Key Concepts, Methods, and Principles of Print Production

Total Page:16

File Type:pdf, Size:1020Kb

Key Concepts, Methods, and Principles of Print Production pre- press print prod- uction Key concepts, methods, and principles of print production II | prepress prepress prepress color 2 table of additive color 2 subtractive color 2 cmyk 3 rich black 3 rgb 3 spot color 4 process color 4 stochastic printing 4 halftone 5 duotone 5 color gamut 6 screen angle 6 prepress 7 trapping 7 dot gain 7 knockout 8 overprinting 8 imposition 8 readers spread vs. printers spread 9 trim size & bleed size 9 nesting 9 print 10 contents xerography 10 offset printing 10 ink jet printing 10 presses & methods 10 letterpress 11 screen printing 11 rotogravure printing 11 flexography 11 finishing & binding 12 varnishing 12 foiling 12 embossing 13 folding dummy 13 die cutting 13 signatures 13 page creep 14 saddle stitch 14 perfect bound 14 spiral bound 14 paper 15 A 15 B 15 color SUBTRACTIVE COLOR When we mix colors in the real world and not on screen, like when we mix paints, or through the process of printing we are using what is known as the subtractive color method. Meaning as we mix colors, that would usually start in white, we end up moving towards black as we add more and more colors. ADDITIVE COLOR Additive color is the method that is used on screens when we are playing in pro- grams like Adobe Illustrator. The colors on the screen are made of light. This process starts with black and then go whiter as we add color. For example, when we code a website the hexadecimal value of white is #ffffff, meaning full color value, more on that later. C M Y K C=100 M=0 Y=0 K=0 C=0 M=100 Y=0 K=0 C=0 M=0 Y=100 K=0 C=0 M=0Y=0 K=100 2 | color CMYK We use printers throughout our lives, but what do we know about them? Well, in terms of colors, printers use a four-color process using CMYK, or cyan, magenta, yellow, and K or black. When you add these three colors together however you get a very dark brown, not black. The K color is used to remove light from the print which is why we see black. RGB When we are making something for screen use, we are most likely in the RGB color mode. RGB uses red, green, and blue to create different colors. When these three colors are mixed on screen, we get white. RGB offers the widest range of col- or which is why we see this color method on screens. RICH BLACK Rich black in print, is a mixture of solid black with the CMYK colors. If you try and print the default black on a machine it C = 50 comes out gray and is not as pigmented M = 50 as it could be. Rich black is used to create Y = 50 a better more pigmented black that looks much better on printed designs. K = 100 R G B R=255 G=0 B=0 R=0 G=255 B=0 R=0 G=0 B=255 color | 3 SPOT COLOR Spot colors are colors created without screens or dots, like the colors found in the Pantone Matching System. Pantone spot colors is a precise mixing system for inks to get the most accurate colors. Pantone spot colors tend to be brighter and more pigmented than colors created with the four-color process. PROCESS COLOR The most common method of color mixing, is in print, using the four-color process with CYMK colors. Process colors are all different percentages of cyan, yellow, magenta and black. Most printers will not print spot colors and convert spot into process color. STOCHASTIC PRINTING Stochastic printing or screening is a halftone process based an almost random distribution of the halftone dots. Traditional prints have a very geometric and fixed placement of the dots. When you print using stochastic screening it’s mostly random with varying dot density. Pantone Color Guide 4 | color HALFTONE Halftone is a technique of image repro- duction that simulates continuous tone imagery through the use of many different dots. The dots vary in size and spacing which gives us a gradient-like effect. Halftone is used to refer specifically to the image that is the product of this process. Halftone Dots What we see DUOTONE Duotone is a halftone reproduction of an image using two different colors or inks. Normally black and another color are used. It is the superimposition of these two halftone colors over each other and it brings out the highlights and middle tones of an image. Duotone Original color | 5 SCREEN ANGLE In print, the screen angle is the angle at which the halftone dots of different colors are printed on a final product. In print col- ors are put on different lithographic plates. When you don’t use the correct angles, it turns into just some optical noise. COLOR GAMUT Color gamut is the entire range of color that can be produced on a specific device, like on your laptop or on a printer. Normal- ly, a monitor or something with a screen uses RGB which has a greater color gam- ut than a printer which uses CMYK. Visible Light CMYK RGB 6 | color pre- press TRAPPING Trapping is a technique in prepress that is used to make sure that your illustra- tions turn out how you intend them too. They compensate for registration issues of successive colors/images. It ensures that everything is looking beautiful on the finished product. with trapping without trapping DOT GAIN Dot gain is something that sometimes happen in print when the printed product looks darker than it was supposed to. This happen because the halftone dots expand during the printing process. It is unavoid- able, but you can try to minimize the effect. effects of dot gain prepress | 7 KNOCKOUT Using knockout in prepress is like doing the opposite of overprinting. Instead of printing one thing over the other, the element on the top is “knocked out” of the base so that the color shows through. knocked out area OVERPRINTING Overprinting is the process of printing one color on top of another. It is linked to trapping, essentially the other side of the same coin. overprinted area 5 12 9 8 front 4 13 16 1 IMPOSITION Imposition is a fundamental step in pre- press. It is the organization of pages on the printer’s sheet in order to get printing done faster, simplify binding and lessen paper waste. 7 10 11 6 back 2 15 14 3 8 | prepress READERS SPREAD VS. 1 PRINTERS SPREAD 6 1 Readers spreads show the consecutive pages in two-page spreads, they sit in the 2 3 order someone would read the document. 2 5 Printer spread are in the correct order that 4 5 they should be printed so that when it is printed, trimmed, and put together it looks 4 3 and appears as a book should. 6 reader’s spread printer’s spread NESTING On a spread of products you need to print, you can nest items. Nesting is the process of organizing the items on a page so you save paper and printing materials instead of wasting many pieces to print one thing on each page. not nested nested TRIM SIZE & BLEED SIZE Trim size and bleed are fairly important when created a document such as a poster or a letter. Bleed is the area of your document that is off the page. This is where you would drag patches of color or images to ensure that there is no white edge along your document. Bleed is generally an eight on an inch on all sides. There is also type safety or margin on most documents. Type safety is the space you leave on the outer edges of a page to make sure that your type isn’t to close to the edge and doesn’t get cut off in the final printing process. Margin is generally half an inch on all sides. Here is an ex- ample of what a document looks like with bleed and type safety included. margin .5” trim 8.5” x 11” bleed .125” prepress | 9 printPRESSES & METHODS XEROGRAPHY Xerography is an image-forming pro- cess that uses charged particles and a photoconductive substance to produce the images. Light that passed through an image reaches a drum that is coated in selenium. Negatively charged particles are sprayed onto the drum and it makes an image. A positively charged sheet attracts the negatively charged toner that transfers the image onto the page. Add heat to this little mixture and you get your copy. INK JET PRINTING Ink jet is the most commonly used type of printing. It’s a type of computer printing that recreates an image by putting drops of ink onto paper, or another substrate. These machines range from your own printer that sits in your home office to massive and professional machines. OFFSET PRINTING Offset printing or offset lithography is a widely used printing technique where the inked image on a printing plate is then printed on a rubber cylinder and the offset to paper or another material. The rubber cylinder is what helps the process greatly because the image can easily be printed on wood, cloth, metal, leather, and other rough surfaces and paper. 10 | print LETTERPRESS Letterpress or relief printing is a process where many copies of an image are produced by repeated direct impression of a raised, inked surface against sheets or a continuous roll of paper. Letterpress is the oldest of the traditional print techniques.
Recommended publications
  • Flexographic Printing – High Throughput Technology for Fine Line Seed Layer Printing on Silicon Solar Cells
    Presented at the 28th European PV Solar Energy Conference and Exhibition, 30 September – 04 October 2013, Paris, France FLEXOGRAPHIC PRINTING – HIGH THROUGHPUT TECHNOLOGY FOR FINE LINE SEED LAYER PRINTING ON SILICON SOLAR CELLS Andreas Lorenz1, Andre Kalio1, Gunter Tobias Hofmeister1, Sebastian Nold1, Lorenz Friedrich1, Achim Kraft1, Jonas Bartsch1, Dietmar Wolf2, Martin Dreher2, Florian Clement1, Daniel Biro1 1Fraunhofer Institute for Solar Energy Systems ISE, Heidenhofstr. 2, 79110 Freiburg, Germany 2Deutschsprachiges Flexodruck-Technologiezentrum DFTA-TZ, Nobelstraße 10, 70569 Stuttgart, Germany Phone: +49 761 4588 5299, email: [email protected] ABSTRACT: Within this work, seed layer grids for solar cell front side metallization were applied using flexographic printing which represents an innovative, high-throughput approach for solar cell front side metallization. Fine line seed layer contact grids with a silver consumption lower than 10 mg per cell could be realized on alkaline textured Czochralski-grown silicon wafers with an edge length of 156 mm. Subsequently, the seed layer has been reinforced with silver using light induced plating (LIP). In order to determine the optimum LIP process, three groups were plated with different amounts of silver deposition. The results were analyzed before and after plating regarding silver consumption, contact finger geometry and interruptions. Solar cell parameters were determined after plating. It was demonstrated, that a homogeneous front side seed layer metallization without interruptions down to a line width of 25 µm can be realized using flexographic printing. The best cell reached a conversion efficiency of 18 % after silver LIP which is comparable to standard screen printed cells on the used Si wafer material.
    [Show full text]
  • COMMERCIAL PRINTING GUIDE a Guide to Color Reproduction and Print Quality for The
    COMMERCIAL PRINTING GUIDE A guide to color reproduction and print quality for the GENERAL INFORMATION The Jackson Hole News&Guide strongly suggests that a high-end page layout program be used for file creation. These include, but are not limited to, Quark XPress and Adobe InDesign. These programs allow vector & raster elements to be used, and each to be recognized, by the systems used, including RIPS and preflight software. Creating files completely in raster applications such as Photoshop, may result in vector elements being downsampled by one of the processes used. The Jackson Hole News&Guide, as is customarily the case with newspapers, does not have true bleed pages (Double Truck pages do use ‘gutter’ space, so an exception to this rule). The dimensions given will always be for the ‘live’ area. PDFs are the preferred file format. The preferred job option setting Press Quality. DOT GAIN/LOSS DOT GAIN The Jackson Hole News&Guide is in line with the industry standards regarding dot gain for offset printing. This is not a linear increase and may vary from 20% to 30% depending on tonal range. The important items to remember are: 1) Images will generally print darker than what you see on the monitor. 2) B/W gain will be limited to Black, while process color images gain on all 4 colors. 3) Shadow detail will generally be lost. 4) Dot gain from ‘unwanted’ colors will change the hue of a color. Unwanted colors are those colors not used to create the primary color wanted; for example, cyan is the unwanted color in red, magenta is the unwanted color in yellow, etc.
    [Show full text]
  • Image Carrier Poster
    55899-11_MOP_nwsltr_poster_Winter11_v2_Layout 1 2/11/11 2:25 PM Page 1 The Museum of Printing, North Andover, MA and the Image Carrier www.museumofprinting.org Relief printing Wood cuts and wood engravings pre-dated moveable type. Called “xylographic printing,” it was used before Gutenberg for illustrations, playing cards, and small documents. Moveable type allowed corrections and editing. A wood engraving uses the end grain, where a wood cut uses the plank grain. Polymer plates are made from digital files which drive special engraving machines to produce relief plates. These plates are popular with many of today’s letterpress printers who produce invitations, and collectible prints. Metal relief cylinders were used to print repetitive designs, such as those on wrap - ping paper and wall paper. In the 1930s, the invention of cellophane led to the development of the anilox roller and flexographic printing. Today, flexography prints most of the flexible packaging film which accounts for about half of all packaged products. Hobbyists, artists, and printmakers cut away non-printing areas on sheets of linoleum to create relief surfaces. Wood cut Wood engraving and Metal plate Relief cylinder Flexographic plate Linoleum cut Foundry type began with Gutenberg and evolved through Jenson, Garamond, Moveable type Caslon and many others. Garamond was the first printer to cast type that was sold to other printers. By the 1880s there were almost 80 foundries in the U.S. One newspaper could keep one foundry in business. Machine typesetting changed the status quo and the Linotype had an almost immediate effect on type foundries. Twenty-three foundries formed American Type Founders in 1890.
    [Show full text]
  • Printing Technology (Offset, Flexo, Gravure, Screen, Digital, 3D Printing)
    Printing Technology (Offset, Flexo, Gravure, Screen, Digital, 3D Printing) (Noncontact Printing ,Commercial Printing, Gravure Printing, Letterpress Printing, Offset Printing, Screen Printing, Offset Lithography, Lanography ,Flexography, Rotogravure, Digital Printing,3D Printing, 3D Printing Machinery, Blanket Cylinder, Plate Cylinder, Impression Cylinder, Web Offset Machines, printing press) Introduction Printing is a process of producing copies of text and pictures. Modern technology is radically changing the way publications are printed, inventoried and distributed. There are a wide variety of technologies that are used to print stuff. The main industrial printing processes are: Offset Lithography, Flexography, Digital Printing (Inkjet & Xerography), Gravure, Screen Printing. 3D printing which is also referred as additive printing technology that enables manufacturers to develop objects using a digital file and variety www.entrepreneurindia.co of printing materials. Global market for 3D printing material includes polymers, metals and ceramics. In addition, 3D printing offers a wide array of applications in various industries, namely consumer products, industrial products, defense & aerospace, automotive, healthcare, education & research and others. In India, the market for printing technology is at its nascent stage however offers huge growth opportunities in the coming years. Digital printing is now taking much more share, particularly in graphics (i.e. non- packaging applications). www.entrepreneurindia.co Digital's share of the whole market doubles in constant value terms from 9.5% to 19.7% and 3D printing market is estimated to garner $8.6 billion in coming years. The print technology in use is also changing. Digital printing is now taking much more share, particularly in graphics (i.e. non-packaging applications). Digital's share of the whole market doubles in constant value terms from 9.5% in 2008 to 19.7% by 2018, when packaging is excluded this share is 23.5% in 2012 to 38.1% by 2018.
    [Show full text]
  • Other Printing Methods
    FLEXO vs. OTHER PRINTING METHODS Web: www.luminite.com Phone: 888-545-2270 As the printing industry moves forward into 2020 and beyond, let’s take a fresh look at the technology available, how flexo has changed to meet consumer demand, and how 5 other popular printing methods compare. CONTENTS ● A History of Flexo Printing ● How Flexo Printing Works ● How Litho Printing Works ● How Digital Printing Works ● How Gravure Printing Works ● How Offset Printing Works ● What is Screen Printing? ● Corrugated Printing Considerations ● Flexo Hybrid Presses ● Ready to Get Started with Flexo? 2 A History of Flexo Printing The basic process of flexography dates back to the late 19th century. It was not nearly as refined, precise, or versatile as the flexo process today -- and can be best described as a high-tech method of rubber stamping. Printing capabilities were limited to very basic materials and designs, with other printing methods greatly outshining flexo. Over the past few decades flexo technology has continuously evolved. This is largely thanks to the integration of Direct Laser Engraving technology, advancements in image carrier materials, and in press technologies. These innovations, among others, have led to increased quality and precision in flexo products. These technological improvements have positioned flexography at the helm of consumer product and flexible packaging printing. Flexo is growing in popularity in a variety of other industries, too, including medical and pharmaceutical; school, home, and office products; and even publishing. How Flexo Printing Works Flexo typically utilizes an elastomer or polymer image carrier such as sleeves, cylinders, and plates. The image carrier is engraved or imaged to create the design for the final desired product.
    [Show full text]
  • Aspects of Flexographic Print Quality and Relationship to Some Printing Parameters
    Faculty of Technology and Science Chemical Engineering Johanna Johnson Aspects of Flexographic Print Quality and Relationship to some Printing Parameters DISSERTATION Karlstad University Studies 2008:28 Johanna Johnson Aspects of Flexographic Print Quality and Relationship to some Printing Parameters Karlstad University Studies 2008:28 Johanna Johnson. Aspects of Flexographic Print Quality and Relationship to some Printing Parameters DISSERTATION Karlstad University Studies 2008:28 ISSN 1403-8099 ISBN 978-91-7063-187-0 © The Author Distribution: Faculty of Technology and Science Chemical Engineering 651 88 Karlstad 054-700 10 00 www.kau.se Printed at: Universitetstryckeriet, Karlstad 2008 Abstract Flexographic printing is a common printing method in the packaging field. The printing method is characterized primarily by the flexible printing plate and the low viscosity inks which make it suitable for use on almost any substrate. The object of this study was to obtain further knowledge of some important mechanisms of flexographic printing and how they influence the print quality. The thesis deals with printing primarily on board and liner but also on newsprint with water-borne ink using a full- scale flexographic central impression (CI) printing press. Several printing trials have been performed with a focus on the chemical interaction between the ink and substrate and the physical contact between the ink- covered printing plate and the substrate. Multicolour printing exposes the substrate to water from the water- containing ink. The emphasis was to investigate the relation between print quality and water-uptake of the paper surface with heat and water. Printing trials was carried out on substrates possessing a hydrophobic, and also a rather hydrophilic surface using a regular commercial water-borne ink.
    [Show full text]
  • Printing Industry Is the Large Proportion of Very Small Firms
    The printing sector is a diversified industry sector composed of firms who perform printing as well as firms who render services for the printing trade, such as platemaking and bookbinding. One of the most significant characteristics of the printing industry is the large proportion of very small firms. The Census Bureau reported that in 2002 nearly half of the 37,538 printing companies had fewer than five employees; approximately 80 percent employed fewer than 20 workers. Processes used in printing include a variety of methods used to transfer an image from a plate, screen, film, or computer file to some medium, such as paper, plastics, metal, textile articles, or wood. The most prominent of these methods is to transfer the image from a plate or screen to the medium (lithographic, gravure, screen, and flexographic printing). A rapidly growing new technology uses a computer file to directly "drive" the printing mechanism to create the image and new electrostatic and other types of equipment (digital or nonimpact printing). Four Main Segments The printing industry can be separated into four main segments: Lithography Flexography Gravure Screen printing Lithography Lithography is a planographic printing system where the image and non-image areas are chemically differentiated with the image area being oil receptive and non-image area water receptive. Ink film from the lithographic plate is transferred to an intermediary surface called a blanket, which, in turn, transfers the ink film to the substrate. Fountain solution is applied to maintain the hydrophilic properties of the non-image area. Ink drying is divided into heatset and non- heatset.
    [Show full text]
  • I. INTRODUCTION and BACKGROUND the Printing Industry Is One of the Largest Manufacturing Industries in the United States
    I. INTRODUCTION AND BACKGROUND The printing industry is one of the largest manufacturing industries in the United States. The industry is dominated by small and medium-sized businesses, most of them with fewer than 20 employees. In 2002, according to the Bureau of Census, approximately 83 percent of the screen printing industry was comprised of small businesses. The Info USA Power Business Database estimates the number of screen printers in 2002 in the U.S. at 16,341. California has 1,886 screen printing establishments. Volatile Organic Compound (VOC) emissions from solvent cleaning operations contribute significantly to the South Coast Air Basin’s emission inventory. The South Coast Air Quality Management District (SCAQMD or District) periodically adopts an Air Quality Management Plan (AQMP). This AQMP calls for significant reductions in VOC emissions from cleaning and degreasing operations by 2010 to achieve attainment status. The SCAQMD regulates VOC emissions from businesses located in the four county area including Los Angeles County, Orange County, San Bernardino County and Riverside County. One of the SCAQMD rules, Rule 1171 “Solvent Cleaning Operations,” regulates the VOC content of screen printing cleanup solvents. The VOC content of screen printing cleanup solvents is currently set at 500 grams per liter. The District plans to reduce the allowed VOC content to 100 grams per liter on July 1, 2006. Lowering the VOC content to 100 grams per liter would reduce emissions of these solvents by about 1.3 tons per day. By July 1, 2006, screen printers in southern California must convert to alternative low-VOC cleanup materials.
    [Show full text]
  • Introduction to Printing Technologies
    Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography.
    [Show full text]
  • Embodied Community and Embodied Pedagogy
    ZINES, n°2, 2021 MATERIAL MATTERS: EMBODIED COMMUNITY AND EMBODIED PEDAGOGY Kelly MCELROY & Korey JACKSON Oregon State University Libraries and Press [email protected] [email protected] Abstract: In this essay, we outline how materiality can be a tool of critical pedagogy, leading to pleasure, vulnerability, and embodied learning in the classroom. Over the past four years, we have taught an honors colloquium to undergraduate students focused on self-publishing as a means to create social change. As we explore various publishing media, genres, and activist movements with our students, we combine traditional academic activities like scholarly reading and written analysis with informal hands-on craft time. Our students make collages, learn to use the advanced features on a photocopier, and collaborate on hectograph printing among other crafts, all as they begin to put together their own final DIY publication. Students regularly report that the hands-on activities are crucial to their learning, giving them new appreciation for the underground publications they read, through embodied experiences that can’t be replicated with a reading or a quiz. It also builds our community of learners, as we share ideas, borrow glue sticks, and chit-chat as we put our zines together. We will outline how we built and teach this course, placing it within our critical pedagogy – informed by bell hooks, Kevin Kumashiro, and Paulo Freire, among others – and how teaching this course has helped us incorporate embodiment into our other teaching. Keywords: embodied pedagogy, teaching, publishing. 58 Material Matters: Embodied Community and Embodies Pedagogy ZINES, n°2, 2021 INTRODUCTION Alison Piepmeier has argued that, “Zines’ materiality creates College, this course is one of a suite of course offerings community because it creates pleasure, affection, allegiance, and that highlight exploratory discovery and deep dives vulnerability” (2008, 230).
    [Show full text]
  • Glossary of Flexographic Printing Terms
    GLOSSARY OF FLEXOGRAPHIC PRINTING TERMS AA: Authors Alterations, changes other than corrections, made by a client after the proofing process has begun. AA's are usually charged to a client as billable time. Abrasion: Process of wearing away the surface of a material by friction. Abrasion marks: Marks on a photographic print or film appearing as streaks or scratches, caused by the condition of the developer. Can be partially removed by swabbing with alcohol. Abrasion resistance: Ability to withstand the effects of repeated rubbing and scuffing. Also called scuff or rub resistance. Abrasion test: A test designed to determine the ability to withstand the effects of rubbing and scuffing. Abrasiveness: That property of a substance that causes it to wear or scratch other surfaces. Absorption: In paper, the property which causes it to take up liquids or vapors in contact with it. In optics, the partial suppression of light through a transparent or translucent material. Acceptance sampling or inspection: The evaluation of a definite lot of material or product that is already in existence to determine its acceptability within quality standards. Accelerate: In flexographic printing, as by the addition of a faster drying solvent or by increasing the temperature or volume of hot air applied to the printed surface. Electrical - To speed rewind shafts during flying splices, and in taking up web slackness. Accordion Fold: Bindery term, two or more parallel folds which open like an accordion. Acetone: A very active solvent used in packaging gravure inks; the fastest drying solvent in the ketone family. Activator: A chemistry used on exposed photographic paper or film emulsion to develop the image.
    [Show full text]
  • The Color Episode
    Ask Gamblin - The Color Episode Antrese: Robert and Scott, thank you so much for being on the show. Robert Gamblin: It's great to be here. Thanks for having us back, Antrese. Scott Gellatly: Great to be here. Absolutely. Antrese: I'm super excited to have you guys on to answer these questions about color. And our first one is from James, and James has heard that modern oil paints actually have too much pigment as compared to traditional historic pigments. What are your thoughts on this? Robert Gamblin: Antrese, I love this question. I'm really glad that James brought it up. It gives us a chance at the beginning of this conversation to sort of put everything into kind of a historical perspective. It's true. The formula of today's colors have more pigment in them than at any time in the history of oil painting. That's true. Now the formula for the colors of today and the colors from historical periods. Both of those reflect what is expected of them. Now 200 years ago, or more, color was made and used in very close proximity. Perhaps it was made and used in the same room. The color was made to the texture that it was going to be used at. Robert Gamblin: So there was no need to make that paint any stiffer than the, very smooth painting that was done at that time paints were paintings were generally thinner than they are today. Multiple layers, those layers with very thin. And so the paint was made exactly to how the painter was going was going to use them.
    [Show full text]