Adolescent Pedagogy As Seen Through the Theological Lens of Latino Spirituality

Total Page:16

File Type:pdf, Size:1020Kb

Adolescent Pedagogy As Seen Through the Theological Lens of Latino Spirituality La Salle University La Salle University Digital Commons Th.D. Dissertations Scholarship 5-2020 Entregado a los Estudiantes: Adolescent Pedagogy As Seen Through the Theological Lens of Latino Spirituality Christian Arellano La Salle University, [email protected] Follow this and additional works at: https://digitalcommons.lasalle.edu/religion_thd Recommended Citation Arellano, Christian, "Entregado a los Estudiantes: Adolescent Pedagogy As Seen Through the Theological Lens of Latino Spirituality" (2020). Th.D. Dissertations. 12. https://digitalcommons.lasalle.edu/religion_thd/12 This Dissertation is brought to you for free and open access by the Scholarship at La Salle University Digital Commons. It has been accepted for inclusion in Th.D. Dissertations by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. La Salle University School of Arts and Sciences Graduate Program in Theology and Ministry Dissertation Entregado a los Estudiantes: Adolescent Pedagogy as seen through the Theological Lens of Latino Spirituality By Christian Arellano (B.A., La Salle University, 2003, Religion/ Secondary Education M.A, Saint Charles Borromeo Seminary, Theology) Submitted in partial fulfillment of the Requirements for the degree of Doctor of Theology 2020 WE, THE UNDERSIGNED MEMBERS OF THE COMMITTEE, HAVE APPROVED THIS THESIS Entregado a los Estudiantes: Adolescent Pedagogy as seen through the Theological Lens of Latino Spirituality By Christian Arellano COMMITTEE MEMBERS _____Bro. John Crawford, F.S.C. – signed electronically _________________________________________________________________________ Bro. John Crawford, F.S.C., Ph.D. (Mentor) La Salle University ____Fr.. Kenneth Hallahan, Ph.D. – signed electronically __________________________________________________________________________ Fr. Kenneth Hallahan, Ph.D. (1st Reader) La Salle University _______Fr. Francis Berna, Ph.D. – signed electronically _______________________________________________________________________ Fr. Francis Berna, Ph.D. (2nd Reader) La Salle University La Salle University, Philadelphia May 2020 Abstract The Catholic secondary educational system has not considered a new challenge in implementing cultural pedagogy as its primary form of transmitting dogmatic truth to its students despite the widespread presence of modern immigrants who are not concentrated in specific parishes. Taking into consideration that Hispanic/Latinos comprise a large share of the Catholic population in America, this issue is important. The traditional forms of teaching religion in the secondary school system primarily emphasize a Euro-American style that neglects the spiritual and religious dynamics of Hispanic/Latinos. Since divine revelation does not favor a particular cultural perspective or lifestyle, all cultural pathways that enhance faith formation must be explored in the classroom. Furthermore, it is essential that religion teachers enhance their students’ awareness about their vocational calling to the three-fold mission of Jesus: to be priest, prophet, and king. This primary task is the way in which all members of the church participate in building the kingdom of God on earth. To be effective, the characterization of Jesus’s three-fold mission must be interpreted through the Hispanic/Latino adolescents’ cultural lens. I propose a pedagogical strategy, which I term entregarse, that addresses the need to incorporate modern forms of student-centered techniques that enhance Hispanic/Latino adolescents’ vocational awareness consistent with their spiritual and cultural identity. Some of these techniques include class conversations, cooperative learning, online researching, interviews, and class presentations. A practical application of the dynamics of entregarse is presented by way of lesson plans. Each lesson plan follows a format that is designed to guide religion teachers in enabling their students to recognize and practice their three-fold baptismal call. Contents Introduction Entregado a los Estudiantes: Adolescent Pedagogy as seen through the Theological Lens of Latino Spirituality 1 Chapter 1 Christians are Called to Enter into Jesus’ own Roles of Priest, Prophet, and King 6 Chapter 2 The Call to be Priest 41 Chapter 3 The Call to be Prophet 77 Chapter 4 The Call to be King 113 Chapter 5 From Theory to Practice: Applying the dynamics of Entregarse into a Classroom Setting 146 Chapter 6 Implementing the Dynamics of Entregarse to a Mixed Classroom 180 1 Introduction As a Hispanic religion teacher, I am sensitive to the vast cultural perspectives that illuminate the spiritual dimensions of God’s immensity. However, in my fifteen years of educating high school students in the field of religion, I have recognized that the classroom approaches, objectives, and educational content that are available are not adequately preparing Catholic students for a life in a Church that is culturally diversified. As studies have continually indicated, the current and future demographics of the Catholic Church in America are and will be culturally proportioned with Hispanic/Latinos making up the majority of Catholics.1 The Church’s current pedagogical approach to faith formation lacks in dynamics, strategies, and tactics that are culturally and spiritually enriching to all students. The current educational approaches fail in creating a classroom setting that welcomes cultural reciprocity as a means of learning to revere each other’s cultural encounters with God. While it is necessary that religious instruction focuses on the revealed truths that guide us to eternal communion with God, it is also imperative that classroom lessons reveal the unique identity of the various Catholic cultural communities that the students will encounter. For example, high school religion textbooks may have brief commentaries on the theological and spiritual significance of the story of Our Lady of Guadalupe. However, rather than compressing content that represents a significant historical encounter with the divine for the mestizo community, such instances should be more fully developed to assist students in understanding the spiritual values of the Hispanic/Latino community. A lack of cultural and spiritual awareness weakens and/or separates our relationship with other Catholic cultural communities. This end opposes St. Paul’s message in 1 Corinthians 1 Hosffman Ospino, “Ten Ways Hispanics Are Redefining American Catholicism,” America: The Jesuit Review of Faith and Culture, November 13, 2017, 18-23. 2 12: 12-14 which states, “There is one body, but it has many parts. But all its many parts make up one body. It is the same with Christ. We were all baptized by one Holy Spirit. And so, we are formed into one body. It did not matter whether we were Jews or Gentiles, slaves, or free people. We were all given the same Spirit to drink. So, the body is not made up of just one part. It has many parts.” Strengthening the understanding of all Catholics to the unique cultural religious expressions of the Hispanic/Latino community can result in unifying the many parts of the Body of Christ and making the institutional Church stronger. In Chapter 1, I demonstrate that the universality of the Catholic Church is maintained and enriched through the practice of our baptismal vocation, which manifests the unique holiness of all the parts of the body. In other words, our baptismal vocations are mutually valuable and illustrate God’s holiness in the world without regard to the age, position, or culture of the believers. Vatican II asserts what later popes would reconfirm: the mission to sanctify the secular world is given to all the baptized members of the Church through a three-fold responsibility to take on Jesus’ roles of priest, prophet, and king. Highly regarded Church leaders, scholars, and ministerial leaders, such as Pope Francis, Walter Brueggemann, and Father Gregory Boyle, have contributed to our understanding of the physical and spiritual qualities that are necessary in order to respond to our three-fold mission. Pope Francis reminds the Church faithful that its priestly vocation is also a call to encounter God, to submit to the original message of the kerygma as well as to the experience of the faithful community, to become vulnerable for the sake of compassion, and to practice everyday gestures and virtues which are representative of a Christian life.2 Walter Brueggemann’s book, The Prophetic Imagination, discloses that at the heart of the prophetic mission in the Old Testament is to galvanize the faithful community’s consciousness against leaders who have misused their power by marginalizing those considered expendable. This same 2 Pope Francis mentions these Christian qualities in his book The People Wish to See Jesus. 3 mission is transmitted to the faithful community in baptism and is to be practiced within the particular communities with whom they come in contact. Father Gregory Boyle’s holistic approach to working with Latino gang members in East Los Angeles unveils ministerial dynamics that correspond with Jesus’ own kingly mission, the creation of a community of kinship for the marginalized members of society in an effort to establish God’s kingdom on earth. All of the physical and spiritual attributes that are recognized in the works of these writers must be transmitted into the pedagogical practices and attitudes of high school religion teachers in order for them to carry out their vocational obligations. By practicing the three-fold mission
Recommended publications
  • The Spanish Church of the Saints Ildephonsus and Thomas of Villanova in Rome1
    RIHA Journal 0241 | 30 March 2020 National Religiosity and Visual Propaganda: the Spanish Church of the Saints Ildephonsus and Thomas of Villanova in Rome1 Pablo González Tornel Abstract The construction of the church of Sts Ildephonsus and Thomas of Villanova on the Via Sistina in Rome began in 1667. Headquarters of the Spanish Discalced Augustinians in Rome, the church was directly inspired by Francesco Borromini's Chapel of the Three Magi (Cappella dei Re Magi), and its artistic iconography featured a comprehensive program of Spanish political propaganda. The church was decorated as a monument to the Immaculate Conception, the favoured devotional cult of the Spanish monarchy, and its Marian content was reinforced by the paintings of the Virgins of Copacabana and Guadalupe, patrons of Peru and Mexico respectively. The entire ensemble, including the dedication of the church to the Spanish saints Ildephonsus and Thomas of Villanova, transformed the temple into a celebration of the Iberian monarchy. [1] The main headquarters of the Spanish Discalced Augustinians in Italy is located in the Via Sistina in Rome, on the slope of the Pincian hill. The complex includes a church dedicated to the Spanish Saints Ildephonsus and Thomas of Villanova, constructed between 1656 and 1672 with a design very similar to Francesco Borromini’s Chapel of the Three Magi at the college of Propaganda Fide (Fig. 1). 1 This text corresponds to the paper given at the Annual Meeting of the Renaissance Society of America in Berlin, March 26-28, 2015, and summarizes the article published in Spanish in Pablo González Tornel, "La iglesia de los Santos Ildefonso y Tomás de Villanueva en Roma: un monumento barroco a la pietas hispanica", in: Archivo Español de Arte 88 (2015), no.
    [Show full text]
  • FICHA ETNOGRÁFICA VIRGEN DE COPACABANA- Villa 31
    FICHA ETNOGRÁFICA VIRGEN DE COPACABANA- Villa 31 Celebración y/o fiesta Relevamiento y registro etnográfico Fecha de celebración 28 de agosto de 2004. Fecha Móvil. Horario de la celebración Misa: entre las 11 y las 12 horas. Procesión y fiesta: entre las 12 y las 19:30 horas. Periodicidad - tiempo de Anual celebración de la fiesta La fiesta de la Virgen de Copacabana integra un ciclo de celebraciones en su honor que se realizan en diferentes fechas (en los meses de febrero, agosto y octubre) en algunos barrios porteños donde hay una fuerte presencia boliviana. Un participante explica las divergencias espacio-temporales señalando que la Virgen de Copacabana del Barrio Charrúa es la patrona de todos los bolivianos residentes en la Argentina, y por ello es esa la fiesta más numerosa e importante que se celebra el segundo domingo de octubre. La fiesta relevada se realiza en honor a la misma virgen aunque con una imagen, que fue traída a la villa por una persona residente allí y, al igual que otra imagen que hay en el lugar, representa a la patrona de los bolivianos que habitan la villa 31. Una semana antes de la presente fiesta se ofreció una misa y se hizo una procesión en honor a la virgen de Copacabana con otra imagen que hay en la villa y, dado que los pasantes estaban de luto, no se hizo fiesta. Localización del sitio La misa se celebra en la Parroquia Nuestra Señora del Socorro, sita en Juncal 876, barrio de Retiro. El epicentro de la celebración tiene lugar en la Villa 31, ubicada en el barrio de Retiro.
    [Show full text]
  • Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural
    Information Services & Systems Digital Course Packs Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural Expression. In: T.Rose, Black noise : rap music and black culture in contemporary America. Hanover, University Press of New England, 1994, pp. 99-145. 7AAYCC23 - Youth Subcultures Copyright notice This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Staff and students of King's College London are Licence are for use in connection with this Course of reminded that copyright subsists in this extract and the Study. You may retain such copies after the end of the work from which it was taken. This Digital Copy has course, but strictly for your own personal use. All copies been made under the terms of a CLA licence which (including electronic copies) shall include this Copyright allows you to: Notice and shall be destroyed and/or deleted if and when required by King's College London. access and download a copy print out a copy Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is Please note that this material is for use permitted without the consent of the copyright holder. ONLY by students registered on the course of study as stated in the section above. All The author (which term includes artists and other visual other staff and students are only entitled to creators) has moral rights in the work and neither staff browse the material and should not nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any download and/or print out a copy.
    [Show full text]
  • Ph.D. Afhandling 2016 Jacobsen
    Multicultourism in Mexico’s Magical Village Cuetzalan Regenerating Mestizo Nation Jacobsen, Casper Publication date: 2016 Document version Publisher's PDF, also known as Version of record Document license: CC BY-NC-ND Citation for published version (APA): Jacobsen, C. (2016). Multicultourism in Mexico’s Magical Village Cuetzalan: Regenerating Mestizo Nation. Det Humanistiske Fakultet, Københavns Universitet. Download date: 25. sep.. 2021 UNIVERSITY OF COPENH AGEN FACULTY OF HUMANITIE S PhD thesis Casper Jacobsen MULTICULTOURISM IN MEXICO'S MAGICAL VILLAGE CUETZALAN Regenerating Mestizo Nation Supervisors: Birgitta Svensson & Jesper Nielsen Submitted: 23/05/2016 Name of department: Department of Cross-Cultural and Regional Studies Author: Casper Jacobsen Title and subtitle: Multicultourism in Mexico's Magical Village Cuetzalan: Regenerating Mestizo Nation Supervisors: Birgitta Svensson & Jesper Nielsen Submitted: 23 May 2016 Word count: 99.943 Cover photography: Photo by Casper Jacobsen: church and voladores in central Cuetzalan. Adapted and laminated with graphic object by Kaj Jacobsen. 1 CONTENTS Acknowledgements ........................................................................................................................................................... 5 Prologue ............................................................................................................................................................................. 7 Hope and despair in Cuetzalan ....................................................................................................................................
    [Show full text]
  • The Cristero War and Mexican Collective Memory
    History in the Making Volume 13 Article 5 January 2020 The Movement that Sinned Twice: The Cristero War and Mexican Collective Memory Consuelo S. Moreno CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Latin American History Commons Recommended Citation Moreno, Consuelo S. (2020) "The Movement that Sinned Twice: The Cristero War and Mexican Collective Memory," History in the Making: Vol. 13 , Article 5. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol13/iss1/5 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Articles The Movement that Sinned Twice: The Cristero War and Mexican Collective Memory By Consuelo S. Moreno Abstract: Many scattered occurrences in Mexico bring to memory the 1926-1929 Cristero War, the contentious armed struggle between the revolutionary government and the Catholic Church. After the conflict ceased, the Cristeros and their legacy did not become part of Mexico’s national identity. This article explores the factors why this war became a distant memory rather than a part of Mexico’s history. Dissipation of Cristero groups and organizations, revolutionary social reforms in the 1930s, and the intricate relationship between the state and Church after 1929 promoted a silence surrounding this historical event. Decades later, a surge in Cristero literature led to the identification of notable Cristero figures in the 1990s and early 2000s.
    [Show full text]
  • What Price Would You Pay for Freedom?
    What price would you pay for freedom? Andy Garcia Eva Longoria as Enrique Gorostieta Velarde as Tulita “The age of martyrdom has not passed.” – from “Our First, Most Cherished Liberty” A statement on religious liberty from the U.S. Conference of Catholic Bishops Ruben Blades Peter O’Toole as President Plutarco Elias Calles Ad Hoc Committee for Religious Liberty as Father Christopher “For Greater Glory vividly depicts the difficult circumstances in which Catholics of that time lived – and died for – their faith. It is a top-flight production whose message of the importance of religious freedom has particular resonance for us today. It is my earnest hope that people of faith throughout our country will rally behind For Greater Glory, and in doing so, will highlight the importance of religious freedom in our society.” – Most Rev. José H. Gomez, Archbishop of Los Angeles Eduardo Verástegui Mauricio Kuri as Blessed Anacleto Gonzalez Flores As Blessed José Sánchez del Rio “This deeply moving account of the Cristeros’ fight for the free- dom of religion in Mexico is very much a story for our own times. “Every person of faith should draw courage from the tragically The faith and courage of the Mexican martyrs -- clergy and laity heroic witness of the Cristeros. Their sacrifice reminds us that unless we learn from history, we risk repeating it. Besides being -- makes us proud to be Catholics.” an important movie, it is extremely well done.” – Most Rev. Michael J. Sheridan, Bishop of Colorado Springs, Colorado ForGreaterGlory.com – Fr. Andrew Small,
    [Show full text]
  • Centro De Investigación Y Docencia Económicas, A.C
    CENTRO DE INVESTIGACIÓN Y DOCENCIA ECONÓMICAS, A.C. REESCRIBIENDO LA HISTORIA LA GUERRA CRISTERA EN EL CINE MEXICANO ANTES Y DESPUÉS DE LA ALTERNANCIA TESINA QUE PARA OBTENER EL TÍTULO DE LICENCIADA EN CIENCIA POLÍTICA Y RELACIONES INTERNACIONALES PRESENTA GEORGINA JIMÉNEZ RÍOS DIRECTORA DE TESINA: LIC. TANIA ISLAS WEINSTEIN CIUDAD DE MÉXICO MARZO, 2017 Agradecimientos A mamá y papá, porque su amor por mí siempre fue más grande que cualquier duda que tuvieran acerca de mi camino. Por siempre apoyar y por siempre esperar con los brazos abiertos cuando sentí la necesidad de volver a casa. Por confiar en que caminaría bien y por ayudarme a confiar en que lo haría. A Itzel y a Luisa, por ser confidentes y amigas además de hermanitas, por siempre creer en mí y por recordarme que lo hiciera cuando lo olvidé. A CPRI 2011-2015, por ser una generación tenaz e intensa, con dudas, con sueños y ambiciones. A la Banda Pesada, por haberse convertido en mi segunda familia y por jamás dejarme sentir abandonada en esta monstruosa ciudad. Por los domingos de estudio, las noches de fiesta y las pláticas ñoñas de comedor. Por ser y por ayudarme a descubrir quién soy. A Sergio y a Lalo porque sin su pasión por el cine esta tesina nunca se hubiera escrito. Por servir de inspiración, por compartirme de su curiosidad y por ayudarme a satisfacerla. Por compartirme también de su amor y fascinación por el arte y el conocimiento. A Mariel, por las pláticas eternas y el apoyo incondicional. Por el profundo cariño y las preguntas incontestables sobre el mundo y la humanidad.
    [Show full text]
  • THE KILLING SEASON a Summer Inside an LAPD Homicide Division
    NATIONAL BESTSELLER "Remarkable—great journalism, social commentary, and writing rolled into a fascinating, gripping, and at times heartwrenching story."—Michael Connelly, rwiTiTT^ Author of The Poet and TVunk Music KILLING SEASON \ A SUMMER Ilmdeanlafd homicide division MILE C O RW I N THE KILLING SEASON A Summer Inside an LAPD Homicide Division Miles Corwin FAWCETT CREST • NEW YORK Sale of this book without a front cover may be unauthorized. If this book is coverless, it may have been reportedto the publisheras "un sold or destroyed" and neither the author nor the publisher may have received payment for it. A Fawcett Crest Book Published by The Ballantine Publishing Group Copyright © 1997 by Miles Corwin All rights reservedunder International and Pan-American Copyright Conventions. Published in the United States by The Ballantine Pub lishingGroup,a division of Random House. Inc., NewYork, and dis tributed in Canada by Random House of Canada Limited,Toronto. The photographs on insert pages 2-7 and cover photograph by Gary Friedman/Las Angeles Times http://www.randomhouse.com Library of Congress Catalog Card Number: 97-97106 ISBN 0-449-00291-8 This edition published by arrangement with Simon & Schuster, Inc. Manufactured in the United States ofAmerica First Ballantine Books Edition: May 1998 10 9 8 7 6 5 In memoryofmyfather, Lloyd Corwin Introduction The genesisof this book was a summer night that I spent with a homicide detective in South-Central Los Angeles. I was the crime reporterfor the LosAngeles Times, and I followed the detective in order to write about the changing nature of homi cide in the city.
    [Show full text]
  • Bolivia Information Sheet
    Bolivia Information Sheet INTRODUCTION Bolivia is the highest, most rugged and most isolated country in the southern hemisphere. Surrounded by Brazil to the northeast, Peru to the northwest, Chile to the southwest, Argentina and Paraguay to the south, Bolivia is one of only two landlocked countries in the Americas. It borders and shares control of Lake Titicaca with Peru. At 3,805m this is the highest navigable lake in the world. The country is geographically diverse and has unparalleled scenery changing from rainforests to mountains, deserts, lagoons and volcanoes. Many of the lagoons are beautifully coloured, ranging from red to green to turquoise due to the presence of minerals underneath. Bolivia also boasts amazing geological phenomena such as the Uyuni Salt Flat, the largest in the world and the Valley of the Moon. It has a fascinating history dating back to before the arrival of the Spanish, with pre- Inca ruins such as Tiwanaku. The cities of La Paz and Sucre have beautiful colonial architecture contrasting with the modern buildings of cities such as Santa Cruz. Bolivia’s varying landscapes are home to a wide range of Bolivian wildlife. Most of the mammals found here are native to the Andes and include the llama, alpaca, vicuna, guanaco, puma, wolves and deer. Smaller mammals and rodents include the chinchilla and the opossum. Anteaters, tapirs, sloths, porcupines and capybara can sometimes be found at lower elevations. Bolivia has significant birdlife and is the only place in South America where three types of flamingo can be seen including the rare James flamingo. Condors, eagles and egrets are also common as well as owls and woodpeckers in the lower forests.
    [Show full text]
  • Bolivia Bolivia
    Freddy Michel Freddy Bolivia Bolivia Contenido I. INTRODUCCIÓN ...................................................................................................................................... 1 A. MARCO TEÓRICO PROPUESTO 1. Antecedentes ................................................................................................................................... 1 2. Base conceptual Cultura ...................................................................................................................................................... 3 Prueba de la matriz (tecno-eco-productiva, sociológica e ideológica) ................. 6 Prueba de la matriz ........................................................................................................................... 7 Del mito y el rito .................................................................................................................................. 10 Etnicidad .................................................................................................................................................. 13 Intraculturalidad .................................................................................................................................. 15 Aculturación y cambio cultural .................................................................................................... 16 Interculturalidad .................................................................................................................................. 18 Lo político ..............................................................................................................................................
    [Show full text]
  • Redalyc.Patrimonio Intangible E Identidad: Representaciones
    Intersecciones en Antropología ISSN: 1666-2105 [email protected] Universidad Nacional del Centro de la Provincia de Buenos Aires Argentina Mariano, Mercedes Patrimonio intangible e identidad: representaciones bolivianas en Olavarría, provincia de Buenos Aires, Argentina Intersecciones en Antropología, vol. 12, núm. 1, 2011, pp. 83-94 Universidad Nacional del Centro de la Provincia de Buenos Aires Buenos Aires, Argentina Disponible en: http://www.redalyc.org/articulo.oa?id=179522601007 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto | 83 Patrimonio intangible e identidad: representaciones bolivianas en Olavarría, provincia de Buenos Aires, Argentina Mercedes Mariano Recibido 14 de julio 2009. Aceptado 14 de junio 2010 RESUMEN En el presente trabajo se propone abordar la construcción de “la identidad boliviana” en la ciudad de Ola- varría, provincia de Buenos Aires, Argentina, a través del análisis de sus manifestaciones festivas, entendiéndolas como expresiones del patrimonio cultural intangible. De esta manera, se analizan los procesos de construcción identitaria subyacentes en una celebración particular que se realiza en honor a la Virgen de Copacabana, para comprender cómo los actores sociales activan determinados elementos de su patrimonio. Estos procesos, lejos de ser unívocos, están permeados por los conflictos del presente y por las diversas miradas que existen sobre el pasado. Palabras clave: Identidad; Patrimonio intangible; Festividades. ABSTRACT INTANGIBLE HERITAGE AND IDENTITY: BOLIVIAN REPRESENTATIONS IN OLAVARRÍA, BUENOS AIRES PROVINCE, ARGENTINA.
    [Show full text]
  • Las Danzas De Oruro En Buenos Aires: Tradición E Innovación En El Campo
    Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy ISSN: 0327-1471 [email protected] Universidad Nacional de Jujuy Argentina Gavazzo, Natalia Las danzas de oruro en buenos aires: Tradición e innovación en el campo cultural boliviano Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy, núm. 31, octubre, 2006, pp. 79-105 Universidad Nacional de Jujuy Jujuy, Argentina Disponible en: http://www.redalyc.org/articulo.oa?id=18503105 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto CUADERNOS FHyCS-UNJu, Nro. 31:79-105, Año 2006 LAS DANZAS DE ORURO EN BUENOS AIRES: TRADICIÓN E INNOVACIÓN EN EL CAMPO CULTURAL BOLIVIANO (ORURO´S DANCES IN BUENOS AIRES: TRADITION AND INNOVATION INTO THE BOLIVIAN CULTURAL FIELD) Natalia GAVAZZO * RESUMEN El presente trabajo constituye un fragmento de una investigación realizada entre 1999 y 2002 sobre la migración boliviana en Buenos Aires. La misma describía las diferencias que se dan entre la práctica de las danzas del Carnaval de Oruro en esta ciudad, y particularmente la Diablada, y la que se da en Bolivia, para poner en evidencia las disputas que los cambios producido por el proceso migratorio conllevan en el plano de las relaciones sociales. Este trabajo analizará entonces los complejos procesos de selección, reactualización e invención de formas culturales bolivianas en Buenos Aires, particularmente de esas danzas, como parte de la dinámica de relaciones propia de un campo cultural, en el que la construcción de la autoridad y de poderes constituyen elementos centrales.
    [Show full text]