Welsh Mutation and Strict Modularity © Õìth August Óþõé Florian Breit
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Chapter One Phonetic Change
CHAPTERONE PHONETICCHANGE The investigation of the nature and the types of changes that affect the sounds of a language is the most highly developed area of the study of language change. The term sound change is used to refer, in the broadest sense, to alterations in the phonetic shape of segments and suprasegmental features that result from the operation of phonological process es. The pho- netic makeup of given morphemes or words or sets of morphemes or words also may undergo change as a by-product of alterations in the grammatical patterns of a language. Sound change is used generally to refer only to those phonetic changes that affect all occurrences of a given sound or class of sounds (like the class of voiceless stops) under specifiable phonetic conditions . It is important to distinguish between the use of the term sound change as it refers tophonetic process es in a historical context , on the one hand, and as it refers to phonetic corre- spondences on the other. By phonetic process es we refer to the replacement of a sound or a sequenceof sounds presenting some articulatory difficulty by another sound or sequence lacking that difficulty . A phonetic correspondence can be said to exist between a sound at one point in the history of a language and the sound that is its direct descendent at any subsequent point in the history of that language. A phonetic correspondence often reflects the results of several phonetic process es that have affected a segment serially . Although phonetic process es are synchronic phenomena, they often have diachronic consequences. -
Vowel Quality and Phonological Projection
i Vowel Quality and Phonological Pro jection Marc van Oostendorp PhD Thesis Tilburg University September Acknowledgements The following p eople have help ed me prepare and write this dissertation John Alderete Elena Anagnostop oulou Sjef Barbiers Outi BatEl Dorothee Beermann Clemens Bennink Adams Bo domo Geert Bo oij Hans Bro ekhuis Norb ert Corver Martine Dhondt Ruud and Henny Dhondt Jo e Emonds Dicky Gilb ers Janet Grijzenhout Carlos Gussenhoven Gert jan Hakkenb erg Marco Haverkort Lars Hellan Ben Hermans Bart Holle brandse Hannekevan Ho of Angeliek van Hout Ro eland van Hout Harry van der Hulst Riny Huybregts Rene Kager HansPeter Kolb Emiel Krah mer David Leblanc Winnie Lechner Klarien van der Linde John Mc Carthy Dominique Nouveau Rolf Noyer Jaap and Hannyvan Oosten dorp Paola Monachesi Krisztina Polgardi Alan Prince Curt Rice Henk van Riemsdijk Iggy Ro ca Sam Rosenthall Grazyna Rowicka Lisa Selkirk Chris Sijtsma Craig Thiersch MiekeTrommelen Rub en van der Vijver Janneke Visser Riet Vos Jero en van de Weijer Wim Zonneveld Iwant to thank them all They have made the past four years for what it was the most interesting and happiest p erio d in mylife until now ii Contents Intro duction The Headedness of Syllables The Headedness Hyp othesis HH Theoretical Background Syllable Structure Feature geometry Sp ecication and Undersp ecicati on Skeletal tier Mo del of the grammar Optimality Theory Data Organisation of the thesis Chapter Chapter -
(1'9'6'8'""159-83 and in Later Publica- (1972 539
FINAL WEAKENING AND RELATED PHENOMENA1 Hans Henrich Hock University of Illinois at Urbana-Champaign 1: Final devoicing (FD) 1.1. In generative phonology, it is a generally accepted doctrine that, since word-final devoicing (WFD) is a very common and natural phenomenon, the ob- verse phenomenon, namely word-final voicin~ should not be found in natural language. Compare for instance Postal 1968 184 ('in the context----'~ the rules always devoice rather than voice'), Stampe 1969 443-5 (final devoicing comes about as the result of a failure t~ suppress the (innate) process of final devoicing), Vennemann 1972 240-1 (final voicing, defined as a process increasing the complexity of affected segment~ 'does not occur.')o 1.2 One of the standard examples for WFD is that of German, cf. Bund Bunde [bUnt] [bUndeJ. However Vennemann (1'9'6'8'""159-83 and in later publica- tions) and, following him, Hooper (1972 539) and Hyman (1975 142) have convincingly demonstrated that in Ger- man, this process applies not only word-finally, but also syllable-finally, as in radle [ra·t$le]3 'go by bike' (in some varieties of German). The standard view thus must be modified so as to recognize at least one other process, namely syllable-final devoicing (SFD). (For a different eA""Planation of this phenomenon compare section 2.3 below.) 2· Final voicing (or tenseness neutralization) 2 1 A more important argument against the stan- dard view, however, is that, as anyone with any train- ing in Indo-European linguistics can readily tell, there is at least one 5roup, namely Italic, where there is evidence for the allegedly impossible final voicing, cf PIE *siyet > OLat. -
New Age Tourism and Evangelicalism in the 'Last
NEGOTIATING EVANGELICALISM AND NEW AGE TOURISM THROUGH QUECHUA ONTOLOGIES IN CUZCO, PERU by Guillermo Salas Carreño A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in The University of Michigan 2012 Doctoral Committee: Professor Bruce Mannheim, Chair Professor Judith T. Irvine Professor Paul C. Johnson Professor Webb Keane Professor Marisol de la Cadena, University of California Davis © Guillermo Salas Carreño All rights reserved 2012 To Stéphanie ii ACKNOWLEDGMENTS This dissertation was able to arrive to its final shape thanks to the support of many throughout its development. First of all I would like to thank the people of the community of Hapu (Paucartambo, Cuzco) who allowed me to stay at their community, participate in their daily life and in their festivities. Many thanks also to those who showed notable patience as well as engagement with a visitor who asked strange and absurd questions in a far from perfect Quechua. Because of the University of Michigan’s Institutional Review Board’s regulations I find myself unable to fully disclose their names. Given their public position of authority that allows me to mention them directly, I deeply thank the directive board of the community through its then president Francisco Apasa and the vice president José Machacca. Beyond the authorities, I particularly want to thank my compadres don Luis and doña Martina, Fabian and Viviana, José and María, Tomas and Florencia, and Francisco and Epifania for the many hours spent in their homes and their fields, sharing their food and daily tasks, and for their kindness in guiding me in Hapu, allowing me to participate in their daily life and answering my many questions. -
The Phonetics-Phonology Interface in Romance Languages José Ignacio Hualde, Ioana Chitoran
Surface sound and underlying structure : The phonetics-phonology interface in Romance languages José Ignacio Hualde, Ioana Chitoran To cite this version: José Ignacio Hualde, Ioana Chitoran. Surface sound and underlying structure : The phonetics- phonology interface in Romance languages. S. Fischer and C. Gabriel. Manual of grammatical interfaces in Romance, 10, Mouton de Gruyter, pp.23-40, 2016, Manuals of Romance Linguistics, 978-3-11-031186-0. hal-01226122 HAL Id: hal-01226122 https://hal-univ-paris.archives-ouvertes.fr/hal-01226122 Submitted on 24 Dec 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Manual of Grammatical Interfaces in Romance MRL 10 Brought to you by | Université de Paris Mathematiques-Recherche Authenticated | [email protected] Download Date | 11/1/16 3:56 PM Manuals of Romance Linguistics Manuels de linguistique romane Manuali di linguistica romanza Manuales de lingüística románica Edited by Günter Holtus and Fernando Sánchez Miret Volume 10 Brought to you by | Université de Paris Mathematiques-Recherche Authenticated | [email protected] Download Date | 11/1/16 3:56 PM Manual of Grammatical Interfaces in Romance Edited by Susann Fischer and Christoph Gabriel Brought to you by | Université de Paris Mathematiques-Recherche Authenticated | [email protected] Download Date | 11/1/16 3:56 PM ISBN 978-3-11-031178-5 e-ISBN (PDF) 978-3-11-031186-0 e-ISBN (EPUB) 978-3-11-039483-2 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. -
The Phonology, Phonetics, and Diachrony of Sturtevant's
Indo-European Linguistics 7 (2019) 241–307 brill.com/ieul The phonology, phonetics, and diachrony of Sturtevant’s Law Anthony D. Yates University of California, Los Angeles [email protected] Abstract This paper presents a systematic reassessment of Sturtevant’s Law (Sturtevant 1932), which governs the differing outcomes of Proto-Indo-European voiced and voice- less obstruents in Hittite (Anatolian). I argue that Sturtevant’s Law was a con- ditioned pre-Hittite sound change whereby (i) contrastively voiceless word-medial obstruents regularly underwent gemination (cf. Melchert 1994), but gemination was blocked for stops in pre-stop position; and (ii) the inherited [±voice] contrast was then lost, replaced by the [±long] opposition observed in Hittite (cf. Blevins 2004). I pro- vide empirical and typological support for this novel restriction, which is shown not only to account straightforwardly for data that is problematic under previous analy- ses, but also to be phonetically motivated, a natural consequence of the poorly cued durational contrast between voiceless and voiced stops in pre-stop environments. I develop an optimality-theoretic analysis of this gemination pattern in pre-Hittite, and discuss how this grammar gave rise to synchronic Hittite via “transphonologization” (Hyman 1976, 2013). Finally, it is argued that this analysis supports deriving the Hittite stop system from the Proto-Indo-European system as traditionally reconstructed with an opposition between voiceless, voiced, and breathy voiced stops (contra Kloekhorst 2016, Jäntti 2017). Keywords Hittite – Indo-European – diachronic phonology – language change – phonological typology © anthony d. yates, 2019 | doi:10.1163/22125892-00701006 This is an open access article distributed under the terms of the CC-BY-NCDownloaded4.0 License. -
5 Phonology Florian Lionnet and Larry M
5 Phonology Florian Lionnet and Larry M. Hyman 5.1. Introduction The historical relation between African and general phonology has been a mutu- ally beneficial one: the languages of the African continent provide some of the most interesting and, at times, unusual phonological phenomena, which have con- tributed to the development of phonology in quite central ways. This has been made possible by the careful descriptive work that has been done on African lan- guages, by linguists and non-linguists, and by Africanists and non-Africanists who have peeked in from time to time. Except for the click consonants of the Khoisan languages (which spill over onto some neighboring Bantu languages that have “borrowed” them), the phonological phenomena found in African languages are usually duplicated elsewhere on the globe, though not always in as concen- trated a fashion. The vast majority of African languages are tonal, and many also have vowel harmony (especially vowel height harmony and advanced tongue root [ATR] harmony). Not surprisingly, then, African languages have figured dispro- portionately in theoretical treatments of these two phenomena. On the other hand, if there is a phonological property where African languages are underrepresented, it would have to be stress systems – which rarely, if ever, achieve the complexity found in other (mostly non-tonal) languages. However, it should be noted that the languages of Africa have contributed significantly to virtually every other aspect of general phonology, and that the various developments of phonological theory have in turn often greatly contributed to a better understanding of the phonologies of African languages. Given the considerable diversity of the properties found in different parts of the continent, as well as in different genetic groups or areas, it will not be possible to provide a complete account of the phonological phenomena typically found in African languages, overviews of which are available in such works as Creissels (1994) and Clements (2000). -
Salient Features of the Welsh Accent That Are Chosen to Be Portrayed in Film
MA Language and Communication Research Cardiff University Salient Features of the Welsh Accent that are Chosen to be Portrayed in Film Andrew Booth C1456511 Supervisor: Dr Mercedes Durham Word Count: 16,448 September 2015 Abstract The accent portrayed by an actor in films has many different implications to the audience. For authenticity, the filmmakers need their accent to be as close to genuine speech as possible. The Welsh-English accent in film is portrayed in many different ways; the aim of this study is to investigate which features are viewed as salient to filmmakers when portraying a Welsh accent. This dissertation focuses the portrayal of salient features of the Welsh-English accent in the film Pride (2014). Pride was chosen because it can compare Welsh to non-Welsh actors who portray a Welsh-English accent. The research is carried out on the film using both auditory and acoustic analysis. Tokens from the film were coded in terms of their realisations for analysis and comparison to previous literature. This research produced a number of key findings: first, the Welsh actors supported previous research on patterns of realisation for Welsh-English. Second, the non-Welsh actors recognised and produced the key features of a Welsh-English accent. Finally, the features presented are salient when representing a Welsh accent in film. In summary, theories such as accommodation, language transference, hypercorrection, fudging and transition were used to explain variation of accents. This research argues for a multi- methodological approach to analysing different features of a Welsh-English accent in film. ACKNOWLEDGEMENTS I would like to thank my supervisor, Dr Mercedes Durham for her instrumental advice and insight over the past few months. -
The Domain of Liaison: Theories and Data*
The domain of liaison: theories and data* GEERT BOOIJ and DAAN DE JONG Abstract In this paper it is argued that current theories of the domain of liaison are inadequate. It is shown thai 'domain' is a variable intralinguistic constraint on the (variable) rule of liaison. The variable nature of liaison is also apparent from the fact that its rate of application covaries with extralinguis- tic factors such as style and social class. These results also show that rules of sentence phonology should be based on reliable corpora of spoken language. 1. Introduction Liaison can be seen as the phenomenon of latent word-final consonants surfacing phonetically before a vowel-initial word. For instance, in petit ami [p(9)titami] 'little friend' the final / of petit is realized phonetically, whereas it does not surface in petit garςon [p(3)tigars5] 4small boy', because the following word begins with a consonant. These latent consonants also surface in inflectional and derivational morphology, as petite [p(s)tit] 'small', fern, sg., and petitesse [ptites] 'smallness' illustrate. A survey of alternative views of liaison is presented in Klausenburger (1984). The liaison consonant is usually (but not always, see Encreve 1983) tautosyllabic with the next word, the first fragment of the second word, as is illustrated by the syllabification of petit ami: (ρίί)σ(ΐ3)σ(ηιί)á where σ = syllable. That is, liaison usually implies enchamement.1 In this paper, we will focus on one particular problem in the analysis of liaison, its domain of application. It is well known that liaison only applies within certain environments. -
L Vocalisation As a Natural Phenomenon
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Essex Research Repository L Vocalisation as a Natural Phenomenon Wyn Johnson and David Britain Essex University [email protected] [email protected] 1. Introduction The sound /l/ is generally characterised in the literature as a coronal lateral approximant. This standard description holds that the sounds involves contact between the tip of the tongue and the alveolar ridge, but instead of the air being blocked at the sides of the tongue, it is also allowed to pass down the sides. In many (but not all) dialects of English /l/ has two allophones – clear /l/ ([l]), roughly as described, and dark, or velarised, /l/ ([…]) involving a secondary articulation – the retraction of the back of the tongue towards the velum. In dialects which exhibit this allophony, the clear /l/ occurs in syllable onsets and the dark /l/ in syllable rhymes (leaf [li˘f] vs. feel [fi˘…] and table [te˘b…]). The focus of this paper is the phenomenon of l-vocalisation, that is to say the vocalisation of dark /l/ in syllable rhymes 1. feel [fi˘w] table [te˘bu] but leaf [li˘f] 1 This process is widespread in the varieties of English spoken in the South-Eastern part of Britain (Bower 1973; Hardcastle & Barry 1989; Hudson and Holloway 1977; Meuter 2002, Przedlacka 2001; Spero 1996; Tollfree 1999, Trudgill 1986; Wells 1982) (indeed, it appears to be categorical in some varieties there) and which extends to many other dialects including American English (Ash 1982; Hubbell 1950; Pederson 2001); Australian English (Borowsky 2001, Borowsky and Horvath 1997, Horvath and Horvath 1997, 2001, 2002), New Zealand English (Bauer 1986, 1994; Horvath and Horvath 2001, 2002) and Falkland Island English (Sudbury 2001). -
Old and Middle Welsh David Willis ([email protected]) Department of Linguistics, University of Cambridge
Old and Middle Welsh David Willis ([email protected]) Department of Linguistics, University of Cambridge 1 INTRODUCTION The Welsh language emerged from the increasing dialect differentiation of the ancestral Brythonic language (also known as British or Brittonic) in the wake of the withdrawal of the Roman administration from Britain and the subsequent migration of Germanic speakers to Britain from the fifth century. Conventionally, Welsh is treated as a separate language from the mid sixth century. By this time, Brythonic speakers, who once occupied the whole of Britain apart from the north of Scotland, had been driven out of most of what is now England. Some Brythonic-speakers had migrated to Brittany from the late fifth century. Others had been pushed westwards and northwards into Wales, western and southwestern England, Cumbria and other parts of northern England and southern Scotland. With the defeat of the Romano-British forces at Dyrham in 577, the Britons in Wales were cut off by land from those in the west and southwest of England. Linguistically more important, final unstressed syllables were lost (apocope) in all varieties of Brythonic at about this time, a change intimately connected to the loss of morphological case. These changes are traditionally seen as having had such a drastic effect on the structure of the language as to mark a watershed in the development of Brythonic. From this period on, linguists refer to the Brythonic varieties spoken in Wales as Welsh; those in the west and southwest of England as Cornish; and those in Brittany as Breton. A fourth Brythonic language, Cumbric, emerged in the north of England, but died out, without leaving written records, in perhaps the eleventh century. -
An Examination of Oral Articulation of Vowel Nasality in the Light of the Independent Effects of Nasalization on Vowel Quality
DOI: 10.17469/O2104AISV000002 CHRISTOPHER CARIGNAN An examination of oral articulation of vowel nasality in the light of the independent effects of nasalization on vowel quality In this paper, a summary is given of an experimental technique to address a known issue in research on the independent effects of nasalization on vowel acoustics: given that the separate transfer functions associated with the oral and nasal cavities are merged in the acoustic signal, the task of teasing apart the respective effects of the two cavities seems to be an intractable problem. The results obtained from the method reveal that the independent effects of nasal- ization on the acoustic vowel space are: F1-raising for high vowels, F1-lowering for non-high vowels, and F2-lowering for non-front vowels. The results from previous articulatory research performed by the author on the production of vowel nasality in French, Hindi, and English are discussed in the light of these independent effects of nasalization on vowel quality. Keywords: vowel nasality, vowel quality, articulation, acoustics, sound change. 1. Introduction A traditional characterization of vowel nasality adopts a seemingly binary classification of vowel sounds based on the relative height of the velum: nasal vowels are produced with a low velum position (and, thus, air radiation from both the oral and nasal cavities), where- as oral vowels are produced with a high velum position (and, thus, air radiation from the oral cavity alone). While it is unquestionably true that nasal vowels are produced with a lowered velum, this traditional characterization carries an implicit assumption about the state of the oral cavity for the production of a nasal vowel, i.e., that the nasal vowel maintains the same articulatory characteristics as its non-nasal counterpart in all aspects except for the height of the velum.