Council Action on August 24, 2005
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National Register of Historic Places Registration Form This Form Is for Use in Nominating Or Requesting Determinations for Individual Properties and Districts
NPS Form 10-900 \M/IVIUJ i ^vy. (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property___________________________________________________________ historic name Wayfarers Chapel ________________________________ other names/site number__________________________________________ 2. Location ___________________________ street & number 5755 Palos Verdes Drive South_______ NA d not for publication city or town Rancho Palos Verdes________________ NAD vicinity state California_______ code CA county Los Angeles. code 037_ zip code 90275 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this C3 nomination D request f fr*d; (termination -
Preserving the Textile Block at Florida Southern College a Report Prepared for the World Monuments Fund Jeffrey M
Preserving the Textile Block at Florida Southern College A Report Prepared for the World Monuments Fund Jeffrey M. Chusid, Preservation Architect 18 September 2009 ISBN-10: 1-890879-43-6 ISBN-13: 978-1-890879-43-3 © 2011 World Monuments Fund 2 Letter from World Monuments Fund President Bonnie Burnham 4 Letter from Florida Southern President Anne B. Kerr, Ph.D. 5 Executive Summary 6 Introduction 7 Preservation Philosophy 7 History and Significance 10 Ideas behind the System 10 Description of the System 10 Conservation Issues with the System in Earlier Sites 13 Recent Conservation Projects at the Storer, Freeman, and Ennis Houses 14 Florida Southern College 16 A History of Changes 18 Site Conditions and Analysis 19 Contents Prior research and observations 19 WMF Site visit 19 Taxonomy of Conservation Problems in the Textile-Block System 20 Issues and Challenges 22 The Textile-Block System 22 The Block 23 Methodologies 24 Conservation 25 Recommendations 26 Appendix A: Visual Conditions Documentation 29 Appendix B: Team Members 38 3 In April 2009, World Monuments Fund was honored to convene a historic gathering of historians, architects, conservators, craftsmen, and scientists at Florida Southern College to explore Frank Lloyd Wright’s use of ornamental concrete textile block construction. To Wright, this material was a highly expressive, decorative, and practical approach to create monumental yet affordable buildings. Indeed, some of his most iconic structures, including the Ennis House in Los Angeles, utilized the textile block system. However, like so many of Wright’s experiments with materials and engineering, textile block has posed major challenges to generations of building owners, architects, and conservators who have struggled with the system’s material and structural performance. -
Zimmerman House Materials—Final List Binder 1
Zimmerman House Materials—Final List Binder 1—Labeled “Zimmerman House Through 1989” Photocopied articles from magazines and newspapers o Dates: from 1956-1989, bulk 1989 Binder 2—Labeled “Zimmerman House 1990” Photocopied and original articles from magazines and newspapers o Date: 1990 Binder 3—Labeled “Zimmerman House 1991” Photocopied and original articles from magazines and newspapers o Dates: 1991-1992, bulk 1991 Box 1—Labeled “Zimmerman House Archive—Deaccession? Files” Folder: Sotheby’s catalogue—Gagliano violin and sales slip Folder: Slides, photos, receipts, correspondence, appraisal for Gagliano violin and bow. o Date: 1989 Box 2—Labeled “Zimmerman House Archive—Vintage Publications on the Zimmerman House” “The Zimmerman House Historic Structure Report” (2 copies); also includes a press release (not attached) o Date: 1989 “A Classic Usonian: Frank Lloyd Wright’s 1950 House for Isadore J. and Lucille Zimmerman.” General information, labels. o Date: 1990 Folder: “Exhibition: A Classic Usonian: Label Copy.” Also an unattached article; label copy from exhibit appears to be the same as previous item. “Currier Grant Application for National Endowment for the Humanities for Training Zimmerman House Guides.” Also includes unattached correspondence, a docent bulletin, a memorandum, and a priorities evaluation. o Dates: 1990-1991, bulk 1990 Box 3—Labeled “Uncatalogued Materials” Newsclipping about Dr. Zimmerman o Date: undated 2 color photos of exterior of Zimmerman House with inscriptions from Zimmermans on back o Date: 1976 Black and white photo of exterior of Zimmerman House in winter o Date: undated 3 B & W photos of Lucille Zimmerman’s family o Date: undated Postcard with picture of S.C. -
Lecture Handouts, 2013
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc. -
A Retrospective on the Journey
| | EDUCATIONFRANK LLOYD ADVOCACYWRIGHT BUILDING PRESERVATION CONSERVANCY SPRING 2014 / VOLUME 5 / ISSUES 1 & 2 SPECIAL DOUBLE ISSUE A Retrospective on the Journey Guest Editor: Ron Scherubel Past, Present, Future: The Conservancy at 25 2014 CONFERENCE Phoenix, Arizona | Oct. 29 – Nov. 2 Stay for a great rate in the legendary Wright- influenced Arizona Biltmore. Tour seldom-seen houses by Wright and other acclaimed architects. Get a private behind-the-scenes look at Taliesin celebrating years of saving wright West. Attend presentations and panels with world- 25 renowned Wright scholars, including a keynote speech by New York Times architecture critic Michael Kimmelman. And cap it all off with a Gala Dinner, silent auction, Wright Spirit Awards ceremony, and much more! Register beginning in FRANK LLOYD WRIGHT BUILDING CONSERVANCY June at savewright.org or call 312.663.5500 C ON T Editor’s Welcome: OK, What’s Next? 2 EN 2 Executive Editor’s Message: The Power of Community President’s Message: The Challenge Ahead 3 TS 4 Wright and Historic Preservation in the United States, 1950-1975 11 The Origins of the Frank Lloyd Wright Building Conservancy 16 A Day in the Conservancy Office 20 Retrospect and Prospect 22 The ‘Saves’ in SaveWright 28 The Importance of the David and Gladys Wright House PEDRO E. GUERRERO (1917-2012) 30 Saving the David and Gladys Wright House The cover photo of this issue was taken by 38 A New Book Explores Additions to Iconic Buildings Pedro E. Guerrero, Frank Lloyd Wright’s 42 A Future for the Past trusted photographer. Guerrero was just 22 46 Up Close and Personal in 1939 when Wright took an amused look at his portfolio of school assignments and 49 Executive Director’s Letter: For the Next 25 hired him on the spot to document the con- struction at Taliesin West. -
Communities by Design in THIS ISSUE
EDUCATION | ADVOCACY | PRESERVATION THE MAGAZINE OF THE FRANK LLOYD WRIGHT BUILDING CONSERVANCY THE MAGAZINE OF FRANK LLOYD WRIGHT BUILDING CONSERVANCY FALL 2016 / VOLUME 7 ISSUE 2 FALL IN THIS ISSUE Communities by Design Guest Editor: Jane King Hession editor’s MESSAGE communities by design Communities can take many forms and mean different things to different people. Vary though they may, all communities are fundamentally alike in that they are all composed of individuals who, col- lectively, share common interests, characteristics or geography. The whole of a community comprises its parts. Frank Lloyd Wright was no stranger to this concept: for decades he lived and worked at the center of the Taliesin Fellowship, a community of his own creation. However, as the essays in this issue make clear, Wright also explored the idea of community—at multiple scales—in his architecture and planning. In his article on the politics of community, Robert Wojtowicz considers the philosophical divide between Wright and his longtime friend (and sometime foe), cultural critic Lewis Mumford, on the subject. As Wojtowicz describes, the two men often argued their polar positions on the pages of the country’s leading publications. The roots of one of Wright’s best known communities, Usonia in Pleasantville, New York, are revisited by an original owner in the community, Roland Reisley. In ad- ABOUT THE EDITOR dition to taking a backward glance at its origins, Reisley also reveals the impact of Wright’s vision on successive generations of residents. Neil Levine describes Wright’s application of “the power of ge- ometry” to create community at the scale of the individual house and the residential block. -
Donald Langmead
FRANK LLOYD WRIGHT: A Bio-Bibliography Donald Langmead PRAEGER FRANK LLOYD WRIGHT Recent Titles in Bio-Bibliographies in Art and Architecture Paul Gauguin: A Bio-Bibliography Russell T. Clement Henri Matisse: A Bio-Bibliography Russell T. Clement Georges Braque: A Bio-Bibliography Russell T. Clement Willem Marinus Dudok, A Dutch Modernist: A Bio-Bibliography Donald Langmead J.J.P Oud and the International Style: A Bio-Bibliography Donald Langmead FRANK LLOYD WRIGHT A Bio-Bibliography Donald Langmead Bio-Bibliographies in Art and Architecture, Number 6 Westport, Connecticut London Library of Congress Cataloging-in-Publication Data Langmead, Donald. Frank Lloyd Wright : a bio-bibliography / Donald Langmead. p. cm.—(Bio-bibliographies in art and architecture, ISSN 1055-6826 ; no. 6) Includes bibliographical references and indexes. ISBN 0–313–31993–6 (alk. paper) 1. Wright, Frank Lloyd, 1867–1959—Bibliography. I. Title. II. Series. Z8986.3.L36 2003 [NA737.W7] 016.72'092—dc21 2003052890 British Library Cataloguing in Publication Data is available. Copyright © 2003 by Donald Langmead All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003052890 ISBN: 0–313–31993–6 ISSN: 1055–6826 First published in 2003 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the -
Historic Structure Report
HISTORIC STRUCTURE REPORT RESIDENCE A AT BARNSDALL PARK CITY OF LOS ANGELES LOS ANGELES COUNTY, CALIFORNIA TASK I, II, AND III FINAL July 13, 2009 HISTORIC STRUCTURE REPORT RESIDENCE A AT BARNSDALL PARK CITY OF LOS ANGELES LOS ANGELES COUNTY, CALIFORNIA Prepared for: City of Los Angeles Department of Public Works Bureau of Engineering 1149 South Broadway, Suite 810 Los Angeles, California 90015 Prepared by: Tanya Sorrell LSA Associates, Inc. 1500 Iowa Avenue, Suite 200 Riverside, California 92507 (951) 781-9310 and Gabrielle Harlan and Justin Greving Chattel Architecture, Planning, and Preservation Contributors: CK Arts Melvyn Green and Associates LSA Project No. CLO0601E July 13, 2009 LSA ASSOCIATES, INC. HISTORIC STRUCTURE REPORT JULY 2009 RESIDENCE A AT BARNSDALL PARK TASK I, II, AND III FINAL MANAGEMENT SUMMARY Under contract to the City of Los Angeles, Department of Public Works, Bureau of Engineering (BOE), LSA Associates, Inc. (LSA) has prepared this Historic Structure Report (HSR) for Residence A of the Aline Barnsdall Complex, one of two extant residential buildings designed on the Barnsdall Park site by Frank Lloyd Wright for Aline Barnsdall in 1921. The purpose of this HSR is to study potential treatment strategies and future uses for Residence A in the context of historical uses, alterations, and the current physical condition of the building. Residence A is a significant building within the Aline Barnsdall Complex. It is one of two residential buildings (the other is Hollyhock House) that today represent the first work in -
Frank Lloyd Wright's Textile Block Houses Weave an Enduring Legacy
The Warp and the Weft: Frank Lloyd Wright’s Textile Block Houses Weave an Enduring Legacy kcet.org/shows/artbound/the-warp-and-the-weft-frank-lloyd-wrights-textile-block-houses-weave-an-enduring March 6, 2018 Learn more about the legendary architect's time in Los Angeles. Watch "Artbound" S9 E1: That Far Corner - Frank Lloyd Wright in Los Angeles now. When he came to Southern California in the early 1920s, Frank Lloyd Wright had already known equal measures of personal and professional success and crushing disappointment. Devoted to the idea of developing a new American architecture that was not beholden to the ideals and values of Europe, he had already created the famed Prairie style of architecture, whose horizontal eaves, open floor plans and emphasis on natural colors and materials captured the ethos of his native rolling Midwestern landscapes. Like so many before and since, Wright was eager for a new start in California. He began visiting the area regularly while designing Tokyo’s famed Imperial Hotel. This commission meant that he had to travel overland from the Midwest to California before boarding a ship to cross the Pacific. In January 1923, Wright opened up a small office in what is now West Hollywood. He had already finished one local project the previous year, Hollyhock House, built for oil heiress Aline Barnsdall. His drawing board was soon filled with plans for four more houses, to be constructed solely of geometric cast concrete blocks. He referred to these commissions as textile block houses and they turned out to be unlike anything he had designed before. -
Taliesin Architects Reorganized
the living legacy of Frank Lloyd Wright TALIESIN TaliesinArchitects FELLOWS Reorganized NEWSLETTER ® by CEO Jim Goulka, NUMBER 12, JULY 15, 2003 Frank Lloyd Wright Foundation oing architecture. Designing buildings. Improving the landscape by one’s own creations. Satisfying client needs. DDThat is what many people came to Taliesin to learn. Some were fortunate enough to learn directly from the master. Others learned at one remove from the architects who remained after 1959. But the point, for them, was to do architecture. Mr. Wright was emphatic that for an architectural design, there can only be one vision, one person responsible. Assistants could help, of course—Mr. Wright clearly needed the superb assistance from the apprentices to accomplish the prodigious output of the 1950s—but, at the top, architecture is a solo act. Many of the alumni have cited this reason for departing Taliesin, most notably The announcement of Taliesin Architects reorganization, the Edgar Tafel, as described in his book Apprentice to inevitable outcome of market economy, has sur- Genius. prised and shaken the organic architectural After Mr. Wright’s death, Taliesin Associated Architects completed Mr. Wright’s projects and led community. In business since the death of Frank the practice into the future. For many years, the firm Lloyd Wright in 1959, the eleven architects who was profitable and helped maintain the Foundation and School. Since the early 90’s however, the firm comprised the organization will now enter the has suffered; one or two major projects provided the field as private practioners albeit continuing in major income, but required additional staffing to complete. -