Indian EXPRESS TRI-STATE Newsline NOVEMBER 16, 2012 L
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GAATA RAHE MERA DIL ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Kavitha Krishnamurti Sings for DMS
DMS Journal of Divine Mother Society for Private Circulation only May - June 2014 E-mail : [email protected] Web-site : www.seva-dms.com Divine Mother Society Jammi Buildings, 63, Royapettah High Road, Mylapore, Chennai - 600 004. Telephone : 24995672 MANAVA SEVA MADHAVA SEVA GAATA RAHE MERA DIL ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Kavitha Krishnamurti Sings for DMS Show held at Kamaraj Arangam, Chennai on June 28th, 2014 Chief Guest P.S. Prakash Rao, Chief General Manager, State Bank of India, along with his wife, and, Celebrity Y.Gee Mahendra felicitate the singer Old and new age songs “Kuch Purane Kuch Naye” being rendered 2 DMS Satsanga May - June '14 Sayings from Swami Raghavendra told to us by Guruji – contd... TO REALISE BRAHMAN, IT IS EASY FOR THE NON- INTELLIGENT BECAUSE THE MORE YOU ARE INTELLIGENT, THE MORE YOU ARE ATTACHED. SEE THE NON HUMANS, THE ATTACHMENT THEY HAVE WHEN COMPARED TO HUMANS, IT IS ONLY FOR FEMALE. A BIRD IS THERE TILL ITS YOUNG ONES ARE ABLE TO FLY, IT GIVES PROTECTION. SUBSEQUENTLY THE LITTLE ONES ARE LEFT FREE AND IT GOES AWAY WHEN IT DESIRES. IN THE SAME FASHION IF YOU SEE THE QUADRUPEDS, (COWS, GOATS, ETC) THEY ARE ALL ATTACHED TO THEIR LITTLE ONES ONLY FOR A LIMITED PERIOD. SUBSEQUENTLY, WHEN THE CALF IS ABLE TO WALK AND SUSTAIN ON ITS OWN IT ‘GETS AWAY FROM ITS MOTHER’. -KAMAKSHI BABA Dear Member, “Why don’t you wait here for some time? Why are you leaving in such a hurry?” Guruji asked Neeraja one day when she had visited Guruji’s house in the morning. -
Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
Indian Singers' Rights Association
INDIANINDIAN SINGERS’SINGERS’ RIGHTSRIGHTS ASASSOCIASOCIATIONTION Annual Report 2017-18 BOARD OF ADVISORS LATA MANGESHKAR SURESH WADKAR TALAT AZIZ SONU NIGAM SANJAY TANDON BOARD OF DIRECTORS ANUP JALOTA A HARIHARAN KAVITA KRISHNAMURTI S P BALASUBRAHMANIYAM PANKAJ UDHAS SHANTANU MUKHERJEE SRINIVASAN ALKA YAGNIK JASBIR JASSI SHAILENDRA SINGH DORAISWAMY INDIAN SINGERS’ RIGHTS ASSOCIATION 2208, Lantana, Nahar Amrit Shakti, Chandivali, Andheri (E), Mumbai 400 072 NOTICE NOTICE is hereby given that the Meeting of the General Body of the Society will be held at “Eden Hall”, The Classique Club, Behind Infinity Mall, Link Road, Oshiwara, Andheri (W), Mumbai 400 053 on Thursday, 20th September, 2018 at 3pm to transact the following business: ORDINARY BUSINESS: 1. To receive, consider and adopt the Audited Balance Sheet as on 31st March 2018, Statement of Income and Expenditure for the year ended on that date, and the Auditors Report thereon, together with the Directors’ Report as approved by the Board of Directors for the period ending 31st March, 2018. 2. To ratify the appointment of M/s. Kothari Mehta & Associates as the Statutory Auditors of the Company for the financial year ending 31st March, 2019 by passing the following resolution :- “RESOLVED THAT pursuant to provisions of Section 139, 141, 142 and all other applicable provisions, if any, of the Companies Act, 2013 read with Rule 3 of the Companies (Audit and Auditors) Rules, 2014 and pursuant to the resolution passed at the Annual General Meeting of the Company held on September 29, 2014, the consent of the members of the Company be and is hereby accorded to ratify the appointment of M/s. -
What They Say
WHAT THEY SAY What THEY SAY Mrs. Kishori Amonkar 27-02-1999 “It was great performing in the new reconstructed Shanmukhananda Hall. It has improved much from the old one, but still I’ve a few suggestions to improve which I’ll write to the authorities later” Pandit Jasraj 26-03-1999 “My first concert here after the renovation. Beautiful auditorium, excellent acoustics, great atmosphere - what more could I ask for a memorable concert here for me to be remembered for a long long time” Guru Kelucharan Mohapatra 26-03-1999 “It is a great privilege & honour to perform here at Shanmukhananda Auditorium. Seeing the surroundings here, an artiste feeling comes from inside which makes a performer to bring out his best for the art lovers & the audience.” Pandit Birju Maharaj 26-03-1999 “ yengle mece³e kesÀ yeeo Fme ceW efHeÀj DeekeÀj GmekeÀe ve³ee ©He osKekeÀj yengle Deevevo ngDee~ Deeies Yeer Deeles jnW ³en keÀecevee keÀjles ngS~ μegYe keÀecevee meefnle~” Ustad Vilayat Khan 31-03-1999 “It is indeed my pleasure and privilege to play in the beautiful, unique and extremely musical hall - which reconstructed - renovated is almost like a palace for musicians. I am so pleased to be able to play today before such an appreciative audience.” § 34 § Shanmukhananda culture redefined2A-Original.indd 34 02/05/19 9:02 AM Sant Morari Bapu 04-05-1999 “ cesjer ÒemeVelee Deewj ÒeYeg ÒeeLe&vee” Shri L. K. Advani 18-07-1999 “I have come to this Auditorium after 10 years, for the first time after it has been reconstructed. -
Memorandum (Academic)
Office of the Vice-Provost and Associate Vice-President memorandum (Academic) DATE: April 17, 2020 TO: Senate FROM: Dr. Dwight Deugo, Vice-Provost and Associate Vice-President (Academic), and Chair, Senate Quality Assurance and Planning Committee RE: Economic Policy master’s-level graduate diplomas (Type 2 & 3) New Program Approval _____________________________________________________________________________ SAPC Motion THAT SQAPC recommends to SENATE the approval of the proposed Graduate Diplomas in Economic Policy to commence Winter 2021. Senate Motion THAT Senate approve the master’s-level graduate diplomas in Economic Policy to commence with effect from Winter 2021. Background The program is a graduate diploma in Economic Policy in the Department of Economics. The principal goal is to expose anyone with an undergraduate degree and at least some formal training in undergraduate economics to a wide range of issues related to the formulation of economic policy. It will target non-economists working on economic policy in government, central banks and other organizations as well as people who already have an undergraduate degree in Economics wishing to take courses that are at the forefront of current economic policy debates. Attachments Self-Study with Appendices Courseleaf entries Faculty CVs (volume II) Quality Assurance Framework and Carleton’s Institutional Quality Assurance Process (IQAP) Upon the above motion being passed by Senate, the required documentation will be submitted to the Quality Council for its review and a decision -
KCR, Jagan to Put up Joint Fight Against
Follow us on: RNI No. TELENG/2018/76469 @TheDailyPioneer facebook.com/dailypioneer Established 1864 Published From ANALYSIS 7 MONEY 8 SPORTS 12 HYDERABAD DELHI LUCKNOW LEAD BY INDIA SET TO CROSS 100GW SIMAR, ISHANT BLOW BHOPAL RAIPUR CHANDIGARH EXAMPLE IN RENEWABLE ENERGY AWAY HYDERABAD BHUBANESWAR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 2 ISSUE 78 HYDERABAD, FRIDAY DECEMBER 27, 2019; PAGES 12 `3 *Air Surcharge Extra if Applicable SARILERU COMING A DAY IN ADVANCE, LOSS FOR ALA VAIKUNTHAPURAMULO { Page 11 } www.dailypioneer.com FOUR CHILDREN BURIED NECK-DEEP ANTI-CAA STIR: UP MINISTER JU STUDENTS "RUSTICATE" UP SUB-INSPECTOR BOOKED FOR IN MUD TO ‘CURE’ DISABILITIES REFUSES TO MEET MUSLIM FAMILIES CHANCELLOR JAGDEEP DHANKHAR RAPING WOMAN AT POLICE OUTPOST our children were buried neck- deep in the mud in a village in n Uttar Pradesh minister on a visit here on Thursday refused to meet n the warpath with West Bengal Governor Jagdeep Dhankhar, students sub-inspector posted with the Bareilly police and two others have FKalaburagi district on Thursday as part of a superstitious belief to Athe families of the two Muslim men who died in the recent protests Oof Jadavpur University on Thursday "rusticated" him as the chancellor Abeen booked for allegedly raping a woman and thrashing her cure their disabilities on the day of eclipse. As most parts of the country against the new citizenship law, terming them "upadravi" (vandals). "Why over his stand on a host of issues, including the contentious Citizenship husband at a police outpost in August. The case was witnessed the annular solar eclipse, the children were buried alive upto should I go to vandals' place? How can those who are involved in Act. -
Conductor Zubin Mehta Leads the Israel Philharmonic Orchestra in Opening Concert of the 2015/16 Orchestras Series at Symphony Center
For Immediate Release: Press Contacts: October 28, 2015 Eileen Chambers, 312-294-3092 Rachelle Roe, 312-294-3090 Photos Available By Request [email protected] CONDUCTOR ZUBIN MEHTA LEADS THE ISRAEL PHILHARMONIC ORCHESTRA IN OPENING CONCERT OF THE 2015/16 ORCHESTRAS SERIES AT SYMPHONY CENTER Program Includes Beethoven’s Eroica Symphony, Ravel’s La valse and a work by Josef Bardanashvili Sunday, November 15, at 7 p.m. CHICAGO—The first concert of the 2015/16 Symphony Center Presents (SCP) PowerShares QQQ Orchestras series features the Israel Philharmonic Orchestra (IPO) led by conductor Zubin Mehta, who is the orchestra’s Music Director for Life. The IPO, which is Israel’s premiere cultural ambassador, celebrates its 80th anniversary in the 2015/16 season. Mehta leads a diverse program of works by Beethoven, Ravel and contemporary Israeli composer Josef Bardanashvili on Sunday, November 15, at 7 p.m. at Symphony Center. The concert marks the IPO’s fifth Symphony Center appearance since 1996 with their most recent appearance led by Mehta taking place in 2014. Mehta, an acclaimed Beethoven interpreter, leads the IPO in the composer’s monumental Symphony No. 3 (Eroica) as the program’s centerpiece. The sweeping work opens with an intense and powerful first movement that leads to a brooding funeral march, which hints at Beethoven’s struggle with his increasing deafness, before it reaches a brilliant finale. The IPO program opens with the symphonic poem A Journey to the End of the Millennium based on the critically acclaimed opera of the same name by Georgian-born, Israeli composer Josef Bardanashvili (b. -
National Endowment for the Arts Annual Report 1989
National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216 -
Getting to Know Your Indian-American Neighbors (PDF)
Seeking Educational and Language and Culture Employment Opportunities LANGUAGES: INDIANS HAVE COME TO THE UNITED STATES: INDIA IS DIVIDED INTO MANY STATES WHICH ARE • Early immigrants came for freedom from foreign oppression BASICALLY LANGUAGE-REGIONS. • American universities later attracted thousands from India • All major languages of North are from Indo-Aryan family of • America offered good quality living and good jobs which Sanskrit is the foundation • Languages of South are of Dravidian origin, with distinct IMMIGRATION BEGAN IN THE 1800’s ancient literary heritage and script • As citizens of the British Empire (later Commonwealth), • English is one of the official languages of India, used in Indians settled in all parts of the world government and professional work • Early 1900’s: Thousands of Sikhs opposed to British rule • Ancient poems, songs, folk tales are highly regarded in came to the west coast, especially California, to become a modern Indian culture major farming community • The Vedas (1500 B.C.), hymns to gods, are world’s oldest • 1930-1940: Strict U.S. immigration laws prevented most continuously used literature Asians from coming; Only 496 Indians entered U.S.; all were • The Upanishads (800 B.C.): basis of Hindu philosophy denied citizenship • Mahabharat and Ramayan, stories of good and evil, are • 1960’s to present: Increased immigration of Indians, espe- BORDERED: known by almost every villager; have artistically influ- cially students, professionals and businessmen • on north by China, Nepal, Tibet, Bhutan and Himalayas enced other cultures • on west and northwest by Pakistan and Arabian Sea • Performed in Michigan are some classical and folk dances INDIANS IN THE U.S. -
Memories – a Tribute to RD Burman by Usha Uthup & Munna Raj Launched at the 2Nd Kolkata Literature Festival
Press Release Memories – A Tribute To RD Burman By Usha Uthup & Munna Raj Launched At The 2nd Kolkata Literature Festival - Ramesh Sippy & Zeenat Aman Speaks About Their Association With RD Burman And Launches The Album Released By Asha Audio - Kolkata, 6th February, 2015: Memories, Usha Uthup’s tribute to her mentor, RD Burman, composed by Munna Raj, was released at the 2nd Kolkata Literature Festival (KLF) held at the 39th International Kolkata Book Fair by noted filmmaker, Mr Ramesh Sippy & screen diva of yesteryears, Ms Zeenat Aman. The audio CD comprising of 8 new songs has been released by Asha Audio Company. Memories is a collection of eight Bengali modern songs by Usha Uthup which is a rare musical tribute to RD Burman. Memories is also a long cherished dream come true for Usha Uthup who was actually identified by RD Burman at a Park Street pub in Kolkata. The association grew stronger and the listeners got a treasure trove from the duo in films like Bombay To Goa, Hare Rama Hare Krishna, Shalimar & Shaan, which are chartbusters even today. Incidentally, with Memories, Usha Uthup recorded for a Bengali album after a gap of almost 15 years. “It has been a deep journey with Pancham. I really have some wonderful memories with him. Never ever I came across such a musical genius. The sound he created and the tune he composed are still loved and are immensely popular. While recording for Memories it was an actual Down Memory Lane experience for me with the same retro sound and feel of the 70's and 80's. -
Transcription and Analysis of Ravi Shankar's Morning Love For
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Transcription and analysis of Ravi Shankar's Morning Love for Western flute, sitar, tabla and tanpura Bethany Padgett Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Padgett, Bethany, "Transcription and analysis of Ravi Shankar's Morning Love for Western flute, sitar, tabla and tanpura" (2013). LSU Doctoral Dissertations. 511. https://digitalcommons.lsu.edu/gradschool_dissertations/511 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. TRANSCRIPTION AND ANALYSIS OF RAVI SHANKAR’S MORNING LOVE FOR WESTERN FLUTE, SITAR, TABLA AND TANPURA A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Bethany Padgett B.M., Western Michigan University, 2007 M.M., Illinois State University, 2010 August 2013 ACKNOWLEDGEMENTS I am entirely indebted to many individuals who have encouraged my musical endeavors and research and made this project and my degree possible. I would first and foremost like to thank Dr. Katherine Kemler, professor of flute at Louisiana State University. She has been more than I could have ever hoped for in an advisor and mentor for the past three years. -
[email protected] FORMER MUSIC DIRECTOR
FOR IMMEDIATE RELEASE September 26, 2016 Contact: Katherine E. Johnson (212) 875-5718; [email protected] FORMER MUSIC DIRECTOR ZUBIN MEHTA TO RETURN TO NEW YORK PHILHARMONIC RAVI SHANKAR’s Rāgā-Mālā Concerto No. 2, for Sitar and Orchestra With ANOUSHKA SHANKAR as Soloist SCHUBERT’s Symphony in C major, Great November 3–5, 2016 Former Music Director Zubin Mehta will return to the New York Philharmonic to conduct Schubert’s Symphony in C major, Great, and Ravi Shankar’s Rāgā-Mālā Concerto No. 2, for Sitar and Orchestra, with soloist Anoushka Shankar, the composer’s daughter, in her Philharmonic debut. The program will take place Thursday, November 3, 2016, at 7:30 p.m.; Friday, November 4 at 8:00 p.m.; and Saturday, November 5 at 8:00 p.m. The Philharmonic commissioned and premiered Shankar’s Rāgā-Mālā Concerto No. 2, for Sitar and Orchestra, in April 1981, with the composer as soloist in his Philharmonic debut and led by then Music Director Zubin Mehta, to whom the work is dedicated. Rāgā-Mālā translates to “Garland of Ragas”; in Indian classical music, a raga is a mode, of which there are more than 300. Zubin Mehta and Ravi Shankar discussed the work in 1981 in Ovation magazine. Mr. Mehta said that although he had not previously believed that Western orchestras could play Indian music, “Ravi worked individually with our solo players in every section, to help him not only to know each musician but the characteristic of his instrument. … I feel at the moment that it will work.” Shankar said: “For many years I have been dreaming of playing with the Maestro from Bombay.