hold them apart, they are forever linked, for if the category of sacer is anything, it is ambivalent: at once holy and unclean, held together in a point of contamination.2 Written around 1335, the Filocolo tells the popular medieval tale of Floire (or Floris) and Blancheflor, 3 known throughout medieval Europe from various vernacular renditions but most famously from Old French verse tales.4 It is one of two medieval Italian versions, 5 but is * An early version of this paper was presented at the “Real and Imaginary Borders Across the Mediterranean” Conference at the University of Illinois at Urbana-Champaign (2013).
    [Show full text]
  • The Warburg Institute Annual Report 2005–2006
    cover:cover.qxd 12/12/2006 14:39 Page 3 The Warburg Institute Annual Report 2005–2006 Presented to the University University of London SCHOOL OF ADVANCED STUDY cover:cover.qxd 12/12/2006 14:39 Page 2 Designed and computer typeset at the Warburg Institute Printed by CPS, University of London AR0506:AR0405.qxd 12/12/2006 14:27 Page I The Warburg Institute The Warburg Institute, which was incorporated in the University of London in 1944, was originally the library of Professor A. M. Warburg (1866–1929) of Hamburg. Warburg’s early researches centred on the signiIcance of classical civilization in the intellectual and social context of Renaissance art, but later came to embrace a wider Ield of cultural history. The Institute’s Library and its associated Photographic Collection now aim to provide the means of research into the processes by which one culture inJuences or is inJuenced by another. They seek to document the links between the thought, literature, art and institutions of post-classical Europe and those of Greece and Rome, and the effects of the Near East on Mediterranean civilization. The Library and Photographic Collection allow open access to their material and are so arranged as to facilitate interdisciplinary research in the humanities. The Library has four main divisions: social and political history; religion, history of science and philosophy; literature, books, libraries and education; history of art, classical art and archaeology. Subdivisions include the history of festivals and pageantry, the idea of Empire, historiography, the history of cosmology and astrology and their pictorial expression, ritual and myth, liturgy and religious orders, Platonic and Aristotelian traditions, Islamic and Judaic philosophy, emblematics, neo-Latin literature, the AR0506:AR0405.qxd 12/12/2006 14:27 Page II reception of classical literature, and the diffusion and inJuence of Greco-Roman art.
    [Show full text]
  • Francesco Fiorentino Professore Ordinario Di Letteratura Francese (L-LIN/03) Dipartimento Di Lettere Lingue Arti
    Curriculum vitae di Francesco Fiorentino Professore Ordinario di Letteratura francese (L-LIN/03) Dipartimento di Lettere Lingue Arti. Italianistica e culture comparate (LeLiA) Università degli Studi di Bari Aldo Moro [email protected] Francesco Fiorentino, nato a Napoli il 10 giugno 1950, si è laureato in Lettere all’Università degli Studi di Napoli “Federico II” con Francesco Orlando. Dopo avere insegnato a Venezia, presso la Facoltà di Lettere e Filosofia di “Ca’ Foscari”, dal 1987 è professore ordinario di Letteratura francese presso la Facoltà di Lettere e Filosofia di Bari, poi Dipartimento di Lettere Lingue Arti. Italianistica e Culture comparate, di cui è stato direttore dal 22/07/2016 al 14/12/2018 e, in quanto decano, dal 1/10/2019 al 5/11/2019. La ricerca di F.F. ha seguito varie direzioni: 1. Il teatro classico francese: i risultati maggiori sono rappresentati dal volume einaudiano sul ridicolo nel teatro di Molière, dalla Storia del teatro francese del Seicento pubblicata per i tipi di Laterza, dall’edizione italiana del Teatro di Molière per Bompiani. Ha pubblicato, inoltre, saggi sul teatro di Racine di cui ha curato un numero monografico dei «Cahiers de Littérature Française». 2. La narrativa francese della prima metà dell’Ottocento. Attraverso l’analisi delle opere di romanzieri maggiori (Balzac, Stendhal, Mérimée) e minori ha cercato di individuare alcune tipologie narrative (romanzo storico, di costume, nero...) e tematiche (la provincia, il privato, il processo...) dominanti in quell’epoca, avvalendosi di una strumentazione narratologica aggiornata. A tali argomenti ha dedicato saggi e articoli apparsi in riviste italiane e francesi.
    [Show full text]
  • San Giorgio Lettera 16 UK
    Lettera da San Giorgio Lettera da San Year IX, n° 16. Six-monthly publication. March – August 2007 Spedizione in A.P. Art. 2 Comma 20/C Legge 662/96 DC VE. Tassa pagata / Taxe perçue Indice Contents I Programmes (March – August 2007) 3 Editorial Main Future Activities 4 Hello Mr. Fogg! Round the world in music on fifty-two Saturdays 5 Study Days The arts in Istria 6 Study Conference Rosalba Carriera and 18th-century Europe 6 Historical Studies Seminar The perception of territory: definitions, descriptions and representations 7 The Egida Sartori and Laura Alvini Early Music Seminars The Codex Faenza 117 and the alternatim in Italy in the late Middle Ages (1390-1430) 7 Music from Arabia Course on the Arab lute by Farhan Sabbagh 8 Music from Armenia Seminar on the duduk and concert by Gevorg Dabaghyan 9 International conference Antonio Vivaldi. Past and future 9 The Vittore Branca Course on Italian Civilisation Venice and Italian civilisation in the centuries of European modernisation. I. The 18th Century 10 Books at San Vio 11 The Veneto Region Vittore Branca Prize for Studies and Research on Veneto Popular Cultures Collections 12 The Alain Daniélou archives Projects and research 15 The Vittore Branca School of Italian Language and Civilisation Presences on San Giorgio 18 Goffredo Parise: Venetian “sowings” and “gatherings” 21 Publications III – IV Contacts Editorial The year 2007 will mark a turning point for the Giorgio Cini Foundation thanks to the implementation of a series of changes announced some time ago. The most striking change will be the renovation of some of the buildings and rooms.
    [Show full text]