On Richards, Race, and Empathy
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Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
197 F.3D 1284 United States Court of Appeals, Ninth Circuit. George
197 F.3d 1284 United States Court of Appeals, Ninth Circuit. George WENDT, an individual; John Ratzenberger, an individual, Plaintiffs- Appellants, v. HOST INTERNATIONAL, INC., a Delaware corporation, Defendant-Appellee, and Paramount Pictures, Corporation, a Delaware corporation, Defendant-Intervenor. No. 96-55243. Dec. 28, 1999. Before: FLETCHER and TROTT, Circuit Judges, and JENKINS, [FN1] District Judge. FN1. Honorable Bruce S. Jenkins, Senior United States District Judge for the District of Utah, sitting by designation. Order; Dissent by Judge KOZINSKI. Prior Report: 125 F.3d 806 ORDER The panel has voted to deny the petition for rehearing. Judge Trott voted to reject the petition for rehearing en banc and Judges B. Fletcher and Jenkins so recommend. The full court was advised of the petition for rehearing en banc. An active Judge requested a vote on whether to rehear the matter en banc. The matter failed to receive a majority of the votes in favor of en banc consideration. Fed. R.App. P. 35. The petition for rehearing is denied and the petition for rehearing en banc is rejected. *1285 KOZINSKI, Circuit Judge, with whom Judges KLEINFELD and TASHIMA join, dissenting from the order rejecting the suggestion for rehearing en banc: Robots again. In White v. Samsung Elecs. Am., Inc., 971 F.2d 1395, 1399 (9th Cir.1992), we held that the right of publicity extends not just to the name, likeness, voice and signature of a famous person, but to anything at all that evokes that person's identity. The plaintiff there was Vanna White, Wheel of Fortune letter-turner extraordinaire; the offending robot stood next to a letter board, decked out in a blonde wig, Vanna-style gown and garish jewelry. -
Getting “Woke” with Each Joke: Black Comediennes and Representational Resistance on Youtube
Getting “Woke” With Each Joke: Black Comediennes and Representational Resistance on YouTube by Shaunel London A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Communication Carleton University Ottawa, Ontario ©2019 Shaunel London i Abstract This research looks at the relationship between comedy, alternative media, and representations of Blackness. Using case studies Akilah Hughes and Franchesca Ramsey, two Black comediennes on YouTube, this thesis asks: how do Black women use both political comedy and alternative media to challenge the stereotypical and racialized representations of themselves in traditional media? A theoretical framework of critical race studies, post-colonialism, intersectional and Black feminisms, postmodernism, and theories of comedy in conjunction with the thematic qualitative text analysis of 30 YouTube videos were used to answer the question. My findings determined that Black women use political comedy and alternative media platforms to satirize oppressive and discriminatory ideologies and behaviours, framing instances of every day racism in absurd and exaggerated terms, which ultimately provides nuanced representations of Black womanhood that affirm the sexist, racist, and racially charged experiences and microaggressions that Black women endure on a daily basis. ii Acknowledgements Thanks be to God for Your mercies these past two years and to my family, friends, colleagues, mentors, and church family for their continued support. Merlyna, thank you for believing in me and believing in this project. It’s been an intense year for us, but I am so privileged to have made this journey with you. Your feedback has sought to make the best of my research and your jokes have made our meetings fun. -
Affordability Now This Is the Second in a Three-Part Series
TODAY PRESIDENT’SMESSAGE “...Where to now, St. Peter?” Affordability Now This is the second in a three-part series. The original article was published in the May 2014 issue of Crop Insurance TODAY ®. Laurie Langstraat, Editor Many of us recall the Seinfeld television series Hannah Wiebelhaus, Assistant Editor which aired for 10 years with 180 episodes. In sitting down to share my thoughts for this President’s Mes- TODAY® IS PROVIDED AS A SERVICE OF NATIONAL CROP INSURANCE SERVICES® sage, I was reminded of Episode #159 “The Serenity TO EDUCATE READERS ABOUT THE RISK Now” (aired October 9, 1997). In this particular ep- MANAGEMENT TOOLS PRODUCERS USE isode, George’s father was “prescribed” to utter the TO PROTECT THEMSELVES FROM phrase “Serenity Now” when he felt his blood pressure THE RISKS ASSOCIATED WITH spiking. PRODUCTION AGRICULTURE. Here is an excerpt from the transcript of that episode: Industry-leading crop insurance reporting TODAY is published quarterly–February, May, Frank Costanza: “Serenity Now! Serenity Now!” August, and November by George Costanza: “What is that?” tools to connect you and your customers National Crop Insurance Services Frank: “Doctor gave me a relaxation cassette. When 8900 Indian Creek Parkway, Suite 600 my blood pressure gets too high, the man on the tape tells Overland Park, Kansas 66210 Tom Zacharias, NCIS President me to say, ‘Serenity Now!’” GAIN EFFICIENCIES WITH THE RCIS PRECISION FARMING TOOL www.ag-risk.org George: “Are you supposed to yell it?” Frank: “The man on the tape wasn’t specific.” If you move, or if your address is incorrect, please Okay, enough levity and stream of consciousness. -
SHAY CUNLIFFE Costume Designer
(4/19/21) SHAY CUNLIFFE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “PEACEMAKER” James Gunn HBO Max John Cena (Series) The Safran Company Lochlyn Munro Warner Bros TV Robert Patrick “WESTWORLD” Jonathan Nolan HBO Evan Rachel Wood (Season 3) Amanda Marsalis, et al. Bad Robot Aaron Paul Winner: Costume Designers Guild (CDG) Award Thandie Newton Nomination: Emmy Award for Outstanding Fantasy/Sci-Fi Costumes “GONE BABY GONE” Phillip Noyce 20th Century Fox TV Peyton List (Pilot) Miramax Joseph Morgan “BOOK CLUB” Bill Holderman June Pictures Diane Keaton Jane Fonda Candice Bergen Mary Steenburgen “50 SHADES FREED” James Foley Universal Pictures Dakota Johnson Jamie Dornan “50 SHADES DARKER” James Foley Universal Pictures Dakota Johnson Jamie Dornan “A DOG’S PURPOSE” Lasse Hallström Amblin Entertainment Dennis Quaid Walden Media Britt Robertson Pariah “THE SECRET IN THEIR EYES” Billy Ray Gran Via Productions Nicole Kidman IM Global Julia Roberts Chiwetel Ejiofor “GET HARD” Etan Cohen Warner Brothers Will Ferrell Gary Sanchez Kevin Hart Alison Brie “SELF/LESS” Tarsem Singh Ram Bergman Prods. Ryan Reynolds Endgame Ent. Ben Kingsley “THE FIFTH ESTATE” Bill Condon DreamWorks Benedict Cumberbatch Participant Media Laura Linney “WE’RE THE MILLERS” Rawson Thurber New Line Cinema Jennifer Aniston Ed Helms Jason Sudeikis “THE BOURNE LEGACY” Tony Gilroy Universal Pictures Jeremy Renner Rachel Weisz Edward Norton “BIG MIRACLE” Ken Kwapis Universal Pictures Drew Barrymore Working Title Films John Krasinski Anonymous Content Kristen Bell “MONTE -
A Covert Case Study of Bouncers in the Manchester Night-Time Economy
6 A COVERT CASE STUDY OF BOUNCERS IN THE MANCHESTER NIGHT-TIME ECONOMY 6.1 Manchester as a case study: my biographical and experiential backyard 124 6.2 Covert passing in a demonized subculture: body capital and interaction rituals 126 6.3 The door order and door code: folklore, stories, trust, fictive kinship, masculinity, dirty work and private policing 129 6.4 Managing situated ‘ethical moments’ on the door 138 6.5 An optic on violence 142 6.6 Emotionality, embodiment and risk-taking in ethnography 145 6.7 Conclusions: the post-fieldwork self in a study that never quite finishes 147 6.8 Learning exercise 149 07_Calvey_Ch_06.indd 123 2/28/2017 10:53:56 AM Covert research This chapter focuses on a covert retrospective participant observation case study of bouncers in the night-time economy of Manchester in the United Kingdom. I will discuss my case study, comparing it to the work of other researchers who have explored this specific area, as well as others who might echo my research journey. 6.1 Manchester as a case study: my biographical and experiential backyard The location of Manchester, the UK, for the case study, which is where I live and work, is highly strategic. The city is saturated in popular culture, being named Gunchester, Gangchester and Madchester in the past, and has been well documented by a range of popular journalists and commentators (Haslam, 1999; Swanton, 1997, 1998; Walsh, 2005; Wilson, 2002). The development of club cul- tures in Manchester has been specifically linked to urban regeneration (Lovatt, 1996). -
The Lily- White Boys
The Library of America • Story of the Week From William Maxwell: Later Novels & Stories (The Library of America, 2008 ), pages 726 –730 . Originally published in The Paris Review , Summer/Fall 1986 . Reprinted in All the Days and Nights: The Collected Stories of William Maxwell (1995) . Copyright © 1995 by William Maxwell. Used by permission of Alfred A. Knopf, a division of Random House, Inc. The Lily- White Boys he Follansbees’ Christmas party was at teatime on Christ - T mas Day, and it was for all ages. Ignoring the fire laws, the big Christmas tree standing between the two front windows in the living room of the Park Avenue apartment had candles on it. When the last one was lit, somebody flipped a light switch, and in the hush that fell over the room the soft yellow candle - light fell on the upturned faces of the children sitting on the floor in a ring around the base of the tree, bringing tears to the eyes of the susceptible. The tree was strung with loops of gold and silver tinsel and popcorn and colored paper, and some of the glass ornaments— the hardy tin soldier, the drum, the nut - meg, and the Man in the Moon— went all the way back to Beth Follansbee’s childhood. While the pres ents were being distributed, Mark Follansbee stood by with a bucket of water and a broom. The room smelled of warm wax and balsam. The big red candles on the mantelpiece burned down slowly in their nest of holly. In the dining room, presiding over the cut- glass punch bowl, Beth Follansbee said, “You let the peaches sit all day in a quart of vodka, and then you add two bottles of white wine and a bottle of champagne— be a little careful, it isn’t as innocuous as you might think,” and with her eyebrows she signaled to the maid that the plate of water - cress sandwiches needed refilling. -
TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report - ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A. -
Donors' Report
Exeter College Donors’ Report 2012 EXETER COLLEGE DONORS’ REPORT | 12 EXETER COLLEGE DONORS’ REPORT | 12 From the Rector Our Annual Fund success owes much to to endow one of our History posts and It has been an astonishing year. Never before in the history the tireless work of Emily Watson (2003, an English post respectively. And a large of the College have so many of our Old Members made a Lit Hum), our Development Officer, and anonymous gift will help to endow the donation to the Annual Fund. And never has the College had the whole Development team, together cost of bursaries, which the College will with our students, who participated in support to help students from poor homes such a remarkable year of large gifts and pledges. three telethons last year (and loved the with the huge increase in tuition fees. reminiscences you shared with them). The Annual Fund raised £675,308 in Even more impressive than the overall Now we have to do even better in the It’s moving to see such affection and 2012, by far the largest amount it has ever sum is the number of alumni who coming year. After all, it would be great to support for the College, especially received and a staggering £145,000 more contributed. We are now the top College get from 29th into the World’s Top Ten, during tough economic times. We are than it raised last year. This will help us in Oxford in terms of participation with and if anyone can do it, it’s Exonians. -
Jason Alexander Set to Guest Star in Tv Land's New Sitcom “Kirstie” Alongside Series Regular and Fellow “Seinfeld” Alum Michael Richards
JASON ALEXANDER SET TO GUEST STAR IN TV LAND'S NEW SITCOM “KIRSTIE” ALONGSIDE SERIES REGULAR AND FELLOW “SEINFELD” ALUM MICHAEL RICHARDS New York, NY – June 13, 2013 – Jason Alexander has officially moved on from Vandalay Industries – now he’s got a new job as Broadway star Maddie Banks’ (Kirstie Alley) agent in TV Land’s new sitcom “Kirstie” in a guest starring role. Set to shoot later this month, the show reunites Alexander with his former “Seinfeld” co-star Michael Richards who plays Alley’s eccentric driver in the new comedy. Alexander shared, "It is a strange and wonderful thing to be working on a brand new show yet surrounded by familiar faces and friends. I'm looking forward to a fun and fabulous time." The show centers around Broadway star Madison Banks (Kirstie Alley) whose life turns upside down when Arlo (Eric Petersen), the son she gave up at birth, suddenly appears, hoping to connect after his adoptive parents have died. Rhea Perlman (“Cheers”) stars as Maddie’s assistant and best friend alongside Richards (“Seinfeld”) as Maddie’s outlandish driver. “Kirstie” is written and executive produced by Marco Pennette and is also executive produced by Kirstie Alley and Jason Weinberg. Larry W. Jones and Keith Cox serve as executive producers for TV Land. Please log onto www.tvlandpress.com for up-to-the-minute information, press releases and photos. About TV Land TV Land is the programming destination featuring the best in entertainment on all platforms for consumers in their 40s and 50s. Consisting of original programming, classic and contemporary television series acquisitions, hit movies and a full-service Web site, TV Land is now seen in over 98 million U.S. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
The Transom Review February, 2003 Vol
the transom review February, 2003 Vol. 3/Issue 1 Edited by Sydney Lewis Gwen Macsai’s Topic About Gwen Macsai Gwen Macsai is an award winning writer and radio producer for National Public Radio. Her essays have been heard on All Things Considered, Morning Edition and Weekend Edition Saturday with Scott Simon since 1988. Macsai is also the creator of "What About Joan," starring Joan Cusack and author of "Lipshtick," a book of humorous first person essays published by HarperCollins in February of 2000. Born and bred in Chicago (south shore, Evanston), Macsai began her career at WBEZ-FM and then moved to Radio Smithsonian at the Smithsonian Institution in Washington, DC. After working for NPR for eight years she moved to Minneapolis, MN where "Lipshtick" was born, along with the first of her three children. Then, one day as she tried to wrangle her smallish-breast-turned-gigantic- snaking-fire-hose into the mouth of her newborn babe, James L. Brooks, (Producer of the Mary Tyler Moore Show, Taxi, The Simpsons and writer of Terms of Endearment, Broadcast News and As Good As It Gets), called. He had just heard one of her essays on Morning Edition and wanted to base a sitcom on her work. In 2000, "What About Joan" premiered. The National Organization for Women chose "What About Joan" as one of the top television shows of that season, based on its non- sexist depiction and empowerment of women. Macsai graduated from the University of Illinois and lives in Evanston with her husband and three children. Copyright 2003 Atlantic Public Media Transom Review – Vol.