Zimmerman House Materials—Final List Binder 1

Home , Currier Museum of Art, Eric Lloyd Wright, Fabyan Villa, Kentuck Knob, Monona Terrace, Theodore Baird Residence

Zimmerman House Materials—Final List

Binder 1—Labeled “Zimmerman House Through 1989”  Photocopied articles from magazines and newspapers o Dates: from 1956-1989, bulk 1989

Binder 2—Labeled “Zimmerman House 1990”  Photocopied and original articles from magazines and newspapers o Date: 1990

Binder 3—Labeled “Zimmerman House 1991”  Photocopied and original articles from magazines and newspapers o Dates: 1991-1992, bulk 1991

Box 1—Labeled “Zimmerman House Archive—Deaccession? Files”  Folder: Sotheby’s catalogue—Gagliano violin and sales slip  Folder: Slides, photos, receipts, correspondence, appraisal for Gagliano violin and bow. o Date: 1989

Box 2—Labeled “Zimmerman House Archive—Vintage Publications on the Zimmerman House”  “The Zimmerman House Historic Structure Report” (2 copies); also includes a press release (not attached) o Date: 1989

 “A Classic Usonian: Frank Lloyd Wright’s 1950 House for Isadore J. and Lucille Zimmerman.” General information, labels. o Date: 1990

 Folder: “Exhibition: A Classic Usonian: Label Copy.” Also an unattached article; label copy from exhibit appears to be the same as previous item.

 “Currier Grant Application for National Endowment for the Humanities for Training Zimmerman House Guides.” Also includes unattached correspondence, a docent bulletin, a memorandum, and a priorities evaluation. o Dates: 1990-1991, bulk 1990

Box 3—Labeled “Uncatalogued Materials”  Newsclipping about Dr. Zimmerman o Date: undated  2 color photos of exterior of Zimmerman House with inscriptions from Zimmermans on back o Date: 1976  Black and white photo of exterior of Zimmerman House in winter o Date: undated  3 B & W photos of Lucille Zimmerman’s family o Date: undated  Postcard with picture of S.C. Johnson Headquarters, designed by Frank Lloyd Wright o Date: undated  Postcard from Helen to the Zimmermans o Date: 1973  Postcard from “Jinny” (sp?) to the Zimmermans o Date: undated  Card from Sarah to L.Z. o Date: 1986  Pamphlet about exhibition of Eugene Masselink’s work, secretary to Frank Lloyd Wright. o Date: 1963  List—magazine articles with dates—relating to Frank Lloyd Wright. 3 pages  Sheet of Dr. Zimmerman’s prescription paper—letterpress  Cover of a Christmas card from the Zimmermans’ with a drawing/watercolor of their house.  2 B & W photos of Zimmerman House in winter o Date: undated  Postcard of pottery by UNH student to Zimmermans o Date: 1967  2 B & W photos of a dog named Checkers, one mounted on cardboard with “IJZ” written in the corner and one dated 1943.  B & W photo of Isadore Zimmerman and unidentified couple (one of the woman may be Lucille Zimmerman) in a folder that says “Hollywood Beach Hotel— Hollywood by the Sea in Florida” o Date: undated  Color photo of I.Z. with a bird perched on his hand o Date: undated  Pamphlet for the Grady Gammage Memorial Auditorium at Arizona State University, designed by Frank Lloyd Wright o Date: undated  Postcard made from color photo of I.Z. in the house  Photo Christmas card from the Kalils o Date: undated (Note: the Kalils lived in the Usonian automatic house in Manchester, NH)  Postcard to the Zimmermans from Carol o Date: 1979  “Taliesin Tract” pamphlet by Frank Lloyd Wright, 1953, in envelope from John Geiger o Date: 1954  4 B & W photos of exterior of the Zimmerman House, furniture, and pottery, take by Bill Jinney.  3 B & W photos of interior of the Zimmerman House taken by Richard Cheek o Date: 1988  “Taliesin Tract” pamphlet by Frank Lloyd Wright, 1953, in envelope from Frank Lloyd Wright. Signed by Frank Lloyd Wright “To the Zimmermans.” o Date: 1954  L.Z. phone directory o Date: undated  “Organic Architecture” pamphlet by Frank Lloyd Wright, 1953, in envelope from John Geiger o Date: 1953  Small binder notebook with pencil: an account of spending by month and category o Dates: 1987-1988, bulk 1987  Small spiral-bound notebook: an account of spending o Dates: 1985-1986, bulk 1986  Small red address book, mostly full. o Dates: undated  Green notebook: an account of spending (especially checks and payments) o Dates: 1976-1988.  1985 weekly reminder bookL.Z.  Yarmulke (I.Z.?)  The Book of Trees by Alfred C. Hottes. Third edition. New York: A.T. De La Mare Company, Inc., 1952.  Climbers and Ground Covers: Including the Vast Array of Hardy and Subtropical Vines Which Climb or Creep by Alfred Carl Hottes. New York: A.T. De La Mare Company, Inc., 1949. Isadore Zimmerman wrote his name on the title page.  A Field Guide to the Birds: Giving the Marks of all Species Found East of the Rockies by Roger Tory Peterson. Second edition. Boston: Houghton Mifflin Company, 1947. Includes a small sheet of notebook paper with handwritten notes by Lucille about birds seen in the yard.  Begonias and How to Grow Them by Bessie Buxton. Lexington, Mass: The Adams Press, Inc., Hale, Cushman & Flint, and The Massachusetts Horticultural Society, 1939.

Box 4—Labeled “Zimmerman House Archive—Uncatalogued Materials— Jewelry”  Red leather wallet  Black box with medal engraved with “Isadore Jacob Zimmerman— June 3, 1921—For Excellence in Music.” Other side says “Schola Lania Bostoniensis” (Boston Latin School?)  Silver-colored leather wallet with “L.C.Z.” engraved inside  Maroon leather wallet with L.Z.’s driver’s license; L.Z.’s Manchester City Library card; 2 “In case of accident, please notify…” cards; 2 Social Security cards for L.Z.; photo of Zimmermans taken in the 1940s; ID card for wallet for L.Z.; L.Z. ID card with address and notification info; 3 Blue Cross Blue Shield NH—VT Health cards for L.Z.; photo of Zimmermans taken in 1965; photo of “Checkers” the dog; another photo of Zimmermans taken in 1965; another photo of “Checkers” the dog; photo of I.Z. with a violin circa 1942; photo of IZ taken in 1939 for Urological Board; another ID card with notification information for L.Z.; another photo of “Checkers” the dog.  Bonwit Teller box with beaded necklace with charms and long glass or amber necklace.  Plaid bag with silver pocketknife attached to a keychain; black change purse with change; gold linked necklace; silver necklace with large pendant and charms  Red jewelry box with set of silver iridescent cuff links and button fillers; small pocketknife with mother-of-pearl sides; small keychain with a nail engraved with “Glenwood” on one side and “Potaba” on the other; gold and silver bracelet; belt buckle engraved with a “Z;” pearl earrings with a stud and loop of pearls; some kind of pin engraved with “B.D.” and “Yale;” gold Omega watch with “I.J.Z” engraved on clasp; large gold ring; pin that reads “Owensboro City Hospital, 1931;” set of gold earrings with a clear stone; charm from the Los Angeles County Hospital; gold pocket watch; ring with large clear stone and smaller blue stones; pin engraved with a “Z;” gold bracelet with leaves; 2 small gold keys (for the jewelry box?); sewing pin; 2 loose earring backs; 2 short strings of pearls; medical symbol charm with “ONB” or “DNB” and “1915” on one side and “I.J. Zimmerman” engraved on the back—attached to a Harvard charm; empty “Lemor Juwelier” box; cardigan pin with “OCH” (“L.C. ‘31” engraved on the back) for one side and “RN” for the other side; set of gold cuff links; gold “EternaMatic” watch; 2 broken gold wire pieces; gold ring with “OCH” on top and “1931” on sides; pearl necklace with small silver square bead; 2-stranded pearl bracelet with small silver square bead; set of pearl stud earrings; gold hair pin; gold money clip; a second gold money clip, this one with “L.Z. to I.J.Z., 1950” engraved on it; pin with “OWHS ‘16” on front and “I.J.Z.” engraved on back; gold pin with jewels and “Φ” and “E;” gold ring with “L 21” on top and “I.J.Z.” engraved on the back. o Dates: various dates

Box 5—Labeled “Zimmerman House Archive—Photographs”

 Folder: Zimmerman chronology (newsclippings, correspondence, school records, history of the house by L.Z., chronology of the Zimmermans)  Genealogy of L.Z.’s family  Index of Zimmerman House photographs (how accurate and current?)  2 B & W photos of exterior in winter by Gerda Peterich  Folder: 5 B & W photos of L.Z.; 2 empty Koday envelopes (undated); one Kodak envelope with color photos and negatives of exterior, 1982 (file with other negatives); one Kodak envelope with negatives (file with other negatives); 5 Polaroid photos of interior, artwork and L.Z.; photo of interior of the Currier, 1988; photos of the exterior of the Zimmerman House, 1988; B & W photos, interior and exterior of the Zimmerman House, undated  Folder: Photo of the exterior of the Zimmerman House by photographer Laurier Durette; B & W photos of exterior, some with photographers identified.  Folder: B & W photo of interior; remove extra sheets of paper and file with other photographs  Folder: Photos of interior and exterior, including one with the Zimmermans; remove the extra paper.  Folder: 2 color photos of exterior, 1972; B & W photos of interior; mock-ups of the Zimmermans’ Christmas card with the house drawing/watercolor; remove empty folders.  Folder: Christmas card mock-up; color photos of exterior, 1973; B & W shots of interior; color photos of interior, 1973.  Folder: Color photos of interior, 1971, 1973, 1976.

Box 6—Labeled “Zimmerman House Archive—Zimmermans’ Household Files: Gas, Honeywell, Currier Gallery of Art—Related File”  Handwritten note about Calder television spot and a photocopy of a newsclipping about the Currier Gallery of Art and the Calder exhibit, The Providence Sunday Journal, June 24, 1979 (in an envelope)  Note from David to L.Z., May 26, 1979  Handwritten note from Barbara Clinton to L.Z. stapled to the minutes of the Joint Meeting of The Board of Trustees and The Advisory Council of the Currier Gallery of Art, June 16, 1978 (in an envelope)  Memorandum to “vhe” from Mac (former director), 9/14/1978, folded with a letter from Virginia H. Eshoo (former Coordinator of Membership Development) to L.Z., September 20, 1978  Note from Robert M. Doty (former director, also known as “Mac”) to L.Z., April 12, 1978, with the minutes of the Advisory Council of the Currier Gallery of Art, April 5, 1978, and two different copies of proposed budgets (in an envelope)  Minutes of the Advisory Council of the Currier Gallery of Art, February 3, 1977 (in an envelope)  Copy of the Proposed Budget, 1977 (in an envelope)  Note from J. Galgano to L.Z. with Minutes of the Advisory Council of the Currier Gallery of Art, May 12, 1977 (in an envelope)  Minutes of the Advisory Council of the Currier Gallery of Art, March 31, 1977 (in an envelope)  Memorandum from Kimon S. Zachos to The Trustees and the Advisory Committee of the Currier Gallery of Art, August 15, 1977, and a photocopy of a newsclipping about Robert Doty’s appointment as director of the Currier, New Hampshire Sunday News, August 14, 1977 (in an envelope)  Folder (labeled “Mrs. Zimmerman”): information about the Friends of The Currier Gallery of Art and the Advisory Board.  Folder (labeled “Zimmerman Collection—Works of Art—Chronology of Collecting”): small gray book with list of pottery purchases; copies of donor receipts for the Currier; photocopies of photos of sculptures; letter from L.Z.’s lawyer to director of the Currier about donating materials, 1988; memorandum list of two-dimensional artwork at the Zimmerman House; 2-page list of cutlery and utensils with prices, “sale” and “regular” handwritten on notepaper; list of the sculptures owned by the Zimmermans; 4 pages stapled together detailing the sculptures owned by the Zimmermans, including price, year acquired, etc.; “Penalba Sculpture” booklet from Otto Gerson Gallery in New York; correspondence and receipts of sale for several pieces of Asian artwork (maybe other areas of the world as well); “Names of Artists—Sculptures and Graphics” handwritten list stapled to a folder (remove staple and folder).  Folder (labeled “Gas Heating Material”): manuals, instructions, pamphlets, and warranties for heating system(s); Honeywell folder with blueprints of hot water system and a note to a Mr. Morse expressing concern about the system; empty folder addressed to Mrs. Zimmerman from Honeywell (remove); business card for Stanley J. Chiavaras, a representative for Manchester Gas Co.; carbon copy of a letter of complaint to the Manchester Gas Co. written by L.Z.; correspondence between Honeywell and L.Z. (two letters with envelopes stapled together).  Folder (labeled “Honeywell Plan”): instructions for a Honeywell valve; copy of a Manchester Gas Co. order placed by I.Z.; “Manchester Gas Co. Customer Service Policy” pamphlet; Manchester Gas Co. bill, 1968; instructions for a Bryant boiler; instructions for Honeywell “Outdoor Reset Controls.”

 Folder (labeled “Currier Papers”): brown envelope from the Currier to L.Z. with a Bulletin, 1973 (number 3); notes from a special meeting of the Advisory Board, 1980 (remove envelope); correspondence with director Robert Doty, 1978; feasibility study, 1979; correspondence with Currier and other museums, pamphlet and invitation, all relating to the exhibit “Calder’s Universe” at The Currier Gallery of Art, 1979; “Audited Financial Statements and Other Financial Information from The Currier Gallery of Art,” 1979; brown envelope from the Currier to L.Z. with notes from various meetings regarding the Currier’s image and the feasibility study, circa 1978, résumé and information about Allon Schoener and his work (feasibility study), handwritten notes from a Currier meeting, and notes from a meeting of the Manchester City School Art Teachers and Administrators attended by Currier staff, 1978.

 Folder (labeled “L 12”): Pamphlet/program for “Monadnock Music Presents Season ’71”;; Pamphlet for “New Hampshire Music Festival ‘71”; Pamphlet for “Crossroads: A Festival of the Arts,” at Dartmouth College, 1971; program for “In Holiday Concert” at the Manchester Institute of Arts and Sciences, 1973; program for The Concord String Quartet at Dartmouth College, 1976, along with comment card/mailing list form; handwritten list of what seems to be concerts attended; program for The Amadeus Quartet at Dartmouth College (1976); program for “The New Arts Ensemble” at St. Anselm’s College, 1973; program for “The Collegium Musicum and the Camerata Singers in the annual Christmas Concert” at New England College, 1973; program for “Chamber Music from the XVIIth and XVIIIth Centuries” at Grace Church (1973); program for Alberto Reyes, Pianist at St. Anselm’s College (1973); program for Barbara A. Nissman, Pianist at New England College (1973); program for New York Pro Musica Antiqua at St. Anselm’s College; program for Jessye Norman, Soprano at Dartmouth College (1973); program for Lorin Hollander, Pianist at the Capitol Theatre in Concord, NH (1973); program for the Vermeer Quartet (1973-1974); program for the Guarneri String Quartet and the Vermeer Quartet at Dartmouth College (1973); program for Yvonne Loriod and Olivier Messiaen (pianist and composer, respectively) at Dartmouth College (1973); program for the New York Philomusica Chamber Ensemble at Dartmouth College (1973); program for Lorene Banta, Organist at St. Anselm’s College (1973); program for the Lurio Ensemble at St. Anselm’s College (1973); season schedule for Monadnock Music (1973); program for “A Ceremony of Carols” at Notre Dame College (1973); program for the Raphael Trio at St. Anselm’s College (1973); program for Monadnock Music (1973); letter from someone at Monadnock Music; program for Monadnock Music (different from previous; 1973); biographical sketches of Monadnock Musicians (Summer 1973); program for Monadnock Music (different from previous; 1973); program for Monadnock Music (different from previous; 1973); program for Monadnock Music (different from previous; 1973); program for Monadnock Music (different from previous; 1973); program for Monadnock Music (different from previous; 1973); program for Monadnock Music (different from previous; 1973); program for Monadnock Music (different from previous; 1973); program for the New York Philomusca Chamber ensemble at Dartmouth College (different from previous; 1973); program for the Marlboro Music Festival (1973); program for the Marlboro Music Festival (1972); program for “Music at Manhattan” at New England College (1973); program for the Strawberry Banke Music Festival; program for the Marlboro Music Festival (1973); program for the Raphael Trio at St. Anselm’s College (1973); report for 1972 and plans for 1973 for Monadnock Music; program for the Metropolitan Opera (1973); program for “Music in the Life and Times of Edward I (1239-1307),” a lecture-recital by Mary Remnant at the Boston Museum of Fine Arts (1973); program for a concert at Notre Dame College (1973); program for Nejmi Succari, Violinist at St. Anselm’s College (1973); program for the Guarneri String Quartet at Boston University (1973); program for Isaac Stern at Boston University (1973); program for the Julliard String Quartet at Dartmouth College (1973); program for Paul Doktor, Viola at the University of New Hampshire (1973); program for a concert at St. Anselm’s College (1972); program for “Recital in the Home” at the Dr. Stahl Residence in Manchester, NH (1972); program for the Manhattan Trio at New England College (1972); program for the Strawberry Banke Music Festival (1972); letter from Monadnock Music, 1972; programs and schedules for Monadnock Music, 1971 and 1972, paper-clipped together; two programs for Lynda Copeland, Organist at St. Anselm’s College (1973); program for the Amadeus String Quartet at Dartmouth College (1972); program for the Boston Symphony Chamber Players at the University of New Hampshire; program for the Guarneri String Quartet at Dartmouth College (1972); program for the Concord Chorale at St. Paul’s School in Concord, NH; program for the LaSalle Quartet at the University of New Hampshire; report for 1973 and plans for 1974 for Monadnock Music; program for the Guarneri String Quartet (probably at the University of New Hampshire; 1972); program for the “Concert of Romantic Music” at The Currier Gallery of Art; program for Symphony Night at UNH with the Hartford Symphony Orchestra at the University of New Hampshire (1972); two pages of songs in German.

 Folder: Handwritten sheet music with lyrics; unidentified recipe that includes cement with a date at the bottom; sheet of paper with two drawings of heads with a note about office hours, no signature; handwritten sheet music with a German title, dated 7/16/33; newsclipping about Dr. Zimmerman receiving his Master’s degree; newsclipping about a bon voyage party for art tourists, including the Zimmermans; newsclipping about 8 nurses receiving diplomas, L.Z. may be one of them but no names are given; newsclipping with Zimmermans’ marriage announcement; newsclipping announcing I.Z.’s Master’s degree; story clipped from a magazine (looks like The New Yorker) with a note on the first page that reads “From Si Stone on the death of our beloved Checkers.”

 Folder (labeled “Prints Related to the Zimmerman House”): Correspondence from the Hermsdorf Fixture Manufacturing Co., Inc., to the Zimmermans in November of 1954.

 Folder: Burial certificate for I.Z. from the Concord Crematorium; folder labeled “Logan, Margaret and Frank” containing newsclippings about and correspondence with the Franks (artists—Zimmermans appear to have had some of their artwork); folder labeled “Judaic Memorabilia” containing a booklet entitled “Prayers of Comfort” and a yarmulke; a folder labeled “Religious Stuff” containing funeral cards and newsclipping obituaries of friends and family, including I.Z., a bulletin from a service at Temple Adath Yeshurum (which I.Z. belonged to); a few holiday cards; and an errata excerpt from an unidentified art book (note at top says “from 2397”).

Box 7—Labeled “Zimmerman House Archive—Uncatalogued Materials”

o Folder (labeled “LZ Personal Telephone Numbers List 1987”): back page of a phone book with personal telephone list of LZ.

o Folder (labeled “Zimmerman Misc. Material from Publications”): 2 copies of a “Newsletter,” vol. I, no. 3, May-June 1978 (entire newsletter devoted to Frank Lloyd Wright; page 8 discusses the Zimmerman House); a photocopied article from Medical Economics, 1961, with an article entitled “Look where this doctor lives: A house by Frank Lloyd Wright” (discusses the Zimmerman House); Reflections newsletter (by the Manchester Historic Association) vol. II, no. 1, Winter 1985 (discusses the Zimmerman House); photocopied article from The New York Times, 1987, entitled “Keeping Wright’s Furniture at Home” (does not mention the Zimmerman House); photocopied article/items from Maine Antiques Digest, February 1987, entitled “The Wright Stuff” (does not mention Zimmerman House); photocopied article from Maine Antiques Digest, June 1986, entitled “Wright House for sale—Furnished” (does not mention Zimmerman House); photocopied article from unidentified magazine/journal entitled “The Impact of Genius: Fallingwater, 1936” (does not mention Zimmerman House); photocopied article from House Beautiful, 1946, entitled “The Most Influential Design Source of the Last 50 Years” (discusses Frank Lloyd Wright, his impact on design, and his home in Arizona) (does not mention Zimmerman House).

o Folder (labeled “Xeroxed Articles: Zimmerman House”): “Global Interior: Houses by Frank Lloyd Wright,” edited and photographed by Yukio Futagawa (includes photo of the Zimmerman House; written in Japanese); “Frank Lloyd Wright in Manchester,” The Currier Gallery of Art Bulletin, 1960; “Architecture of Ideas,” House and Home, 1962 (discusses Wright’s philosophy and includes photos of the Zimmerman House); “The Grapevine,” Naperville Sun, 1958 (discusses a visit to the Zimmerman House); “A House by Frank Lloyd Wright,” Medical Economics, 1961 (discusses Zimmerman House); “New School Architects Not Registered, Board Reports,” Concord Monitor, undated (mentions that Frank Lloyd Wright did a house in Manchester without certification); “Frank Lloyd Wright ‘Lives’ in Manchester,” New Hampshire Sunday News, 1980 (discusses and includes photos of the Zimmerman House); “Finding the ‘Wright’ House in Manchester,” The Manchester Journal, 1985 (discusses and includes photos of the Zimmerman House); “The Works of Frank Lloyd Wright in Manchester, New Hampshire,” Reflections, 1985 (discusses and includes a photo of the Zimmerman House). o Folder (labeled “Xeroxed Articles: Wright Biography”): “The Latter Days of Frank Lloyd Wright,” Esquire Magazine, 1958 (discusses Frank Lloyd Wright and his son John); “In the Arizona Desert, Frank Lloyd Wright’s Widow keeps the Architect’s Flame Burning and Her Students Building,” People Magazine, 1982 (discusses Wright’s widow Olgivanna Wright); “Madison’s Prodigal Prophet,” source unknown, undated (discusses Frank Lloyd Wright’s life in Wisconsin); “The Late Frank Lloyd Wright,” source unknown, 1959? (anecdote about Frank Lloyd Wright); “Reburial of Frank Lloyd Wright Touches Off a Stormy Debate,” The New York Times, 1985; “Mrs. Frank Lloyd Wright Pays Tribute to Husband,” source unknown, 1959?; “Wright’s Stature is Growing Still,” The Dallas Morning News, 1979 (Wright’s effect on architecture); “Native Genius,” Time, 1959 (Frank Lloyd Wright’s life); two newspaper photos and a short newsclipping photocopied onto the same page, source(s) unknown, 1957? (short anecdotes about Frank Lloyd Wright); Obituaries (?) for Frank Lloyd Wright, source(s) unknown, undated; photo and caption of Frank Lloyd Wright and Anne Baxter, Time, 1951; “Adamant Architect,” The Berkshire Evening News, 1955 (photo and caption of Frank Lloyd Wright); photo and caption of Frank Lloyd Wright with poet Carl Sandburg, 1956 (?); “Change of Mind for an Architect,” source unknown, undated (Frank Lloyd Wright’s taxes to Wisconsin; “Old Time Simplicity Marks Funeral of Frank Lloyd Wright,” source unknown, 1959; anecdote about Frank Lloyd Wright, The New Yorker, 1956; “Wright Quits Home State in Row Over Taxes,” source unknown, 1954 (?), (Frank Lloyd Wright’s taxes to Wisconsin); “Wisconsin’s Warnings,” Boston Globe, 1954 (Frank Lloyd Wright’s taxes to Wisconsin); “Wright Snubs Wisconsin,” source unknown, 1954 (Frank Lloyd Wright’s taxes to Wisconsin); “Famed Architectural Genius Frank Lloyd Wright Dead at Age of 89,” source unknown (noted as “Boston” on cover page), 1959; photo and caption of Frank Lloyd Wright on his 85th birthday, source unknown, 1954; “Quits Wisconsin,” source unknown, 1954 (Frank Lloyd Wright’s taxes to Wisconsin); advertisement for the next issue of House Beautiful featuring Frank Lloyd Wright, House Beautiful, 1955; photo and caption of Frank Lloyd Wright and family, Boston Daily Record, 1957; “Architect Wright Quits Wisconsin, May Move School to New York,” source unknown, 1954; photo and caption of Frank Lloyd Wright photo in Boston exhibit, source unknown (noted as “Boston” on the cover page), undated; “Mrs. Maginal Wright Barney, 84, Illustrator and Craftsman, Dies,” The New York Times, undated (Frank Lloyd Wright’s sister); “F.L. Wright to Occupy Pulpit Here,” source unknown (noted as “New York” on the cover page), 1954 (Frank Lloyd Wright delivering a speech entitled “The Architect Preaches a Sermon”); “Yosemite Rejects Design by Frank Lloyd Wright,” The New York Times, undated; “Honors Induce Wright to Stay in Wisconsin,” Boston Daily Record, 1955 (Frank Lloyd Wright’s taxes to Wisconsin); “Olgivanna Wright, led architects’ school,” source unknown, 1984 (Mrs. Wright’s death); “Frank Lloyd Wright—The Madison Years,” Wisconsin Magazine of History, 1967. o Folder (labeled “Jankowski, Kevin”): postcard from “Kevin”; hand- drawn card with angel and animals, signed by the Jankowski family members (including Kevin); card with watercolor painting on front done by Kevin Jankowski, inscription inside is a thank-you note to Mrs. Zimmerman from Kevin, postmark on envelope dated 1984; untitled drawing of a head signed “K.J.” (Kevin Jankowski?), undated. o Folder (labeled “Rogovin, Milton”): an issue of the Prodigal Sun newspaper, vol. 1, no. 13, 3 December 1982, featuring an interview with photographer Milton Rogovin; newsclipping about Milton Rogovin exhibit at Buffalo (NY) State College, mentions that it was organized by The Currier Gallery of Art, 1982; letter from Anne Rogovin to the Zimmermans, September 1982; advertisement for Anne Rogovin’s book “Let Me Do It!”; letter from Anne Rogovin to the Zimmermans, December 1982; B & W photo from Milton Rogovin’s Chilean series, signed “To Dr. Isadore and Lillian Zimmerman in deepest appreciation for your interest in my photographic work, Milton Rogovin;” Postcard of “Lower West Side, U.S.A.” from International Center for Photography exhibit, signed “To Dr. and Mrs. Isadore J. Zimmerman, Milton Rogovin;” postcard addressed to the Zimmermans for the exhibit “Working People” Photographs by Milton Rogovin” at The Currier Gallery of Art. o Folder (labeled “Duncan”): handmade holiday card with original drawing by Duncan Dessin, signed by the artist, 1967; handmade holiday card with a “section of worktable” as the cover, by Duncan, with handwritten note on the back. o Folder (labeled “Diska, Pat”): Pamphlet for exhibit with Diska, Metcalf, and Yektai, in French, 1961; photo of a sculpture with unsigned handwritten note on the back; pamphlet with photos and discussion of Diska’s work, in French, undated; booklet for Diska, Metcalf, and Yektai exhibit, in French, 1961; reprint of an article by Pat Diska from the December 1966 issue of Vassar Alumnae Magazine, entitled “Sculpture for the Sun and the Wind,” with the inscription “Season’s Greetings, Diska” on the front page; booklet of Diska’s work, in French, with the inscription “Warmest regards, Pat Diska” on the front page; several B & W photos of Diska’s work and studio with notes on the backs (looks like Pat Diska’s writing), including one with a long inscription signed by Pat Diska. o Folder (labeled “ZH—Street Map—Union and Heather”): Blueprints of Union and Heather streets, 4 pieces (appear to be different from one another). o Folder: Letter with envelope from Galerie Alex Vömel in Düsseldorf, Germany, dated September 1963. o Folder (labeled “Zimmerman: Repair Bills”): correspondence and invoices between L.Z., her attorney Kimon Zachos, architect Michael Ingram, and various contractors regarding repair work at the Zimmerman House, especially masonry work with the brick wall in the driveway; receipts and statements from repair work at the Zimmerman House, including installation of new heating equipment, millwork, and architectural services. o Folder (labeled “Articles: Originals About Zimmerman House”): “Members of the Taliesin Fellowship, 1932—” list of members, the Zimmermans are not included; “The Works of Frank Lloyd Wright in Manchester, New Hampshire,” Reflections, 1985 (original); photocopy of “Frank Lloyd Wright in Manchester” from The Currier Gallery of Art Bulletin, 1960; “32 Simple and Basic Design Ideas of Frank Lloyd Wright,” House and Home, September 1956 (original; includes photos and discussion of the Zimmerman House); “Look Where This Doctor Lives: A House By Frank Lloyd Wright,” Medical Economics, August 1961 (original; includes photos and discussion of the Zimmerman House); “Wright Was Right for Them,” New Hampshire Profiles, December 1978 (entire magazine; includes photos and discussion of the Zimmerman House); “Frank Lloyd Wright ‘Lives’ in Manchester,” New Hampshire Sunday News, April 1980 (original, with a second copy clipped out and taped to sheets of white paper; includes photos and discussion of the Zimmerman House); “New School Architects Not Registered, Board Reports,” Concord Monitor, undated (original article clipped and taped to a sheet of white paper); “The Grapevine,” source unknown, undated (original article clipped and taped to a sheet of white paper; discusses a visit to the Zimmerman House); tiny original newsclipping, source unknown, undated, reads “Dr. I. Zimmerman, 703 Maple street, to build three-room house, Heather and Union street” (seems to have fallen off wherever it was taped); “Finding the ‘Wright’ House in Manchester,” The Manchester Journal, May 1985; pages from the Merchandising issue of House and Home, April 1956 (2 copies; originals; photos and discussion of the Zimmerman House); “ The New Architecture of Ideas,” House and Home, March 1962 (original; photos and discussion of the Zimmerman House).

o Folder (labeled “Lucille Zimmerman Est.—Will and Probate Documents”): correspondence from Kimon Zachos (L.Z.’s attorney) to Currier curator Michael Komanecky listing the original documents of the L.Z. estate included in the donation, 1991; the last will and testament of Lucille Zimmerman, in which she donates the Zimmerman House to the Trustees of The Currier Gallery of Art and outlines her requested considerations for the house; L.Z.’s death certificate, March 1988; photocopy of L.Z.’s obituary, source unknown; packet of paperwork relating to court of probate proceedings after L.Z.’s death; packet of correspondence between various lawyers regarding issues of L.Z.’s estate; interest and dividends tax return for L.Z.’s estate, 1988; U.S. Fiduciary Income Tax Return for L.Z.’s estate as filled out by Kimon Zachos, 1988; U.S. Fiduciary Income Tax Return for L.Z.’s estate as finished by preparer James T. Cain, 1988; Office Copy from Sheehan, Phinney, Bass & Green (law office where Kimon Zachos was employed) of the Lucille Zimmerman Estate, 1988; Receipts, expenditures, and accounts of the Lucille Zimmerman Estate as accounted by Kimon Zachos, 1988- 1989.

o Folder: print of photos of members of Phi Delta Epsilon, 1927, including I.Z.; B & W photo mounted on cardboard, inscribed with “Pa” and “Photo by Isadore and Lucille;” B & W photo mounted on cardboard, inscribed with “Ann” and “Photo by the Zimmermans.”

o B & W photo of a man, mounted in a cardboard folder, undated

o B & W photo of a group of young men (I.Z. is included), mounted in a cardboard folder, undated

o Folder: B & W photo of I.Z. mounted in a cardboard folder; burial certificate of I.Z. and L.Z.

o B & W photo of a Frank Lloyd Wright (Adelman House? Crossed out on back) in Michigan.

Box 8—Labeled “Zimmerman House Archive—Swanburg Photographs”

o Folder: Color photographs of buildings (possibly Frank Lloyd Wright or Swanburg Construction Company); letter from L.Z. to “Mary” (incomplete); letter from Zimmerman House Administrator to Mrs. Vincent Swanburg, 1992 (Mr. Swanburg worked on and took photos of Frank Lloyd Wright buildings); packet of photocopies of all of the photos; color photo of a man with glasses (Mr. Swanburg?); blueprint with land divisions in Weare, NH, specifically Catherine Muir Swanburg in 1948, stamped with a date of October 1983; B & W and color photographs of houses and landmarks in New Hampshire and Maine, including the Milford Library, Blessed Sacrament Church, Colby Sawyer College, the Reform School in Manchester, and the McLane House; prints of architectural drawings of the F.M. Transmitter Station, the Alvirne High School Building, and a proposed dormitory at St. Michael’s College, VT; photo of a construction area with a “Swanburg Construction Corp” sign in it (presumably in Manchester or somewhere in NH). Note: photos are bending in the box because it is not full enough. Find better storage.

o Color photo of Mr. and Mrs. Zimmerman outside their home with Checkers the dog.

o Three Zimmerman House pamphlets, top one marked “old”

o Correspondence between Kimon Zachos and Michael Komanecky and Jack B. Middleton, a lawyer who dealt with a disagreement between the Zimmermans and Vin Swanburg (contractor).

o Master’s Report of Swanburg Construction Company vs. Isadore J. Zimmerman and Lucille Zimmerman (2 copies, one delicate).

o Folder (labeled “Zimmerman Photos”): Manila envelope with note reading “B/W photos St. Peter’s Rome,” (of a mass at the Basilica); several unlabeled B & W photos of a family (mother, father, and two boys), all signed “Lotte Jacobi;” Small white envelope with B & W and color photos of the interior and exterior of the house, inscribed to various friends and family members, marked with 1950 as the year the picture was taken and 1980 as the year it was sent, along with a “Seasons Greetings” photo folder with a photo of the house in it.

Box 9—Labeled “Zimmerman House Archive—Articles to be Photocopied”

o Folder (labeled “Miscellaneous”): color postcards of Frank Lloyd Wright buildings; color postcards of Taliesin West (Frank Lloyd Wright School of Architecture); booklet for the 1950 commencement ceremony at Florida Southern, with photographs of the Frank Lloyd Wright buildings on campus; color photos of the interior of an unidentified Frank Lloyd Wright building; “Mr. Wright’s Wonderful Automobile,” This Week Magazine, 1959 (original; Frank Lloyd Wright’s design for a car); “4 Young Irishmen Sail 2500 Miles to Study Architecture,” source unknown, undated (original; 4 young men sailed from Ireland on their way to Wisconsin to study architecture with Frank Lloyd Wright); advertisement from Christie’s New York for three “leaded” glass items (two doors and a window) designed by Frank Lloyd Wright and featuring the “Tree of Life” design, from the Darwin D. Martin House (a note on the bottom reads “price paid: $110,000” and there are various illegible notes on the back of the page; original); “Introduction to Architecture: History in Stone” (A Lifetime Learning Minicourse), Modern Maturity, 1983 (section on modern architecture includes a discussion of Frank Lloyd Wright’s work and a photo of one of his buildings); postcard from “David” to the Zimmermans, undated; “New Dean of Architecture at MIT Sees Homes Expressive of Succeeding Ages,” Boston Sunday Herald, 1951 (original; briefly mentions Frank Lloyd Wright). o Folder (labeled “Frank Lloyd Wright”): “At Smithsonian, Decorative Art of Architect Wright,” The New York Times, December 1977 (two copies, one original clipped and taped to sheets of white paper, one photocopied); article, “Owner to Raze Wright House,” Preservation News, February 1972 (original; the Francis W. Little House in Minnesota); card with print of stained-glass triptych window designed by Frank Lloyd Wright from the Metropolitan Museum of Art; handwritten list of articles with discussion of the Zimmerman House and/or Frank Lloyd Wright (does not appear to be all of the articles in the collection); “The Houses Wright Built,” The New York Times, 1986 (original; photos and discussion of the 24 Frank Lloyd Wright buildings in Oak Park, Illinois); “Vincent Scully,” International Herald Tribune, 1983 (original; discusses the teachings of Yale architecture and art history professor Vincent Scully; briefly mentions Frank Lloyd Wright and Taliesin West); “Frank Lloyd Wright House on Register,” The State Journal, Frankfort, Kentucky, 1976 (original; discusses the addition of Frank Lloyd Wright’s Zeigler House in Kentucky to the National Register of Historic Places); “Wright House in Springfield, Ill., well-kept secret,” Wisconsin State Journal, 1981 (original; discusses the Frank Lloyd Wright Dana-Thomas House in Springfield, Illinois); receipt from “N.V. Uitgeverij C.A. Mees, Santpoort” for the purchase of “F. Lloyd Wright, The Lifework” (book?) in Dutch (title of work is in English); letter to L.Z. from “N.V. Uitgeverij C.A. Mees, Santpoortm,” the Netherlands, stating that the book “The Lifework of Frank Lloyd Wright” is enclosed with the letter, dated 1950 (note: letter also implies that L.Z. is going to give this book to Frank Lloyd Wright himself); pamphlet from McGraw- Hill Book Company advertising the release of a book about Frank Lloyd Wright and his architectural theories entitled In the Cause of Architecture, undated; handwritten list of several Frank Lloyd Wright buildings in Wisconsin with dates of construction; “‘Potential Mansion:’ Wright House for Sale,” Preservation News, 1969 (original; photo and discussion of the J.J. Walser House in Chicago, Illinois); advertisement from Hennessey and Ingalls, Inc., for “Frank Lloyd Wright: An Annotated Bibliography,” undated; opened envelope from “Charles C. Thomas, Publisher” in Springfield, Illinois to I.Z., with photo on back of two Frank Lloyd Wright buildings; index card with typed list of Frank Lloyd Wright’s books with publication dates. o Folder (labeled “Interviews: FLW”): “Holiday Handbook: Neglected American Treasures,” source unknown, undated (original; photo and brief discussion of Frank Lloyd Wright’s Usonian Pope-Leighey House in Virginia, but no interview); “Wright Revisited,” The New Yorker, 1956 (original; interview with Frank Lloyd Wright on his 87th birthday); “Listen To…Frank Lloyd Wright,” Collier’s, 1956 (original; photos and interview with Frank Lloyd Wright); newsclipping about Frank Lloyd Wright and the proposed demolition of his Robie House in Chicago, source unknown, undated (original); “Globe Man’s Daily Story,” source unknown, undated (original; describes an incident between Frank Lloyd Wright and the Mayor of Madison, Wisconsin); “Quick Quotes,” source unknown, undated (original; quote from a larger article about Frank Lloyd Wright—see next); “Home Bars ‘Vulgar:’ Wright Tells What’s Wrong With Hollywood Mansions,” The Courier-Journal, 1950 (original; interview with Frank Lloyd Wright about problems with movie stars’ homes— related to previous item); “Cities: ‘Very Village-Like’,” Time, 1953 (original, 2 copies; Frank Lloyd Wright’s opinion of New York City); “F.L. Wright Grows Angry: Modern Architecture ‘Heading for Gutter,’” source unknown, undated (original); “Restoring Fountainhead,” Fine Homebuilding, December 1982/January 1983 (original; photos and discussion of the renewal of Frank Lloyd Wright’s Fountainhead House in Jackson, Mississippi); “A Great Symbol,” Time, 1959 (original; discussion of Frank Lloyd Wright’s design of a synagogue resembling Mt. Sinai); “Frank Lloyd Wright vs. the Bridge” (editorial), Life, 1971 (original; discussion of meeting Frank Lloyd Wright and of how his widow Olgivanna Wright maintained Taliesin); “Pavement Plato: Writer Reveals Week’s Diary of a New Yorker: Meets Architect Frank Lloyd Wright, 85; Says Nobody More Youthful in Outlook,” Boston Traveler, 1954 (original; short account of meeting Frank Lloyd Wright); quote from Frank Lloyd Wright, The Reader’s Digest, 1952 (original); “The Future: Four Views,” New York, 1653-1953, 1953 (original; Frank Lloyd Wright’s answer to the question “What will tomorrow’s New York be like?”); interview with Frank Lloyd Wright at the Guggenheim Museum, The New Yorker, undated (original; beginning of interview is missing); “The Finale at 89 For a Fiery Genius: Death Ends Wright’s Flamboyant Career,” Time, undated (original). o Folder (labeled “Wright Colleagues”): “Remembering Our Mentors,” Boston Globe, 1976 (original; discussion of architect Louis Henri Sullivan, with brief mention of Frank Lloyd Wright); clipping from a museum calendar for “Frank Lloyd Wright in Manchester,” source unknown, undated (original; exhibit is photographs of the Zimmerman House and the Kalil house, a Frank Lloyd Wright automatic Usonian house in Manchester; mentions the Currier). o Folder (labeled “NY Times Reviews”): “Frank Lloyd Wright— Twenty Years After His Death,” The New York Times, 1979 (original; review of Frank Lloyd Wright buildings); “Met Celebrates Houses Wright Built,” The New York Times (?), 1982 (original; discussion of the Metropolitan Museum of Art’s Frank Lloyd Wright exhibit); “Individual Architect: Frank Lloyd Wright Show Reveals Many Facets,” source unknown, undated (original; review of Frank Lloyd Wright exhibit at the Academy of Arts and Letters); “Still a Rebel at 84: Frank Lloyd Wright Getting N.Y. Show of His Work Ready,” New York Herald Tribune, 1953 (original; discussion of exhibit of models of famous Frank Lloyd Wright buildings and original drawings presented by the Guggenheim Foundation, called “Sixty Years of Living Architecture”); “Wright’s Pavilion to Open Thursday: Volunteers Helping to Prepare Exhibit of Architect’s Work at 5th Avenue Site,” The New York Times, 1953 (original; discussion of exhibit of models of famous Frank Lloyd Wright buildings and original drawings presented by the Guggenheim Foundation, called “Sixty Years of Living Architecture”); “Art and Artists: Leger, Wright Shows Are Related,” New York Herald Tribune, 1953 (original; discussion of parallels between painter Fernand Leger and Frank Lloyd Wright); “Frank Lloyd Wright vs. the Machine,” The New York Times, 1983 (original; discussion of Frank Lloyd Wright’s work in the Hirschl & Adler Modern exhibit); “House of Wright is Previewed Here: Architect Shows First Guests Through ‘Usonian’ Home— Opening Due Tomorrow,” The New York Times, 1953 (original; discussion of preview of Frank Lloyd Wright’s Usonian home attached to the Guggenheim Museum). o Folder (labeled “Guggenheim”): “600 an Hour See Guggenheim Museum: Thrilled, Puzzled, Angered by Frank Lloyd Wright Structure,” New York Herald Tribune, 1959 (original; photo and discussion of public reaction to Frank Lloyd Wright’s design of the Guggenheim Museum); typed description of the exhibition “Sixty Years of Living Architecture” (exhibit of models of famous Frank Lloyd Wright buildings and original drawings) from The Solomon R. Guggenheim Foundation, 1953 (two copies); article, “Architecture in New York,” Playbill: A Weekly Magazine for Theatregoers, 1958 (original; article discusses Frank Lloyd Wright and his design for the Guggenheim Museum); “Wright’s Nature” (letter to the Editor), The New York Times, 1957 (original; letter from reader pointing out that Frank Lloyd Wright’s design of the Guggenheim Museum resembles his hat); “The Sky Line: What Wright Hath Wrought,” The New Yorker, 1959 (original; discussion of Frank Lloyd Wright’s design for the Guggenheim Museum); “Mr. Wrong” (an anecdote about Frank Lloyd Wright and the Guggenheim Museum) and part of an interview with Frank Lloyd Wright, The New Yorker, 1953 (original); “Mr. Wright’s Archeseum,” source unknown, undated (original; discussion of Frank Lloyd Wright’s design for the Guggenheim Museum); “New Room at the Guggenheim,” The New York Times, 1978 (original; discussion of the creation of a reading room in the Guggenheim Museum designed by Frank Lloyd Wright); “Frank Lloyd Wright’s Temple to Human Creativity,” ArtNews, 1982 (original; essay on Frank Lloyd Wright’s design of the Guggenheim Museum); newsclipping about revisions to Frank Lloyd Wright’s proposed design for the Guggenheim Museum and the purchase of the Frank Lloyd Wright Usonian house that had been on display at the museum during the “Sixty Years of Living Architecture” show, source unknown, undated (original); “Frank Lloyd Wright yields 2 ½ Feet in Museum Dispute,” source unknown, undated (original; discusses the controversy surrounding Frank Lloyd Wright’s design of the Guggenheim Museum); “Mr. Wright’s Architecture,” source unknown, undated (original; discusses the controversy surrounding Frank Lloyd Wright’s design of the Guggenheim Museum); “Wright Planning Edifice for His Art: Architect Designs a Pavilion Near Guggenheim Museum to Feature Old Drawings,” source unknown, undated (original); “The Wright Word,” Time, 1954 (original; short interview with Frank Lloyd Wright); photo and part of an article about the controversy surrounding Frank Lloyd Wright’s design of the Guggenheim Museum, New York Herald Tribune, undated (original); “‘Lost’ Frank Lloyd Wright House is Found,” The New York Times, 1984 (original; discusses the discovery of pieces of the Usonian house that had been attached to the Guggenheim Museum); “Man of Culture,” Newsweek, 1953 (original; discussion of the “Sixty Years of Living Architecture” show). o Folder (labeled “Metropol. House”): “Metropolitan Acquires Wright’s F.W. Little House: Expands American Wing’s Architecture to 20th Century,” Preservation News, undated (original; discussion and photos of the Metropolitan Museum of Art’s purchase of the Francis W. Little House in Minnesota); “Making Room for Wright,” The New York Times Magazine, 1982 (original; discussion and photos of the reconstruction of the Francis W. Little living room in the Metropolitan Museum of Art); “Reviving the Wright Stuff,” Newsweek, 1983 (original; discussion and photos of the reconstruction of the Francis W. Little living room in the Metropolitan Museum of Art). o Folder (labeled “Wright’s Own Homes”): “The House in the Desert,” source unknown, undated (original; photo and brief discussion of Frank Lloyd Wright’s Arizona home, Taliesin West); “More is Less,” Preservation News, 1974 (original; photo and discussion of Frank Lloyd Wright’s Arizona home, Taliesin West); “Letter from Spring Green: Restoring Taliesin the Wright Way,” Preservation News, 1980 (original; discussion of the restoration of Taliesin West); “Wright Works Grow Young,” The Christian Science Monitor, 1978 (original; photos and discussion of Frank Lloyd Wright’s buildings twenty years after his death); piece of envelope addressed to the Zimmermans from Taliesin (Scottsdale, Arizona), clipped and pasted to a piece of cardboard; “The Master of Taliesin,” The Boston Globe, 1983 (original; discussion of the school at Taliesin West and the influence of Frank Lloyd Wright); “Taliesin Week-end: Frank Lloyd Wright, 85, Vitally Works On,” source unknown, undated (original; discussion of life at Taliesin for Wright’s students); “Frank Lloyd Wright Design: A Taliesin Furnishing Ensemble,” New York Herald Tribune, 1955 (original; photos and discussion of furniture designed by Frank Lloyd Wright); part of an article about Taliesin West and student life, Sunday Mirror Magazine, 1951 (original); “Taliesin West,” House and Garden, 1948 (original; photos and discussion of Taliesin West and student life); “Wright’s Legacy in Wisconsin: An Excursion to Taliesin and Beyond,” The New York Times, 1985 (original; photos and discussion of Frank Lloyd Wright’s Wisconsin home and school, Taliesin); “The Most Influential Design Source of the Last 50 Years,” House Beautiful, 1956 (original; photos and discussion of Frank Lloyd Wright’s Arizona home, Taliesin West and his influence on design). o Folder (labeled “Wright Architecture (Not Homes)”): photo and clipping of Frank Lloyd Wright’s “Romeo and Juliet Windmill Tower” at his aunts’ Hillside Home School in Spring Green, Wisconsin (original); “New Church is Form of Prayer: Wright,” The Capital Times (Madison), 1951 (original; part may be missing, photos and discussion of Frank Lloyd Wright’s design of the Unitarian Church in Madison, Wisconsin); “F. Lloyd Wright Tells Story of the Fellowship,” The Dodgeville Chronicle (Iowa County, Wisconsin), 1952 (original; letter by Frank Lloyd Wright to the readers asserting that his home is a non-profit school and therefore not subject to the back taxes the Wisconsin government demanded, along with letters from prominent architects and city officials in support of his claim); “A Wright Design Divides Arizona: Regents of State University Wary of Plans He Left for Fine Arts Center,” source unknown, undated (original); “Says Frank Lloyd Wright: Grass in the Streets of N.Y. in 25 Years,” New York Herald Tribune, 1953 (original; discussion of Frank Lloyd Wright’s view of New York); “A Flower Among the Weeds,” source unknown, undated (original; photo and discussion of the S.C. Johnson & Son Inc. laboratory building designed by Frank Lloyd Wright); “Utilitarian Withal,” Manchester Union Leader, 1950 (original; photo and editorial about the S.C. Johnson & Son Inc. laboratory building designed by Frank Lloyd Wright); “Architectural Wonder is Climbing Into the Sky at Johnson Wax Plant,” The Milwaukee Journal, 1949 (original; photo and discussion of the S.C. Johnson & Son Inc. laboratory building designed by Frank Lloyd Wright); “Wright’s Latest, 6-Sided Theatre, Is Modeled Here: On View At Harvard: Tradition-Breaking Unit to Be Built at Hartford,” source unknown, undated (original); “Living Wright,” source unknown, 1984 (original; photos and discussion of three families’ experiences working with and living in houses designed by Frank Lloyd Wright); “Temple by Frank Lloyd Wright Is Renovated,” The New York Times, 1984 (original; photo and discussion about the renovation of Unity Temple in Oak Park, Illinois); Postcard with a photo of the Dallas Theatre Center designed by Frank Lloyd Wright, from Alicia and Michael (?) to the Zimmermans; “In Brief…,” Preservation News, 1976 (original; brief discussion of the rebuilding of The Imperial Hotel in Tokyo, the original designed by Frank Lloyd Wright); clipped print of a Frank Lloyd Wright house; “Wright Objects to Razing of ’06 Home He Designed,” New York Herald Tribune, 1957 (original; photo and discussion of the proposed demolition of the Robie House in Chicago); “In An Architectural Show,” source unknown, undated (original; photo and caption of a drawing of Masieri Memorial, Grand Canal, Venice, by Frank Lloyd Wright); “100 Years in American Architecture,” source unknown, undated (original; photo and brief discussion of Frank Lloyd Wright’s Price Tower as a “Building in America’s Future”); “Prairie Skyscraper,” Time, 1953 (original; photo and brief discussion of Frank Lloyd Wright’s Price Tower); “Wright Going to Iraq to Design Opera House,” source unknown, 1957 (original); “The Geneva Inn, Lake Geneva, Wis.,” Preservation News, 1970 (original; photo and caption of the now-destroyed Geneva Lake Inn designed by Frank Lloyd Wright); photo and caption of a Frank Lloyd Wright house in Kalamazoo, Michigan, Preservation News, undated (original; real estate listing for the house); “Chicago’s Auditorium is Fifty Years Old,” The Architectural Forum, 1940 (original; photos and discussion of The Auditorium, including an interview with Frank Lloyd Wright, who worked on it under Louis Sullivan); “Wright’s Lofty Dream,” source unknown, undated (original; photo and caption of Wright’s proposed design for a mile-high skyscraper); “Frank Lloyd Wright on Restaurant Architecture: An Exclusive Interview,” Food Service Magazine, 1958 (original); brief discussion of Frank Lloyd Wright’s tax issues with the state of Wisconsin, possibly The Architectural Forum, undated (original); photo and caption of the Unitarian Church in Madison, Wisconsin, designed by Frank Lloyd Wright, source unknown, undated (original); “Architecture: The Imperial: Going, Going, Gone?” The New York Times, 1967 (original; photo and discussion of the demolition of the Imperial Hotel in Tokyo, designed by Frank Lloyd Wright); “Chatter,” source unknown, undated (original; brief mention of Frank Lloyd Wright’s atomic bomb-proof house used in the movie “Five”); “Model of Unique New Hartford Theater To Be at Fogg Museum Through Dec. 5,” Boston Sunday Herald, 1949 (original; photo and discussion of Frank Lloyd Wright theater model on display at Harvard); “Chairs Designed for Sitting,” The New York Times Magazine, 1949 (original; photos and discussion of chairs designed by Frank Lloyd Wright); “Wright Unmoved by 2 Rejections: Architect, 84, Believes He Will Live to See Designs in Yosemite and Venice,” The New York Times, 1956 (original; discussion of proposals for the Masieri Memorial for Venice and a “reflectory pavilion” for Yosemite); “Frank Lloyd Wright: Architect’s Designs Enjoy National Renaissance as Enthusiasm for Home-grown Style Increases,” The Dallas Morning News, 1983 (original; photos and discussion of Frank Lloyd Wright’s works and influence); photo and caption of Frank Lloyd Wright, source unknown, undated (original); photos and caption of chairs designed by Frank Lloyd Wright, The New York Times Magazine, 1949 (original; possibly related to previous item); “Frank Lloyd Wright: America’s Premier Architect,” Boston Sunday Globe, 1983 (original; photo and discussion of Frank Lloyd Wright’s life and his influence on architecture and design); “Architect Discusses Church He Designed: Unitarian Building ‘Makes Music—Is Itself a Form of Prayer,’ Wright Says,” source unknown (most likely a Wisconsin paper), undated (original; photos and discussion of Unitarian Church in Madison, Wisconsin); “Wright Room Preserved,” source unknown (possibly The Washington Post), undated (original; photo and discussion of the installation of the library of Frank Lloyd Wright’s Francis W. Little House in the Allentown (Pa.) Art Museum; newsclipping was in an envelope from the Currier addressed to the Zimmermans, postmarked 1976); “They’re Working to Save Wright’s Bridge,” The Miami Herald, 1979 (original; photo and discussion of the efforts to preserve a bridge designed by Frank Lloyd Wright in Glencoe, Illinois); photo and caption mentioning Frank Lloyd Wright’s design ideas for concrete block in homes, source unknown, undated (original). o Folder (labeled “Wright Homes”): “Currier Acquires a Wright House,” Art New England, 1989 (original; photo and discussion of the Currier’s acquisition of the Zimmerman House and plans to make it open to the public); “Restoring the Wright Stuff,” The Chicago Tribune Magazine, 1989 (original; photos and discussion of the restoration of Taliesin in Wisconsin); three postcards, with color photos of The Unity Temple in Oak Park, Illinois, the William H. Winslow House and Stable in River Forest, Illinois, and the auditorium of the meeting house of the First Unitarian Society in Madison, Wisconsin, respectively; color photo marked “Wright House, Oak Park” on back, but attached note says “Label Roberts, River Forest,” undated; “It Looks Wright in the Desert,” The New York Times Magazine, 1979 (original; photos and discussion of the house of Bruce Brooks Pfeiffer, an apprentice to Frank Lloyd Wright); “A Lasting Wright Legacy,” source unknown (looks like The New York Times Magazine), undated (original; photos and discussion of the houses designed by Frank Lloyd Wright in Los Angeles); “Westchester Community Inspired By Wright,” The New York Times, 1985 (original, second copy (see folder “Wright Architecture (Not Homes)”), photos and discussion of Pleasantville, NY community called “Usonia;” deaccession second copy); “Oak Park: A Wright House Tour,” The New York Times, 1985 (original; photos and discussion of the tours of houses in Oak Park, Illinois); “Making the Wright Decision,” source unknown, undated (photo and brief discussion of the Hills-DeCaro House in Oak Park, Illinois); “A Legacy in Danger,” Newsweek, 1963 (original; photos and discussion of the issues facing Frank Lloyd Wright houses and the possible destruction of his legacy); “F. LL. W.’s Store,” source unknown, undated (original; letter from a reader discussing Frank Lloyd Wright’s design for a China and Gift Shop); “Closet Spaceman Relives 60 Years: 1900 Wright House Still Leaves Ladies Gasping,” New York World-Telegram and Sun, 1953 (original; photo and discussion of the Frank Lloyd Wright exhibit “Sixty Years of Living Architecture” at the Guggenheim Museum); “Zeckendorf Puts Up $125,000: Act to Save House Built By Frank Lloyd Wright,” New York Herald Tribune, 1958 (original; discussion of community efforts to preserve Frank Lloyd Wright’s Robie House in Chicago); “Retouching a Master’s Work,” The New York Times Magazine, 1983 (original; photos and discussion of the update of the interior of an unidentified Frank Lloyd Wright home; photocopy); “A Wright House Won’t Be Museum,” source unknown, undated (original; discussion of the sale of Frank Lloyd Wright’s Willits House in Highland Park, Illinois to an individual who intended to live in it rather than open it to the public as a museum (proposed by an architect also attempting to buy the property); “Searching Out Wright’s Imprint In Los Angeles: The Architect’s Eight Buildings Still Stand,” The New York Times, 1984 (original; photos and discussion of Frank Lloyd Wright buildings in Los Angeles); “The Wright Inspiration,” Time, 1984 (original; photo and discussion of the purchase of Frank Lloyd Wright’s exhibition house (that had been attached to the Guggenheim) by Domino’s Pizza owner Tom Monaghan); “Trust Acquires Wright Home,” The National Trust for Historic Preservation in the United States, 1975 (original; photos and discussion of the purchase of Frank Lloyd Wright’s family home and studio in Oak Park, Illinois by the National Trust); “Architectural Guide to Robie House,” Special Events, The University of Chicago, undated; “The Little House of Frank Lloyd Wright,” House and Garden, 1983 (original; photos and discussion of the reconstruction of the Francis W. Little House living room in the Metropolitan Museum of Art); “The Love Affair of a Man and His House,” House Beautiful, undated (original; photos and essay by the owner of a Frank Lloyd Wright home in Virginia); “Visitors React to Controversial Trust House,” Preservation News, 1967 (original; discussion of the rescue and transplant of Frank Lloyd Wright’s Pope- Leighey House and the public reaction); “House for Sale: Only $2.5 Million,” The Boston Globe, 1978 (original; brief discussion of the real estate listing of Frank Lloyd Wright’s “Tirranna” house in Connecticut); “House at Bloomfield Hills, Michigan,” Progressive Architecture, 1946 (original; photos and discussion of the construction of Frank Lloyd Wright’s House at Bloomfield Hills, Michigan); “Designed By Wright: Couple Build Home of Scrap Marble,” The Minneapolis Star Tribune, 195-? (original; photo and discussion of Frank Lloyd Wright’s H.J. Neils Home in Minneapolis, Minnesota, constructed of scrap marble); “Wright’s Prefabs,” source unknown, undated (original; photo and brief discussion of Frank Lloyd Wright’s decision to mass produce two of his designs); “When a Famous Architect Designed the House for Sale,” The New York Times, 1979 (original; photos and discussion of the sale of Frank Lloyd Wright’s homes to buyers who will preserve and restore the homes without alteration); “Visiting the ‘Prairie Style’ Homes of Frank Lloyd Wright in Oak Park, Illinois,” The New York Times, 1980 (original; photos and discussion of the 25 buildings designed by Frank Lloyd Wright in Oak Park, Illinois); “The Problems in Preserving a Wright Home,” The New York Times, 1980 (original; photo and discussion of the preservation issues involved with Frank Lloyd Wright’s Ward W. Willis house in Highland Park, Illinois); “This Is the Dream House That Wright Designed,” The New York Times, 1985 (original; photo and discussion about the Pope-Leighey House in Virginia); “Beating the Retreat: Sale Ends Dispute Over 1st Prairie-style House,” Preservation News, 1983 (original; photos and discussion of the sale of Frank Lloyd Wright’s Ward Willits House in Highland Park, Illinois); “This One-Room House Has Design Character,” House Beautiful, 1953 (original; photos and discussion of one-room home, but does not mention Frank Lloyd Wright); “Illinois Town Lives With Frank Lloyd Wright,” The Dallas Morning News, 1978 (original; photos and discussion of the Frank Lloyd Wright Houses in Oak Park, Illinois); “House in the Round,” source unknown, undated (original; photos and discussion of Frank Lloyd Wright’s Usonian homes in Pleasantville, New York); “‘Functionalism’ Fights Back!” Sunday Mirror Magazine, 1951 (original; photos and discussion of Frank Lloyd Wright’s home Taliesin West); “A Wright Revival,” The New York Times, 1978 (original; photos and discussion of Frank Lloyd Wright homes in Oak Park, Illinois); “The Only One in Kentucky: For Sale: Frankfort Home By Frank Lloyd Wright,” The Louisville Times, 1981 (original; photo and discussion of the sale of a Frank Lloyd Wright House in Frankfort, Kentucky); “In Landscape: Mrs. Dana’s Place,” source unknown, undated (photos and discussion of the potential sale of Frank Lloyd Wright’s Dana House in Springfield, Illinois); “A New Debate in Old Venice,” The New York Times Magazine, 1954 (original; photo, drawing, and discussion of Frank Lloyd Wright’s proposed design for a building in Venice); “Wright House: Museum or Residence?” The Dallas Morning News, 1980 (original; photos and discussion of the sale of the Ward Willits House in Highland Park, Illinois; may be a reprint from The New York Times); “‘Lost’ Frank Lloyd Wright House Is Found,” The New York Times, 1984 (original; photos and discussion about the discovery of the Frank Lloyd Wright exhibition house (attached to the Guggenheim Museum) in Pleasantville, New York; may be duplicate); “He’s Always Magnificently Wright,” Reader’s Digest, 1958 (original; essay about the construction of a home designed by Frank Lloyd Wright); “National Register of Historic Places Inventory—Nomination Form” for the Reverend Jesse R. Zeigler House (includes photos). o Folder (labeled “Exhibitions”): “Scholars Question Sale of Wright Drawings,” The New York Times, undated (copy; reaction to potential sale of some of Frank Lloyd Wright’s drawings); “The Wrong Way to Sell a Wright House?” The Wall Street Journal, undated (discusses zoning issues for potential buyers of Frank Lloyd Wright’s Willits House in Highland Park, Illinois); “The Wright Stuff,” Art News, 1984 (original; letter from the original adviser for Taliesin responding to the issue of the possible sale of some of Frank Lloyd Wright’s drawings); “Frank Lloyd Wright Exhibits 60 Years’ Work,” The Magazine of Building (? Title was cut off), undated (original; photos and brief discussion of Frank Lloyd Wright’s “Sixty Years of Living Architecture” exhibit at the Guggenheim Museum); “Art: Wright Drawings Again Offered to the Public,” The New York Times, 1985 (original; photo and discussion of another potential sale of some of Frank Lloyd Wright’s drawings); “Auctions,” The New York Times, 1984 (original; brief discussion of a large selection of Frank Lloyd Wright designs including stained glass windows and furniture auctioned off by Christie’s); “Frank Lloyd Wright House Subject of Exhibition at Metropolitan Museum,” press release from the Metropolitan Museum of Art, 1973. o Folder (labeled “Synagogue”): “Startlingly Different Synagogue Planned by Frank Lloyd Wright,” The Jewish Post, 1954 (original; drawing and discussion of a proposed synagogue design by Frank Lloyd Wright for Philadelphia); “The Frank Lloyd Wright Synagogue,” The Jewish Advocate, 1959 (original; discussion of a proposed synagogue design by Frank Lloyd Wright for Philadelphia); “Wright’s ‘Mountain of Light,’” Congress Bi-Weekly, 1959 (original); essay on Frank Lloyd Wright and his design proposal for a synagogue in Philadelphia; clip); “Scintillating Synagogue: Frank Lloyd Wright’s Last Gem,” source unknown, undated (original; discussion of Frank Lloyd Wright’s synagogue in Philadelphia); “Synagogue By Wright,” The Philadelphia Inquirer Magazine, 1954 (original; drawings and discussion of a proposed synagogue design by Frank Lloyd Wright for Philadelphia); photo and caption of the completed synagogue by Frank Lloyd Wright in Philadelphia; “A Wandering Sinai,” The Sunday Bulletin Magazine, 1969 (original); photos and discussion of the tenth anniversary of Frank Lloyd Wright’s synagogue in Philadelphia; clip).

o Folder (labeled “Book Reviews”): Review of Frank Lloyd Wright’s “California Architecture” film, source unknown, undated (original); “Talk With Mr. Wright,” interview with Frank Lloyd Wright about his book “The Future of Architecture,” The New York Times Book Review, 1953 (original); “To Be Victoriously Himself,” review of Frank Lloyd Wright’s book “The Future of Architecture,” The New York Times Book Review, 1953 (original); photos and captions for three Frank Lloyd Wright buildings, source unknown, undated (original); “World- Famous Architect’s Summing Up,” review of Frank Lloyd Wright’s book “A Testament,” Herald Tribune Book Review, 1958 (original); letter from reader mentioning a book by Frank Lloyd Wright, Architectural Forum (possibly), undated (original); announcement for the publication of “A Testament” by Frank Lloyd Wright, source unknown, undated (original); “Frank Lloyd Wright Here for Publication of a Book,” New York Herald Tribune, 1957 (original; attached anecdote at top left; photo and brief mention of Frank Lloyd Wright’s visit to New York City for the publication of his book “A Testament”); “Architecture and the Architect: In His Latest Book Frank Lloyd Wright Discusses Both His Art and His Purpose,” The New York Times Book Review, 1957 (original; book review of Frank Lloyd Wright’s book “A Testament”); “Wright in Focus,” Newsweek, 1979 (review of “Apprentice to Genius,” a book about working with Frank Lloyd Wright by one of his apprentices); “Superwright,” Book Reviews, 1967 (signed by the author of the book and a note from him is attached to the front; review of the book “Frank Lloyd Wright: His Life, His Work, His Words” by Hugh Hardy); the book jacket of “On the Nature of Materials: The Buildings of Frank Lloyd Wright 1887- 1941” by Henry-Russell Hitchcock (in two pieces).

Box 10—Labeled “Zimmerman House Archive: Zimmerman’s Household Files:

Travel Related Files” o Folder (labeled “Holland, Amsterdam, Rotterdam”): map of Amsterdam. o Folder (labeled “Brussels, Belgium”): “Enkele Meesterwerken Der Afrikaanse Kunst” (booklet of African statues from the Belgian Congo at the Koninklijk Museum); “Bruges Zeebrugge Belgium” pamphlet, in Dutch; print of a piece of sculpture; card for an exhibit of Jean Ransy’s work in Brussels, in French, dated 1961; “Nouveau Plan de Bruxelles Grande Banlieue,” directory and map of Brussels in French, map is missing; large map of Brussels; catalogue of exhibit of Jan Cobbaert’s work in Brussels, in Dutch, dated 1961; postcard of the Market Square in Bruges; postcard of Rubens painting, with French on the back; three postcards with photos of African sculptures; bill for the Zimmermans from the Hotel Astoria in Brussels, in French; pamphlet for “Ghent: City of Flowers”; pamphlet for “Brüssel, Belgien” in Dutch or German; postcard with Jan Van Eyck paintings; postcard book titled “Gent Gand”; pamphlet for “Sightseeing Tours in Belgium”; book about Pierre Caille, in French; card with timeline of Jan Cobbaert’s life. o Folder (labeled “Photographs”): book with photos entitled “Rotterdam”; card with membership details from The Museum of Primitive Art; two postcards with photos of sculptures from The Tate Gallery, London; postcard with photo of Coventry Cathedral; postcard with a Van Gogh painting; postcard with a photo of “Bungalow ‘Maní’ Hotel Mayaland Ruinas ‘Chiohen Itzá,’ Yuc.”; postcard with Rembrandt painting from Rijksmuseum-Amsterdam; two postcards with photos of sculpture from the Roma—Museo Nazionale; The Currier Gallery of Art Bulletin, 1964 (mentions a gift of sculpture from the Zimmermans); “Geographers’ Six Inch Map of Central London”; letter addressed to the Zimmermans from the Virginia Museum of Fine Arts, 1964, along with information about and a registration form to join the Collector’s Circle run by the Virginia Museum of Fine Arts, and two invitations to an event for Collector’s Circle members; two B & W photos from the Virginia Museum of Fine Arts; a letter to Mrs. Zimmerman and information about the Art Institute of Chicago’s Society for Contemporary American Art, dated 1964; booklet, “Hotel List, Austria, Summer 1967”; booklet, “A Brief History of The Tate Gallery, With a Selection of Paintings and Sculpture”; booklet, “A Brief History of The National Gallery [London], With A Representative Selection of Pictures”; pamphlet for “The Sunny Coast, Spain”; postcard with a photo of Warwick Castle; booklet, “Warwick Castle”; photo of an unidentified painting; postcard with a Caravaggio painting; postcard book “Granada—La Cartuja”; booklet, “Shakespeare’s Birthplace”; booklet, “Memories of London: A Picture Souvenir of the World’s Greatest City”; postcard with a photo of a sculpture from the Museo Nazionale Romano; booklet, “The New Coventry Cathedral”; postcard with a photo of St. Paul’s Cathedral, London; postcard with a photo of The Museum of Art Ogunquit (Maine); postcard with a photo of a Cordova courtyard; postcard with a photo of The Charterhouse in Granada; postcard with a photo of the Alcázar Gardens in Cordova; two postcards with photos of a dining room from the Parador Nacional de San Francisco, Granada.

o Folder (labeled “Germany”): pamphlet for exhibit of Gert H. Wollheim’s work at the Kunstmuseum Düsseldorf, 1961 (in German); pamphlet for Düsseldorf, 1961 (in German); pamphlet for the Kunstmuseum Düsseldorf (in German); “Gleumes Stadtplan der Landeshauptstadt Düsseldorf” (map of Düsseldorf, in German); list of items from Galerie Alex Vömel, with handwritten notes; pamphlet and map of Düsseldorf; “A Walking Tour of Athens,” The New York Times, 1964 (original).

o Folder (tab is labeled “J 10”): list of items with prices in the exhibition “New Media New Forms in Painting and Sculpture, Version II,” from the Martha Jackson Gallery in New York.

o Folder (labeled “France, Paris”): mailing list card from Galerie de France in Paris.

o Folder (labeled “Queen Elizabeth: Diary—1960-1961”): Card from the “Ocean Pictures” photographers from the ship “Queen Elizabeth”; itinerary from The American Express Company Inc. for the Zimmermans’ trip from London to Paris (October 20-November 1); invitation for the Zimmermans to join the Social Directress for cocktails on board the “Queen Elizabeth”; pamphlet for “Ocean Steamship Sailings and Cruises” for June-December 1961, from American Express Travel Service; map of London; 2 postcards with a drawing of the “Queen Elizabeth” ship; “List of Passengers, R.M.S. Queen Elizabeth, First Class; envelope labeled “Menu Cards” containing luncheon menus for the “Queen Elizabeth” (October 4-8, November 13), dinner menus for the “Queen Elizabeth” (October 4-7, 9, November 9-10, 12), and 2 breakfast menus for the “Queen Elizabeth” (October 7-8).

o Folder (tab is labeled “P 17”): newsclipping, “Why Portugal Is the New ‘In’ Holiday Spot,” (original).

Box 11—Labeled “Zimmerman House Archive: Publications: Taliesin and

Others” o Folder (labeled “Publications: The Usonian House—Souvenir of the Exhibition: Sixty Years of Living Architecture: The Work of FLW”): booklet from the Guggenheim Museum, “The Usonian House: Souvenir of the Exhibition: 60 Years of Living Architecture: The Work of Frank Lloyd Wright” (1953). o Folder (labeled “Publications: Sixty Years of Living Architecture— The Work of FLW—The Solomon R. Guggenheim Museum”): booklet from the Guggenheim Museum, “Sixty Years of Living Architecture: The Work of Frank Lloyd Wright” (circa 1953, with handwritten notes). o Folder (labeled “Publications: Sixty Years of Living Architecture— The Work of FLW: The Municipal Art Patrons and Art Commission of Los Angeles”): booklet from The Art Commission of Los Angeles, “Sixty Years of Living Architecture: The Work of Frank Lloyd Wright,” (circa 1953). o Folder (labeled “Publications: Catalogue 31: FLW 1867-1959”): a stapled pamphlet listing publications by and about Frank Lloyd Wright and his work, with prices, “Catalogue Thirty-One: Frank Lloyd Wright, 1867-1959,” (undated, handwritten notes on the front). o Folder (labeled “Publications: An American Synagogue by FLW— Beth Sholom”): booklet with photos and discussion of the synagogue built by Frank Lloyd Wright, “An American Synagogue by Frank Lloyd Wright: Beth Sholom Congregation, Elkins Park, Pennsylvania” (undated). o Folder (labeled “Publications: Dallas Theater Center Opening Semester: Sept. 9, 1959”): booklet with photos and discussion of the only theater designed by Frank Lloyd Wright, “Dallas Theater Center Opening Semester, September 9, 1959: A Vital, Living Theater and School of Drama.” o Folder (labeled “Publications: Booklet about V.C. Morris Workshop”): booklet with photos and discussion of a home designed by Frank Lloyd Wright, “V.C. Morris”; envelope for the booklet with the V.C. Morris logo, and handwritten notes on the front and back. o Folder (labeled “Publications: Allen Memorial Art Museum Bulletin Oberlin College Winter 1972”): booklet, “Allen Memorial Art Museum (Oberlin College) Bulletin, Winter 1972,” with an article entitled “A Frank Lloyd Wright House in Oberlin” (original, entire bulletin; clip and photocopy). o Folder (labeled “Publications: Treasures of Taliesin 76 Unbuilt Designs”): pamphlet for the book “Treasures of Taliesin: Seventy-six Unbuilt Designs” (undated). o Folder (labeled “Publications: The Work of FLW: An Exhibition of Drawings Sept. 11, 1982”): booklet from the Frank Lloyd Wright Foundation for the exhibit “The Work of Frank Lloyd Wright: An Exhibition of Drawings, September 11, 1982” (a note at the back mentions that the Zimmermans and others helped to preserve some of the drawings in the exhibit by helping to pay for conservation work done at the Northeast Document Conservation Center). o Folder (labeled “Publications: Friends of Taliesin Vol. 1, No. 1-Vol. 3, No. 2 (1985-1987)”): newsletters from Taliesin West, “Friends of Taliesin,” volume 1, number 1-volume 3, number 2 (1985-1987), addressed to L.Z. o Folder (labeled “Publications: FLW Newsletter, Vol. 1, Nos. 1-6, 1978”): newsletters published by The Frank Lloyd Wright Association, “The Frank Lloyd Wright Newsletter,” six issues (volume 1, numbers 1-6), 1978 (two copies of volume 1, number 3—original and a photocopy); envelope from The Frank Lloyd Wright Association addressed to I.Z. o Folder (labeled “Publications: FLW Newsletter, Nos. 1-4, 1981”): newsletters published by The Frank Lloyd Wright Association, “The Frank Lloyd Wright Newsletter,” four issues (volume 4, numbers 1-4), 1981, (two copies of combined issues 3 & 4); 3 envelopes from The Frank Lloyd Wright Association addressed to I.Z. o Folder (labeled “Publications: FLW Newsletter, Nos. 1 & 2, 1982”): newsletters published by The Frank Lloyd Wright Association, “The Frank Lloyd Wright Newsletter,” two issues (volume 5, numbers 1 and 2), 1982; three envelopes from The Frank Lloyd Wright Association, addressed to I.Z., L.Z., and the Zimmermans. o Folder (labeled “Publications: Islands of Minoo, William Wesley Peters, Tentative Schematic Master Plan for the Ministry of the Interior, The Imperial Government of Iran”): fold-out booklet from William Wesley Peters and the Taliesin Associated Architects of The Frank Lloyd Wright Foundation, “Island of Minoo: Tentative Schematic Master Plan for the Ministry of the Interior, The Imperial Government of Iran” (undated). o Folder (labeled “Publications: Horace E. Dodge & Son Foundation: For the City of Detroit Presentation of Schematic Design Phase— August 17, 1971 William Wesley Peters): booklet from The Frank Lloyd Wright Foundation outlining the plan for the fountain for the city of Detroit from the Horace E. Dodge & Son Foundation, 1971. o Folder (labeled “Publications: Production Dwellings: An Opportunity for Excellence”): booklet from Taliesin Associated Architects of the Frank Lloyd Wright Foundation, “Production Dwellings: An Opportunity for Excellence,” 1970 (photos and discussion of mobile and modular homes). o Folder (labeled “Publications: Fine Arts Center for Centre College of Kentucky, William Wesley Peters, October 5, 1968”): booklet from William Wesley Peters and the Taliesin Associated Architects of The Frank Lloyd Wright Foundation, “Fine Arts Center for Centre College of Kentucky: Presentation of Design Development Drawings,” October 5, 1968. o Folder (labeled “Publications: Bush Community Services Center, St. Paul, Minnesota, Schematic Drawings, July 14, 1971, William Wesley Peters”): booklet from William Wesley Peters, member of Taliesin Associated Architects of The Frank Lloyd Wright Foundation, “Bush Community Services Center, St. Paul, Minnesota, Schematic Drawings,” July 14, 1971. o Folder (labeled “Publications: Taliesin”): booklet, “Taliesin,” with photos and discussion of Frank Lloyd Wright’s homes in Wisconsin and Arizona (Taliesin and Taliesin West, respectively), Taliesin Associated Architects, The Frank Lloyd Wright Foundation, and the Fellowship. o Folder (labeled “Publications: Taliesin”): loose pages, “Taliesin: Nine Times a Year, Frank Lloyd Wright, Editor, The Taliesin Fellowship Sole Contributor and Factor,” discussing the principles and current projects of Frank Lloyd Wright and the Taliesin Fellowship; envelope from John Geiger to the Zimmermans. o Folder (labeled “Publications: The FLW School of Architecture, Taliesin—The Taliesin Associated Architects”): booklet from Taliesin West, “Taliesin,” photos and discussion of the Fellowship, 1965. o Folder (labeled “Publications: The Architectural Forum—June, 1969”): “The Architectural Forum/June 1969,” photos and discussion of Unity Temple in Oak Park, Illinois, designed by Frank Lloyd Wright (reprint). o Folder (labeled “Publications: Lewis and Eugenia Van Wezel Performing Arts Hall: Plans”): fold-out booklet, “Lewis and Eugenia Van Wezel Performing Arts Hall,” schematics and discussion of the proposed building, undated (2 copies). o Folder (labeled “Publications” An Architect and His Client: FLW and Francis W. Little”): booklet from the Metropolitan Museum of Art, “An Architect and His Client: Frank Lloyd Wright and Francis W. Little,” catalogue for the exhibit, 1973. o Folder (labeled “Publications: The Sovereignty of the Individual—In the Cause of Architecture by FLW 1910, Reprinted 1951”): booklet, “The Sovereignty of the Individual: In the Cause of Architecture” (preface to Ausgefuhrte Bauten Und Entwerfe published by Wasmuth, Berlin 1910; reprinted as introduction to Exhibition Palazzo Strozzi, Florence, Italy 1951). o Folder (labeled “Publications: Architectural Forum Jan., 1951”): January 1951 issue of Architectural Forum: The Magazine of Building, about Frank Lloyd Wright (note on front reads “given to L.Z. when at Taliesin East by Frank L. Wright” and another note reads “To the Zimmermans’, FLLW”). o Folder (labeled “Publications: Frank Lloyd Wright”): booklet, including a section from Architectural Forum, June 1959, with photos and discussion of Frank Lloyd Wright’s life and work (reprint?). o Folder (labeled “Publications: Advertisements for The Future of Architecture by FLW”): small fold-out advertisements (2) for Frank Lloyd Wright’s book The Future of Architecture. o Folder (labeled “Publications: Advertisement for Walter Burley Griffin: Selected Designs”): pamphlet from The Prairie School Press, advertising the book Walter Burley Griffin: Selected Designs (Griffin was one of Frank Lloyd Wright’s students). o Folder (labeled “Publications: Chevy Magazine, Oct. 1978, ‘FLW: His Work Goes On’”): Friends: The Chevy Owners’ Magazine, October 1978, with the article “Frank Lloyd Wright: His Work Goes On” (photos and discussion of the work of The Frank Lloyd Wright Foundation and Taliesin Associated Architects). o Folder (labeled “Publications: What Men Have Written About FLW— A Bibliography 1900—1955”): booklet from House Beautiful Magazine, “What Men Have Written About Frank Lloyd Wright: A Bibliography Arranged By Decades From 1900 to 1955” (note at the bottom reads “To be used in connection with House Beautiful’s special issue of November 1955, which is devoted to the work, meaning and contributions of Frank Lloyd Wright”). o Folder (labeled “Publications: A Taliesin Square Paper, ‘On Architecture for Democracy, 1951’”): fold-out booklet, “A Taliesin Square-Paper: A Nonpolitical Voice From Our Democratic Minority: On an Architecture for Democracy 1951.”

o Folder (labeled “Publications: FLW Newsletter, nos. 1-4, 1979”): newsletters published by The Frank Lloyd Wright Association, “The Frank Lloyd Wright Newsletter,” four issues (volume 2, numbers 1-4), 1979; envelope from The Frank Lloyd Wright Association to I.Z.

o Folder (labeled “Publications: FLW Newsletter, no. 1-4, 1980”): newsletters published by The Frank Lloyd Wright Association, “The Frank Lloyd Wright Newsletter,” four issues (volume 3, numbers 1-4), 1980; envelope from the Frank Lloyd Wright Association to I.Z.

Box 12—Labeled “Correspondence and Newsclippings”

o Two post cards for an exhibit of Elee Koplow’s work, “Sculpture & Drawings in Clay,” (one post card had been mailed to the Zimmermans).

o Folding cardboard collage signed “Elee.”

o Envelope from Architectural Forum: The Magazine of Building (specifically Kay Kelsey) to L.Z., postmarked 1959; contains “Mail and Telephone List: The Arts of Venice, Florence, Rome: Wellesley College Alumni Association 1982”; newsclipping about sculptor John Raimondi, Boston Sunday Globe, 1980 (original); information about sculptor John Raimondi on the artist’s letterhead; stapled packet of photocopied articles about New Hampshire Senator Warren Rudman, from The New Hampshire Times, 1981; photocopied newsclipping, “Currier Gallery of Art: Small But Distinctive,” The Hartford Courant, 1981; postcard to the Zimmermans from the “Lou D’Allesandro for Governor Committee” with a handwritten note from “Kim,” 1982; letter from Sarah Zachos (daughter of Kimon Zachos?) to L.Z. providing information about Vincent Scully (Yale Architecture Professor—collection also has newsclippings about him), 1983; envelope addressed to the Zimmermans and postmarked 1982, containing a copy of the speech that was given as Milton Shapiro was awarded an honorary degree of Doctor of Humane Letters by New England College and an original newsclipping (The Union Leader) with photos of the New England College commencement ceremony at which Milton Shapiro received the degree; October 1982 issue of Omnibus, the Daniel Webster College Newsletter; original newsclipping photo and caption of “Freedom Through Christ” mini- conference, with Kimon Zachos; original newsclipping “Kimon Zachos ‘Lawyer of the Year,’” The Union Leader, 1982; photocopied newsclipping “Hostess Award Winner,” photos and discussion of Sarah Zachos winning the Kraft National Hostess Awards, Co-Ed (1981); original newsclipping “Frank Lloyd Wright’s Designs by the Roomful,” The Hartford Courant, 1983 (photo and discussion of the show “Frank Lloyd Wright at the Metropolitan Museum of Art” and the reconstruction of the Francis W. Little living room at the Metropolitan Museum of Art); original newsclipping “Wright Revival in the Wind” and “Group Seeks to Protect Wright House,” photos and discussion of the show and sale of Frank Lloyd Wright’s architectural drawings and the effort to preserve the Willits House in Chicago, respectively; torn-off back page of the New England Telephone book; original newsclipping “Currier Gallery Featured in Architectural Magazine,” discussion of an article about the Currier’s architecture published in Architectural Record; booklet, New England Telephone and Telegraph Company: Notice of Annual Meeting of Shareholders and Proxy Statement, 1980; original newsclipping, photo and caption of Sarah Zachos as New Hampshire’s Junior Miss; postcard from America’s Junior Miss Competition from Sarah Zachos to L.Z., 1981; original newsclipping “Three Major Cultural Programs Underway,” Manchester (N.H.) Union Leader, 1980 (photo and discussion of the publication of the Handbook to the Collection for the Currier; Kimon Zachos is in the photo); original newsclipping, photo and caption of Sarah Zachos after being crowned New Hampshire’s Junior Miss, 1981; pamphlet, New England Telephone: Summer 1980 Quarterly Dividend; original newsclipping “Health Coordinating Council Elects Dr. Dupuis President”; original newsclipping “…And New Englanders,” Boston Herald American, 1980 (photo and caption of Kimon Zachos, his election to the New England Telephone Co. Board of Directors; 2 copies); original newsclipping “Manchester Girl Named NH Junior Miss,” The Union Leader, 1980), photo and discussion of Sarah Zachos being crowned NH Junior Miss); original newsclipping, photo and caption of ground-breaking for the renovation of The Currier Gallery of Art (Kimon Zachos is in the picture), Manchester (N.H.) Union Leader, 1980; photo and caption of Kimon Zachos and his election to the Board of Directors of the New Telephone Company, Manchester (N.H.) Union Leader, 1980; April 1980 issue of New England Telephone Management News; photocopied newsclipping discussing Kimon Zachos and his election to the Board of Directors of the New Telephone Company, The Wall Street Journal, 1980. o Folder (labeled “Zimmerman House”): newsclipping, “Speaking of Pictures,” source unknown, undated (photos and discussion of the “Heliolab” of S.C. Johnson and Son, Inc., designed by Frank Lloyd Wright); newsclipping, photos and captions of the S.C. Johnson and Son, Inc. building and Taliesin, Holiday, undated; newsclipping, “Genius Americanus,” photo and discussion of Frank Lloyd Wright’s work, Fortune, undated; brown envelope with “Bruce Pfeiffer, Archivist,” written on the back, containing 3 copies of the newsclipping “Frank Lloyd Wright ‘Lives’ in Manchester,” (New Hampshire Sunday News, 1980), a copy of the Zimmerman House blueprint, and a carbon copy of an article mentioning that the Zimmerman House is on the National Register (The Associate: Quarterly Newsletter of The Association of Historical Societies of New Hampshire, 1980); a paper by Diane Filipowicz entitled “Frank Lloyd Wright: The Manchester Houses.” o Brown envelope addressed to the Zimmermans from Taliesin, postmarked 1967: newsclipping, “Svetlana Separated from American Husband,” photo and discussion of William Wesley Peters (apprentice to Frank Lloyd Wright) and his separation from Stalin’s daughter, source unknown, undated; copy of The Arizonian, 1963, with a cover story entitled “Mrs. Frank Lloyd Wright: The Power behind Taliesin West Today”; letter to the Zimmermans from Susan and Kevin Lockhart at Taliesin West, postmarked 197-; letter to the Zimmermans from David (either Coe Wheatley or Vaughn Merrit—partners with the same first name), a Dallas architect who studied at Taliesin West, postmarked 1971, and including a newsclipping about the renovation of their office; Christmas card from “Heloise and Nils”; Christmas card from Susan and Kevin Lockhart at Taliesin West, postmarked 1970; Christmas card to the Zimmermans from Herbert and Katherine Jacobs at Taliesin, postmarked 1958; Christmas card from Wheatley Merritt Associates, architects who studied at Taliesin West; list of Frank Lloyd Wright books from The Prairie School Press, 1975; postcard with a photo of the Lincoln Income Life Insurance Co. in Louisville, Kentucky (looks like a Frank Lloyd Wright building); newsclipping with photo and caption of William Wesley Peters (former apprentice to Frank Lloyd Wright) and his wife Svetlana and their separation; booklet with photos and discussion of the work of Allan Gelbin (a former apprentice to Frank Lloyd Wright), 1969; Christmas card from Wheatley Associates, undated; Christmas card from Susan and Kevin Lockhart at Taliesin West, undated; newsclipping with discussion of the wedding of Iovanna Lloyd Wright (daughter of Frank Lloyd Wright and Mrs. Wright) to Charles Robert Schiffner, source unknown, undated; newsclipping with photo and discussion of Allan Gelbin’s work (a former apprentice to Frank Lloyd Wright), Gazette/Mascoma Week, 1974; newsclipping, “Mobile Homes Get Stylish Face Lift,” Boston Globe, 1973 (photos and discussion of the development of mobile homes by the Frank Lloyd Wright Foundation); newsclipping, “Guardian of a Great Legacy,” Life Magazine, 1971 (photos and discussion of the work of Frank Lloyd Wright’s widow, Olgivanna Lloyd Wright); newsclipping, “Stalin’s Daughter: Another Cruel Choice,” Good Housekeeping, undated (discussion of Svetlana Peters separation from William Wesley Peters, former apprentice to Frank Lloyd Wright and architect at Taliesin West); newsclipping, “Svetlana’s New Life in a Commune,” source unknown, undated (photo and discussion of Svetlana Alliluyeva, daughter of Josef Stalin, and her marriage to Taliesin West architect William Wesley Peters); copy of The Arizona Republic, 1970, with cover article entitled “Stalin Daughter Weds Architect Here” (photo and discussion of the wedding of Svetlana Alliluyeva and William Wesley Peters, architect at Taliesin West); empty brown envelope from Taliesin West addressed to L.Z. postmarked 1970; newsclipping, “Svetlana in New Political Link,” brief discussion of Svetlana Alliluyeva’s marriage to William Wesley Peters, architect at Taliesin); gray envelope addressed to the Zimmermans from Huygens and Tappé Inc., Architects and Planners, containing a letter from Huygens and a newsclipping, “Huygens and Tappé Do a Contemporary Storybook House,” postmarked 1975; “Supplement to Brochure, Frank Lloyd Wright School of Architecture, 1966”; application for admission to the Fellowship at Taliesin, The Frank Lloyd Wright School of Architecture; list of “Books By Mr. and Mrs. Frank Lloyd Wright which are currently available”; recommended reading for students considering applying to the Frank Lloyd Wright School of Architecture; booklet, “An Essay on Freedom,” by Bernard Jason Merritt, 1971. o Photo of “Ramapo—Stepstone, 1977,” a sculpture by Bradford Graves. o Newsclipping, “20th Century American Art,” Modern Maturity, 1979. o “National Gallery of Art: Samuel H. Kress Collection of Renaissance Bronzes, Room II,” (guide; source unknown). o Map of the America’s Cup Race Course, undated o Excerpt from an unidentified UCLA publication about Dias de los Muertos. o Newsclipping, “Cryptic Art,” MD, 1965. o Invitation to join the Association for The Busch-Reisinger Museum at Harvard University. o Newsclipping, “Kandinsky: No Great Master But a Great Influence,” The New York Times Magazine, 1966. o Newsclipping, “Visiting the Hirshorn,” Commentary, 1975. o Postcard addressed to L.Z. for a sculpture exhibit at The Swetzoff Gallery in Boston, 1962. o Magazine, Barrel 65, undated, in French and English. o Letter from Robert Twombly, history professor at The City College, CUNY, 1976, and an article by him published in American Quarterly, “Undoing the City: Frank Lloyd Wright’s Planned Communities,” 1972. o Brown envelope from Taliesin Square-Paper addressed to the Zimmermans, postmarked 1949, containing: An Autobiography: Frank Lloyd Wright; A Taliesin Square-Paper, numbers 10-15; letter from Eugene Masselink (secretary to Frank Lloyd Wright) at Taliesin to L.Z., 1951. o Brown envelope from The City College CUNY addressed to the Zimmermans, postmarked 1976: empty (remove). o Folder: letter from John Bowler, president of the New Hampshire Medical Society, to I.Z., 1949; newsclipping of a review of A Guide to the Art Museums of New England; small spiral notebook with handwritten lists of Frank Lloyd Wright books and articles. o Folder (labeled “Music”): postcard with a photo of the Hotel Hassler in Rome; postcard with a photo of the Touro Synagogue in Newport, Rhode Island; newsclipping, “Pavarotti Concert In Boston Sept. 26,” The Union Leader, 1982; newsclipping, “A String Quartet From Tokyo—It Had to Happen,” The New York Times, 1973; synopsis of the opera Pearl Fishers from the Opera League of New Hampshire; handwritten note with musical terms and definitions; receipt and packing list for Groves: Supplementary Volume X; newsclipping, “Wagner’s Holy Family,” Commentary, 1978; newsclipping, “Roy Harris, Prolific Composer of Americana, 81, Dies,” The New York Times, 1979; newsclipping, “Gregor Piatigorsky, Renowned ‘Cellist,’ 73” (obituary), source unknown, 1976; newsclipping, “Why Tyrants Fear Composers’ Freedom,” The New York Times, 1981; newsclipping, “Pablo Casals, Famed Cellist, Dies in Puerto Rico,” The Boston Globe, 1973; newsclipping, “Paganini: The Riddle and Connective Tissue,” JAMA, 1967; newsclipping, “Elliot Carter: Out of the Desert And Into the Concert Hall,” The New York Times, 1978; newsclipping, “Crumb, The Tone Poet,” The New York Times Magazine, 1975 (article about a composer who uses unconventional elements in his work); newsclipping, “Casals, 95, Conducts to Standing Ovation,” The Boston Globe, 1972; newsclipping, “The Beginning of a New Menuhin Era,” The New York Times, 1981; newsclipping, “A Sunday Musician,” article about a doctor and scientist who became a composer, source unknown, undated; newsclipping, “Triangle: Daniel and Jacqueline Barenboim and the Cello,” The New York Times Magazine, 1969; The Currier Gallery of Art Bulletin, 1961 (note on front reads “Columbian Warrior and Dog discussed Page 3,” referring to two recent sculpture acquisitions); The Currier Gallery of Art Bulletin and Annual Report, 1974 (Annual Report is 1973; note on front reads “Page 8 Zimmermans’ gift” with newsclipping of a piece of sculpture tucked inside (same sculpture as gift?).

o Folder (labeled “Receipts and General Info.—Terracotta Roof Tile, Ludowici—Celadon Co., Chicago, Ill.”): two receipts for materials from A.W. Therrien Company in 1951; letter from Kimon Zachos to Director of the Currier concerning L.Z.’s safe-deposit box, 1988; handwritten note from 1972 about roofing repairs and materials; pamphlet from Ludowici-Celadon Company.

o Folder (labeled “Sculpture”): photograph of artifacts (note on back reads “M.L.J. Lemaire, Over 30 Years Specialist in Ethnographical Specimens, Amsterdam”); newsclipping, “Living With Sculpture,” The New York Times Magazine, 1958; postcard addressed to the Zimmermans for the exhibit “Primitive Kunst Primitive Art,” Gimpel & Hanover Galerie (Zurich), 1967; newsclipping, “Sculpture in New Hampshire: A Showcase of Local Talent,” New Hampshire Times, 1981; postcard, “Invitation to the Re-dedication of ‘UbaTuba’” at the Weintraub Gallery, NY, 1979; booklet for the exhibition “Sculpture: From the Collection of Mr. and Mrs. Max Wasserman, Class of 1935,” Massachusetts Institute of Technology, 1966; booklet for the exhibition “Sculpture of West Africa,” Pucker/Safrai Gallery, 1973; booklet for the exhibit “African Sculpture,” The Brooklyn Museum, undated; 1963 Directory of Museums and Galleries.

o Envelope from the American College of Surgeons to Kimon Zachos, postmarked 1988, containing a memorial certificate from the American College of Surgeons for I.Z.

Box 13—Labeled “Zimmerman House Archive: Catalogue of Files of Drawings”

o Folder (labeled “Frank Lloyd Wright, Plot Plan Sheet Number 1, Blueprint with Colored Pencil”): a “Zimmerman Object Work Sheet (ZOW)” (written by Currier staff); photo and slide of the plot plan.

o Folder (labeled “John W. Geiger, Footing Plan Sheet 1-A, Blueprint with Colored Pencil”): a “ZOW”; photo and slide of the footing plan.

o Folder (labeled “Frank Lloyd Wright, Central Plan Sheet No. 2, Blueprint with Pencil”): a “ZOW”; photo and slide of the Central Plan Sheet. o Folder (labeled “Frank Lloyd Wright, Elevations Sheet Number 3, Blueprint”): “ZOW”; photo and slide of the Elevations Sheet. o Folder (labeled “John W. Geiger, Elevations Sheet Number 3-A, Diazo”): “ZOW”; photo and slide of the Elevations Sheet. o Folder (labeled “Frank Lloyd Wright, Sections Sheet Number 4, Blueprint with Colored Pencil”): “ZOW”; photo of Sections Sheet. o Folder (labeled “Frank Lloyd Wright, Roof Framing Sheet Number 5, Blueprint”): “ZOW”; photo and slide of Roof Framing Sheet. o Folder (labeled “John W. Geiger, Roof Framing Plan Sheet Number 5- A, Diazo with Colored Pencil”): “ZOW”; photo and slide of Roof Framing Plan Sheet. o Folder (labeled “Frank Lloyd Wright, Workspace Details Sheet 6, Blueprint”): “ZOW”; photo and slide of the Workspace Details Sheet. o Folder (labeled “Frank Lloyd Wright, Millwork Details Sheet 7, Blueprint”): “ZOW”; photo and slide of Millwork Details Sheet. o Folder (labeled “Frank Lloyd Wright, Reflected Ceiling Plan Sheet 8, Blueprint”): “ZOW”; photo and slide of Reflected Ceiling Plan Sheet. o Folder (labeled “Frank Lloyd Wright, Heating and Plumbing Sheet 9, Blueprint”): “ZOW”; photo and slide of Heating and Plumbing Sheet. o Folder (labeled “John W. Geiger, Millwork Details Sheet 7-A, Diazo”): “ZOW”; photo and slide of the Millwork Details Sheet. o Folder (labeled “John W. Geiger, Millwork Details Sheet 7-B, Diazo”): “ZOW”; photo and slide of Millwork Details Sheet. o Folder (labeled “John W. Geiger, Reflected Ceiling Plan 8-A, Diazo”): “ZOW”; photo and slide of Reflected Ceiling Plan. o Folder (labeled “Unknown, Details Guest Bath, Diazo”): “ZOW”; slides of Details Guest Bath. o Folder (labeled “Unknown, Revised Light Box Details, Diazo”): “ZOW”; slide of Revised Light Box Details. o Folder (labeled “John W. Geiger, Footing Plan Sheet 1-A, Diazo ?”): “ZOW”; photo and slide of Footing Plan Sheet. o Folder (labeled “John W. Geiger, General Plan Sheet 2-A, Diazo ?”): “ZOW”; photo and slides of General Plan Sheet. o Folder (labeled “Unknown, Perforated Block Details, Diazo”): “ZOW”; slides of Perforated Block Details. o Folder (labeled “John W. Geiger, Workspace and Baths Sheet 1-A, Diazo”): “ZOW”; photo and slide of Workspace and Baths Sheet. o Folder (labeled “Unknown, Untitled Drawing, Diazo”): “ZOW”; photo of Untitled Drawing. o Folder (labeled “Unknown, Detail—Carport Steps, Diazo”): “ZOW”; photo and slide of Detail—Carport Steps. o Folder (labeled “Unknown, Detail—Fireplace Grate, Diazo”): “ZOW”; slide of Detail—Fireplace Grate. o Folder (labeled “Unknown, Untitled, Diazo”): “ZOW”; slide of Untitled. o Folder (labeled “Unknown, Detail—Chair, Diazo”): “ZOW”; photo and slide of Detail—Chair. o Folder (labeled “Unknown, Furniture Details Sheet 11, Diazo”): “ZOW”; photo and slide of Furniture Details Sheet. o Folder (labeled “Unknown, Furniture Arrangement Sheet 10, Diazo”): “ZOW”; photo and slide of Furniture Arrangement Sheet. o Folder (labeled “Unknown, Workspace Details Sheet 6-B, Diazo”): “ZOW”; photo and slide of Workspace Details Sheet. o Folder (labeled “Unknown, Master Bedroom Cabinets Sht 14, Diazo”): “ZOW”; photo and slide of Master Bedroom Cabinets Sheet. o Folder (labeled “Unknown, Music Cabinet—Gardn Rm Sht 13, Diazo”): “ZOW”; photo and slide of Music Cabinet—Garden Room Sheet. o Folder (labeled “Unknown, Storage Trays Sheet No. 15, Diazo”): “ZOW”; photo and slide of Storage Trays Sheet. o Folder (labeled “Unknown, Radio and Storage Cabinets—12, Diazo”): “ZOW”; slide of Radio and Storage Cabinets. o Folder (labeled “Unknown, Lamp Detail, Diazo”): “ZOW”; photo and slide of Lamp Detail. o Folder (labeled “Unknown, Furniture Arrangement Sheet 10, Diazo”): “ZOW”; photo and slide of Lamp Detail. o Folder (labeled “John W. Geiger, Garden Plan Sheet 1-A, Diazo”): “ZOW”; photo and slide of Garden Plan Sheet. o Folder (labeled “John W. Geiger, Reflected Ceiling Plan Sht 8-A, Diazo”): “ZOW”; photo of Reflected Ceiling Plan. o Folder (labeled “John W. Geiger, Full-length Sash & Screen Dtls, Diazo”): “ZOW”; slide of Full-length Sash and Screen Details. o Folder (labeled “Unknown, Unidentified Floor Plan, Diazo”): “ZOW”; slide of Unidentified Floor Plan. o Folder (labeled “Unknown, Garden Plan—Sheet 1-A, Diazo”): “ZOW”; slide of Garden Plan. o Folder (labeled “Unknown, Additional Clerestory Windows, Diazo”): “ZOW”; slide of Additional Clerestory Windows. o Folder (labeled “Unknown, Additional Clerestory Windows, Diazo”): “ZOW”; slide of Additional Clerestory Windows. o Folder (labeled “Unknown, Additional Clerestory Windows, Diazo”): “ZOW”; slide of Additional Clerestory Windows. o Folder (labeled “Unknown, Roof Framing Plan Sheet 5-A, Diazo ?”): photo and slide of Roof Framing Plan Sheet. o Folder (labeled “Unknown, Perforated Block Detail, Diazo”): “ZOW.” o Folder (labeled “Unknown, Workspace and ? Sheet 6-A, Diazo”): “ZOW”; photo and slide of Workspace. o Folder (labeled “John W. Geiger, Workspace Details Sheet 6-B, Diazo”): “ZOW”; photo and slide of Workspace Details Sheet. o Folder (labeled “Unknown, Workspace Details Sheet 6-B, Diazo”): “ZOW”; photo and slide of Workspace Details Sheet. o Folder (labeled “Unknown, Millwork Details Sheet 7-A, Diazo”): “ZOW”; photo and slide of Millwork Details Sheet. o Folder (labeled “John W. Geiger, Millwork Details Sheet 7-A, Diazo”): “ZOW”; photo and slide of Millwork Details Sheet. o Folder (labeled “Unknown, General Plan Sheet 2-A, Diazo”): “ZOW”; photo and slide of General Plan Sheet. o Folder (labeled “Unknown, Steel Beams, Diazo”): “ZOW”; slide of Steel Beams. o Folder (labeled “Unknown, Sprinkler Systems, Tracing Paper”): “ZOW.” o Folder (labeled “Unknown, Underground Lawn Sprinklers, Diazo”): “ZOW”; slide of Underground Lawn Sprinklers. o Folder (labeled “George M. Stefan, Floor Plan, Ink”): “ZOW”; slide of Floor Plan. o Folder (labeled “George M. Stefan, Axonometric of Roof From West, Ink”): “ZOW”; photo and slide of Axonometric of Roof From West. o Folder (labeled “George M. Stefan, Axonometric View From West, Ink”): “ZOW”; slide of Axonometric View From West. o Folder (labeled “George M. Stefan, Roof Plan, Sections, & Details, Ink”): “ZOW”; slide of Roof Plan, Sections, and Details. o Folder (labeled “George M. Stefan, Exterior Elevations, Ink”): “ZOW”; slide of Exterior Elevations. o Folder (labeled “George M. Stefan, Letter, Ink”): “ZOW.” o Folder: two photos of plans labeled “Dining Table.” o Folder: photo of plan, title of plan is “Detail Topographic Map.” o Folder: photo of plan labeled “Hassocks.” o Folder: photo and slide of plan labeled “Serving Tray.” o Folder: photo and slide of plan labeled “Dining Chair.” o Folder: photo of plan labeled “Workspace Details.” o Folder: photo of plan labeled “Furniture Arrangement.” o Folder: photo and slide of plan labeled “Garden Plan.” o Folder: photo and slide of plan labeled “Garden Plan.” o Folder: photo of unlabeled plan that looks like the floor plan of the house. o Folder: photo and slide of plan labeled “Master Bedroom Cabinets.” o Folder: photo of plan labeled “Master Bedroom Cabinets.” o Folder: photo of plan labeled “Storage Trays.” o Folder: photo of plan labeled “Details Guest Bath.”

o Folder: photo of plan labeled “Door and Plywood Schedule.”

o Folder: photo and slide of plan labeled “Radio and Storage Cabinets.”

o Folder: photo of plan labeled “Detail—Carport Steps.”

o Folder: empty (remove).

o Folder: photo of unlabeled plan with “Hermsdorf Fixture Manufacturing Company” at the bottom.

o Folder: photo of plan labeled “Plywood Panels.”

o Folder: photo and slide of plans labeled “Terrace Door Details.”

o Folder: photo of plan labeled “Furniture Details.”

o Folder: photo and slide of plan labeled “Music Cabinet.”

o Folder: photo of plan labeled “Storage Trays.”

o Folder (with a note on the front that reads “File in Folders”): three folders, one with several unidentified slides, two empty ones, and the outside folder also holds several unidentified photos.

Box 14—Labeled “Zimmerman House Archive—Uncatalogued Materials”

o Handwritten list of books read in April and May 1985 (only the first few books are checked off; mostly Frank Lloyd Wright and architecture books)

o Directory (typed, with handwritten page attached) of the “Opera League of New Hampshire, Inc., Board of Directors—1981/1982.”

o Brown envelope from the New England Regional Medical Library Service to L.Z., postmarked 1980, containing: handwritten list of two articles; two stapled articles with receipt order forms that correspond to the authors and titles on the handwritten list.

o Brown envelope from CMC (Catholic Medical Center) Nutrition Services to L.Z., postmarked 1987, containing: a letter from a dietitian at CMC and a nutrition guide entitled “Food and Your Heart.”

o Brown envelope from the Cooperative Extension Service at the University of New Hampshire to L.Z., with “Oct. 1975” written on it (was never opened), containing a booklet entitled “Lawn Insects/How to Control Them.” o Letter from a reference librarian at the Francis A. Countway Library of Medicine to I.Z. referring to the compilation of a bibliography for I.Z. o Page photocopied from a medical book with the page heading “Shoulder Pain Intrinsic Symptoms, attached to a bibliography and an envelope from the Francis A. Countway Library of Medicine to I.Z. postmarked 1980 (deaccession). o Copy of The New England Journal of Medicine, volume 302, number 26, 1980, with an article on the cover circled and “Save” written across the top twice (deaccession). o Newsclipping, “Letters,” JAMA, 1972, circled the letter entitled “Diphenidol For Levodopa Induced Nausea and Vomiting” (original; deaccession). o Newsclipping, “Protein Intake And Treatment of Parkinson’s Disease with Levodopa,” The New England Journal of Medicine, 1975 (original; deaccession). o Newsclipping, “Treatment of Idiopathic Orthostatic Hypostension (Shy-Drager Syndrome) with Indomethacin,” The Lancet, 1978 (copy; deaccession). o Newsclipping, “Report on Therapy: Idiopathic Orthostatic Hypotension: Report of Successful Treatment with a New Form of Therapy,” The American Journal of Cardiology, 1969 (handwritten note on the top; copy; deaccession). o Reprint of the article “Norepinephrine Depletion in Idiopathic Orthostatic Hypotension,” Annals of Internal Medicine, 1975 (reprint; deaccession). o Folder (with “Squibb Professional Services Department” printed on the cover): newsclipping, “Current Concepts of Pernicious Anemia,” American Journal of Medicine (?), 1970 (copy; deaccession); newsclipping, “Questions and Answers,” JAMA, 1975 (circled “Cyanocobalamin (Vitamin B12) Injection Intervals in Pernicious Anemia”; copy; deaccession); letter from Squibb Professional Services Department to I.Z., dated 1980 (deaccession). o Newsclipping, Manchester (N.H.) Union Leader, 1976 (unsure which article was meant to be saved—there is an entire page of medical articles; original; deaccession). o Copy of The New England Journal of Medicine, volume 300, number 24, 1979, marked the article “Bromocriptine Treatment of Prolactinomas” and wrote “Save” across the top (original; deaccession). o Newsclipping, “Corticosteroid Therapy,” JAMA, 1975 (original; deaccession). o Newsclipping, “Seminars in Medicine of the Beth Israel Hospital, Boston,” The New England Journal of Medicine, 1975 (original; deaccession). o Newsclipping, “Case Records of the Massachusetts General Hospital,” The New England Journal of Medicine, 1974 (original; deaccession). o Copy of The New England Journal of Medicine, volume 294, number 11, 1976 (circled the article “Treatment of Parkinsonism with Aporphines: Possible Role of Growth Hormone” and wrote “Save” across the top; original; deaccession). o Copy of The New England Journal of Medicine, volume 295, number 15, 1976 (circled the article “Drug Therapy: Parkinsonism” and wrote “Save” on the cover twice; original; deaccession). o Copy of The New England Journal of Medicine, volume 290, number 18, 1974 (circled the article “Control of Familial, Senile or Essential Tremor by Propranolol” and wrote “Save” on the cover twice; original; deaccession). o Copy of The New England Journal of Medicine, volume 293, number 6, 1975 (circled the article “Catecholamines and Neurologic Diseases (First of Two Parts)” and wrote “Save” on the cover; original; deaccession). o Copy of The New England Journal of Medicine, volume 291, number 8, 1974 (circled the article “The Renin-Angiotensin System (First of Two Parts)” and wrote “Save” on the cover; original; deaccession). o Copy of The New England Journal of Medicine, volume 291, number 9, 1974 (no specific articles marked, but “Save” is written across the top twice; original; deaccession). o Copy of The New England Journal of Medicine, volume 296, number 6, 1977 (circled the articles “The Sympathetic-Nervous-System Defect in Primary Orthostatic Hypotension” and (under “Editorials”) “Orthostatic Hypotension and Syncope” and wrote “Save” across the top; original; deaccession). o Copy of The New England Journal of Medicine, volume 295, number 25, 1976 (circled the article “Treatment of Parkinson’s Disease with Bromocriptine” with the note “Might come from Sandoz Laboratories” and wrote “Save” across the top; original; deaccession).

o Brown envelope with “File Archives: Z House” written on the front, containing: a folder labeled “1983 Press Clippings”; letter from Kimon Zachos to a curator at the Currier, detailing items sent to the Zimmerman archives and attached to listed items (includes everything on the list except for the last two items, a copy of Christie’s appraisal and correspondence with Sotheby’s regarding the appraisal of the house; Abstractor’s Certificate for the Zimmerman House by Kimon Zachos, with letter from Zachos to a Currier curator; newsclipping, “Welcome to Usonia,” New Hampshire Seacoast Sunday, 1990 (photo and discussion of the Currier opening the Zimmerman House to the public; copy); letter from Kimon Zachos to a Currier curator with list of material sent to the Zimmerman House Archive (items are not attached); thank-you note from the Currier director for L.Z.’s $15,000 contribution, attached to two thank-you notes from the Frank Lloyd Wright Foundation for L.Z.’s $500 contribution, all dated 1985; packet of documents related to the Gagliano violin and the two bows, especially their appraisal (circa 1988); miscellaneous correspondence from Kimon Zachos attached to the appraisal of the Zimmerman House by REI Associates, 1986.

Box 15—Labeled “Zimmerman House Archive—Financial, Legal, Miscellaneous”

o Folder (labeled “Vital Statistics: The Zimmermans”): L.Z.’s passport (issued 1985); original marriage certificate for I.Z. and L.Z. attached to a copy of L.Z.’s birth certificate, a copy of I.Z.’s birth certificate, and the envelope all three were stored in; certified copy of L.Z.’s birth certificate, attached to an envelope from the Department of State Passport Agency and a letter from Kimon Zachos to the director of the Currier discussing finding these items.

o Folder (labeled “Deed—ZH 223 Heather St.”): a copy of the deed for the Zimmerman House.

o Folder (labeled “L.Z. Probate and Final Tax Reports, Last Will”): bound volume including L.Z.’s last will and testament, income tax report, Christie’s appraisal, Anita’s Antiquarian Books appraisal, and other documents (see index).

o Folder (labeled “Receipts: John Geiger’s Personal Records”): handwritten notes and calculations, 6 pages. o Folder (labeled “Receipts: Frank Lloyd Wright Foundation, Zimmermans’ Cancelled Checks”): four cancelled checks, dated 1950, 1952 (two) and 1953. o Folder (labeled “Receipts—Masonry—Buzz Gabert, Contractor”): two invoices dated 1984. o Folder (labeled “Receipt—Irrigation System—Ladouceur and Latouche”): photocopied invoice, dated 1985. o Folder (labeled “Receipts—Heating System—Various Vendors”): Charles J. Duhaime Plumbing and Heating, 1974; Eckhardt & Johnson, Inc. Mechanical Contractors, 1976; Blanchette and Flecchia, Inc. Consulting Engineers, 1974; Michael B. Ingram, Architect, 1976. o Folder (labeled “Receipts: A.L. Franks & Co., Electrical Contractors”): invoices/receipts dated 1951 to 1952. o Folder (labeled “Receipts: Swanburg Construction Corp.”): invoice for work, dated 1951. o Folder (labeled “Receipt: E.N. Ekdahl Plumbing and Heating”): invoices for 1951-1952. o Folder (labeled “Receipt: Triangle Distributing Co.”): order/invoice, 1951. o Folder (labeled “Receipt: Wm. W. Turnbull, Painting Contractor”): invoice, 1951. o Folder (labeled “Receipts: W.C. Vaughan Company”): three invoices, 1952. o Folder (labeled “Receipts: Boston Blue Print Co., Inc., Boston”): invoice, 1951. o Folder (labeled “Receipts: America House, Ltd. New York”): three invoices, 1952. o Folder (labeled “Wesley Peters, FLW Fndt—New Campus Damavand College, Ozgol, Tehran, Iran; Flyer: Temple Unity Restoration”): blueprint plans of the campus in Tehran, Iran signed by William Wesley Peters; flyer for the Unity Temple Restoration. o Folder (labeled “Currier Gallery of Art “Thank You” letters, Beth Israel Hosp. Assoc. Donation Receipt”): receipt to the Zimmermans for their $1,000 donation to the Dr. Herrman L. Blumgart Fund at Beth Israel Hospital, attached to original envelope, 1958; photos from Frank Lloyd Wright’s Autobiography: two of his mother, Katherine Wright; one of a woman and a little girl, unidentified; two of Louis Sullivan; one of Dan (difficult to read) Adler; two of “Uncle Enas”; and one of Richard Lloyd Jones; letter from Robert M. Doty (former Currier director) to L.Z., thanking her for a $10,000 gift to the Currier to help purchase Gaston Lachaise’s “Walking Woman,” 1986; letter from Robert M. Doty (former Currier director) to L.Z. thanking her for a $10,000 gift to the Currier, 1986; letter from Kimon Zachos to William Ruger of Newport, NH for his contribution to the Currier for the Gaines chair (not related to Zimmermans or Frank Lloyd Wright (?); deaccession if not, check CMA collection).

o Folder (labeled “Undated Descriptive History of Zimmerman House by Lucille Zimmerman”): two copies of handwritten history of the Zimmerman House by L.Z., one original and one photocopy, 4 pages.

o Folder (labeled “Reminiscences of Charlotte Heath Snelson”): typed story entitled “A Short Visit to the Pearly Gates,” 4 pages (deaccession?).

o Folder (labeled “Research Paper Re FLW by Cynthia J. Hamilton 12/82, Research Paper Re FLW by Mary Wakefield 1/83, Drawing by “K.J.”): brown envelope from Cynthia J. Hamilton to L.Z., containing her research paper on Frank Lloyd Wright, 1982; brown envelope from Mary Wakefield to L.Z., research paper entitled “Creative Design in the Architecture of Frank Lloyd Wright,” 1983.

o Folder (labeled “Zimmermans’ Personal All-Occasion Cards”): set of notecards with drawing of a bird entitled “Fox Sparrow,” by Emily G. Dusser de Barenne of Peterborough; eight notecards with photos of various sculptures by John Raimondi; Hallmark notecard with painting of a cardinal; two notecards with paintings by King Rich; “Owner’s Instruction Manual” for Smith-Corona Electra 210-220 Electric Portable Typewriters, postcard with the painting “The Wounded Clown” by Georges Rouault from The Currier Gallery of Art; three notecards with the painting “An Informal Tie” by Jim Dine from the Museum of Fine Arts, Boston; empty envelopes (remove).

Box 16—Labeled “Zimmerman House Archive—Currier Publications on the

Zimmerman House”

o R.S.V.P. card to the grand opening of the Zimmerman House with return envelope, both inside larger envelope with The Currier Gallery of Art as the return address. o Card for “one free tour” of the Zimmerman House. o “Free Pass” to The Currier Gallery of Art. o Bundle of pamphlets for the Zimmerman House (keep three, deaccession the rest). o Bundle of pamphlets for the Zimmerman House, labeled “Second Printing” (keep three, deaccession the rest). o Envelope with Zimmerman House pamphlets, labeled “Brochure, Third Printing, 1993?” (keep three, deaccession the rest). o Envelope with Zimmerman House pamphlets, labeled “Brochure, Fourth Printing, 1993” (keep three, deaccession the rest). o Brown envelope with Zimmerman House pamphlets, labeled “1 Printing of ZH Brochures” (same as above? If not, keep three, deaccession the rest). o Brown envelope with Zimmerman House pamphlets, labeled “2nd Printing ZH Brochure” (same as above? If not, keep three, deaccession the rest). o Card with space for the date and time of the Zimmerman House Tour. o Zimmerman House letterhead with information about the Zimmerman House on both sides. o Postcard from the Currier with the Zimmerman House logo as Christmas wreaths (keep three, deaccession the rest). o Booklets from The Frank Lloyd Wright Building Conservancy’s conference at The Currier Gallery of Art, 1992 (keep three, deaccession the rest). o Pamphlet entitled “Madison Opera Presents a World Premiere Opera on the Life of Frank Lloyd Wright: Shining Brow,” 1993. o Booklet, Volume 10, Trial By Jury by the American Institute of Architects, Chicago Chapter, featuring a 37-page article on the Zimmerman House, with photos, 1992. o The Currier Gallery of Art Bulletin, Spring/Fall 1990, with a section about the Zimmerman House. o Brown envelope containing two stamps with Frank Lloyd Wright’s picture and two enlarged photocopies of the stamps, with the note “Gift of Roland Pare, 1993.”

o Booklet entitled “A Classic Usonian! The Zimmermans’ Gift to The Currier Gallery of Art,” 1990 (keep three, deaccession the rest).

 Paper-clipped packet containing: a typed draft of a narrative about the construction of the Zimmerman House entitled “The Story of the Zimmerman House,” dated 1989. Includes handwritten notes, timelines, detailed descriptions of the architecture of the house and construction work performed on it, discussion of John Geiger (Frank Lloyd Wright’s apprentice who was sent out to oversee the construction of the Zimmerman House), and discussion of the construction and descriptions of the furniture and accessories of the Zimmerman House.

 Paper-clipped packet containing: the “Report on the Unpacking of the Zimmerman House Archive, Winter 1996-7”; a photocopy of bookplates reading “Gift from Roland Sallada to the Library of The Currier Gallery of Art, June 8th, 1994, Zimmerman House,” with the Zimmerman House logo in the bottom right-hand corner; photocopy of a letter from Michael A. Danello (at the Currier?) to Roland Sallada of Anita’s Antiquarian Books about replacement values of a list of books, 1994; photocopy of a memo from Hetty Startup to Ellie Vuilleumier about “Roland Sallada gift” and “Zimmerman’s books on or related to FLLW,” 1995; photocopies of “Zimmerman House Books—Master Bedroom Topshelf Left Box 2” and “Zimmerman House Books—Master Bedroom Box 2,” both with handwritten notes; photocopy of a memo from Hetty to Andrew et al. about “Zimmerman’s books on or related to FLLW,” with handwritten notes, 1995; 14 pages of a list of books, presumably from the Zimmerman House Collection; 7 pages of a list of books, with handwritten notes about which titles are already in the Zimmerman House Library, the Zimmerman House Guide Research Library, and/or the Currier Gallery of Art Library; an excerpt from the “Guide Training Notebook” entitled “Artifacts given by the Zimmermans to the Currier Gallery of Art”; 29 pages of a list of items in the Zimmerman House collection, including books, magazines, the Swanburg case transcripts, newsclippings, event programs, etc.

 Booklet: The Zimmerman House: Historic Structure Report (title page reads The Historic Structure Report for the Isadore J. and Lucille Zimmerman House), prepared by Tilton + Lewis Associates, Inc., October 1989. Includes a chronology of the Zimmermans’ lives and details of the construction of the house.

 The Currier Gallery of Art Bulletin, Spring 1994. Includes an article about the Kalil house (a Usonian Automatic house designed by Frank Lloyd Wright).  Frank Lloyd Wright’s Zimmerman House: Its History and Its Restoration by Michael Komanecky with the assistance of Rosalie Reed and John Tilton. The Currier Gallery of Art, 1991.

 Stapled packet of photocopies of notes for the plans for the Zimmerman House: Page 1: “General Note,” “Layout of Building,” “Concrete Work”; Page 2: “Brick Masonry,” “Roofing—Shingles,” “Roofing—Built-Up”; Page 3: “Carpentry & Millwork,” “Glazing”; Page 4: “Electrical Work”

 Paper-clipped packet containing photocopies of “History: Biographical Sketch of the Zimmermans” (a handwritten note states that this was taken from Historic Structure Report for the Isadore J. and Lucille Zimmerman House); a photocopy of Lucille Zimmerman’s obituary; a photocopy of Dr. Isadore J. Zimmerman’s obituary; a photocopy of article “The Isadore J. and Lucille Zimmerman House” from a book about the Currier Gallery of Art, circa 1990.

 The Frank Lloyd Wright Building Conservancy Third Annual Conference: September 17-20, 1992. Paper-clipped packet containing the conference schedule, which was hosted in Manchester, New Hampshire by the Currier Gallery of Art as owners of the Zimmerman House.

 Photocopy of the article “Cozy Home Becomes Museum Piece: Exhibit of Wright’s work has time-capsule quality” from The Boston Sunday Globe, October 18, 1998. Includes photos and discussion of the Zimmerman House (article continues on the back).

 Photocopy of “Frank Lloyd Wright: Journal Articles, 1979-1986” from Architecture Series: Bibliography, July 1987.

 Photocopy of the article “Morton Delson and The Kalil House: The Making of a ‘Usonian Automatic’” by Michael Komanecky, from Journal of the Taliesin Fellows, Issue 6, Spring 1992. Includes photos and a floor plan.

 Bulletin for The Currier Gallery of Art, Spring 1994. Includes the article “Morton Delson and The Kalil House: The Making of a ‘Usonian Automatic’” by Michael K. Komanecky. The cover features a photo of the Kalil House.

 The Frank Lloyd Wright Building Conservancy: Third Annual Conference September 17-20, 1992: Manchester, New Hampshire, Hosted by The Currier Gallery of Art, Owners of the Isadore J. and Lucille Zimmerman House. Contains registration forms and information, conference schedules, and travel and accommodations information. 2 copies. Box 17—Labeled “Zimmerman House Archive—Zimmerman’s Household Files:

News Clippings, Pope-Leighey House book, Vintage Rolls of Wax Paper (3)”):

o Small marble square with plaque engraved with a Frank Lloyd Wright logo, Frank Lloyd Wright’s signature, and “Taliesin, 1944.”

o Folder (labeled “Misc. News Clippings”): newsclipping, “Keeping Wright’s Furniture at Home,” The New York Times, 1987 (original; photo and discussion of the sale of Wright’s drawings); newsclipping, “Wright Buildings: The Future and Past,” The New York Times, 1987 (original); newsclipping, “XYZ’s Birthday Parties at Best As Staged With Extra Years of Zest,” The Union Leader, 1987 (original; photos and caption of the XYZ Club of the Jewish Federation of Manchester, including L.Z.); newsclipping, “Wright Homes Turn Owners Into Curators: Late Architect’s Fans Often Come Calling,” New Hampshire Sunday News, 1987 (original; photos and discussion of Frank Lloyd Wright homeowners and fans); newsclipping, “Arel, Zachos To Be Cited As Distinguished Citizens,” The Union Leader, undated (original; photo and discussion of Kimon Zachos); newsclipping, “Wright Could Do No Wrong in Collectors’ Eyes,” Messenger- Inquirer, 1987 (original; photos and discussion of Tom Monaghan’s collection of Frank Lloyd Wright items); newsclipping, “No Doubting Doty When it Comes to Trend-Setting Art,” 35th Annual Greater Manchester Metropolitan Edition (The Union Leader), 1986 (original; photo and discussion of Robert M. Doty, former director of the Currier); newsclipping, “$1.1 Million Asked for a Wright House,” The New York Times, 1987 (original; photo and discussion of a Frank Lloyd Wright-designed pre-fab home on Staten Island for sale); newsclipping, photo and caption of a chair designed by Frank Lloyd Wright, source unknown, undated (original); newsclipping, “Currier Director To Leave Post With High Praise for His Work,” source unknown, 1987 (original; photo and discussion of Robert Doty’s resignation from his job as Currier director); newsclipping, “Frank Lloyd Wright Designs Had To Be Right at Any Cost,” The Union Leader, 1986 (original; discussion of Frank Lloyd Wright’s building designs); newsclipping, “The Houses Wright Built,” The New York Times, 1986 (original; photos and discussion of Frank Lloyd Wright’s buildings); newsclipping, “The Guggenheim at 25: Still a Winner,” The Boston Globe, 1986 (original; photo and discussion of the Guggenheim Museum); newsclipping, “A Wright House Isn’t Right if You Want Privacy; Tourists, Art Dealers and Preservationists Vex You,” The Wall Street Journal, 1986 (original); newsclipping, “Wright Milestone Lets Man, Nature Harmonize,” The Miami Herald, 1986 (original; photo and discussion of Frank Lloyd Wright’s Fallingwater House); newsclipping, “Wright’s House on a Waterfall Turns 50,” The Wall Street Journal, 1986 (original; drawing and discussion of Frank Lloyd Wright’s Fallingwater House); newsclipping, “Highlights XYZ Activities Frank Lloyd Wright House Tour,” source unknown, undated (original; discussion of the XYZ Club of the Jewish Federation of Manchester’s tour of the Zimmerman House); newsclipping, “Wright ‘Fanatic’ Bids At Two Sales,” source unknown, undated (original; discussion of Tom Monaghan’s purchase of Frank Lloyd Wright items); newsclipping, “Falwell, Armageddon and the Jews,” Moment, 1985 (copy; report of Jerry Falwell’s Armageddon conference in Jerusalem); newsclipping, “Kimon S. Zachos,” source unknown, 1987 (original; photo and discussion of Kimon Zachos receiving the New Hampshire Distinguished Citizen Award); newsclipping, “Wright’s Furnishings,” Americana, undated (original; photos and discussion of Frank Lloyd Wright’s furniture). o Better Homes and Gardens Meat Cook Book, 1959. Note tucked inside reads “Given to CGA by Mary Scheier, 1/28/92, Originally given to Mary by Lucille Zimmerman,” and a photocopied note from L.Z. to Mary discussing the cookbook is also enclosed. o Brown envelope from New Hampshire Profiles magazine to I.Z., postmarked 1983, containing 3 copies of the article “Wright Was Right for Them” from the December 1978 issues of New Hampshire Profiles with photos and discussion of the Zimmerman House. o Brown envelope from Jack Quinan, art history professor at SUNY Buffalo, to the Zimmermans, postmarked 1983, containing: a letter from Jack Quinan dated 1983; an offprint from the Journal of the Society of Architectural Historians, 1982, of the article “Frank Lloyd Wright’s Reply to Russell Sturgis” by Jack Quinan (signed by the author “To the Zimmermans with greatest affection”). o Folder (labeled “Items Removed From Wood Partition in W.S. Before Phase I Restoration”): postcard of a Roy Lichtenstein painting; postcard from sculptor John Raimondi with a photo of his work; postcard for a Mark Rothko exhibit in New York, 1970, addressed to the Zimmermans; holiday postcard with photo of sculpture from Clement Meadmore (sculptor) to the Zimmermans; notecard with the painting “An Informal Tie” by Jim Dine from the Museum of Fine Arts, Boston; notecard from the William Pall Gallery with photos of a Joan Miro sculpture; card with detail of the painting “St. Luke Painting the Virgin” from the Museum of Fine Arts, Boston, signed by the Currier staff; blank holiday card with painting of candles; card that reads “Nicholas Krushenick” with a drawing below; cover of the September/October 1964 The Currier Gallery of Art Bulletin; postcard to the Zimmermans for an exhibit including sculptor John Raimondi, 1980; postcard from the William Pall Gallery with an Adolph Gottleib painting; holiday card from “Kazel” (sp?) with painting by Morris Louis; postcard for Clement Meadmore exhibit to the Zimmermans, 1983; postcard from Glen McMillan to the Zimmermans with an Albrecht Dürer painting, 1974; notecard from “David” with an Edgar Degas painting; postcard for a John Hoyland exhibit with his painting on the front, 1969; notecard with a Morris Louis painting; postcard with photo of Lincoln Center from “Dimitri and Cynthia” to the Zimmermans; card with Peter John drawing to be sculpted by John Raimondi, from John to the Zimmermans, 1980; notecard with an Alexander Calder painting from the Whitney Museum of American Art; postcard with an Adolph Gottlieb painting from the William Pall Gallery to the Zimmermans; notecard with an Ad Reinhardt painting from The Museum of Modern Art, New York; postcard with a Pablo Picasso painting from the Musée de National d’Art Moderne, Paris; newsclipping, photo and caption of a Clement Meadmore sculpture donated by the Zimmermans; newsclipping, photo and caption for either the James Wines sculpture or the Adolph Gottlieb painting (neither mentions the Zimmermans); business card for Arnold Roy, architect with the Frank Lloyd Wright Foundation Taliesin Associated Architects; newsclipping, photo and caption of the sculpture “Walking Woman” by Gaston Lachaise, which L.Z. helped to purchase (see thank-you note from R. Doty, see Hollinger Box “Zimmerman House Archive—Financial, Legal, Miscellaneous”); postcard with photo of a sculpture by David Smith; newsclipping, photo and caption of a Dimitri Hadzi sculpture that was a gift of the Zimmermans; postcard with a Sonia Delaunay painting from the Aberbach Fine Art Gallery to the Zimmermans, 1974; card with a Fernand Léger painting for an exhibit of his work at the Waddington Galleries, London, 1970; postcard with a Kenneth Noland painting for an exhibit of his work at the Waddington Galleries, London, 1970; postcard with a Terry Frost painting for an exhibit of his work at the Waddington Galleries, London, 1969; card with a photo a Penalba sculpture for an exhibit at Artel Galerie, 1975; newsclipping, painting and caption of a Ralph Coburn painting for an exhibit at the Alpha Gallery, Boston, 1980; card with a Morris Louis painting for an exhibit at the André Emmerich Gallery, New York, 1960; photo of a Dimitri Hadzi sculpture at Lincoln Center, New York, 1962-1966; card with a blue and red painting (painter unknown). o Folder (labeled “Hunter, E.H. & M.K.”): certificate for the “Architectural Record Award of Excellence for House Design” for E.H. and M.K. Hunter, 1956 (copy); letter from Architectural Record to Ralph E. Langdell (owner of the house receiving the award), 1961 (copy); article from Architectural Record discussing the Langdell House in Manchester (copy). o Folder: January 1938 issue of Architectural Forum, featuring Frank Lloyd Wright and his designs; thank-you note from a Currier curator to the donator of the issue, 1989.

o Folder: empty (remove).

o Folder: The Japanese Print: An Interpretation by Frank Lloyd Wright. 1912. Signed by Frank Lloyd Wright “To Mr. and Mrs. Sherman Booth with the very good wishes of the author.”

o Folder: empty (remove).

o Folder: photo of an unidentified sculpture mounted on plywood.

o Folder: empty (remove).

Box 18—Labeled “Zimmerman House Archive—Incoming Correspondence:

1949-1988, Paras—Miscellaneous”

o Folder (labeled “Correspondence: Miscellaneous”): small card with hand-painted angel, signed “Tanya Ali. Olgu [sp?], 1958”; handwritten note about trips and costs; postcard with an Edward Hopper painting from the Currier Museum of Art (blank); postcard with a photo of a Greek sculpture from the Wadsworth Athenaeum, Hartford (blank); group of postcards and a card from Helen Langdon, dated 1958, 1972, 1982, undated, and 1976 (paper-clipped together); card from “Mike” to the Zimmermans, half is torn off; two postcards from “Lillian and Mike,” undated and 197- (paper-clipped together); three postcards from “Laura,” two dated 1987 and one dated 1988 (paper-clipped together); two postcards from “Max,” 1972 and 1981 (paper-clipped together); two postcards from “The Michaels,” 1971 and undated (paper-clipped together); two postcards from “Jinny,” 1987 and undated (paper-clipped together); postcard with photo of a John Raimondi sculpture, from the artist; postcard from “May and Russell,” 1976; postcard from Puerto Rico (name is illegible), 1968; postcard from “Mildred” (sp?); postcard from “Rose and Albert”; postcard from Toledo, Spain (name is illegible), 1973; postcard from New Orleans (name is illegible), 1976; postcard from “Virginia Kayor” (sp?); postcard from “Allan” at Taliesin, 1988; postcard from “James and Mochi,” 1982; postcard from “Pat and Bob”; card from “M. Niflaud Veswey” (sp?), a Dutch book dealer, 1949; postcard from “Peter,” 1975; postcard from “—Steve,” 1961; postcard from “Herrman Blumgart” (possibly) while at the Imperial Hotel, Tokyo; postcard from “F.K.,” 1950 or 1960; postcard from “Mary” from Mexico; “Buy More War Bonds” postcard from – (name illegible) to Jackie W—, 1944; postcard from “E— and H— Daly,” 1971; postcard from “Ralph,” 1982; postcard from “the Handlers,” 1986; postcard from Japan (name is illegible); card from “Verlag Ernst Wasmuth,” 1949; postcard from “Fritz Kaeser,” 1971; postcard from “The Reischés” (sp?), 1966; postcard from “Sophia Gerasi” (sp?); Christmas card with deer painting on front (name is illegible); postcard from Taliesin (name is illegible), 1979; postcard from “Don and –,” 1975; postcard with a photo of the Lincoln Income Life Insurance Co. building, built by Taliesin Associated Architects, attached by paperclip to a discussion of the building; envelope from the New York Times to L.Z., postmarked 1964 (empty; remove); telegram from “John A.” stating that he is away; booklet for the exhibit “Prints of the 60’s” at the Museum of Fine Arts, Boston, 1969; letter from John Raimondi to the Zimmermans, 1981. o Folder (labeled “Correspondence: Mr. Kimon Zachos to Zimmermans”): postcard from “Ellen Z.” in Germany; postcard from “Ellen Zachos,” 1983; postcard from “Elizabeth Zachos” in Florence, Italy; postcard from “Elizabeth Zachos,” 1982; bundle of postcards from “Kim and Anne Zachos,” dated 1982 (four postcards), 1980 (four postcards), and 1981 (one postcard) (paper-clipped together); card from “Elizabeth Zachos” from the Fogg Art Museum at Harvard; letter from Kimon Zachos to L.Z. about the Currier, with memo and original envelope attached, 1978; handwritten note that reads “The arts brought us together, may they keep us together, and sustain us, always. From, Kim”; postcard from “Kim and Anne,” 1987; postcard from “Kim and Anne,” 1986; postcard from “Kim and Anne,” 1987; letter from Kimon Zachos to the Zimmermans, an invitation to a luncheon for the Currier, with original envelope attached, 1982; letter from Kimon Zachos to L.Z. with report on the Currier’s Fiftieth Anniversary Fund Drive, with original envelope attached, 1980; Christmas letter from Kimon and Anne Zachos, 1986. o Folder (labeled “Correspondence: Katherine Paras to Mrs. Z”): letter from Katherine Paras to L.Z., 1979. o Folder (labeled “Correspondence: William Wesley Peters to Z’s”): letter from William Wesley Peters to L.Z., with original envelope attached, 1983; letter from William Wesley Peters to L.Z., with original envelope attached, 1985; letter from William Wesley Peters to L.Z., a thank-you note for her gift of $500 to the Frank Lloyd Wright Foundation, 1986. o Folder (labeled “Correspondence: Bruce Brooks Pfieffer to Z’s”): letter from Bruce Brooks Pfeiffer to I.Z. with a request for information for information on the Zimmerman House, 1967; thank-you letter from B.B.P. to L.Z., with original envelope attached, 1979; thank-you letter from B.B.P. to the Zimmermans, with original envelope attached, 1980; letter from B.B.P. to L.Z. discussing I.Z.’s health, with original envelope attached, 1980; letter from B.B.P. to L.Z. requesting original letters written by Frank Lloyd Wright to the Zimmermans, with original envelope attached, 1980; letter from B.B.P. to L.Z., with a copy of I.Z.’s first letter to Frank Lloyd Wright and original envelope attached, 1981; letter from B.B.P. to L.Z., with original envelope attached, 1982; letter from B.B.P. to L.Z., with original envelope attached, 1983; thank-you letter from B.B.P. to L.Z., with original envelope attached, 1984; letter from B.B.P. to I.Z. discussing the sale of some of Frank Lloyd Wright’s drawings, with original envelope attached, 1984. o Folder (labeled “Correspondence: Jack Quinan to Zimmermans”): letter from Jack Quinan to the Zimmermans requesting a visit for one of his students from the State University of New York at Buffalo, with original envelope attached, 1977; photocopies of the articles “The Darwin Martin Papers Are Added to the University Archives,” Library News (SUNY Buffalo Library), 1982 (Martin was a patron of Frank Lloyd Wright) and “The Legend of Frank Lloyd Wright in Buffalo,” Gusto, 1982, sent by J.Q. with original envelope attached, 1982; letter from J.Q. to the Zimmermans discussing the Darwin Martin papers, 1982. o Folder (labeled “Correspondence: Anne and Milton Rogovin to Z’s”): letter from Milton Rogovin to L.Z., 1982; letter from A.R. and M.R. to L.Z., with original envelope attached, 1982; letter from A.R. and M.R. to the Zimmermans, undated. o Folder (labeled “Correspondence: Unsigned Letters from Taliesin”): invitation to attend the Frank Lloyd Wright Testimonial Dinner, with original envelope attached, 1955; acknowledgement of contribution to the Frank Lloyd Wright Testimonial Dinner (although they did not attend), with original envelope attached, 1955; thank-you letter from Bruce Brooks Pfeiffer to L.Z., in original envelope, 1983; card from Taliesin with brief essay by Frank Lloyd Wright and noting his birthday (June 8th, 1956), in original envelope, 1956; card from Taliesin with quote from Frank Lloyd Wright, 1974; brief letter (telegram?) from someone connected with Frank Lloyd Wright, with original envelope attached, 1951; two pages discussing the costs of the personal architectural services of Frank Lloyd Wright, with costs specific to the Zimmerman House typed in and with original envelope attached, 1951. o Folder (labeled “Correspondence: Carol and Richard Seltzer to the Z’s”): postcard from Carol and Richard Seltzer to the Zimmermans from Italy, 1970. o Folder (labeled “Correspondence: Kenneth W. Severens to Z’s”): letter from Kenneth Severens (Assistant Professor of Art at Oberlin College) discussing Usonian homes, with original envelope attached, 1973. o Folder (labeled “Correspondence: Gerard Singer to Zimmermans”): letter from Gerard Singer (a painter) to the Zimmermans, hoping to meet them, along with a note from Viviane Stoloff, with two business cards from G.S. with handwritten notes and original envelope attached, 1963. o Folder (labeled “Correspondence: William Sprigg to Dr. Z.”): letter from William Sprigg to I.Z. asking for information about the Zimmerman House, 1964. o Folder (labeled “Correspondence: David and Barbara Stahl to Mrs. Z.”): three postcards from David and Barbara Stahl while in France, dated 1971, 1972, and 1986. o Folder (labeled “Correspondence: Mr. George M. Stefan to Mrs. Z.”): letter from George Stefan to L.Z. discussing G.S.’s drawings of Frank Lloyd Wright projects, with original envelope attached, 1981. o Folder (labeled “Correspondence: Viviane Stoloff to the Z’s”): note from Viviane Stoloff to L.Z. discussing the Zimmermans’ upcoming visit to London and Paris to visit V.S., letterhead reads “Librairie, Galerie du Fleuve, Paris,” undated; postcards from V.S. dated 1958 (eight postcards), 195- (one postcard). o Folder (labeled “Correspondence: Richard Succi to Zimmermans”): letter from Richard Succi to the Zimmermans, with original envelope attached, 1977; card from R.S. to the Zimmermans, with original envelope attached, 1977; letter from R.S. to the Zimmermans, with original envelope attached (but not the enclosures mentioned in the letter), 1977. o Folder (labeled “Correspondence: Thorntons to the Z’s”): letter from the Thorntons to L.Z., with original envelope attached, 1988. o Folder (labeled “Correspondence: Charles C. Thomas to Mrs. Z.”): letter from Charles Thomas (publisher) to L.Z. discussing the Frank Lloyd Wright building which houses his publishing office, with original envelope attached, 1952. o Folder (labeled “Correspondence: Pearl Thompson, Pope-Leighey Hse”): pamphlet for the Pope-Leighey House designed by Frank Lloyd Wright, with handwritten note from Pearl Thompson on front cover, undated. o Folder (labeled “Correspondence: Bob Twombly to Zimmermans”): brief letter from Bob Twombly (professor of history at the City College of the City University of New York) to the Zimmermans thanking them for a visit to their house, with original envelope attached, 1976. o Folder (labeled “Correspondence: Dr. and Mrs. Utell to the Z’s”): “Season’s Greetings” card from “Dr. and Mrs. Milton Utell and The Boys,” undated. o Folder (labeled “Correspondence: David Weiser to Mr. Zimmerman”): letter from David Weiser to I.Z. requesting a visit to the house, with original envelope attached, 1969. o Folder (labeled “Correspondence: Neil Welliver to Mrs. Z.”): letter from Neil Welliver to L.Z. thanking her for photographs of the house, with original envelope attached, 1982. o Folder (labeled “Correspondence: WGBH Radio to the Z’s”): letter from WGBH radio to the Zimmermans responding to a question about a musician, 1982. o Folder (labeled “Correspondence: Helen & Seymour White to the Z’s”): postcards from Helen and Seymour White to the Zimmermans dated 1976 (?), 1982, and 1987. o Folder (labeled “Correspondence: Richard Guy Wilson to Zimmermans”): letter from Richard Guy Wilson (professor at the University of Virginia School of Architecture) to the Zimmermans requesting a visit to their house, with original envelope attached, 1977; card from Richard Guy Wilson thanking the Zimmermans for the tour of their home, with original envelope attached, 1977. o Folder (labeled “Correspondence: James Wines to Mrs. Z.”): letter from James Wines (artist?) thanking L.Z. for her appreciation of his gift of a sculpture to the Currier, with original envelope attached, 1963. o Folder (labeled “Correspondence: Marian Woodruff to Z’s”): letter with poem about the death of Marian Woodruff’s son (?) thanking the Zimmermans for their concern, in original envelope, 1981. o Folder (labeled “Correspondence: Lynn & Fred to the Z’s”): two postcards from “Lynn and Fred” to the Zimmermans, dated 1972 and 1983. o Folder (labeled “Correspondence: Postcards from Jack and Loretta to Z’s”): postcards from “Jack and Loretta” to the Zimmermans, dated 1967, 1975, 1980, 1982, undated (three postcards).

o Folder (labeled “Correspondence: Olgivanna Lloyd Wright to Z’s”): letter from Olgivanna Lloyd Wright to L.Z. giving advice on wood stain, with original envelope attached, 1964; thank-you letter from O.L.W. to the Zimmermans, with the original envelope attached, 1982; thank-you letter from O.L.W. to L.Z., with the original envelope attached, 1984.

Box 19—Labeled “Zimmerman House Archive—Incoming Correspondence,

1949-1988, Affleck—Museums”

o Folder (labeled “Correspondence: Gregor Affleck to the Z’s”: letter from Gregor Affleck thanking the Zimmermans for maple syrup, in original envelope, 1949.

o Folder (labeled “Correspondence: Taro Amano to Zimmermans”): letter from Taro Amano (acting chairman of the Committee for the Preservation of the Imperial Hotel) seeking donations to save the hotel from destruction, with original envelope attached, 1967.

o Folder (labeled “Correspondence: Theodore Baird to Dr. Z”): letter from Theodore Baird to I.Z., with original envelope attached, 1978; copy of letter to T.B. with attached sheet discussing the resale value of the Zimmerman House, 1978.

o Folder (labeled “Correspondence: Mr. & Mrs. Baillère to the Z’s”): holiday card from Joel and Judy Baillère, with original envelope and postcard attached, undated.

o Folder (labeled “Correspondence: Bierenberg to Dr. & Mrs. Z.”): letter from the Bierenbergs to the Zimmermans, with original envelope attached, 1962.

o Folder (labeled “Correspondence: Mrs. Irma Brosseau to Mrs. Z.”): letter from Irma Brosseau to L.Z., 1986.

o Folder (labeled “Correspondence: Rose Callahan, Medical Econ.”): letter from Rose Callahan discussing featuring the Zimmermans and their house in Medical Economics, with attached copy of response and the original envelope, 1961. o Folder (labeled “Correspondence: Cary Caraway to Zimmermans”): letter from Cary Caraway (president of the Frank Lloyd Wright Endowment Fund) announcing that Taliesin West will be featured on the television show “Wide, Wide World,” with information about the Frank Lloyd Wright Endowment Fund and the original envelope attached, 1956. o Folder (labeled “Correspondence: Richard Carney to Zimmermans”): thank-you letter from Richard Carney (treasurer of the Frank Lloyd Wright Memorial Foundation, with original envelope attached, 1983. o Folder (labeled “Correspondence: John M. Carter to Zimmermans”): letter from John Carter (president of University at Buffalo Foundation, Inc.) to the Zimmermans, with original envelope attached, 1982; letter from J.C. to the Zimmermans, with original envelope attached, 1982; thank-you letter from J.C. to the Zimmermans, with original envelope attached, 1982. o Folder (labeled “Correspondence: Ephraim A. Claudio to Mrs. Z.”): letter from Ephraim Claudio (of the Nelson-Whitehead Paper Corp.) to L.Z. stating that the company cannot support paper to her specifications, with original envelope attached, 1958. o Folder (labeled “Correspondence: Rabbi and Mrs. Cohen to Zimmermans”): letter from Rabbi Mortimer Cohen to L.Z. requesting a photo of the house, 1954; letter from M.C. to L.Z., 1955; letter from M.C. to the Zimmermans, 1960; letter from M.C. to the Zimmermans, with original envelope attached, 1962; letter from M.C. to the Zimmermans, with original envelope attached, 1974; letter from M.C. to the Zimmermans, with original letter attached, 1974; letter from Helen Cohen (M.C.’s wife) to the Zimmermans, with original envelope attached, 1976. o Folder (labeled “Correspondence: David Cylkowski to Z’s”): letter from David Cylkowski to the Zimmermans discussing repairing the roof of the Zimmerman House, with original envelope attached, 1977. o Folder (labeled “Correspondence: Pat Diska to Zimmermans”): photocopy of newsclipping, “Sculptures Rise in Negev Desert,” source unknown, undated (two copies); letter from Pat Diska to the Zimmermans, with original envelope attached, 1962; letter from P.D. to the Zimmermans, with original envelope attached, 1963; letter from P.D. to I.Z., with original envelope attached, 1963; three postcards from P.D. to the Zimmermans, one dated 1963 and the other two not dated; photo of a sculpture (done by P.D.?) with note signed by P.D. o Folder (labeled “Correspondence: Joan Doty to the Z’s”): postcard from Joan Doty to the Zimmermans, 1978. o Folder (labeled “Correspondence: Shauna Duffy to the Z’s”): postcard from Shaunna Duffy to the Zimmermans; invitation to S.D.’s wedding, with original envelope, 1981. o Folder (labeled “Correspondence: John Geiger to Zimmermans”): card from John Geiger to the Zimmermans, with original envelope, 1980. o Folder (labeled “Correspondence: Mr. Allan J. Gelbin to Z’s”): note from Allan Gelbin (former apprentice to Frank Lloyd Wright) to L.Z. with newsclipping about A.G.’s house, in original envelope, 1983; note from A.G. to L.Z., with an essay by Frank Lloyd Wright on beauty and original envelope, 1980; letter from A.G. to the Zimmermans, with an essay by A.G. on architecture, the newsclippings “Showing the Art of Architecture” and “Notable and Quotable,” and the original envelope, 1980; letter from A.G. to the Zimmermans, with photos of his house and the original envelope, 1981; letter from A.G. to L.Z., with photocopied article about his house and original envelope, 1982; a copy of the essay “Some Thoughts on Architecture” by Allan J. Gelbin. o Folder (labeled “Correspondence: Rodney J. Griffiths to Z’s”): thank- you letter from Rodney Griffiths (General Chairman of Frank Lloyd Wright Day Chicago) to the Zimmermans, with original envelope, 1956. o Folder (labeled “Correspondence: David A. Hanks to Zimmermans”): letter from David Hanks (curator at the Philadelphia Museum of Art, with original envelope, 1977; postcard from D.H. to the Zimmermans, undated o Folder (labeled “Correspondence: Ellen Hart to the Z’s”): letter from Ellen Hart to L.Z., with original envelope attached, 1982. o Folder (labeled “Correspondence: Thomas A. Heinz to Z’s”): letter from Thomas Heinz to I.Z., attached to letter from John McNally (president of the New Hampshire Symphony) and original envelope, 1978; letter from T.H. to L.Z. attached to original envelope, 1980; letter from T.H. to L.Z, with original envelope attached, 1980; postcard from T.H. to the Zimmermans, undated; postcard from T.H. to the Zimmermans, 1980. o Folder (labeled “Correspondence: Henry Russell Hitchcock to Z’s”): letter from Henry-Russell Hitchcock (director of the Smith College Museum of Art) to L.Z., with original envelope attached, 1951; letter from H.R.H. to L.Z., with original envelope attached, 1952. o Folder (labeled “Correspondence: Gwen Hodges (House & Home)”): letter from Gwen Hodges (assistant editor at House and Home) to L.Z., with original envelope attached, 1952. o Folder (labeled “Correspondence: Leslie der Hohannesian to Z’s”): letter from Leslie der Hohannesian to the Zimmermans, with original envelope attached, undated. o Folder (labeled “Correspondence: Marjorie & Bill Hutton to the Z’s”): “Season’s Greetings” card from Marjorie and Bill Hutton to the Zimmermans; holiday card from Marjorie and Bill Hutton to the Zimmermans; postcard from M.H. and B.H. to the Zimmermans, 1969. o Folder (labeled “Correspondence: Elizabeth Kassler to Mrs. Z.”): letter from Elizabeth Kassler to L.Z., with original envelope attached, 1982. o Folder (labeled “Correspondence: Mr. Fred Licht to Zimmermans”): two photocopies of a letter from Fred Licht to the Zimmermans, 1982. o Folder (labeled “Correspondence: Ellen Light to the Z’s”): letter from Ellen Light to the Zimmermans, with a photograph she took inside their home and the original envelope, 1974. o Folder (labeled “Correspondence: Susan Lockhart to Z’s”): letter from Susan Lockhart at Taliesin to L.Z., with original envelope attached, 1971; card from “Susan and Ken” at Taliesin to the Zimmermans, with original envelope attached, 1980; postcard from S.L. to L.Z., 1982. o Folder (labeled “Correspondence: Mrs. A.G. Maitzen to Z’s”): letter from Mrs. A.G. Maitzen at The Frank Lloyd Wright Day, Chicago, to the Zimmermans, with original envelope attached, 1956. o Folder (labeled “Correspondence: Eugene Masselink to Z’s”): letter from Eugene Masselink (secretary to Frank Lloyd Wright) to L.Z., missing enclosure mentioned in the letter, 1949; letter from E.M. to I.Z., with original envelope attached, 1949; letter from E.M. to L.Z., with original envelope attached, 1950; letter from E.M. to the Zimmermans, with original envelope attached, 1951; letter from E.M. to L.Z., with original envelope attached, 1951; letter from E.M. to L.Z., with original envelope attached, 1951; letter from E.M. to L.Z., with original envelope attached, 1951; letter from E.M. to L.Z., with original envelope attached, 1951; letter from E.M. to L.Z., with original envelope attached, 1951; letter from E.M. to L.Z., 1952; letter from E.M. to the Zimmermans, with original envelope attached, 1952; letter from E.M. to L.Z., with original envelope attached, 1952; letter from E.M. to the Zimmermans, with original envelope attached, 1953; letter from E.M. to L.Z., with original envelope attached, 1953; letter from E.M. to L.Z., with original envelope attached, 1954; letter from E.M. to L.Z., with original envelope attached, 1955; letter from E.M. to L.Z., with original envelope attached, 1955; letter from E.M. to the Zimmermans, with original envelope attached, 1955. o Folder (labeled “Correspondence: John de Koven Hill”): card, “Happy Holidays from Taliesin West,” with original envelope attached, 1976; “Happy Holidays” card from John de Koven Hill, circa 1977. o Folder (labeled “Correspondence: The Matthews to the Z’s”): postcard from “J & E Matthews,” 1967. o Folder (labeled “Correspondence: Mayor’s Office, Chicago to Z’s”): proclamation from the Mayor of Chicago that October 17, 1956 is Frank Lloyd Wright Day, with attached information sheet about Frank Lloyd Wright and original envelope. o Folder (labeled “Correspondence: Saundra McCurdy to Z’s”): handwritten letter by “Saundra” to L.Z. (addressed as “Aunt Lucille”), 1981. o Folder (labeled “Correspondence: V.C. Morris to Mrs. Zimmerman”): letter from V.C. Morris to L.Z., with handwritten notes and drawings on the bottom, 1955. o Folder (labeled “Correspondence: Municipal Arts Commission of Los Angeles, Calif. to the Zimmermans”): invitation from the Municipal Arts Commission of Los Angeles to a reception for Frank Lloyd Wright for the west coast premiere of the exhibit “Sixty Years of Living Architecture,” with original envelope attached, 1954. o Folder (labeled “Correspondence: Museums to the Z’s”): receipt and note from W. & G. Foyle Ltd. “The World’s Greatest Bookshop,” London; letter from M. Prevot at the Galerie de France, Paris, to L.Z.; receipt and letter from the Tate Gallery to L.Z., with original envelope attached, 1963, and paper-clipped to a letter and the original envelope from the London County Council to L.Z., 1963; letter from the Museu de Arte Moderna in Sāo Paulo, Brasil to L.Z., with original envelope attached, 1963; letter from Roel D’Haese in Brussels, with original envelope attached, 1961; letter from Societe des Expositions to L.Z., with original envelope attached, 1961. o Folder (labeled “Correspondence: Clement Meadmore to Mrs. Z.”): letter from Clement Meadmore to L.Z., with original envelope attached, 1980. o Folder (labeled “Classic Usonian, Etc. to Refile”): letter from Frank Lloyd Wright to I.Z., 1949; letter from Frank Lloyd Wright to I.Z., 1950; letter from the Zimmermans to John (Geiger), 1954. o Folder (labeled “Correspondence: Frank Lloyd Wright to Z’s”): envelope from Taliesin to I.Z. with no letter, postmarked July 14, 1949; envelope from Taliesin to I.Z. with no letter, postmarked April 5, 1950; letter from Frank Lloyd Wright to the Zimmermans, with original envelope attached, 1959; letter from Frank Lloyd Wright to the Zimmermans, with original envelope attached; 1951; letter from Frank Lloyd Wright to I.Z., with original envelope attached,1951; envelope from Taliesin to the Zimmermans, with no letter, postmarked June 20, 1952. o Folder (labeled “Correspondence: Frank Lloyd Wright to Z’s”): letter from Frank Lloyd Wright to the Zimmermans, with original envelope attached, 1951; letter from Frank Lloyd Wright to the Zimmermans, with original envelope attached, 1951; letter from Frank Lloyd Wright to L.Z., with original envelope attached, 1951; letter from Frank Lloyd Wright to the Zimmermans, with original envelope attached, 1953; letter from Frank Lloyd Wright to L.Z., with the original envelope attached, 1952. o Folder (gray cardboard, no label): letter from Frank Lloyd Wright to the Zimmermans, 1952; letter from Frank Lloyd Wright to the Zimmermans, 1952; letter from David S. Brooke (former director of The Currier Gallery of Art) to L.Z., 1976; letter from William Hutton (former director of The Currier Gallery of Art) to the Zimmermans, 1966; letter from Frank Lloyd Wright to the Zimmermans, with original envelope attached, 1950. o Folder (labeled “Correspondence: Currier Gallery to the Z’s”): endorsed check from the Zimmermans to The Currier Gallery of Art for $3,695 paper-clipped to a thank-you letter from David S. Brooke (former director of The Currier Gallery of Art, 1973; thank-you letter from Kimon S. Zachos to L.Z. regarding a contribution made for a Gaston Lachaise sculpture, 1982; thank-you letter from Robert M. Doty to L.Z. for a contribution, 1986; thank-you letter from Kimon S. Zachos to the Zimmermans for a contribution, 1982; newsclipping about potter Edwin Scheier award, source unknown, undated; press release from The Currier Gallery of Art regarding the Edwin Scheier exhibit, 1966; thank-you letter from Robert M. Doty to L.Z. for a contribution, 1985; thank-you letter from Robert M. Doty to L.Z. for a contribution, 1986; photocopy of a check to The Currier Gallery of Art for $10,000 from L.Z. stapled to a handwritten note with calculations; thank-you letter from Robert M. Doty to L.Z., 1987; copy of a signed proposal by Kimon S. Zachos for the Zimmermans’ purchase of the Gaston LaChaise sculpture for The Currier Gallery of Art, 1982; thank-you letter from Philip D. Zimmerman (former curator at The Currier Gallery of Art) to the Zimmermans, 1982; receipt for “4 pieces of Lalique glass” from the Zimmermans, signed by Philip D. Zimmerman; handwritten thank-you note from Rett Daniels (former president of the Board of Trustees of The Currier Gallery of Art) to the Zimmermans, paper-clipped to a handwritten note from the Zimmermans to David Brooke, 1970; letter from William Hutton (former director of The Currier Gallery of Art) to the L.Z., 1967; thank-you letter from Charles E. Buckley (former director of The Currier Gallery of Art) to the Zimmermans for a contribution, 1958; copy of a letter from L.Z. to Peter Woodbury (former chairman of the Board of Trustees), 1963, paper-clipped to a thank-you letter from Charles E. Buckley to the Zimmermans for their contribution, 1964; letter from I.Z. to David Brooke to be sent with $2,000 contribution, 1970; handwritten thank-you note from Rett Daniels to the Zimmermans for a contribution, 1970; thank-you letter from Robert M. Doty to the Zimmermans for a contribution, 1978; receipt signed by Kimon S. Zachos for the Zimmermans’ contribution to The Currier Gallery of Art Fiftieth Anniversary Building Fund as anonymous donors, 1979; thank-you letter from Kimon S. Zachos to the Zimmermans for a contribution, 1978; letter from Kimon S. Zachos to L.Z., 1980; photocopy of a letter from Melvin E. Watts (former curator at The Currier Gallery of Art) to Kimon S. Zachos (president of the Board of Trustees) announcing his retirement (mentioned in the previous letter to L.Z.), 1980; thank-you letter from Robert M. Doty to the Zimmermans for a contribution, 1979; thank-you letter from Robert M. Doty to the Zimmermans for their gift of a Victorian inkstand, 1981; thank-you letter from Kimon S. Zachos to the Zimmermans for a contribution, 1980; letter from Robert M. Doty to the Zimmermans, 1979; thank-you letter from Robert M. Doty to L.Z., with original envelope attached, 1982; thank-you letter from Al Grimard to L.Z. for her donation of a snow blower, 1983; thank-you letter from Robert M. Doty to L.Z. for her donation of a snow blower, 1983; receipt and thank-you letter from Maria Graubart (former Currier Gallery of Art librarian) for their gift of a book about Jules Olitski, with original envelope attached, 1982; letter from the Zimmermans to David Brooke announcing their donation of $6,000 to The Currier Gallery of Art for the purchase of contemporary sculpture, 1976; letter from the Zimmermans to Robert M. Doty announcing their donation of $7,000 to The Currier Gallery of Art for the purchase of contemporary sculpture, 1977; thank-you letter from David S. Brook to the Zimmermans for a contribution, 1971; letter from Robert M. Doty to the Zimmermans, 1978; two copies of the December 1960 issue of The Currier Gallery of Art Bulletin, featuring the Zimmerman House.

Box 20—Labeled “Zimmerman House Archive—Photographs and Printed Material” (Note: box is overstuffed) o Folder: cardboard photo holder with photo of I.Z. at graduation (college?), signed “Best Wishes, Isadore Zimmerman”; a large number of B & W unidentified photos. o Folder: set of photos in folded piece of notebook paper with some notes on it; B & W photos cardboard photo holder with photo of I.Z. in a suit; two sets of photos in folded piece of notebook paper; photocopy of newsclipping with a photo of I.Z. that won a photography contest. o Folder: photo Christmas card from the Zachos family; small photo album with photos of the Zimmerman House; large photo of L.Z. playing the cello; photos of the Zimmerman House, I.Z. and L.Z., and friends; cardboard photo holder with photo of I.Z. and L.Z.; large cardboard photo holder with two photos of a boys’ orchestra, presumably with I.Z. o Folder: cardboard photo holder with photo of I.Z. at graduation (high school?) signed “Sincerely, Isadore Zimmerman”; cardboard frame with photo of a baby (I.Z.?); large photo with a number of young men (I.Z.’s high school/college class?). o Folder: various B & W photos (post-it note on folder reads “photo of Lucille and Clarence in 1916-17” and “photo of Blodgett St House”). o Folder: cardboard photo holder in envelope from Rome (post-it note on folder reads “photos of Dr. Z.”). o Folder: photo of a sculpture; photo of L.Z. at the Currier; list of exhibits and a bibliography of works that mention Adolph Gottlieb; calendar with a photo of a snowman, 1988; cardboard photo holder with photo of the director and trustees of The Currier Gallery of Art breaking ground for the addition, 1980. o Folder: color photos of the Zimmermans and their friends and family; cardboard photo holder with photo of L.Z. and an elderly woman. o Folder: blank cards and postcards from various museums; certificate from Tufts University School of Medicine to I.Z. on the fiftieth reunion “for a lifetime of devoted service to the medical profession,” in a folded piece of cardstock. o Folder: certificate for L.Z. from the Kentucky State Board of Nurse Examiners for her Registered Nurse license, 1931; certificate for L.Z. from the New Hampshire State Board of Nurse Examiners for her Registered Nurse license, 1937; “Post-Graduate Nurse Certificate” for L.Z. for “Communicable Disease Nursing.” o Folder: I.Z.’s diploma from Harvard, 1925 (mounted on cardboard). o Folder: B & W photo of the Zimmermans (post-it note on folder reads “L.Z. and I.Z. together”). o Folder: photo of a boys’ orchestra mounted on cardboard (note on the bottom reads “Isadore Zimmerman (middle row—5 from left).” o Folder: 6 folded pages of handwritten notes, looks like historical research; notes on the Sisters of Mercy; newsclipping about the Secretary of State planning a trip; more handwritten research notes (include page numbers and quotations from books; newsclipping, “Mrs. Beeton, Medical Adviser”JAMA, 1971; more handwritten research notes; a typed paper entitled “Discussion of the Paper by Howell D. Woodson and A. Lynn Herring ‘Papillary Tumor of the Uro-Epithelium Involving Multiple Organs Analysis and Management”; letter from Grayson Carroll, M.D., to I.Z. regarding a presentation I.Z. is to give, 1965; letter from I.Z. to Grayson Carroll in response to previous letter, 1965; letter from I.Z. to R.C.B. Pugh, M.D., 1958; copy of the article “Pheochromocytoma of the Urinary Bladder,” The Journal of Urology, 1960; reprint of the article “Pheochromocytoma of the Urinary Bladder: Report of a Case,” The New England Journal of Medicine, 1957 (two copies); copy of the article “Bladder Regeneration in Extensive Subtotal Cystectomy for Carcinoma of the Trigone and Vesical Neck by I.Z., read at the annual meeting of the American Urological Association, 1963; a copy of the article “Suprapubic Prostatectomy: An Apologia and a Plan,” by I.Z., read at the meeting of the American Urogical Association, 1959; a copy of The New England Journal of Medicine with the article “Medical Intelligence: Pheochromocytoma of the Urinary Bladder,” by I.Z. et al., 1953; a copy of The Urologic and Cutaneous Review, with the article “Osteitis Pubis or Thrombotic Atrophy of the OS Pubis?” by I.Z., 1951; a copy of the article “Papillary Carcinoma in a Calyceal Diverticulum of a Lone Kidney Treated By Heminephrectomy and Thiotepa” by I.Z. (two copies, second copy has notes for a talk with slides and is slightly longer); letter from Wirt B. Dakin, M.D. to I.Z. about his paper, 1956; letter from I.Z. to the editor of The Journal of Urology, 1956; a copy of the article “The Art of Prostatectomy in the Age of Automation” by I.Z., read at the annual meeting of the American Urological Association, 1956 (three copies; one has handwritten notes, two do not); a chart entitled “Consequences of Automation” and three related charts with patient problems; copy of a letter from I.Z. to Wirt B. Dakin, M.D., 1956; a loose page from one of the articles. o Folder: two pieces of cardboard with B & W photos interspersed with paper. Box 21—Labeled “Zimmerman House Archive—Uncatalogued Materials”

o Program from an auction held at the Currier entitled “Fête du Musée” with a sheet entitled “Prayers of a Physician” tucked inside and L.Z.’s ticket for the auction stapled to the back.

o Letter from John Raimondi (artist) to L.Z., 1981.

o Note from L.Z. or I.Z. that reads “Apr. 25 we moved” (into the Frank Lloyd Wright house) and “May 7, John left” (John Geiger returned home).

o Postcard from “Kim and Anne (Zachos)” from France, undated

o “1988 Weekly Reminder” book for L.Z., with various business cards spread out in it and handwritten notes.

o “1987 Weekly Reminder” book for L.Z., with handwritten notes about appointments, etc.

o Envelope labeled “Speaker” containing instructions and warranty for a JansZen Electrostatic Loudspeaker, a catalog of JansZen speakers from Neshaminy Electronic Corp., a booklet for Type II Shure V-15 cartridges, and a little packet with extra screws.

o Large envelope labeled “Archives” containing five large envelopes (empty; remove); instruction manual for a “Light’n Easy” iron; instruction manuals for an automatic blanket; instruction manual for a can opener; instruction sheet for safe snow removal; instruction manual, quality check card, and parts manual for Ariens “Sno-Thro” snow blower; instruction manual for a Cyclone Broadcast Spreader (seed spreader); packet of materials containing instruction manuals for the “Mimi” automatic dishwasher, a Waring Cookbook, and a kitchen time instruction manual; instruction manual and parts list for Ariens tractor; instruction manuals for “The Bug Killer”; instruction manual for “Cool-Vapor” humidifier; instruction manuals for Hobart Value Disposers; list of servicing outlets for National Food Waste Disposers and Instant Hot Water Dispensers; packet with snow blower manuals; instruction booklet for Electrolux Vacuum Cleaner; flyer from Bunny’s Superette; empty folder (remove); receipt from State Pharmacy in Manchester; credit card for Bonwit Teller; empty envelope (remove); Bronze Key from Catholic Medical Center for the Zimmermans’ donation; instruction manuals and information about the 1986 Mercury Lynx (L.Z.’s car); instruction sheet and parts list for Balcrank No. 2274 Cartridge Grease Gun; packet labeled “Miscellaneous Utility booklets.” o Envelope labeled “Radio Recording Phonograph -----” containing instruction manuals for a McIntosh FM stereo tuner and a Denon amplifier; instruction manual for a Sony turntable; instruction manual for a Marantz Power Amplifier; instruction manual for Sony Tone Arms (needle holders for record players); instruction manual for the Tandberg 3000 X Tape Recorder; and a catalog for Shure electronics.

o I.Z.’s wallet, containing a membership card for the American Medical Association; a handwritten list (seems to be the jewelry in the jewelry box); handwritten note on the back of an envelope about a black Ford T-bird; health insurance card; American College of Surgeons “Retired Status” card; Opera League of New Hampshire membership card; a second American Medical Association card; identification card; American College of Surgeons “Completed Fellowship” card; State of New Hampshire Board of Registration in Medicine identification card; and a New Hampshire Medical Society “Life Membership” card.

Box 22—Labeled “Zimmerman House Archive—Zimmerman’s Household Files:

Music Programs, Trip to Spain—Brochures, Postcards, Museum Guides, etc.”

o Folder (tab has the letters “Mc” on it): booklet for an overseas tour put together by the Museum of Fine Arts, Boston; itinerary entitled “Your Clipper Trip” from Pan American for the MFA Boston trip; two Pan American folders with information about the trip; pamphlet for Cándido, Greatest Innkeeper of Castille; booklet from the MFA Boston with more details about the overseas trip (has handwritten notes inside); copy of the itinerary; booklet of Kodak lens cleaning paper; blank postcard from Paris; photo/card with an unidentified woman; pamphlet for Hotel Europa,Venezia; book of postcards from Madrid; book of postcards from Tivoli; guidebook to Segovia; two books of postcards from Toledo; book, “A New Guide to the Prado Gallery”; invitations to cocktails by the Pan American staff; invitation to a reception from the U.S. Ambassador; guidebook to Toledo; blank postcards from France and Italy; book, “El Palacio de Liria,” Madrid (in Spanish); booklet of photos from the Museo di S. Marco; guidebook to Venice; postcard from Florence; and a guidebook to the Borghese Gallery in Rome.

o Folder (tab has the letter “O” on it): clipping from a New Hampshire Sinfonietta concert program; program from the Metropolitan Opera (1975); pamphlet with German songs; program from “Two Baroque Concerts” at Philips Exeter Academy; program for the New Hampshire Sinfonietta (1975); three Palace Theatre programs for the 1975-1976 season; three programs for the Boston Symphony Orchestra, 1974-1975 season; program for the Concord String Quartet at Dartmouth College (1975); “Meet the Staff” pamphlet for the Merrimack Valley Music Center (1975); program for the Cremona Quartet (1975); program for the Merrimack Valley Music Center Chamber Orchestra (1975); program for Monadnock Music; program for the Apple Hill Chamber Players (1975); program for The Concord String Quartet at Dartmouth College (different from previous; 1976); program for Monadnock Music (different from previous; 1975); program for Monadnock Music (different from previous; 1975); program for Monadnock Music (different from previous); program for the Concord String Quartet (different from previous; 1975); program for the Apple Hill Chamber Players; program for William Sprigg: An Organ Recital at St. Anselm’s College (1975); program for the Chamber Orchestra of Paris at St. Anselm’s College (1975); program with no title; program for H.M.S. Pinafore; two Palace Theatre programs for the 1974-1975 season; program for Monadnock Music (different from previous; 1975); program for “An Evening of Music for Margaret Vanderveer” (1975); program for the Concord String Quartet at Dartmouth College (different from previous; 1975); program for The Strawberry Banke Chamber Music Festival; program for the Delbarton Baroque Ensemble (1975); program for the Cambridge Brass Quintet at The Currier Gallery of Art (1975); program for the Stuttgart Piano Trio at Phillips Exeter Academy (1975). o Folder (tab has the letter “V” on it): program for Janos Starker, Cellist at Dartmouth College (1977); advertisement and program for the Concord String Quartet at The Currier Gallery of Art (1974); program for the Apple Hill Chamber Players at St. Anselm’s College; program for the Gewandhaus Orchestra of Leipzig at the Capitol Theatre in Concord, NH (1974); program for the Quartetto Esterhazy at Dartmouth College (1974); program for A Christmas Concert with the North Country Chamber Players and Concord Chorale at The Currier Gallery of Art (1974); program for the Borodin Quartet at Dartmouth College (1977); program for the New England Chamber Opera Group’s 1974-1975 season; program for Monadnock Music; program for Monadnock Music (different from previous); program for Monadnock Music (different from previous); program for Monadnock Music (different from previous); program for Monadnock Music (different from previous); program for the Concord String Quartet at Dartmouth College (1974); program for Monadnock Music (different from previous); program for Monadnock Music at St. Anselm College; program for Two Hundred Years of Piano Music: Claudio Arrau at Dartmouth College (1974); program for Monadnock Music (different from previous; 1974); program for the Concord String Quartet at Dartmouth College (different from previous; 1974); program for the Boston Symphony Orchestra’s 1974-1975 season; program for the Concord String Quartet at Dartmouth College (different from previous; 1974); program for “Alexander’s Feast” at the Manchester Institute of Arts and Sciences (1974); program for the New England College Faculty Concert (1974); program for “Simple Gifts” concert at Notre Dame College (1974); program for the Metropolitan Opera 1974 season; program for the Williams College Chamber Singers at The Currier Gallery of Art (1974); program for the Amadeus Quartet at Boston University (1974); program for the Brink-Pinkham Duo at The Currier Gallery of Art (1974); program for the Apple Hill Chamber Players at Rivier College (1974); handwritten list of concerts attended in 1974; program for the Country Chamber Players (1974); program for David Gallagher, Organist at St. Anselm’s College; program for Verda Erman, pianist at St. Anselm’s College (with newsclippings taped to program); program for the New England College Collegium Musicum (1974); program for Vladimir Ashkenazy: Piano at Dartmouth College (1974); program for “Recent Music—Dartmouth 7/3” at The Currier Gallery of Art (1974); program for the Boston Symphony Orchestra’s 1973-1974 season; program for the Greater Boston Youth Symphony Orchestra Wind Orchestra at St. Anselm’s College (1974); program for the Netherlands Wind Ensemble at Dartmouth College (1974); program for the Empire Brass Quintet at The Currier Gallery of Art; program for the North Country Chamber Players at The Currier Gallery of Art; program for the Cambridge Brass Quintet at St. Anselm’s College (1974); program for Joseph Mayes, Classical Guitarist and Renaissance Lutenist at St. Anselm’s College (1974); handwritten notes on concert by Anne Margaret Michaud, Harpist, at St. Anselm’s College (1974); program for the Tokyo String Quartet at Boston University (1974); three programs for the Boston Symphony Orchestra’s 1974-1975 season; program for the Palace Theatre’s 1974-1975 season.

Box 23, labeled “Z”

 Album (labeled “Photographs”): B & W photos of the Zimmermans and vacation photos (note: pages are falling apart and binding is not very sturdy).  La Chirurgie Urinaire en France. In French. o Date: 1908

o Copy of The Courier-Journal Magazine, 1950, page 40: “The House That Frank Lloyd Wright Forgot” (photos and discussion of a Frank Lloyd Wright house in Frankfort, Kentucky).

o Copy of The Ladies Home Journal, 1901, page 17: “A Home in a Prairie Town” by Frank Lloyd Wright (photos and discussion of a design by Frank Lloyd Wright). o Copy of Life, 1970 page 58: “Bleak Fate of the Yankee Mills” (photos and discussion of mills in New Hampshire).

o Memo from Taliesin about the personal architectural services of Frank Lloyd Wright; enclosed in Mylar.

o Copy of the book Frank Lloyd Wright: Aus Dem Lebenswerke Eines Architekten (1926).

o Copy of the book Modern Foliage Plants: Today’s Decoratives for Flower Shop and Home (inscribed “with best regards, Barb ----”; 1951).

o Piece of fabric or paper enclosed in Mylar.

Box 24, labeled “Z”

o A piece of wood from the guest bathroom door frame and the closet frame

o Coat hook (?)

o Folding picture frame with a photo of I.Z. at the piano in one frame and a photo of I.Z. playing the violin in the other frame

o Framed photo of I.Z.

o Framed photo of L.Z. in her nurse’s uniform

o Framed photo of a group of nurses, including L.Z.

Box 25, labeled “Z”

o Framed photo of I.Z. in graduation cap and gown

o Framed certificate from the American College of Surgeons stating that I.Z. was named a Fellow

o Framed print with a stylized drawing of Robie House (a Frank Lloyd Wright design)

Box 26, labeled “Zimmerman Family and Friends, Some Showing House— Photographs”

o 27 small white envelopes containing one or more photographs, mostly color

o Envelope with B & W photos from the Zimmermans’ European trip on the Queen Elizabeth, 1961

o Small framed photo of the Zachos family

o Folding picture frame with a photo of I.Z. in one frame and a photo of L.Z. in the other frame

o Nine photos of the Zimmermans and friends, inside and outside of the house, mostly color

Box 27, labeled “The Wright Spirit Award”

o Glass plaque (meant to be displayed as a “lighted sculpture”) with description card, awarding The Currier Gallery of Art “The Wright Spirit Award” in 2001 for their restoration and preservation of the Zimmerman House (award presented by the Frank Lloyd Wright Building Conservancy)

Box 28, labeled “Z Tufts M.D. diploma”

o I.Z.’s M.D. diploma from Tufts Medical School, 1929 (unframed)

Box 29, two trays of slides labeled “11” and “12”

o Tray 11, “Chartres and Versailles”

o Tray 12, “Chartres”

Box 30, two trays of slides labeled “Amsterdam” and “London”

o “Amsterdam, Hague etc., Rotterdam”

o “London” Box 31, two trays of slides labeled “3” and “4”

o Tray 3, “Toledo, Cathedral”

o Tray 4, “Segovia”

Box 32, labeled “Zimmerman slides”

o Packaged of slides with a rubber band around them, labeled “Z House slides, 9/88”

o Package of slides with a rubber band around them, labeled “Uncatalogued Slides: Taliesin West 1944-1950-1951-1952”

o Sheet of paper identifying remainder of slides (in slots in the slide box): “18-26 Primary Construction (Exterior)”; “29-32 Primary Construction (Interior)”; “36-62 House Complete (Exterior).”

Box 33, labeled “Slides: Zimmerman House and Miscellaneous”:

o Small slide box labeled “Mexico”

o Empty slide box labeled “Good Pictures of House and garden, 1962- 1963”

o Small slide box labeled “Chichen Itza, Ucatan Mexico”

o Small slide box labeled “Sculpture Garden, Vermont”

o Small slide box labeled “Building”

o Small slide box labeled “Rotterdam Slides—Zoo/Botanical Gardens”

o Plastic slide box labeled “Box 1, 1-L-1 thru 44”

o Plastic slide box, note inside reads “CGA—Staff and Docents”

o Small slide box labeled “Z-House: In-depth Tours Pilot Program 1994”

o Small slide box labeled “Uncatalogued Slides—Mexico”

o Plastic slide box labeled “Box 3—3L1 Thru 40”

o Plastic slide box labeled “Box 2—2r Thru 40” o Plastic slide box labeled “Misc—File Restoration ---” o Plastic slide box, note inside reads “Tour group, school children” o Plastic slide box labeled “Box 4—4r-41 Thru” o Plastic slide box, unlabeled (contains “Kodachrome Transparencies,” first one is of a dog and last one is of a synagogue) o Plastic slide box labeled “Misc. File Restoration ---” o Plastic slide box, unlabeled (first slide in box labeled “4r-29”) o Plastic slide box labeled “Box 3—3L-41 Thru 79” o Plastic slide box, note inside reads “Manchester Walking Tour. Manchester Hist. Soc.?” o Plastic slide box labeled “Collins Tree, Serv and Man, Garden Club” o Plastic slide box labeled “Z House Exhibit” o Plastic slide box labeled “Box 1—1L-45 Thru 80” o Plastic slide box, note inside reads “Other FLW Houses” o Plastic slide box labeled “Box 4—4r1 Thru 40” o Plastic slide box labeled “Misc File Restoration ---” o Small slide box labeled “Uncatalogued Slides: Zs’ at ZH, at Kalil House, Lucille in room at Maple St. House, St. Lawrence, West V.S., Other vacations” o Small slide box labeled “Tanglewood 1954 & 1959” o Small slide box labeled “Z House” and “Building” o A Dynacell Light Multiplier Exposure Meter o Plastic slide box, unlabeled (first slide has the number “10” on it) o Plastic slide box, note inside reads “Checkers” (the Zimmermans’ dog) o Plastic slide box, unlabeled o Plastic slide box labeled “Scheiers’ Dinner at Z House (20)” o Plastic slide box, unlabeled o Plastic slide box, note inside reads “Channel 5 Interview with Michael Komanecky (12)” (M.K. was a former manager of the Zimmerman House)

o Handwritten note about slide subjects; not clear which box it goes with

Box 34, two trays of slides labeled “Paris 1” and “Paris 2”

Box 35, two trays of slides labeled “Brussells, Ghent” and “Bruge, Düsseldorf, Köln”

Box 36, two trays of slides labeled “Versailles” and “London”

Box 37, labeled “Cement and Paint Samples,” containing a large piece of cement and a few smaller pieces of cement, and a small can of paint from Davis Colors.

Box 38—Labeled “Z House—Press Releases, Other Lit.”

Folder (labeled “Zimmerman House: Press Release: Misc.”):

 flyer for Special Tours of the Zimmerman House (“a special tour to the Frank Lloyd Wright-designed Zimmerman House that begins with hors d’oeuvres on the terrace”; “the café will offer reasonably priced light dinner selections at the conclusion of the tour”) with menu, prices, and reservation information; original (in a plastic folder) and photocopy of a memo from Michael to Maria about moving Gerda Peterich’s photograph book with photos of the Zimmerman and Kalil houses (both designed by Frank Lloyd Wright) to the Zimmerman House archives, 1991; 2 copies of a holiday card with envelope with a photo of the Zimmerman House in winter (inside of one reads “Season’s Greetings and Best Wishes for a Happy New Year from all of us at The Currier Gallery of Art”; the other is blank); photocopy of a flyer from The Currier Gallery of Art for tours of the Zimmerman House, including a photo of the house and a brief history; folder (labeled “Z-House”) containing 3 copies of blank Zimmerman House stationary (includes information for The Currier Gallery of Art, “Designed by Frank Lloyd Wright in 1950 for Isadore J. and Lucille Zimmerman, Manchester, NH” and “A Gift in 1988 to The Currier Gallery of Art”); 6 copies of the “Zimmerman House Guide Schedule” for January 1995; 3 copies of a “Zimmerman House Tours” calendar for March 1997; a “Schedule for Zimmerman House Tours” for March 1998; a “Schedule for Zimmerman House Tours” for June 1998; news release from the Zimmerman House, “Frank Lloyd Wright House to Open in Manchester Under Auspices of The Currier Gallery of Art,” 1990 (7 pages); photocopy of a newsclipping, “Wright Home: A for art, but only F for function,” New Hampshire Weekly, 1995 or 1996 (review of the Zimmerman House); photocopy of the “Weekly Zimmerman House Guide Schedule” with guides and concerts; 7 copies of “The Zimmerman House’s ‘Musical Tours’: A Sound Success” (originally printed in The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, undated); 7 copies of the list “Art Objects Given by the Zimmermans to The Currier Gallery of Art”; photocopy of The Zimmerman House Newsletter, 1995 (3 pages); the “CGA—Zimmerman House Guide Schedule” for April 1995; “List of Preservation Projects for the Zimmerman House, Submitted by the Site Administrator for discussion at the Zimmerman House Sub-Committee, May 1997”; Zimmerman House Guide Newsletter, volume 1, issue number 2, June 1998 (1 page front and back).

o Folder (labeled “Zimmerman House: Interview: 1977”): transcript of “Amy Eshoo Interviews Dr. and Mrs. Zimmerman in Their House, January 18, 1977.”

o Folder (labeled “Zimmerman House: Publication: Structure Report, 1989”): The Zimmerman House Historic Structure Report, 1989.

o Folder (labeled “Zimmerman House: Publications: 1997—May”): 7 copies of a brochure for the Zimmerman House; a flyer for “Zimmerman House Dinner Tours.”

o Folder (labeled “Zimmerman House: Publications: 1998—March”): introduction to the Zimmerman House and copy for labels for an exhibit on the Zimmerman House and art objects donated by the Zimmermans.

o Folder (labeled “Zimmerman House: NEH Grant: 1990”): a bound copy of “Currier Grant Application for National Endowment for the Humanities for Training Zimmerman House Guides.”

o Folder (labeled “Zimmerman House: Publication: 1992”): 8 copies of the program for “The Frank Lloyd Wright Building Conservancy Third Annual Conference,” 1992.

o Folder (labeled “Zimmerman House: Publications: 1990”): 2 copies of “A Classic Usonian! The Zimmermans’ Gift to The Currier Gallery of Art,” catalog for the exhibit “A Classic Usonian! Frank Lloyd Wright’s House for Isadore J. and Lucille Zimmerman,” 1990. o Folder (labeled “Zimmerman House: Publication”): multiple copies of a brochure for the Zimmerman House; a card for donations to preserve the Zimmerman House. o Folder (labeled “Zimmerman House: Rights and Reproductions: 1994, 1997, 1998”): book, Frank Lloyd Wright’s Usonian Houses, by Carla Lind, 1994; 2 copies of Wright Houses: The Houses of Frank Lloyd Wright day planners for 1997; 2 copies of Wright Houses: The Houses of Frank Lloyd Wright day planners for 1998. o Folder (labeled “Zimmerman House: Press Release: 1994 Winter- Spring”): 7 copies of The Zimmerman House Guide Newsletter, January 1994; 7 copies of The Zimmerman House Guide Newsletter, May 1994 (2 pages). o Folder (labeled “Zimmerman House: Press Release: Summer 1994”): 2 copies of The Zimmerman House Guide Newsletter, August 1994 (2 pages); 6 copies of The Zimmerman House Guide Newsletter, July 1994 (2 pages); 7 copies of the “CGA—Zimmerman House Guide Schedule” for August 1994; 5 copies of the “CGA—Zimmerman House Guide Schedule” for July 1994; 3 copies of The Zimmerman House Guide Newsletter, June 1994 (2 pages); 10 copies of a press release, “The Currier Gallery of Art Sees Spots: Museum Hosts Birthday Party for Checkers the Dalmatian,” August 1994; copy of a press release, “The Currier Gallery of Art Hosts Birthday Party for Checkers Wednesday, August 24,” August 1994; two-page information sheet about Dalmatian owners and breeders present at Checkers’ birthday party; four-page information sheet about Dalmatians; information sheet from the Dalmatian Club of American, Inc.; flyer for a checkers tournament at Checkers’ birthday party; 5 copies of The Zimmerman House Guide Newsletter, August 1994; 5 copies of a memo about Zimmerman House Tour Surveys. o Folder (labeled “Zimmerman House: Press Release: 1994 Sept.- Dec.”): 7 copies of the “CGA-Zimmerman House Guide Schedule” for September 1994; 7 copies of The Zimmerman House Guide Newsletter, September 1994; 7 copies of the “In-Depth Tour Survey”; 5 copies of the “In-Depth Tour Final Results”; copy of a coupon for the “New In-Depth Tours of Frank Lloyd Wright’s Zimmerman House”; 7 copies of the “CGA-Zimmerman House Guide Schedule,” October 1994; 7 copies of The Zimmerman House Guide Newsletter, October 1994; 7 copies of the “CGA-Zimmerman House Guide Schedule,” November 1994; 9 copies of an information sheet entitled “The Currier Gallery of Art’s Isadore J. and Lucille Zimmerman House”; 3 copies of and information sheet entitled “The Frank Lloyd Wright Designed Zimmerman House”; 7 copies of The Zimmerman House Guide Newsletter, December 1994; copy of the “CGA- Zimmerman House Guide Schedule,” January 1995; 7 copies of a letter about the Zimmerman House printed in The New York Times, November 1994; 6 copies of The Zimmerman House Guide Newsletter, November 1993 (most likely is a misprint and is supposed to be November 1994); 7 copies of the “CGA-Zimmerman House Guide Schedule,” December 1994.

o Folder (labeled “Zimmerman House: Press Releases: 1993”): copy of The Zimmerman House Guide Newsletter, November 1993 (same as newsletter in previous folder, most likely is a misprint and is supposed to be November 1994).

Box 39, labeled “Zimmerman House Restoration Files, 1990”:

o Folder (labeled “Michael Ingram: Photocopies”): Correspondence between Michael Ingram (architect) and Kimon Zachos, and between M.I. and the Historic Preservation Office (NH), 1978; a copy of How to Complete National Register Forms, volume 2; stapled packet of correspondence and invoice materials relating to the heating system of the Zimmerman House, 1976-77; stapled packet of information about heating systems, including advertisements; invoice from Eckhardt & Johnson, Inc. Mechanical Contractors, 1976; 3 pages of sketches of heating systems; stapled packet of “product data” for an air conditioner; paper-clipped packet of photocopies of handwritten notes about the Zimmerman House; information sheet entitled “The Tax Reform Act of 1976”; 3 pages of handwritten notes about the Zimmerman House, some illegible; National Register of Historic Places form for New Hampshire (blank); letter from the NH State Historic Preservation Office regarding the nomination of the Zimmerman House for the National Register of Historic Places, 1976; correspondence from M.I. to NH State Historic Preservation Office, 1976; 2 copies of a handwritten note dated November 1976; invoices from M.I. to Donald D. Snyder & Son Inc. (3 pages), 1976; copy of correspondence from Eckhardt & Johnson, Inc. Mechanical Contractors to Donald D. Snyder & Son, Inc., and D. Snyder’s response, both dated 1976; “Standard Form of Agreement Between Owner and Contractor” from The American Institute of Architects, between Donald D. Snyder & Son, Inc. and the Zimmermans, 1976; paper-clipped packet of information about the work performed on the Zimmerman House by Donald D. Snyder & Son, Inc., including correspondence and invoices, dated 1976.

o Folder (labeled “Michael Ingram: Photocopies”): letter from the site administrator of the Zimmerman House to Michael Ingram announcing the award from the American Institute of Architects for excellence in interior and exterior restoration, 1992; letter from curator Michael Komanecky to M.I., 1992; handwritten note reading “Zimmerman Residence: Correspondence 8306: Michael Ingram’s Files”; 3 letters between Kimon Zachos and M.I., 1983; a “While You Were Away” note for “M” (M.I.?); handwritten note dated June 1983; a second “While You Were Away” note for “M” (M.I.?); letter from M.I. to L.Z., 1983; paper-clipped packet of correspondence between M.I. and Kimon Zachos, 1983. o Folder (labeled “Ingram, Michael”): letter from curator Michael Komanecky to M.I., 1990; paper-clipped packet containing correspondence from M.I. to Michael Komanecky, information about the architect’s rates, and information from John Tilton, 1989-90; handwritten note dated 1989; letter from M.K. to M.I., 1989; 2 copies of a letter from Tilton & Lewis Associates, Inc. to M.I., 1989; memo from Tilton & Lewis to M.I., 1989; stapled and paper-clipped packet of correspondence to and from M.I., including John Tilton and The Currier Gallery of Art, 1988-89; 7 pages of handwritten notes about the Zimmerman House (on legal and notebook paper); paper-clipped packet with cover sheet reading “from file labeled ‘Zimmerman Residence 7601/General Correspondence’” containing notes about the house and heating system (three paper-clipped packets altogether, each labeled “part _ of 4” with part 3 missing). o Folder (labeled “Michael Ingram: Photocopies”): letter and invoice from M.I. to the Zimmermans about roof repairs (three pages), 1977; handwritten notes (four pages); sketched plan of skylight for Zimmerman House by M.I.; handwritten note reading “Zimmerman Residence 7601: Michael Ingram’s Files”; “Standard Form of Agreement Between Owner and Contractor” from The American Institute of Architects, between M.I. and the Zimmermans, 1977; handwritten note dated 1977; stapled packet of correspondence and invoices between M.I. and Skyline Roofing & Sheet Metal Inc., 1977; “Standard Form of Agreement Between Owner and Contractor” from The American Institute of Architects, between the Zimmermans and Skyline Roofing & Sheet Metal, Inc., 1977; stapled packet of handwritten notes and sketches. o Folder (labeled “Restoration Details”): stapled packet containing letter and building permits from Kimon Zachos to Michael Komanecky, 1990; stapled packet with more building permits, 1990; copy of applications for building permits; 2 copies of a letter from the City of Manchester Building Commissioner to Michael Ingram, 1990; paper- clipped packet containing correspondence from Michael Ingram, plans of the Zimmerman House, and copies of building codes, 1990; handwritten note about prices; draft of letter from Michael Ingram to the Building Commissioner, 1989; memo from Michael Komanecky to Kimon Zachos and Marilyn Hoffman (former Currier director) dated 1989. o Folder (labeled “Brass Cleaning”): memo from Rosie (site administrator for the Zimmerman House) to Michael Komanecky about cleaning brass at the Zimmerman House, 1990; handwritten note about waste disposal; handwritten note about cleaning brass, 1990; handwritten note to “Joan/Jeff” about brass cleaning, 1990; handwritten note to Rosie about brass cleaning; paper-clipped packet of brass cleaning schedule and notes. o Folder (labeled “Driveway”): business card for NH Blacktop Sealers stapled to inside cover of folder; thank-you letter from Rosi Reed (site administrator for the Zimmerman House) to New Hampshire Blacktop Sealers, 1993; letter from NH Blacktop Sealers to Rosi Reed, 1993; “Phone Call” message sheet for Rosie; two copies (one with invoice attached) of a letter of complaint from Rosi to NH Blacktop Sealers, with a handwritten note that the company called back and said they would finish the work for free, 1992-93; note from Rosi to Michael (Komanecky?) about Zimmerman House lights for the outside, with handwritten notes, 1993; letter from Lineberry Bros. to Rosi regarding Zimmerman House driveway work, 1992; two more copies of the letter of complaint from Rosi to NH Blacktop Sealers and a second copy of the invoice, 1992-93; letter from NH Blacktop Sealers to Rosi Reed, 1993; note from Rosi to Al requesting driveway work, 1992; red folder for NH Blacktop Sealers, Inc., containing the proposal for work, references, and general information about the materials and processes; stapled packet of letters about paving between Kimon Zachos and Michael Komanecky, 1992; letter from Lineberry Bros. to Rosi about driveway work at the Zimmerman House, 1992; fax to Rosie with list of sealing contractors, 1992. o Folder (labeled “Carport Office Plan”): handwritten notes on inside front cover of folder; stapled packet of invoices and information from Harvey Construction Company, Inc., 1990; copies of plans for the “Office Closet” with handwritten notes and sketches (3 pages); faxed proposal for work on the Zimmerman House from Harvey Construction Company, Inc., 1990; stapled and paper-clipped proposal for work on the Zimmerman House from AW Sullivan Construction & Development, 1990; stapled packet with plans of the Zimmerman House and advertisements for construction items to repair the house; copy of a proposal of plans of the house for conversion of the carport storage to an office from Tilton + Lewis, with handwritten notes; a “transaction report” for a fax from 1990 with a post-it note stuck to it that reads “done”; stapled packet with invoices from Harvey Construction Company, Inc. and advertisements for household construction items, 1990; letter from Hayward Renovations to Rosi Reed regarding a proposal for work on the Zimmerman House, 1990; fax to R.R. with an estimate for work on the Zimmerman House from Don Taylor (company?), 1990; copy of plans by Tilton + Lewis for conversion of the carport storage area to an office at the Zimmerman House; memo from Michael to Marilyn and Kimon regarding the estimated costs of construction on the Zimmerman House, 1990; fax from Tilton + Lewis to R.R. about plans, 1990. o Folder (labeled “Chimney/Damper”): a piece of brick labeled “Brick Sample Chimney”; stapled packet containing a message from Tilton + Lewis and an advertisement for a special type of damper; letter from Michael Ingram to R.R. about the chimney, 1991; invoice for the damper stapled to a memo from Michael to R.R., 1990; letter from M.I. to Michael Komanecky about the chimney, 1990; letter from R.R. to M.I. about the chimney, 1991; letter from M.I. to M.K. about the chimney, 1990; letter from M.I. to Fireplace Technologies, Inc., about the chimney, 1990; letter from M.I. to Fireplace Technologies, Inc., about the chimney, 1990 (different from previous letter); advertisement for a chimney cap and damper with handwritten note on the bottom; handwritten note about the chimney opening at the Zimmerman House, 1990; letter from Fireplace Technologies, Inc. to M.I. about the chimney, 1990; letter from M.I. to Fireplace Technologies, Inc., about the fireplace, 1990. o Folder (labeled “Concrete Block Window”): photocopies of “detail of cast concrete block” plan from a fax (6 pages), 1989. o Folder (labeled “Hayward Renovations: Dana Hayward”): letter from R.R. to Dana Hayward about a bench for the Zimmerman House, 1992; letter from Dana Hayward to R.R. with attached plans for a bench for the Zimmerman House, 1991; a second copy of the previous letter. o Folder (labeled “Harvey Construction”): letter and budget from Harvey Construction Company, Inc., to Michael Komanecky, 1990; proposal from S & F Concrete Contractors, Inc. to Harvey Construction, 1989; “Telephone Bids” form from Harvey Construction, 1990; letter and “Telephone Bids” form from Northgate Electric, Inc. to Harvey Construction, 1989; “Telephone Bids” form from Harvey Construction, 1990; budget from Harvey Construction, 1990; paper-clipped packet containing correspondence and budgets from Harvey Construction and their sub-contractors, 1990; letter of recommendation from Michael Komanecky for Harvey Construction and project manager Frank Mazzuchelli, 1992; thank-you letter from M.K. to the president of Harvey Construction, 1991. o Folder (labeled “Grave Marker”): piece of marble labeled “Sample marble grave marker”; handwritten transcription of the text of the Zimmermans’ grave marker; 2 copies of a letter from David D.J. Rau (curatorial assistant) to Wes Peters regarding the design of the Zimmermans’ grave marker, 1988; 2 copies of a thank-you letter from M.K. to William Wesley Peters, 1988; 2 copies of a letter from David D.J. Rau to Allen Mattson of Chioldi Granite Corporation about the construction of the marker, 1988; invoices from the Manchester Memorial Company, 1989; paper-clipped packet of sketches and notes about the Zimmerman grave marker; 3 copies of a memo from Michael to David about the Zimmermans’ memorial, one with several hand-written notes on it; message form from William Wesley Peters (signed by him) at Taliesin to D.R. regarding 3 prints of the grave marker for the Zimmermans, 1988; handwritten notes about marker to David and Wes Peters (looks like M.K.’s handwriting); memo from D.R. to Marilyn and Michael about the Zimmerman grave marker, 1988; photocopies of invoices from the Manchester Memorial Company, 1988; photocopy of a handwritten calculation of costs for the Zimmerman grave marker, 1988; memo from David to Michael about the Memorial Ceremony, 1989; invoice and photocopy of invoice from the Manchester Memorial Company, paper-clipped together with original envelope, 1988 (different from previous invoices); thank-you letter from M.K. to W.W.P. for the grave marker design, 1989, stapled to a photocopy of a handwritten note to M.K. from ---, about a donation to the Frank Lloyd Wright Foundation for W.W.P.’s design work; labeled photographs from the Manchester Memorial Company showing the construction of the grave marker, in the original envelope, 1989.

Bo 40, labeled “Zimmerman House Restoration Files, 1990”:

o Folder (labeled “Insurance Certificate: Harvey Const. Co.”): Certificate of Insurance for New Hampshire Landscaping, 1992-1993; letter from Kendall Insurance, Inc. to Kathy Jean at The Currier Gallery of Art regarding Harvey’s insurance (with handwritten notes), stapled to the policy extension form and the invoice, 1990; copy of Certificate of Insurance for Harvey Construction, with post-it note attached, 1990.

o Folder (labeled “Insurance Subcontractors”): Certificate of Insurance for Northern Peabody, Inc., 1990; copy of Certificate of Insurance for Northgate Electric Inc. and Paul Harrington and John Skinner, with two handwritten notes attached, 1988 and 1990; copy of note about insurance for Harvey Construction, with two handwritten notes attached, 1990. o Folder (labeled “Hi-Fi”): reverse of folder has appraisals for the stereo written on it. o Folder (labeled “Restoration Phase I: Office Heat”): stapled packet of information about heating systems and equipment, including advertisements, handwritten notes and sketches, and contracts. o Folder (labeled “Work List”): stapled packet of notes and information about work to be done on the Zimmerman House, 1991. o Folder (labeled “Packing List”): red folder with “Society for the Preservation of New England Antiquities Conservation Center” sticker on the front, containing handwritten lists of inventories of the Zimmerman House (some with accession numbers and storage information), and a fifteen-page typed inventory of the house. o Folder (labeled “Ventilation Unit: Carport”): instructions for installation of “Wall-Mount Speed Control,” 1987. o Folder (labeled “Screen, Bronze”): handwritten note about the bronze screen stapled to an invoice for a sample from Hanover Wire Cloth and a notice about shipping from Hanover Wire Cloth, 1990; letter from J. Richard Hale to Rosalie Reed about finding bronze screening, 1990. o Folder (labeled “Conservators,” label has fallen off and is inside the folder): sheet with the names and contact information of conservators in various fields (paintings, textiles, etc.), with handwritten notes as well, 1991; paper-clipped packet including letter and business card from Michael J. Holubar (furniture maker) to R.R., 1990, letter from M.H. to M.K., 1990, and a photo of a Penfield chair by Frank Lloyd Wright, photo taken 1989-1990; flyer about the Society for the Preservation of New England Antiquities Conservation Center; sheet with the names and contact information of conservators in various fields (painting, textiles, etc.), with handwritten notes as well, 1987. o Folder (labeled “Plumbing”): handwritten post-it note attached to the inside cover of the folder; memo to Al about the Manchester Water Works installing a water meter at the Zimmerman House, 1992; handwritten note about maintenance; memo to Al Grimard about plumbing for the Zimmerman House, with handwritten notes, 1992; letter from Eckhardt & Johnson, Inc., Mechanical Contractors to Rosie Reed about a plumbing installation at the Zimmerman House, 1991; invoice from Eckhardt & Johnson, Inc.; 3 copies of a photocopy of instructions for replacing a packing ring for the Crane “Dial-Ese” trimming; handwritten note about plumbing at the Zimmerman House. o Folder (labeled “Slab & Heating”): 2 copies of a memo from Tilton + Lewis about the heating system (the second one is stapled to a second memo from Tilton + Lewis about the heating system), 1990; memo from Tilton + Lewis about the heating system stapled to a photocopy of handwritten notes and plans for the heating system, 1990; letter from R.R. to Frank Mazzuchelli (project manager for Harvey Construction) about the glass doors and the heating system; letter and business card from Russ Rose at Heatway Systems to R.R. about warranties, 1990; photocopy of a memo from Tilton + Lewis with a request for pricing information, 1990; faxed memo from Heatway Systems to Frank Mazzuchelli about warranties and adhesive nails, with handwritten notes, 1990; a stapled packet of photocopied information, including the September 1989 issue of ASHRAE Journal: The Magazine of the American Society of Heating, Refrigerating and Air-Conditioning Engineers, Inc., the issue on radiant heating, advertisements, and contact information for heating companies; chart for heating loads for the Zimmerman House, with handwritten notes, 1990; design worksheet for heating systems from WIRSBO Company (3 pages); photocopy of memo from Tilton + Lewis about heating system, stapled to a plan for a type of the heating system, 1989; stapled packet of handwritten notes and sketches, 1989; a photocopy of Frank Lloyd Wright’s architectural plan for the Zimmerman House; a larger photocopy of Frank Lloyd Wright’s architectural plan for the Zimmerman House, with notes and marks on it; limited warranty for “Twintran” from Heatway Systems; limited warranty for “Entran” from Heatway Systems; recommendation of the Plumbing Research Committee of the International Association of Plumbing and Mechanical Officials, 1990; research report on “Twintran,” “Entran,” and “Aztran” heating supplies, 1987; business card for a Heatways representative; cover of the September 1989 issue of ASHRAE Journal, the issue on radiant heating; information and order form from Heatway Systems; The Radiant Reader: Survey of Opinions about Radiant Floor Heat information sheet; two advertisement and information sheets about Heatway Systems products; Warm Floor Fanclub newsletter (published by Heatway Systems), volume 2, number 2; Materials and Services (published by Heatway Systems), Fall 1989; information flyer on Heatway Manifold Branch Options from Heatway Systems, 1989; “Using the Heatway Pressure Drop Chart” information sheet from Heatway Systems, 1989; “Open Me Second” information sheet from Heatway Systems, 1989; Twintran Application Manual: Design and Installation Advice for Radiant Floor Heating Systems from Heatway Systems, 1989; business card for Russ Rose, Heatway Systems; unlabeled photos of a radiant floor heating system. o Folder (labeled “Masonry”): information sheet about Archway Masonry Inc., folded together with two newsclippings about their work on the Morrison Home in Londonderry (information sheet notes that Archie McKinnon reassembled the fireplace of the Zimmerman House in 1991), 1992; packet of items paper-clipped together, including a memo from Tilton + Lewis, 1992 and a newsclipping from Architecture, 1992; packet of items paper-clipped together, including a three-page memo from Tilton + Lewis, 1990 and information about the Efflorescence Control System, 1984; 2 photocopies of a memo from Tilton + Lewis about efflorescence control, 1990; packet of items paper-clipped together and labeled “Masonry” (mostly advertisements); memo from Tilton + Lewis about restoration of the brickwork at the Zimmerman House, 1990; information sheet on “Restoration Products” from Sure Klean with handwritten notes; faxed memo from Tilton + Lewis about brick cleaning, stapled to faxed information sheet on “Restoration Products (see previous), 1990; faxed memo from Tilton + Lewis with plans attached, 1990; 3 pages of photocopies of a memo (see previous), 1990; photocopied article, “Technical Notes on Brick Construction,” 1977; booklet, “Ravalement de Façades,” 1978 (in French). o Folder (labeled “Asbestos”): asbestos waste disposal forms, 1990. o Folder (labeled “Concrete Pad”): thank-you letter from R.R. to Michael Miller at Davis Color Mineral Pigments for a container of sealer, 1992; invoice for purchase from Davis Color Mineral Pigments, 1992; memo from Tilton + Lewis about sealer, 1993, stapled to memo from Tilton + Lewis about colors used in concrete, 1990; handwritten note from Valerie to Matt about Frank Lloyd Wright landscape research, 1995; four pages of information about W-1000 Concrete Cure and Sealer, 1990. o Folder (labeled “Concrete”): memo from Tilton + Lewis about concrete sealer, 1990; paper-clipped packet of a photocopy and the original article “Strong but Sensitive” from The Atlantic Monthly, 1991 (discusses the issues of using concrete for construction). o Folder (labeled “Sealer & Pigment”): inventory tag with number of pigment used, 1989; 2 copies of “Recipe for Concrete Skim from Mike Fluet, Harvey Construction,” 1992; two pages of handwritten notes about concrete and pigments, 1990; stapled packet of handwritten notes about concrete procedures and contact information; memo from Tilton + Lewis about pigments for concrete floor, 1993; memo from Tilton + Lewis about pigments used for concrete, with a post-it note attached, 1990; four pages of information about W-1000 Concrete Cure and Sealer, 1990; four pages of information about Davis Color Seal II Pigmented Cure and Sealer, 1990; hand-drawn sketches of plans for concrete use and repair; handwritten invoice from Mineral Pigments, 1992; typed invoice from Davis Color Mineral Pigments, 1992; stapled packet of information from Davis Color Mineral Pigments, “Product Update (October 1990)” (4 copies, two were faxed and have an order form from R.R. attached at the end). o Folder (labeled “Restoration Budget: Tilton + Lewis Fees”): a large packet paper-clipped together, including a thank-you letter from M.K. to John D. Tilton for work done on the Zimmerman House, 1991; invoice from Tilton + Lewis for expenses incurred on a trip, stapled to an expense list, 1990; letter from M.K. to J.T. about costs, 1991; letter from M.K. to J.T. about costs and appearance of concrete, 1990; four- page letter from J.T. to M.K. detailing the costs, 1991; stapled packet of correspondence between J.T. and David Rau regarding compiling an historic structures report on the restoration of the Zimmerman House (labeled “Historic Structures Report”), 1988; stapled packet of invoices from Tilton + Lewis (labeled “Restoration Project”), 1989- 1990; stapled packet of invoices from Donald G. Kalec, Architect (working for Tilton + Lewis), 1989; stapled packet of invoices from Carla Lind (consulting on the project for Tilton + Lewis), 1989; a copy of the Abbreviated Form of Agreement Between Owner and Architect For Construction Projects of Limited Scope, between The Currier Gallery of Art and Tilton + Lewis Associates, Inc. (labeled “Restoration Project”), 1989; stapled packet of invoices from Tilton + Lewis (labeled “Historic Structure Report Project”), 1989. o Folder (labeled “Budget (Restoration)”): budget from Harvey Construction Company, paper-clipped together, 1990; handwritten note from Marilyn Hoffman (former director of The Currier Gallery of Art) with notes about additional fees on the back; stapled packet containing the Zimmerman House Committee Meeting Agenda, January 1990, the restoration budget, phase I (1989-1990), a list of funding sources, and the 1990 operations budget; memo from Sherry to Michael about the budget, with a handwritten note on the bottom from someone else (possibly Kathy), 1990; memo from Kathy to Michael about the Zimmerman House budget, 1990; photocopy of budget from Harvey Construction, 1990; 2 copies of The Currier Gallery of Art Purchase Analysis Report, 01/01/90 to 04/30/90; memo from Rosie to Michael about issues at the Zimmerman House, 1990; 2 copies of the budget from Harvey Construction for restoration of the Zimmerman House paper-clipped to correspondence from Harvey Construction and their subcontractors, 1990; 4 copies of the budget from Harvey Construction paper-clipped to 2 copies of correspondence from Harvey Construction, 1989-1990; letter from Harvey Construction to M.K. regarding restoration of the Zimmerman House, with a post-it note attached, 1990; Application and Certificate for Payment from Harvey Construction Company, with attached budget, 1990; photocopy of the job edit listing from Harvey Construction Company; photocopies of receipts from Harvey Construction Company (four stapled together); photocopy of receipt from Sundeen’s Building Center, 1990; photocopy of check from Harvey Construction Company to the City of Manchester, 1990; photocopy of invoice from Northgate Electric, 1990; photocopy of invoice from S & J Leasing Services, 1990; photocopy of invoice from Triangle Chemical Toilet Co., Inc., 1990; photocopy of two-page invoice from Harvey Construction, 1990; photocopy of invoice from S & F Concrete Contractors, Inc., 1990; photocopy of invoice from S & F Concrete Contractors, Inc., 1990; photocopy of invoice from Harvey Millwork, 1990; photocopy of Application and Certificate for Payment from Harvey Construction Company, 1990; four Payroll Affidavits from Harvey Construction Company for the months of April and May, 1990; credit memo from Harvey Construction Company, 1990; two pages of handwritten notes about the restoration of the Zimmerman House, 1989. o Folder (labeled “Z House Restoration Budget”): memo from Michael to Marilyn and Kathy Jean about the Zimmerman House operational budget, with copy of budget attached, 1990; Projected 1991 Zimmerman House Operational Budget; memo from Michael to Marilyn and Kathy Jean about admissions revenue, 1990; Zimmerman House operations budget, 1991; handwritten notes from a meeting about committee enlargements, 1991; memo from Michael to Marilyn about the Zimmerman House restoration budget, 1990; Currier Gallery of Art Purchase Analysis Report, 1/01/91 to 3/31/91; Zimmerman House operations budget, 1991; Zimmerman House Restoration Project Budget Review, 1990; memo from Michael to Kathy about the Zimmerman House budget, 1990; Zimmerman House Restoration Budget, Phase One: 1989-90; memo from Michael to ZH 1990 Budget File about bases for estimates on guard and cleaning costs, 1989; memo from M.K. to Kimon Zachos about the Zimmerman House, 1988; 1989 Zimmerman House Budget Summary; Zimmerman House Budgetary Projections for 1989 (3 copies); blank budget worksheet; memo from KSZ to Marilyn Hoffman about allocation of costs for Zimmerman House activity, 1988; memo from Kathy L. Jean to the staff about preliminary budgets, 1988; Detail Zimmerman expenses, August 17, 1988 (2 copies); photocopy of handwritten notes entitled “ZH 1989 Budget”; letter from K.Z. to M.K. about the Zimmerman House utility bills, 1988; Zimmerman House Budgetary Projections for 1989 (expanded version); memo from Michael to Kathy Jean about the Zimmerman House budget, 1989 (copy of the budget is attached); budget list from Harvey Construction Company to Currier Gallery of Art for the restoration of the Zimmerman House, 1990 (attached to photocopies of handwritten notes about expenses); Recommended Restoration Activities and Costs, Phase One: 1989-90 (2 copies); Zimmerman House Restoration Budget, Phase One: 1989- 90 (2 copies with post-it notes attached). o Folder (labeled “Fuse Box”): labels from fuse box (for individual switches) with tape around edges; blank cardstock; post-it note attached to notes on cardstock about fuse switches; handwritten list of fuse boxes with tape around edges, stuck to cardstock with handwritten note about fuse switches.

o Folder (labeled “Electrical Work”): handwritten note labeled “Elec.,” with the name Don Mendzelé and dated 1990; memo from Michael to Rosie about removing hot water heater meter, 1990; two sets of instructions for installation of a miniature track lighting system; electrical review of the Zimmerman House by Gerard A. LaFlamme Inc.; packet from Harvey Construction Company, Inc. with rates from Gerard A. LaFlamme Inc. and insurance certificate, 1990; change order from LaFlamme to Harvey Construction, 1990.

Box 41, labeled “Zimmerman House Restoration Files, 1990”:

o Folder (labeled “NEH Time and Attendance”): stapled packet of “Professional Employee: Time and Attendance Reports” for The Currier Gallery of Art for Rosalie Reed, dated from April 10, 1993- June 30, 1993; 6 blank copies of “Professional Employee: Time and Attendance Reports” for The Currier Gallery of Art; memo from Ginny Szy to Rosie about NEH grant time cards, 1993; photocopy of “Professional Employee: Time and Attendance Reports” for The Currier Gallery of Art for Rosalie Reed, labeled “Sample”; photocopy of “Official Notice of Action” from National Endowment for the Humanities about changing the ending date for the grant, 1992; “Professional Employee: Time and Attendance Reports” for The Currier Gallery of Art for Michael Foley, 1993; stapled packet of “Professional Employee: Time and Attendance Reports” for The Currier Gallery of Art for Rosalie Reed, dated from July 26, 1991- December 26, 1992 (not complete).

o Folder (labeled “Z Team NEH: Michael Komanecky, Barbara Pitsch, Rosi Reed” and “NEH Grant”): handwritten notes about training evaluation on small notebook paper, 1993; handwritten notes about “Z Team,” 1993; photocopy of handwritten notes labeled “RR Follow Up,” 1992; postcard from Rosi to Barbara about a “Z Team” meetup, 1991; handwritten notes about “Z Team,” 1993; note from Rosi to Michael about meeting, 1993; note from Rosi to Michael about permanent “Z Team” members, 1993; notes about Zimmerman House brochure with handwritten notes in the margins; notes from the NEH Evaluator Meeting, 1992; photocopies of handwritten notes about the Zimmerman House brochure, 1992; memo from Rosi to Barbara and Michael about a “Z Team” meeting, 1993 (2 copies); piece of cardstock with notes about late Zimmerman tours (in terms of darkness); handwritten notes about visitor statistics, c. 1993; 2 letters written to Barbara Pitsch stapled together, one from Ellen Rothman on advice for Zimmerman House tour guides and one from Nancy Ellis at the University of New Hampshire with advice for the Zimmerman House brochures and docent training, both dated 1992; Interim Evaluation Agenda for the “NEH Zimmerman House Project,” 1992; 5 pages of handwritten notes on small yellow notebook paper, dated August 5, July 22, and June 16, 1992; memo from Peggy Burke to Barbara Pitsch about the Zimmerman House implementation grant, 1992; blank copy of the Zimmerman House Visitor Survey; announcement about Currier Gallery of Art events celebrating the 125th birthday anniversary of Frank Lloyd Wright, with handwritten notes on the bottom; memo from Barbara to Michael, Rosi, and Patti about having a “Z house meeting,” with handwritten notes on the bottom, 1992; “R.R.’s Notes on Orientation Gallery,” 1992; three pages of handwritten notes from “Z Team Meeting,” first one is dated 1992, the rest are undated; memo from Rosi to Michael and Marty about buttons for Zimmerman House visitors, 1992; copy of memo from Rosie to Kathy Jean and Marty about Zimmerman House ticketing, with handwritten notes and attached to two copies of a list of items needed for the Zimmerman House, 1992; packet paper-clipped together containing a cover sheet listing the materials (there are some extra things as well), a memo about the interim report for the National Endowment for the Humanities dated 1992, a letter to the director of the grants office at the NEH dated 1992, an interim performance report about the Zimmerman House project from The Currier Gallery of Art, progress reports from October and December of 1991, a course syllabus for the Zimmerman House for Fall 1991, a copy of the Zimmerman House survey, two letters from outside project evaluators dated 1991, photocopy of memo from Rosi to Michael with handwritten notes dated 1992, the agenda from a NEH update meeting in 1992, and a copy of a student research paper, 1991; agenda from a “Z house meeting” in 1991 paper-clipped to a copy of the “Progress Report for NEH/ZH Grant-12/7/91,” 1991; memo from Michael to Barbara about meeting to prepare a proposal, with handwritten notes on the bottom, 1991; copy of the same memo as previous but with different handwritten notes, 1991; blank copy of “Follow-Up Survey For Zimmerman House,” with a question written in at the end; handwritten list of things to be done marked “do by 12/16/91” with several items checked off, 1991; photocopy of a dictionary page with the definition for “guard” highlighted; “Progress Report for ZH/NEH Grant—11/7/91,” 1991; copy of calendar and program components for the Zimmerman House with handwritten notes; “List of Interviews to be Conducted”; “Oral History Worksheet for the Zimmerman House,” for Mary Perry (she worked for Dr. Zimmerman); memo from Barbara to Michael, Rosie, Peter, and Patti about a “Z house team meeting” to work on the NEH grant, paper-clipped to a copy of the work plan and a list of personnel for the Zimmerman House (some pages have handwritten notes), 1991; “National Endowment for the Humanities Planning Grant Review Meeting, Zimmerman House, Currier Gallery of Art,” 1992; “Proposal for Completion of Work in Progress Planning Grant: Training of Zimmerman House Guides,” 1991; meeting agenda for Zimmerman House Project; two pages of handwritten notes from a meeting about the planning grant, 1991; one page of handwritten notes on small notebook paper from a meeting about the syllabus, 1991; one page of handwritten notes on small notebook paper; three pages of handwritten notes on small notebook paper from a “Z team meeting,” 1991; letter to Patti about docent scheduling and information, 1991; memo from Michael to Barbara, Inez, Joli, et al., about Zimmerman House meeting, 1991; “Tour Guest” sticker from SC Johnson Wax (their building was designed by Frank Lloyd Wright); letter to Michael about problems with the tours and docents, 1991; letter to Michael about problems with tour scheduling, 1991; agenda for a Zimmerman House meeting about ticketing, group tour scheduling, and site administration, with handwritten notes on the back, 1991; memo from Rosie Reed to Barbara Pitsch about education groups, 1991; memo from Rosie to Marty about no-show guides at the Zimmerman House, with handwritten notes on the side, 1991; memo from Rosie (“for Michael”) to Barbara, Jinny, et al. about rescheduling a “ZH team meeting,” 1991; memo from Rosie (“for Michael”) to Barbara, Jinny, et al. about meeting to review process of group and student tours, ticketing, and site administration, 1991. o Folder (labeled “NEH: Docent Coordinator”): handwritten note from Rosi to Patti about restoration and the Zimmerman House talk, 1992; statistics for tickets sold between March 1991 and March 1992, with April and May written in on the bottom; photocopy of handwritten statistics sheet for number of tickets sold, beginning March 1991 and ending March 1992; “Information Regarding Training for Frank Lloyd Wright Zimmerman House”; “Docent Bulletin,” (for all docents of The Currier Gallery of Art and the Zimmerman House), 1991; three pages of photocopies about volunteering or becoming a docent at The Currier Gallery of Art; memo from Barbara to All Staff announcing that Patti Baum is the Docent Training Coordinator for the Zimmerman House, 1991. o Folder (labeled “NEH Evaluation, 11/13/92”): letter from Donald Kalec at the NEH to Barbara Pitsch, stapled to his “interim Zimmerman NEH Report,” 1992; memo from Barbara to Michael about plans for the Zimmerman House NEH grant, 1992; “Interim Performance Report” for the “Zimmerman House Interpretive Plan,” 1992; “Expanded Visitor Services” report; “Zimmerman House Revised Timeline” for 1992 and 1993; letter from M.K. to Joan Lupton (manager of the Meyer May House) about Zimmerman House brochures, 1991; photocopy of a letter from Visitors Center Manager at the Frank Lloyd Wright Home and Studio Foundation requesting more Zimmerman House brochures, with handwritten note at the top; “NEH Zimmerman House Project Interim Evaluation Agenda,” paper- clipped to a “Report from the Project Director,” 1992. o Folder (labeled “NEH Final Evaluation”): stapled packet of handwritten notes on small notebook paper about final evaluation, 1993; memo from Barbara Pitsch to Ellen Rothman, Nancy Ellis, et al. about “Summative Evaluation of the Zimmerman House Interpretive Project, July 7, 1992,” with handwritten notes on the top, 1992; same as previous but with different handwritten notes on the top, 1992; memo from Barbara to Michael and Rosie about the final evaluation of the NEH project, 1993; photocopy of memo from Michael to Barbara, Rosie, et al. about new Zimmerman House brochure, stapled to the text of the brochure with some layout notes, 1993. o Folder (labeled “NEH Planning Grant”): letter from Jack Quinan (chair of Art History at SUNY Buffalo and a friend of the Zimmermans) to the NEH in support of the Currier’s application for an NEH Challenge grant, 1993; memo from Barbara Pitsch to Jack Quinan, Ellen Rothman, et al. about the Zimmerman House Docent Training Program, 1991; memo from Michael to All Staff about the July schedule, 1991; agenda for a meeting about the NEH Education Grant for the Zimmerman House, 1991; a copy of the time line for the NEH grant, with handwritten notes, 1991-1992; letter from Ellen Rothman (project evaluator) to B.P. about Zimmerman House education dated 1991 paper-clipped to a letter from Nancy Ellis (project evaluator) to B.P. about Zimmerman House education dated 1991, with a handwritten post-it note on the first page. o Folder (labeled “NEH Slide Orientation”): letter to Peter Cook from Rosi Reed about slides, 1999; “Production Schedule for Manchester Historic Tour Video” with handwritten notes on the bottom; three photocopies of a photo of downtown Manchester (ca. 1950s-1960s); handwritten notes about “CGA ZH Model”; another copy of “Production Schedule for Manchester Historic Tour Video” with handwritten notes on the bottom and on a second page stapled to the first, with post-it notes attached as well. o Folder (labeled “NEH Grant”): memo from B.P. to Jack Quinan, Ellen Rothman, et al. about the Zimmerman House Docent Training Program, 1991 (same as in “NEH Planning Grant” folder); a bound copy of the “NEH Education Grant for Zimmerman House.” o Folder (labeled “NEH Job Descriptions”): “Job Description: Director of Education and Programs” (two copies); “Docent Training Coordinator for Zimmerman House” (two copies); “Zimmerman House Site Director Job Description” (with handwritten notes at the top); “Job Description—Curator,” 1988. o Folder (labeled “Restoration Slide Show,” and with handwritten notes on the front of the folder): memo from Mike Foley to “New Site Administrator” about “Suggestions for Next Guide Training,” 1995; stapled packet of handwritten notes labeled “Pittsburgh Carnegie Museum (Christopher M---, Curator)”; fax news release, “Zimmerman House Guide Training Program,” 1996; photocopied packet of information about Shaker Furniture (mentions Frank Lloyd Wright); news release, “Zimmerman House Guide Training Program,” (with a post-it note attached), 1996; notes about concrete sealer pigment from Davis Color (copy of a form that is already in another folder); a copy of plans for what looks like the Zimmerman House; letter from Mineral Pigments requesting information so they can update their files. o Folder (labeled “Ticketing and French Ptg. Exh.”): letter from Michael Komanecky to Susan Rohde (the general manager of Ticketron) about Zimmerman House tickets (two copies), 1990; memo from M.K. to Susan Rohde about an additional tour time, 1990; letter from M.K. to Martina Corwin about coordinating training of Ticketron sales, 1990 (two copies, one unattached) stapled to a memo about Ticketron sales and a memo about selling tickets); letter from M.K. to Susan Rohde about Zimmerman House tickets, 1990; letter from M.K. to Susan Rohd about Zimmerman House tickets (two copies), 1990; memo from M.K. to Jinny and Kathy Jean about Zimmerman House tour ticketing, stapled to three pages of handwritten notes about Ticketron and procedures, 1990; memo from M.K. to Marilyn (former director of The Currier Gallery of Art) about Zimmerman House and Ticketron, 1991; letter from Aurore Eaton to Deborah Tatro (Director of Community Relations at the American Lung Association of NH) about the donation of a ticket to the Family Fun Book, 1992; memo from Mary to Barbara about ticketing, 1992; memo from M.K. to Gale, Jinny, Kathy and Marty about sales of Zimmerman House tickets, 1992; memo from VHE (?) to staff about the box office, 1992; two memos stapled together with the same question about ticket sales books, top one has a handwritten answer, 1992; memo from Rosi to M.K. about automatic ticketing system, 1992; packet of papers clipped together about the Select Ticketing System, with a memo from T.J.P. to M.K. on top, 1991; memo from Rosie to Michael about Ticketron numbers, stapled to a printout of the numbers, 1991; memo from M.K. to all staff about Zimmerman House ticketing, 1991; “FYI” memo from Patti about a decrease in Zimmerman House ticket sales, 1991; memo from Michael to Mary C. about Ticketron and Zimmerman House tours, 1991; Ticketron printouts with handwritten notes paper- clipped to another printout of Ticketron statistics; photocopy of a handwritten note from Mary Shutts to Tina and Michael about group sizes for Zimmerman House tours; photocopy of a letter to Martina Corwin from M.K. about coordinating training of Ticketron sales (same as above, except with handwritten notes on the side), 1990; photocopy of calendar for Thursday, Friday, and Saturday of January, February, March, and April of 1991, with handwritten notes, stapled to a form for Clark Art Institute docents to visit The Currier Gallery of Art and a memo to Jinny and Rosie about Zimmerman House special considerations, with handwritten notes, 1991; memo from M.K. to Tina and Mary about number of Zimmerman House tickets sold, with handwritten notes on the bottom and back of the page, 1990; two Ticketron printouts with handwritten notes; memo from M.M.C. to M.K. about newspaper article, Cub Scout visit, and keeping track of docent and volunteer hours, with handwritten notes at the bottom and on the back, 1990; memo from Susan Leidy to staff about tickets for the exhibit “Corot to Monet,” 1990; memo from M.K. to all docents, Ticketron and sales desk personnel about Zimmerman House tour size, 1990; handwritten note from Mary Shutts to Michael and Rosie about Zimmerman House reports, stapled to the Ticktron reports with handwritten notes, 1990; six packets of Ticketron reports for Zimmerman House tours; memo from M.K. to all staff about Zimmerman House ticketing, tour schedules, and group tour arrangements, 1991; memo from Rosie Reed to the gift shop staff and volunteers about consolidation of tours; packet of handwritten notes about Ticketron and Zimmerman House tour statistics paper-clipped to three different memos about Zimmerman House ticketing and Ticketron’s closing, dated 1991, a photocopy of a Ticketron printout, and a page of handwritten notes; memo from M.K. to all staff about Zimmerman House ticketing, stapled to more information about ticket prices and future plans for ticketing (two copies, one with handwritten notes), 1991; memo from M.K. to all staff about Zimmerman House ticketing (different from previous), 1991; memo from M.K. to Barbara, Catherine, et al. about a meeting for Zimmerman House ticketing, group procedures (two copies, each with different handwritten notes), 1991; memo from M.K. to Kathy, Marty, and Mary C. about Zimmerman House ticketing, 1991.

Box 42, labeled “Zimmerman House Restoration Files, 1990”:

o Folder (labeled “Domino Symposium—March 1988”): pamphlet entitled “Preserving Wright’s Heritage: March 25-27, 1988”; “Save This Date” card for the “Fourth Annual 1989 Frank Lloyd Wright Symposium and Festival, ‘Assessing Wright’s Legacy;” (two copies), 1989; pamphlet entitled “Wright Plus,” 1988; business card for Deborah J. Slaton, Architect II (with a handwritten note on the back); invitation to a cocktail reception in honor of the speakers at the “Preserving Wright’s Heritage” symposium, 1988; “Domino’s Family Facts” pamphlet (with handwritten notes), 1988; booklet, Preserving Wright’s Heritage, 1987; “Preserving Wright’s Heritage: Third Annual Symposium, March 24-27, 1988” agenda; computerized driving directions from Hertz in at the Detroit Metropolitan Airport; map of Domino’s Farms Exhibition Hall and list of activities for the Third Annual Frank Lloyd Wright Symposium, 1988; paper-clipped packet of papers containing handwritten notes and handouts from the Third Annual Frank Lloyd Wright Symposium and an Evaluation Questionnaire, 1988; photocopy of handout with handwritten notes from the 1988 Frank Lloyd Wright Symposium and Festival at Domino’s Farms; computerized driving directions from Hertz at the Detroit Metropolitan Airport to University of Michigan, Ann Arbor; stapled packet of photocopied pages of museums in Michigan; Spring 1989 issue of Renderings: Newsletter of the Northwood Institute Alden B. Dow Creativity Center sent to Michael Komanecky. o Folder (labeled “Dalmatian Day: Checkers’ Birthday Celebration 8/24/94”): faxed message to Valarie Kinkade at The Currier Gallery of Art about a bill for the American Kennel Club, 1994; letter from V.K. to Beth Adelson at American Kennel Club Gazette about a bill for photography, 1994; letter from V.K. to Jeanette Neider about the article on the Zimmerman House and Checkers, 1994; handwritten note about the Just For Pets store; two photocopies of two different bills from Rounds Custom Photo Lab, Inc., 1994; article by Jeanette Neider entitled “Dalmatians, Children and Frank Lloyd write, with handwritten notes (six pages, paper-clipped together), 1994; faxed copy of article by Jeanette Neider entitled “Dalmatians, Children and Frank Lloyd Wright (six pages, paper-clipped together, with handwritten note attached to front page), 1994; photocopy of a check from the New England Serum Company to The Currier Gallery of Art for $300.00, 1994; one page of handwritten notes about Dalmatians; one page of handwritten notes about thank-you letters; one page of handwritten notes of names and addresses; original newsclipping and photocopy of pictures and caption from Checkers’ Birthday Celebration at The Currier Gallery of Art from The Union Leader, August 25, 1994; 2 photocopies of article about Checkers’ Birthday Celebration at The Currier Gallery of Art from the Raymond Times, 1994; handwritten notes about media contacts paper-clipped to a typed list of media contacts with contact information; handwritten notes about faxes to media contacts; photocopy of a letter from Lucille Zimmerman to Frank Lloyd Wright, 1952 (copyright Frank Lloyd Wright Foundation, 1986); directions to the Zimmerman House with a note on the bottom stating that it is for media use only; thank-you letter from V.K. to Charlie O’Brien at WZID FM for attending Checkers’ Birthday Celebration, 1994; letter from V.K. to Charlie O’Brien at WZID FM inviting him to Checkers’ Birthday Celebration as a Guest of Honor, 1994; memo from V.K. to Al about Checkers’ Birthday Celebration, 1994; handwritten notes about “Dalmatian event”; handwritten notes about logistics of the event, 1994; 2-page letter from V.K. to Ann Rojas about Checkers’ birthday party, 1994; photocopy of letter from V.K. to Al Kaprielian of WNDS-TV inviting him to Checkers’ Birthday Celebration as a Guest of Honor, 1994; handwritten notes about things to do at the “Dalmatian event”; 2 pages of handwritten notes about “Checkers’ Birthday Event,” 1994; newsclipping from The Boston Globe showing a game of human chess at Uphams Corner Library in Massachusetts (there was a game of human checkers at Checkers’ Birthday Celebration); memo about Checkers’ Birthday Celebration, 1994; letter from V.K. to neighbors of the Zimmerman House inviting them to Checkers’ Birthday Celebration, 1994; letter from V.K. to Carolyn Lucas (of the American Checkers Federation) about the rules of checkers, 1994; photocopy of a handwritten note to Debbie and Nicole about the American Checkers Federation; handwritten note from Debbie Lansdowne to V.K. with Al Kaprielian’s contact information; letter from V.K. to Carolyn Lucas about checkers materials, 1994; photocopy of a 2-page letter from V.K. to Anne Rojas about Checkers’ Birthday Celebration, 1994; handwritten to-do list for Checkers’ Birthday Celebration; photocopy of a letter from V.K. to Kristi Young at WMUR-TV inviting Mr. Rick Gordon to Checkers’ Birthday Celebration as a Guest of Honor, 1994; news release from The Currier Gallery of Art, “The Currier Gallery of Art Sees Spots: Museum Hosts Birthday Party for Checkers the Dalmatian,” 1994; “Checkers Tournament Registration Form” paper- clipped to a letter from V.K. to troop leaders inviting them to Checkers’ Birthday Celebration, 1994; handwritten notes about the game of checkers; handwritten notes about a “Guild Project Officer” and her contact information; letter from V.K. to a Ms. Pruyne about Checkers’ Birthday Celebration, 1994; memo from V.K. to staff about Checkers’ Birthday Celebration, 1994; photocopy of a letter from V.K. to Ron Capone of Just For Pets Superstore and their sponsorship of Checkers’ Birthday Celebration, 1994; stapled packet of information from the American Checker Federation; 2 copies of a news release from The Currier Gallery of Art, “The Currier Gallery of Art Hosts Birthday Party for Checkers Wednesday, August 24” (one is a photocopy), 1994; packet of attached notebook pages with handwritten notes about Checkers’ Birthday Celebration; photocopy of letter from V.K. to Laurie Issaih of Burger King thanking her for their support, 1994; flyer announcing the checkers tournament at Checkers’ Birthday Celebration, 1994; photocopy of a newsclipping, “Children, Checkers, And Even Dalmatians,” announcing Checkers’ Birthday Celebration, with a photo of L.Z. holding Checkers, from The Union Leader, 1994; Spring/Summer 1994 issue of The Newspetter (published by the Just For Pets Superstore); empty envelope from Art and Carole Landry to V.K. (their address label has a Dalmatian on it), postmarked 1994; short handwritten note about Just For Pets; 2-page letter from Sara Pruyne (Dalmatian owner) to V.K. about the demonstration (second page is her biography and information about her dogs), 1994; “Directions to the Isadore J. and Lucille Zimmerman House”; 3-page photocopy of a newsclipping, “The House of His Dreams…in His Dreams” by John Clayton for his “In The City” column, about the Zimmerman House and Checkers’ Birthday Celebration, from The Union Leader, 1994; handwritten notes about “supplies for tournament” (checkers tournament); 2 copies of “Assignments for Checkers’ Birthday Celebration,” with handwritten notes (one is a photocopy); letter from Art Landry to V.K. about his Dalmatian, 1994; letter from Elaine Hamill to V.K. about herself and her dogs, 1994; handwritten notes about contact information; neon yellow dot stickers; three filled-out and one blank form for the checkers tournament; blank forms for the checkers tournament paper-clipped to the “Registration Desk Instructions”; “Registration Desk Sign In Sheet” with names of participants; “Sample of Seeding Board” for the checkers tournament; envelope labeled “Prize Distributor Instructions” containing the “Prize Desk Instructions” and the “Prize List”; photocopy of a blank certificate stating that ______is a “Champion Checkers Player” from Checkers’ Birthday Celebration, 1994; original mock-up of “Champion Checkers Player” certificate with a post-it with instructions; card with Dalmatian drawing from Mrs. Brian Marceau to V.K. with information about herself and her dogs (with original envelope), 1994; card from Victor Metoyer, Jr. to V.K. about resigning as a docent at The Currier Gallery of Art (presumably at the Zimmerman House), 1994; handwritten list of receipts; photocopy of information about Checkers’ birthday party celebration, with handwritten notes including a list of names; negative of “Just For Pets” sign, 1994; prints of negatives from Checkers’ Birthday Celebration; negatives from Checkers’ Birthday Celebration; a pamphlet entitled “The Dalmatian,” published by The Dalmatian Club of America, Inc., 1987. o Folder (labeled “Domino’s FLW Conference ‘89”): 3 copies of the booklet “Wright: The Reality and Myth of Frank Lloyd Wright, 26-30 July 1989, Ann Arbor, Michigan” (one with a post-it note attached to the front), 1989; stapled packet of handwritten notes (looks like M.K.’s handwriting) about Frank Lloyd Wright; Summer 1989 issue of News From Domino’s Center for Architecture & Design, with an “Admit One” ticket to the Okemos House Tour in Okemos, Michigan and a Schedule of Events for “Wright: The Reality and Myth of Frank Lloyd Wright” Symposium folded into it, 1989; pamphlet for the Frank Lloyd Wright Dells Cottage Foundation, with membership application folded inside, 1988-1989. o Folder (labeled “Interpretation: Proposals, Letters of Agreement”): letter and recommendations from Peter W. Cook to Michael Komanecky about the development of an interpretive plan for the Zimmerman House (paper-clipped together), 1990; handwritten note on the back of a phone message for M.K.; paper-clipped packet of correspondence (letters, memos, handwritten notes) from M.K. to Peter Cook, 1990; stapled packet containing a letter and information about docents and staff from Carla Lind to M.K. and a page of handwritten notes, 1989; letter from Margaret Burke to M.K. with Ellen Rothman’s résumé attached, 1990; Peter Cook’s résumé. o Folder (labeled “Interpretation: Handicapped Access”): memo from M.K. to File about the New Hampshire Commission on the Handicapped, 1990; photocopy of the article “Disabled Access Law Impacts Old Buildings” from Historic Preservation News, January 1991. o Folder (labeled “Guides: Docent Training, Original 1990 Course”): stapled packet about the logistics of giving a tour of the Zimmerman House; “Zimmerman House Docent Training Session 2” with a list of topics to cover and handwritten notes; memo from M.K. to Zimmerman House Docent Trainees about the revised schedule for the Zimmerman House Docent Training Course (actual schedule is attached), 1991; photocopy of the revised schedule for the Zimmerman House Docent Training Sessions; “Zimmerman House Docents Training Course III,” 1991; memo from M.K. to Zimmerman House Docents, paper-clipped to the mailing lists for docents, a letter from M.K. and Peter Cook to the docents, and the docent training schedule for the Zimmerman House, 1990; “Zimmerman House Volunteer Guide List, 12/92” (names, addresses and phone numbers of guides); names, addresses and phone numbers of guides, dated 5/92; “The Currier Gallery of Art Zimmerman House Docent List, As of 4/12/91” (names, addresses and phone numbers of docents); “The Zimmerman House Visitor Information”; “Zimmerman House Reserve Docent List”; paper-clipped packet of mailing addresses, with a handwritten note. o Folder (labeled “Docent IV Course,” with handwritten notes on the inside of the folder): handwritten note to M.K. about a potential docent to be called for next training session; handwritten note from Mary Shutts to Rosie Reed about the docent list, 1991; “The Currier Gallery of Art Zimmerman House Docent List, 12/90” (with handwritten notes); “Guild Notes, January 1993: Zimmerman House Article” (discussion of this article and an article from Boston Globe Magazine); memo from Peter Cook to R.R. about concepts in docent training, 1991; “Zimmerman House Guide Questionnaire” with post-it note attached to front. o Folder (labeled “Zimmerman House Tour—Work Sht Incl.”): handout about the logistics of giving a Zimmerman House tour, with handwritten notes; a checklist of points to mention on tours; 2 copies of the handout on explaining the time frame of the tour (one with handwritten notes); a 2-page general outline of information to include on the tour; 2 copies of a handout with “Front Terrace Notes” (one with handwritten notes); handout with “Dining Loggia Notes” and “Master Bedroom Notes”; handout with “Master Bathroom Notes,” “Workspace Notes,” and “Guest/Study Notes”; handout with “Garden Notes” and “Van Ride Return” notes; handout with notes about returning to the museum after a Zimmerman House tour; paper-clipped packet entitled “Zimmerman House Tour…General Narrative Routing Outline”; “Zimmerman House Docent Training Session 2”; 2 copies of “Express Memo—Zimmerman House Docents, 3/5/91”; stapled packet entitled “Zimmerman House Tour…General Narrative Routing Outline” with handwritten note. o Folder (labeled “Guide Training Session IV,” with handwritten notes on the outside of the folder): handwritten notes on small notebook paper about “CGA ZH G Training, 3/27/93”; handwritten notes on small notebook paper about “Amoskeag Learning Objectives”; 6 copies of “Currier Gallery of Art Frank Lloyd Wright Zimmerman House, Volunteer Guide Training, Spring 1993” (5 with handwritten notes); “Currier Gallery of Art Frank Lloyd Wright Zimmerman House, Volunteer Guide Training, Spring 1993” (different from previous); handwritten notes about training; handwritten notes on a small piece of paper about training; handwritten notes on small notebook paper about training; photocopy of announcement from The Manchester Historic Association; 4 photocopies of “Update: Zimmerman House Guide Training Sessions” (3 with handwritten notes), 1993; letter from Patti Baum (Zimmerman House Coordinator) to Matthew Juros about Zimmerman House Training Sessions, 1992; memo from P.B. to Zimmerman House Guides; newsclipping, “Currier Offers Moms Free Zimmerman Admission,” source unknown, undated; handwritten notes about training; news release, “The Currier Gallery Seeks Volunteer Tour Guides for Zimmerman House Tours” (with handwritten notes and a post-it attached), 1993; photocopy of newsclipping about volunteer opportunities (with handwritten notes), 1994; 2 pages of handwritten notes on notebook paper labeled “Agenda: Guide Training”; “Zimmerman House Docent Training Sessions”; handwritten notes on notebook paper about training; paper- clipped packet of blank forms for volunteer registration with a post-it note about the forms attached to the front, 1993; memo from Rosie to all staff about the Twilight Tours at the Zimmerman House; 2 copies of agenda or notes from the “Zimmerman House Monthly Docent Meeting,” May 1991; 2 copies of “Fine Tuning Your Presentation, 1993—National Docent Symposium” (list of ways to improve presentations by Chambers and Asher Speechworks Speech and Media Training); newsletter, The Currier Guild in Action (The Currier Gallery Guild of Volunteers), March 1993.

o Packet bound in a blue folder labeled “Currier Orientation Course, 1990,” designed to help train docents for The Currier Gallery of Art.

Box 43—Labeled “F11: ‘In the Spirit of Frank Lloyd Wright’ Glass Bowl”

o Glass bowl

o Memo about the Zimmerman House roof, dated August 1999

Box 44—Labeled “Z House—Harvey Constr. Invoices 1989-1990”:

o Large number of invoices from Harvey Construction for work performed on the Zimmerman House, 1989-1990.

Box 45—Labeled “FLW & Z House”

o Handwritten note—inventory of the box?

o Record: “Frank Lloyd Wright on Architecture: Record I: “Acoustics.” Recorded at Taliesin West, 1951.

o Record: “Frank Lloyd Wright on Architecture: Record II: “Man or Machine?” Recorded at Taliesin, 1951.

o Record: “Frank Lloyd Wright on Architecture: Record III: “Address to the Junior A.I.A.” Recorded at Taliesin, 1952 (given as a talk in New York earlier that year).

o Mock-up of “The Zimmerman House” envelope, along with a note to the director of the Frank Lloyd Wright Building Conservancy, dated March 1992.

o Mock-up of “The Zimmerman House” letterhead. o KP5 prints (?) from Tilton + Lewis Associates, Inc. of the following Zimmerman House plans: floor plan without furniture, floor plan with furniture, and exterior elevations.

o Ansco box containing a book of photographs of the Zimmerman House by photographer Gerda Peterich.

Box 46, containing audiocassette tapes: “Sister Anita with Rosi Reed, 4/8/92”; “Michael Komanecky and Rosalie Reed, Interview with Theo Redman Becker, June 26 1992, New Canaan, CT”; “Roger Cassidy and Laurence Frazier, Komanecky and Reed, 4/25/92”; “George Comtois, Amoskeag Mfg. Co., Part I, 4/18/91” (2 copies); “George Comtois, Amoskeag Mfg. Co., Part II, 4/18/91” (2 copies); “20 Sept. 1990” ZH Docent Session 2 (I) Comtois, Manchester”; “20 Sept. 1990” ZH Docent Session 2 (II) Comtois, Manchester”; “Michael Komanecky and Rosie Reed, Docent IV, Z-House Restoration”; “Interview with John Geiger, MK audio for videotape, 2, 10/2/1988”; “Interview with John Geiger, MK audio for video tape, 1, 10/2/1988”; “Michael Komanecky Interview with Morton Delson, July – 1991, New York, NY (copy)”; “Dr. Sylvio DuPuis, MD, M. Komanecky and R. Reed, 4/23/92”; “Interview with John Geiger, MK, Oct. 20, 1988”; “MK and John Geiger at Zimmerman House, 10/20/88 (copy)”; “Don Kalec, Restoration Architect, ‘The Home as a Work of Art,’ March 15 1990, Frank Lloyd Wright”; “Interview with Michael Ingram, July 8, 1988 (Komanecky and Rau)”; “MK 1, Interview with Morton and Anna Delson, NYC 14 July 1991 (1) Original”; “2. MK Interview with Morton and Anna Delson, NYC 14 July 1991 (2) Original”; “David Rau and John Geiger at NEDCC [Northeast Document Conservation Center] Oct. 21, 1988 (looking at ZH drawings)”; “Rau and Geiger at NEDCC Conservation Center 10/21/88 (copy)”; “Interview with John Geiger (M. Komanecky, R. Reed), March 4, 1990, Scottsdale, Arizona (I)”; “Interview with John Geiger (M. Komanecky, R. Reed), March 4, 1990, Scottsdale Arizona (II)”; “FLLW BCC Pedro Guerro 9/92”; “Peter Gittleman, 3/29/90, CGA, ‘Wright and Gropius: A Matter of Style’”; “Interview with Carolyn Wellman (Heath), Manchester, June 12, 1992, MK and RR, Original”; “The Zimmermans I, Michael Komanecky, 3/20/93, Guide Training Session II”; “The Zimmermans II, Michael Komanecky, 3/20/93, Guide Training Session II”; “ZH Restoration II, Rosi Reed, 3/20/93, Guide Training Session III”; “Linda Morcley, Currier, Folk Art, 6/24/89, IV”; “Ames Vlatch, Currier, Folk Art, 6/24/89, I.”

Box 47, containing audiocassette tapes: “Michael Komanecky and Mike Ingram— Interview—6/22/89”; “Leo Janelle, Hermsdorff Employee, 2/14/92”; “Don Kalec: ‘The Home as a Work of Art,’ CGA, 15 March 1990, Currier Gallery of Art”; “Don Kalec: ‘The Home as a Work of Art,’ 3/15/90, Currier Gallery of Art”; “Interview with Dr. Kalil Oct. 11, 1988, MK, Original”; “Michael Komanecky, 1/28/90, CGA, ‘A Classic Usonian! Frank Lloyd Wright’s 1950 House for Isadore J. and Lucille Zimmerman’”; “Michael Komanecky, WEVO, Interview Z House, 8/4/89”; “MK, RR Docent Training Session, CGA, September 1990, Original”; “13 September 1990, ZH Docent Session 1 (I)”; “13 September 1990, ZH Docent Session 1 (II)”; “Zimmerman/Koplow Family Reunion, 4/25/93”; “Carla Lind, 3/22/90, CGA, Restoration of FLLW Houses”; “Carla Lind: Restoration of Frank Lloyd Wright Houses, 3/22/90, Currier Gallery of Art”; “CGA ZHG Training, John Mayer Man. Hist. Soc., Session III, Part I”; “CGA ZHG Training at Man. Hist. Assoc., (Session III), John Mayer, Part II”; “Kathleen Mirabile [or Mirable]: ‘Amoskeag…’ 6/13/92”; “NEH Final Evaluation 7/7/93”; “NEH Final Eval., 7/7/93, s--- 1 and 2”; “7/7/93, NEH Final Evaluation”; “Michael Komanecky and Rosie Reed, Z House Restoration, Training Docent IV, 4/91”; “Roger Nold, 5/12/92, M. Komanecky, R. Reed”; “Michael Komanecky and Rosalie Reed Interview with Elizabeth Noyes, Bedford, NH, 29 January 1992”; “Leo Pepino Oral Hist., NEH, 4/7/92, Komanecky and Reed”; “Rosie Reed: ‘Restoration of Z House,’ 11/91, 1 of 2”; R. Reed: ‘Restoration of Z House,’ 11/91, 2 of 2”; “Jack Quinan, FLLW #1, 3/6/93, Guide Training Session I”; “Jack Quinan, FLLW, 8/6/93, Guide Train Session I, #2”; “Jack Quinan Guide Train Session I, #3”; “Jack Quinan, FLLW, Session I, #4, 8/6/93, Guide Train”; “Jack Quinan: ‘On Wright; Prairie and Usonians’ (11/2/91)”; “Interview with Kimon Zachos”; “Interview with Mr. and Mrs. William Starr.”

Box 48, containing audiocassette tapes: “MKK Interviews Dr. Kalil in his home”; “Jack Quinan at Fallingwater: Docent trip 10/91”; “Jack Quinan: Docent Training (Jack Quinan at F. H2O w/ docents, 10/91)”; “Michael Komanecky and Rosie Reed, Z House Restoration, Docent Training IV 4/91”; “Michael Komanecky and Rosie Reed, Z House Restoration, Training, Docent IV, 4/91”; “Don Kalec: 3/15/90, CGA, The Home as a Work of Art”; “Jack Quinan—on F.L. Wright, 10/5/91”; “ZH Student Tour”; “Interview with David and Barbara Stahl (MK and RR), January 8, 1990”; “Eric Samford, 4/30/92, M. Komanecky and R. Reed”; “Rose and Shannon Stone, 6/25/93, relatives of Lucille Zimmerman”; “Michael Komanecky Interview with Mary and Edwin Scheier, Green Valley, AZ, 23 Jan. 1992, (I), Original”; “Michael Komanecky Interview with Mary and Edwin Scheier, Green Valley, AZ, 23 Jan. 1992, (II), Original”; “March 5, 1990, Interview with Edwin and Mary Scheier (M. Komanecky, R. Reed)”; “Mrs. Harold Cornelius Van der Veer, 138 Heather St., 1/24/92”; “Michael Komanecky and Rosalie Reed Interview with Mr. and Mrs. William Starr, Manchester, NH, April 6, 1992”; “MK Interview with Mrs. Vincent (Kay) Swanburg, 15 January 1992, Weare, NH, Original”; “Interview with Vin Swanburg, July 27, 1988, MK”; “Interview with Kimon S. Zachos, 24 August 1989.”

Box 49, labeled “VHS Tapes”:

o VHS tapes: “Dup. Jack Quinan 3/6/93, FLLW, Part I Session I”; “Dup. Jack Quinan, 3/6/93, Usonian House, Part II Session I”; “World Within a World”; “Zimmerman House Restoration 1990”; “ZIM HS Restoration Slide Lecture, Phase I, Rosi Reed, Orig., 6/2/93”; “The Zimmerman’s Guide Training Session II and ZH Restoration (in part), Rosi Reed, Currier Gallery of Art, Orig., 3/20/93”; “M. Komanecky Slide Lec. ZH Restoration, Summer ‘90”; “Concrete Pour, Front. Terr. and New Boiler”; “Z House Restoration 1989”; “Z House Restoration 89-90”; “Dup. Jack Quinan, FLLW, Part I Session I, 3/6/93”; “Dup. Jack Quinan, Usonian House, Part II, Session I, 3/6/93.”

Box 50, labeled “VHS Tapes”:

o VHS tapes: “The Zimmerman’s Guide Training Session II and Z House Restoration (in part) Rosi Reed, Currier Gallery of Art, Dup., 3/20/93”; “Adam’s graduation—Nursery Sch. June 1, ’89, Adam’s Halloween Party at kindergarten, Oct. 30, ’89, Z House”; “Zimmerman/Koplow Family Reunion, 4/25/93, Orig.”; “CGA— Zimmerman House Guide and Staff Field Trip to Lowell National Historic Park, 7 August 1993”; “Currier Gallery of Art, Zimmerman House Training Tape, 3/27/93”; “Barbara Pitsch: ‘Tour Giving Strategies,’ ZIM HS Guide Training Session V, Dup.”; “Meyer May House: Short Version”; “Jim O’Gorman, Lecturer, ‘Glessner House and FLLW Before 1910,’ 5/20/93, Orig.”; “CGA—Zimmerman House Guide Training, Session IV, Barbara Pitsch—Currier Gallery Orientation, Rosi Reed—Model Tour and Logistics”; “American Craftsmen, Minneapolis Institute of Arts, 1989”; “Barbara Fox- Friedman, Guide and Brentwood School, ZIM HS, 4/23/93, Orig.”; “5/7/93, Collins Tree Serv. and Manchester Garden Assoc. Pruning Demo, Z House, 1/3 of tape.”

o VHS tapes: “Pedro Guerro, FLLW BCC, 9/92”; “Currier Gallery of Art: The Zimmerman House, 1:30, and Geiger Interview (no audio on 1st 15:00), 10/20/88”; “Currier Gallery of Art, Jack Quinan, Part 1, ‘Wright—Prairie House to Usonian,’ March 6, 1993, Guide Train, Session I, Orig., 1 of 2”; “Jack Quinan—Session I, ‘Concepts of Wright,’ March 6, 1993—1 ½ hours, Part 2, Orig., Part 2 of 2”; “Jack Quinan on Frank Lloyd Wright, Docent Training—Oct.”; “Tour Strategies, Session V Part 1, Orig.”; “Tour Strategies, Session V Part 2, Orig.”; “The Home and Studio of Frank Lloyd Wright, Oak Park, Illinois: A Guided Tour of the Restored Building, 1987”; “Susan Leidy, ZH Guide Mtg, 6/3/93, Manchester Jr. HS @ ZH, 6/15/93”; “Michael Komanecky, ‘Poetry of Light,’ FLLW, 5/13/93, Lecture, Orig.”; “ZIM HS WMUR, Michael Komanecky, 7/2/92.”

Framed photo and certificate o The Manchester Historic Preservation Award, given to The Currier Gallery of Art in 1993 for their work in restoring and preserving the Zimmerman House.

Two pieces of gray cardboard with a book in between—Labeled “Dr. Toufic H. Kalil

House, Frank Lloyd Wright, Photographs by Gerda Peterich, 1955”

o A bound album of photographs of Dr. Toufic H. Kalil’s house, designed by Frank Lloyd Wright; photographs taken by Gerda Peterich, 1955.

Two pieces of gray cardboard with a book in between—Labeled “Monona Basin Project, The Frank Lloyd Wright Foundation, 1967”

o A bound book entitled “Monona Basin Project: Schematic Master Plan for the City of Madison, Wisconsin” by William Wesley Peters and the Frank Lloyd Wright Foundation, December 1967.

Box 52—Labeled “Photographs—Novices Collect, Z House Tour, Cassette Tapes; LP Recordings”)

o Small spiral-bound notebook labeled “Frank Lloyd Wright in New Hampshire: Zimmerman House Tours.” A note on the inside front cover reads “Prepared by Frances P. Nelson, February 2001. Contains business cards for Hetty Startup (site administrator for the Zimmerman House), tour tips and themes, history of the Currier and history of Manchester, Zimmerman art bequests at the Currier, and a history of the Zimmerman House. Includes photos and photocopies as well as typed notes, 2001.

o Brown tri-fold photo album labeled “Henry M. Fuller Pavilion: Unveiling—May 22, 1994,” containing color photos of people in the Currier Gallery of Art. (Put with Currier items?)

o Green CD case containing a disc, with a post-it note on the front that reads “Labels—CMA.”

o Brown reel case labeled “FAOG,” containing a reel with film. o Light blue three-ring binder photo album, with a label on the inside front cover that reads “Currier Gallery of Art: September 11, 1994, Novices Collect: Sam and May Gruber, Images by William N. Fish.” Contains color photos of people in the Currier Gallery of Art. (Put with Currier items?)

o 4 slides of furniture, a painting, and a vase from the Currier Gallery of Art, in a plastic slide holder; 7 pages of slides in plastic slide holders labeled “American Art from the Currier Gallery of Art”; 1 page of slides in a plastic slide holder, unlabeled, of works of art from the Currier Gallery of Art; LP recording entitled “The Fieldstone Porch: Conversations with Carder on Steubeh—His American Art Glass”; Videodisc (Laserdisc) still in shrink wrap entitled “American Art from the National Gallery of Art” (1993) with a letter taped to the front from the Head of the Department of Education Resources at the National Gallery of Art to Marilyn Hoffman (former director of the Currier Gallery of Art); Videodisc (Laserdisc) entitled “European Art from the National Gallery of Art (also includes a booklet), 1999; Videodisc (Laserdisc, also noted on the back cover as “The Crawford Draw Disc”), labeled “High Museum: Corot to Monet.”

Binder 4, labeled “Reference: Zimmerman House,” with a title page reading “A Classic Usonian! Frank Lloyd Wright’s 1950 House for Isadore J. and Lucille Zimmerman, The Currier Gallery of Art, January 28 through April 29, 1990” (an exhibit held at the Currier), and descriptions of the background of the Zimmerman House, including the history, details of the construction and garden design, information about the Zimmermans and Frank Lloyd Wright, and descriptions of pieces in the exhibit.

Binder 5, labeled “Reference: Zimmerman House,” containing a list of “Selected Readings” for Zimmerman House Guides (in addition to their training manual); a photocopy of The Historic Structure Report for the Isadore J. and Lucille Zimmerman House, prepared by Tilton + Lewis Associates, October 1989; photocopy of an excerpt (“The Art and Craft of the Machine”) from Frank Lloyd Wright: Writings and Buildings; photocopy of “Chapter 4: Broadacre City” (source unknown); photocopy of “Chapter 5: Popularizing Organic Architecture” (source unknown); photocopy of an excerpt (“The Usonian Automatic”) from The Natural House by Frank Lloyd Wright; photocopy of the article “The Love Affair of a Man and his House,” by Loren Pope, from House Beautiful, August 1948; photocopy of a 4-page comparison list of Prairie and Usonian houses (source unknown); photocopy of “The Usonian House and Integral Ornament” by Bruce Brooks Pfeiffer (Director of The Frank Lloyd Wright Archives), from Natural Pattern of Structure: Symposium Speakers and Topics; photocopy of “Frank Lloyd Wright” (45 pages of information from various sources on background information about Frank Lloyd Wright and his architectural styles—includes a glossary of architectural terms at the end); photocopy of “Postwar House” by Thomas Hinefrom History and Legacy of the Case Study Houses; photocopy of the initial letter from Dr. Isadore J. Zimmerman to Frank Lloyd Wright, 1949; photocopy of a short note from Frank Lloyd Wright to Dr. Isadore J. Zimmerman about terms, 1949; photocopy of a Western Union telegram from Dr. Isadore J. Zimmerman to Frank Lloyd Wright about visiting Taliesin to discuss plans for the Zimmerman House, 1949; photocopy of a 4-page letter from Dr. Isadore J. Zimmerman to Frank Lloyd Wright, detailing the needs and wants for the house being designed for the Zimmermans, 1949; photocopy of a letter from Eugene Masselink (secretary to Frank Lloyd Wright) to Dr. Isadore J. Zimmerman, confirming receipt of his letter with requirements for their house and thanking them for their gift of maple syrup, 1949; photocopy of a letter from Dr. Isadore J. Zimmerman to Frank Lloyd Wright requesting a time estimate for when their house will be completed, 1950; photocopy of a short note from Frank Lloyd Wright to Dr. Isadore J. Zimmerman reassuring that they will hear from them soon regarding the plans for their new house, 1950; photocopy of a letter from Frank Lloyd Wright to Dr. and Mrs. Isadore J. Zimmerman reporting that the preliminary sketches will be mailed to the Zimmermans tomorrow, 1950; photocopy of a note from Frank Lloyd Wright to Dr. Isadore Zimmerman reporting the cost of preliminary studies for the Zimmerman House, typed onto the terms for the Architectural Services of Frank Lloyd Wright (2 pages), 1950; photocopy of a letter from Dr. and Mrs. Isadore Zimmerman to Frank Lloyd Wright detailing necessary changes to the plans for their house (3 pages), 1950; photocopy of a letter from Lucille Zimmerman to Eugene Masselink (secretary to Frank Lloyd Wright) about sending a book to Frank Lloyd Wright after he has settled into Taliesin West, 1950; photocopy of a letter from Eugene Masselink (secretary to Frank Lloyd Wright) to Mrs. Isadore Zimmerman informing her that Frank Lloyd Wright is now at Taliesin West, 1950; photocopy of a letter from Dr. Isadore J. Zimmerman to Frank Lloyd Wright about essential utilities in the plans for their new home, 1951; photocopy of a letter from Frank Lloyd Wright to Dr. Zimmerman about adjusting the plans (as requested in previous letter), 1951; photocopy of a letter from the Zimmermans to Gene (Eugene Masselink, secretary to Frank Lloyd Wright) about collecting articles about Frank Lloyd Wright; photocopy of a letter from Isadore and Lucille Zimmerman to Frank Lloyd Wright about selecting a contractor for the construction of the house, 1951; photocopy of a letter from Lucille Zimmerman to Frank Lloyd Wright about meeting him at Taliesin to discuss the construction of the house, 1951; photocopy of a letter to Frank Lloyd Wright about picking up his apprentice, with a handwritten note to Eugene Masselink (secretary to Frank Lloyd Wright) from --- at the bottom; photocopy of a letter from Eugene Masselink (secretary to Frank Lloyd Wright) to Mrs. Isadore Zimmerman about meeting Frank Lloyd Wright in New York to discuss the plans for the house, 1951; photocopy of a letter from Lucille Zimmerman to Frank Lloyd Wright about their contractor’s upcoming visit to Taliesin to meet with him (2 pages), 1951; photocopy of a telegram from Frank Lloyd Wright to Dr. Zimmerman about sending his apprentice, 1951; photocopy of a telegram from the Swanburg Construction Company to Frank Lloyd Wright about the house being laid out and waiting for the apprentice to arrive, 1951; photocopy of a memo from Michael Komanecky to the Zimmerman-Wright Correspondence File, with the transcript of a letter or telegram (from John [John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction] to Gene [Eugene Masselink, secretary to Frank Lloyd Wright]) typed out, 1990; photocopy of a handwritten note from L. Zimmerman to Gene (Eugene Masselink, secretary to Frank Lloyd Wright) about construction on the house; photocopy of a letter from Gene (Eugene Masselink, secretary to Frank Lloyd Wright) to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) About outlets for the house and filling him in on what is happening at Taliesin, 1951; photocopy of a letter from John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) to Gene (Eugene Masselink, secretary to Frank Lloyd Wright) about the construction of the house, with a handwritten note at the bottom about Mr. Swanburg’s (the contractor) request for Frank Lloyd Wright to design him a house; photocopy of a letter from Eugene (Eugene Masselink, secretary to Frank Lloyd Wright) to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) about John’s suggestions for the Zimmerman house and an update of what is happening at the Zimmerman House, 1951; photocopy of a letter from Eugene (Eugene Masselink, secretary to Frank Lloyd Wright) to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) about approval of changes to the Zimmerman House suggested by John Geiger, 1951; photocopy of a letter from George E. Connell (City Editor at the Manchester Union Leader and New Hampshire Sunday News) to Frank Lloyd Wright about running a story on the Zimmerman House and requesting information, with a handwritten note at the bottom, 1951; photocopy of a letter from Frank Lloyd Wright to George E. Connell (City Editor at the Manchester Union Leader and New Hampshire Sunday News) stating that it is too early to provide information for the story, 1951; photocopy of a letter from Eugene (Eugene Masselink, secretary to Frank Lloyd Wright) to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) about a party held at Taliesin and designing Frank Lloyd Wright letterhead for Mrs. Zimmerman; 2 photocopied pages with notes from Eugene (Eugene Masselink) about two different kinds of paper for the letterhead requested by Mrs. Zimmerman; photocopy of a letter from Eugene Masselink (secretary to Frank Lloyd Wright) to Mrs. Zimmerman about Frank Lloyd Wright letterhead, 1951; photocopy of a letter from Carl E. Olson (at the Swigart Paper Company in Chicago—where Frank Lloyd Wright buys paper for his letterhead) to Mrs. Zimmerman informing her they do not have the paper she has requested, 1951; photocopy of a letter from Carlton M. Davis (at Corning Glass Works) to John Geiger (apprentice to Frank Lloyd Wright sent out to supervise construction) regarding his order of “lump cullet” in various sizes and colors, 1951; photocopy of a letter from John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) to Frank Lloyd Wright about the construction of the Zimmerman House so far with questions about changes; photocopy of a handwritten letter from John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) to Gene (Eugene Masselink, secretary to Frank Lloyd Wright) about decisions from Frank Lloyd Wright regarding changes suggested by John Geiger and an update on the construction of the house; photocopy of a letter from Eugene (Eugene Masselink, secretary to Frank Lloyd Wright) to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) about Frank Lloyd Wright’s response to changes suggested by John Geiger, 1951; photocopy of a letter from --- (most likely Eugene Masselink, secretary to Frank Lloyd Wright) to Mrs. Zimmerman about the letterhead and meeting Mr. and Mrs. Wright in New York, 1951; photocopy of a letter from John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) to Frank Lloyd Wright with questions about the construction of the house, 1951; photocopy of a letter from John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) about fabric swatches for the furniture in the house; photocopy of a letter from Lucille Zimmerman to Frank Lloyd Wright about the problems with the construction of the house due to the dishonesty of the Swanburg Construction Company, 1951; photocopy of a letter from Eugene (Eugene Masselink, secretary to Frank Lloyd Wright) about problems with construction and where Frank Lloyd Wright bought his sheepskins, 1951; photocopy of a letter from Eugene (Eugene Masselink, secretary to Frank Lloyd Wright) to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) about Frank Lloyd Wright’s approval of John Geiger’s suggestions for changes in the house, 1951; photocopy of a letter from John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) to Frank Lloyd Wright detailing the problems caused by the Swanburg Construction Company, 1951; photocopy of a letter from --- (most likely Eugene Masselink, secretary to Frank Lloyd Wright) to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) about drawings and suggestions for the house and updates from Taliesin, 1951; photocopy of a letter from Lucille Zimmerman to Frank Lloyd Wright discussing how beautiful the house is (though still in construction); photocopy of a letter from John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) to Gene (Eugene Masselink, secretary to Frank Lloyd Wright) about suggested changes in the design of the house; photocopy of a letter from John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) to Gene (Eugene Masselink, secretary to Frank Lloyd Wright) about samples for the furniture for approval by Frank Lloyd Wright and problems with the contractor, 1951; photocopy of a letter from Lucille Zimmerman to Gene (Eugene Masselink, secretary to Frank Lloyd Wright) requesting drawings so that bids can be decided for the furniture; photocopy of a letter from Frank Lloyd Wright to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) approving the samples, 1952; photocopy of a letter from John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) to Gene (Eugene Masselink, secretary to Frank Lloyd Wright) about changes in the construction of the house and questions about the furniture, with a handwritten reply (not signed) at the bottom answering some of the questions; photocopy of a letter from Eugene (Eugene Masselink, secretary to Frank Lloyd Wright) to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) about plans for John Geiger and the Zimmermans to meet Frank Lloyd Wright in New York; photocopy of a letter from John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) to Frank Lloyd Wright asking for approval of changes in the design of parts of the house, with a handwritten note at the bottom (unsigned) stating that “Mr. Wright approves of suggested changes”; photocopy of a letter from Lucille Zimmerman to Gene (Eugene Masselink, secretary to Frank Lloyd Wright) about the beautiful items acquired for her home by mentioning that it was designed by Frank Lloyd Wright; photocopy of a note from John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) to Gene (Eugene Masselink, secretary to Frank Lloyd Wright) about the status of the Zimmermans’ furniture; photocopy of a letter from Eugene (Eugene Masselink, secretary to Frank Lloyd Wright) to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) about approval of furniture arrangement and suggestions for small changes, 1952; photocopy of a letter from Eugene (Eugene Masselink, secretary to Frank Lloyd Wright) to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) about details for the music stand to be built, 195-; photocopy of a letter from Eugene (Eugene Masselink, secretary to Frank Lloyd Wright) to Mrs. Zimmerman about her animal skins and the design for her letterhead, 1952; photocopy of a letter from --- (possible Eugene Masselink, secretary to Frank Lloyd Wright) to John (John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) about Frank Lloyd Wright’s approval of suggested changes, 1952; photocopy of a letter from John Geiger (apprentice to Frank Lloyd Wright sent out to supervise construction) to Walter Hermsdorf (of the Hermsdorf Fixture Mfg. Co. Inc. in Manchester, NH) about dining and coffee tables, 1952; photocopy of a letter from --- (most likely John Geiger, apprentice to Frank Lloyd Wright sent out to supervise construction) to --- (most likely Frank Lloyd Wright or Eugene Masselink, secretary to Frank Lloyd Wright) about completing the Zimmerman House, 1952; photocopy of a handwritten note from the Zimmermans to Frank Lloyd Wright thanking him for their beautiful home; photocopy of a letter from Frank Lloyd Wright to the Zimmermans saying he is pleased with the house also, 1952; photocopy of a letter from Isadore and Lucille Zimmerman to Frank Lloyd Wright thanking him again for their beautiful house and commending John Geiger for doing such excellent work and maintaining such high standards, 1952; photocopy of a letter from Frank Lloyd Wright to the Zimmermans stating that “maple syrup is a good reminder” [of how grateful they are for the house] and that he will come to see the house soon, 1952.

Binder 6, labeled “Reference: Zimmerman House,” containing the transcript of an interview with Dr. and Mrs. Zimmerman in their house by Amy Eshoo, 1977.

Box 53, labeled “Zimmerman House Files: Appliances to Conservation”:

o Folder (labeled “Restoration,” with a handwritten note on the back of the folder; note: folder is overstuffed): packet of papers paper-clipped together with a note that reads “Masonry,” containing photocopies of invoices, photocopies of advertisements, photocopies of hand-drawn plans, and photocopies of articles and instructions, 1977, 1989-1990, undated; packet of papers paper-clipped together with a note that reads “Roof,” containing photocopies of invoices, photocopies of instructions, and architectural plans for the roof, 1989-1990; packet of papers paper-clipped together with a note that reads “Carpentry,” containing photocopies of invoices, photocopies of hand-drawn plans, and photocopies of advertisements, 1990, undated; packet of papers paper-clipped together with a note that reads “Glass and Glazing,” containing photocopies of order forms and invoices, photocopies of correspondence, and photocopies of advertisements, 1986, 1989-1990; packet of papers paper-clipped together with a note that reads “HVAC,” containing photocopies of correspondence, photocopies of invoices, photocopies of hand-drawn plans, photocopies of advertisements, and photocopies of articles, 1989-1990, undated; packet of papers paper-clipped together with a note that reads “Electrical,” containing photocopies of order forms and invoices, photocopies of hand-drawn plans, photocopies of advertisements, and photocopies of architectural plans, 1989-1990, undated; packet of papers paper-clipped together with a note that reads “Job Meetings Notes,” containing photocopies of meeting notes and photocopies of graphs, 1989-1990; packet of papers paper-clipped together with a note that reads “HCC/CGA/T & L Correspondence,” containing photocopies of memos, photocopies of faxes, an address list, photocopies of advertisements, photocopies of hand-drawn plans, photocopies of correspondence, photocopies of the restoration budget, and photocopies of charts and graphs, 1989-1990, undated; packet of papers paper-clipped together with a note that reads “General Conditions,” containing photocopies of a charts, photocopies of calendars, photocopies of graphs, photocopies of project schedules, and photocopies of faxes, 1989-1990, undated; packet of papers paper- clipped together with a note that reads “Site,” containing photocopies of invoices, photocopies of architectural plans, and a photocopy of a hand-drawn plan, 1989-1990, undated; packet of papers paper-clipped together with a note that reads “Concrete,” containing photocopies of advertisements, photocopies of invoices, photocopies of memos, photocopies of handwritten notes, photocopies of work orders, photocopies of hand-drawn plans, photocopies of advertisements, photocopies of correspondence, photocopies of architectural plans, photocopies of the Material Safety Data Sheets for Davis Colors Mineral Pigments Corporation, photocopies of maps with directions to the Zimmerman House, photocopies of part of a transcript from an interview about the house, 1988-1990, undated.

o Folder (labeled “Appliances”): letter from Elenore Freedman, with post-it note attached to front and a note attached to the back about the Zimmermans’ appliances, 1990; handwritten note with contact information for Lynn Draper about a stove; note about a phone message from Lynne Draper (see previous); draft of a letter from M.K. to Abigail Turner about a stove, 1990.

Box 54, labeled “Zimmerman House Files: Appliances to Conservation”: o Folder (labeled “Restoration/Construction Discussions & Meetings: Tilton, Harvey, et al.,” with a photocopy of various business cards taped to the inside of the folder): 3 pages of handwritten notes about John Geiger, John Tilton, Betty Tilton, Don Kalec, and Carla Lind (looks like M.K.’s handwriting); business cards for S&F Concrete Contractors, Inc. and Harvey Construction Company, Inc.; “Proposed Schedule of Activities for Isadore Zimmerman House Historic Structure Report,” 1989; “Preliminary Specifications: Restoration of the Isadore and Harriet Zimmerman House,” 1989; “Currier Gallery of Art A/P Purchase Journal, 01/01/89-12/31/90”; letter from Frank Mazzuchelli to M.K. about Northern Peabody Inc., with attached letter from NPI to F.M., 1990; memo from John Tilton to M.K. with questions, with handwritten answers, 1989; notes from Zimmerman House Restoration Job Meeting #1, with handwritten notes, 1989; notes from Zimmerman House Restoration Job Meeting #2, with handwritten notes, 1989; photocopy of a memo with questions from M.K. to John Tilton, with handwritten notes, 1989; photocopy of a handwritten memo from Karl Winchester (sp?) to M.K. and R.R., 1989; handwritten notes about concerns from Peggy Burke, 1989; agenda from a meeting of the Zimmerman House Committee, with handwritten notes on the agenda and on a piece of attached notebook paper, 1989; 3 pages of handwritten notes about the restoration, 1989; handwritten notes about the restoration, 1989; packet of papers paper- clipped together, containing memos from Harvey, Manchester Redimix Concrete Inc., Northern Peabody, Inc., and information about Twintran radiant floor heating hose, 1990, undated; memo and chart from Tilton + Lewis, 1990; photocopy of architectural plan with handwritten notes; fax photocopy of architectural plan from Tilton + Lewis, with handwritten notes, 1990; handwritten notes about restoration projects; notes from Zimmerman House Restoration Job Meeting #13, 14, & 15, 1990; meeting notes from Zimmerman Residence Restoration Job Visit, sent to M.K., Frank Mazzuchelli, and John Tilton, 1990; notes from Zimmerman House Restoration Job Meeting #12, with handwritten notes, 1990; photocopy of a faxed memo from Tilton + Lewis to Northern Peabody, Inc. about restoration projects, 1990; photocopies of the ASHRAE Journal: The Magazine of the American Society of Heating, Refrigerating and Air- Conditioning Engineers, Inc., September 1989 issue, advertisements, and contact information for Heatway Systems and Northern Peabody, Inc.; memo from Harvey Construction Company to NPI , 1990 stapled to memo from NPI to Harvey (with handwritten notes), 1990 and an advertisement; memo from NPI to Harvey, 1990, stapled to an advertisement; notes from Zimmerman House Restoration Job Meeting #11, 1990; business card and proposal from Asbest-Co, Inc., for removal of asbestos from the Zimmerman House, 1990; handwritten notes about restoration projects; faxes from S&F Concrete with their rates and from Frank Mazzuchelli to M.K., 1990; information about “Aqua Armor” from Permagile Industries, Inc. with handwritten notes; fax from F.M. to M.K. about asbestos removal, with handwritten notes, 1990; notes from Zimmerman House Restoration Job Meeting #10, with handwritten notes, a copy of correspondence (1989), handwritten notes, and “System Requirements” charts, 1990; handwritten notes from M.K. to John Tilton, with post-it note on the front (undated), paper-clipped to an invoice from Tilton + Lewis to M.K. (1989), notes from Zimmerman House Restoration Job Meeting #8 (1989), and a photocopy of a letter from Michael Ingram to the Currier about the Zimmerman House Restoration (1989); notes from Zimmerman House Restoration Job Meeting #9, with handwritten notes, 1990; 2 copies of draft of a letter from Michael Ingram to the Manchester Building Department requesting modifications to the code for the Zimmerman House restorations, 1989; packet of papers paper-clipped together containing a memo from M.K. to the roof restoration file (1990), a memo from Tilton + Lewis to Harvey Construction with handwritten notes (1989), a preliminary proposal from Ludowici-Celadon (1989), photocopy of an invoice from A.W. Therrien Co. (1951); photocopy of an invoice for shingles (1989); 2 photocopies of pictures of the Zimmerman House roof, and a photocopy of an advertisement for a chimney damper; stapled packet of papers containing photocopies of PolyDrain, Inc. advertisements, including 6 “case studies,” specification lists, and installation instructions; 6 pages of handwritten notes on “ZH Restoration Project,” 1989; photocopies of advertisements and an order form for chimney dampers; photocopies of a memo from Tilton + Lewis and radiant heat layout, 1989; letter from M.K. to Michael Ingram about supervisory work on the Zimmerman House restoration, 1989; information about Flashing and Sheet Metal and Closed Shingle Clay Tile Roofing, stapled together and with handwritten notes; letter from John Tilton to M.I. about a proposal, 1989; 3 copies of “Project Schedule—Zimmerman House” from Tilton + Lewis, 1989-1990; schedule for the Zimmerman House from Harvey Construction Company, Inc., 1989-1990; notes from Zimmerman House Restoration Job Meeting #6, with handwritten notes, 1989; notes from Zimmerman House Restoration Job Meeting #5, with handwritten notes, 1989; handwritten note about Tilton + Lewis, with contact information; handwritten note from K.J. (?) to M.K. about Tilton + Lewis, 1989; notes from Zimmerman House Restoration Job Meeting #4, with handwritten notes and a photocopy of an architectural plan of the house, 1989; photocopy of note about concrete with contact information for S & F Concrete Contractors, Inc., stapled to a photocopy of an architectural plan of the house and a fax from M.K. to John Tilton (1989); notes from Zimmerman House Restoration Job Meeting #3, with handwritten notes, 1989; memo from M.K. to Kimon Zachos and Marilyn Hoffman about the Zimmerman House Restoration, 1989. o Folder (labeled “Heating Cost: Energy North”): memo from R.R. to Kathy about heating costs (1992) stapled to a list of the Zimmerman House heating expenses, 1992; a second copy of the memo from R.R. to Kathy about heating costs, with handwritten notes on the bottom, 1992. o Folder (labeled “Oil Tank”): memo from M.K. to Marilyn, Ginny, and Al about the oil tank at the Zimmerman House, 1993. o Folder (labeled “Preservation Pest Control”): handwritten note from a conversation with J.P. Chemical about pest control, 1994; Material Safety Data Sheet for DowElanco Empire 20 Microencapsulated Insecticide, 1992; Specimen Label for DowElanco Empire 20 Specialty Insecticide; memo from Valarie to Matthew about a suggested pest control company, paper-clipped to a pamphlet from Abate Pest Control. o Folder (labeled “Fumigation”): Agenda and registration sheet for a conference called “Pest, Insect, and Fungus Management: Non-Toxic Fumigation & Alternative Control Techniques for Preserving Cultural/Historical Properties and Collections,” 1994; photocopy of an article entitled “Pest Control in Museums: Give it the White Glove Treatment,” Pest Control, 1993; handwritten note from Joe Pestana at J.P. Chemical Co., Inc. to Rosie about the article; invoice from Collins Tree Service Inc. for spraying for gypsy moths, 1992; two invoices from J.P. Chemical Co., Inc., 1992; handwritten note from R.R., stapled to a description of Dragnet FT Termiticide (note says she decided not to use it because it was experimental), 1992; memo from R.R. to M.K. about insect infestation, with handwritten note from M.K., 1991; memo from R.R. to M.K. about insect infestation (same as previous without handwritten note), 1991; letter from M.K. to Joe Pestana at J.P. Chemical Company, Inc. about payment (1990), stapled to a letter from J.P. to R.R. about payment and a donation (1990), a letter from Dr. G. Tom Fisher (a professor at UNH) to R.R. about entomology consulting (1990), a letter from J.P. to R.R. about the service program (1990), and two invoices from J.P. Chemical Co., Inc., 1990; paper-clipped packet of specimen labels and Material Safety Data Sheets for Demon WP, Ficam D, and Empire 20 Microencapsulated Insecticide, all with handwritten notes; three pages of small notebook paper stapled together with notes about chemical companies and fumigation issues; paper-clipped packet of information from Thomas A. Parker, a pest-control expert specializing in museums and libraries (packet includes a business card, several photocopies of newspaper articles (1982, 1985, 1989), and a résumé/list of previous projects (1989), and a post-it note with price quotes on the front page; a handwritten note from Marilyn Hoffman to M.K. about insect extermination at the Zimmerman House; paper-clipped packet of photocopies of parts of Thomas Parker’s packet, with handwritten notes; booklet from Annual Pest Control Service; “Pest Control Service Agreement” from Central New England Chemical, Inc., 1989; information sheet about Halon 1211 Stored Pressure Fire Extinguishers; a second “Pest Control Service Agreement” from Central New England Chemical, Inc., 1989; photocopies of two invoices from Central New England Chemical, Inc. (stapled together), 1989; letter from Janet Deranian to M.K. mentioning Thomas Parker, with handwritten notes, 1989. o Folder (labeled “Flame-Gard (for Soffit Lights)”): two advertisements for Flame-Gard. o Folder (labeled “Simple Green (Sealer Cleaner)”): memo from Tilton + Lewis to R.R. about Simple Green data, paper-clipped to a booklet about Simple Green. o Folder (labeled “Electric 1992”): empty envelope from Sundance Electric to R.R., 1991; handwritten note from R.R. to M.K. about repairing the lights in the driveway, stapled to a piece of paper with a response from M.K., 1992; job invoice from Sundance Electric, 1991; job invoice from Sundance Electric, with post-it note attached, 1991; copy of insurance for Robert Drew Moyer of Sundance Electric, 1991. o Folder (labeled “Glass and Sealants”): paper-clipped packet of receipts, including an invoice from Southeastern Construction (1995), unidentified invoice record for The Currier Gallery of Art (with original envelope, 1997), invoice from Davis Colors Dry Colors Pigments (1990), handwritten notes about costs and contact information, invoice from Foster-Southeastern, Inc. (1997); fax memo from M.K. to John Tilton in response to a memo from J.T., stapled to the fax memo from J.T., 1990; photocopy of article about light damage; handwritten note about sealing; two different booklets for Tremco Fastpak Color System (sealants), one with post-it notes and handwritten notes; letter from R.R. to Frank Mazzuchelli at Harvey Construction Company, Inc. about the glass doors, 1990; stapled and photocopied “Specification Guide” for “Laminated Architectural Glass,” 1989; stapled and photocopied booklet “Solar: Laminated Architectural Glass with Saflex,” 1988; photocopied booklet “Architectural Saflex: Interlayer for Solar Control,” unattached, 1986; stapled and photocopied booklet “Sealants: A Study of Sealant Compatibility with Saflex PVB Interlayer in Laminated Architectural Glass”; booklet, “Clear: W-1000 Concrete Cure and Sealer,” 1990. o Folder (labeled “T & L Budget and Project and Contract Schedule”): photocopy of complete “Project Schedule” (3 pages; timeline) by Tilton + Lewis, 1989-1990; “Abbreviated Form of Agreement Between Owner and Architect For Construction Projects of Limited Scope, 1978 Edition” between The Currier Gallery of Art and Tilton + Lewis Associates, Inc., 1989; “Standard Form of Agreement Between Owner and Contractor, where the basis of payment is the Cost of the Work Plus a Fee, 1978 Edition,” between The Currier Gallery of Art, Harvey Construction Company, Inc. and Tilton + Lewis Associates, Inc., 1989; letter from M.K. to John Tilton about J.T.’s next trip, 1989; paper-clipped packet containing a photocopy of the “Standard Form of Agreement Between Owner and Contractor” with a post-it note attached (1989) and a letter from J.T. to R.R. stapled to a copy of the “Standard Form of Agreement Between Owner and Contractor,” 1989; another copy of the “Standard Form of Agreement Between Owner and Contractor” with the information written by hand, 1989; “Proposed Schedule,” 1989-1990; photocopy of complete “Project Schedule” (3 pages; timeline) by Tilton + Lewis, 1989-1990; 3 photocopies of the architectural plans of the Zimmerman House; 2 copies of the Appendix, containing the Proposed Budget by Tilton + Lewis, 1989; 2 more copies of the Appendix with the Proposed Budget by Tilton + Lewis, stapled to a copy of the complete “Project Schedule” (3 pages; timeline) by Tilton + Lewis, 1989-1990; another copy of the complete “Project Schedule” (3 pages; timeline) by Tilton + Lewis, 1989-1990; photocopy of the “Proposed Schedule” (2 pages), with “Rosie Reed, 9/25/89” written at the top; 4 copies of the “Project Schedule” (3 pages; timeline) by Tilton + Lewis; 7 photocopies of the “Proposed Schedule” (2 pages) by Tilton + Lewis, 1989-1990. o Folder (labeled “Conservation: Ben Strahan”): fax from Ben Strahan of Architectural Resources to M.K. about an estimate for work on the Zimmerman House, with post-it note, 1989; photocopy of a letter from M.K. to Ben Strahan rejecting the proposal, 1989; letter from Ben Strahan of Architectural Resources to M.K. about an estimate for work on the Zimmerman House, paper-clipped to a photocopy of the letter, 1989; two pages of handwritten notes (stapled together) about Ben Strahan and Architectural Resources, with a post-it note. o Folder (labeled “CV’s T & L”): Résumé for Carla Lind; handwritten notes about “Z House meeting,” 1990; résumé for Donald Gordon Kalec. o Folder (labeled “Conservation: NEDCC”): stapled packet of information from the Northeast Document Conservation Center about restoring documents from the Zimmerman House (113 items, mostly architectural drawings), including a description of their condition before treatment, 1988; 2 pages of handwritten notes about photographing, microfilming and price estimates, one is dated 1988; photocopy of invoice from NEDCC for copy negatives, paper-clipped to a handwritten notes between M.K. and Marilyn Hoffman, and a note from D.R. (?), 1988; invoice from NEDCC for “Restoration/Preservation Services,” 1989; invoice from NEDCC to The Currier Gallery of Art, 1989; packing list (several sheets stapled together) from NEDCC, 1989; invoice from NEDCC for copy negatives, 1988; news release from NEDCC announcing “NEDCC Names Mary Elizabeth Ruwell Director of Microfilm Services,” 1988; memo from NEDCC about the deadline for National Endowment of the Arts conservation grants, 1988; paper-clipped packet containing a post-it note, a phone message note from NEDCC, and handwritten notes about NEDCC; handwritten note about a source for Japanese paper; letter from NEDCC to The Currier Gallery of Art about work to be performed at NEDCC, paper-clipped to an inventory of items sent to NEDCC, 1988; receipt for items sent to NEDCC, 1989; résumé for Gary Edward Albright at NEDCC; pamphlet, “Preservation of Photographic Prints and Negatives” from NEDCC; pamphlet, “The Northeast Document Conservation Center” from NEDCC; pamphlet, “Photoduplication Services” (2 copies) from NEDCC (one contains a news release about their preservation microfilming winning an award, 1988); pamphlet, “The Northeast Document Conservation Center” (different from previous) from NEDCC. o Folder (labeled “Restoration Notes”): 6 pages of handwritten notes on small notebook paper about the restoration of the Zimmerman House; small card with contact information for an architect at Roger Williams College; small notebook with handwritten notes about the restoration of the Zimmerman House; “Pressure Test of Radiant Heating System at Zimmerman House, Northern Peabody Incorporated, with several post-it notes attached, 1989; stapled packet of items including several sheets of handwritten notes about the concrete test (1989), a business card for Jean Favreau of Manchester Redimix Concrete Inc., and a “Cement Certificate” from Coastal Cement Corporation, 1989; “At-A- Glance Academic Planner” for 1989-1990 (seems to have belonged to Rosie Reed), with post-it notes, photocopies of the architectural plans of the Zimmerman House with handwritten notes, handwritten notes for notices and contact information, meeting agendas, several business cards, a photocopy of Harvey Construction Company, Inc.’s project schedule for the Zimmerman House (1989-1990), photocopies of calendars for April, May, and June of 1990 with handwritten notes; photocopy of a different project schedule from Harvey Construction Company, Inc. (1989-1990), a photocopy of several business cards, “Appendix” with budget from Tilton + Lewis (post-it note attached, 1989), “Project Schedule” from Tilton + Lewis (1989-1990), paper- clipped packet containing handwritten notes on small notebook paper about various projects and contact information (undated, 1990), many loose pages of handwritten notes on small notebook paper (undated, 1990), a copy of a memo about the March/April schedule (1991), and handwritten notes throughout the planner itself (1989-1990). o Folder (labeled “Water”): handwritten notes and drawings on a small piece of paper; handwritten note on an index card to Kelly about water operations at the Zimmerman House; note with drawing from Eckhardt & Johnson, Inc. about the sprinkler pit, stapled to a 2-page handwritten note and another drawing; “The Currier Gallery of Art Zimmerman House: Directions for Using the Sprinkler System,” with handwritten notes, 1993. o Folder (labeled “Water Heater Warranty”): transmittal form to R.R. from Ingram/Wallace Architects, 1990; letter and fax (separate items; 3 copies of the letter) from Frank Maloney at Northern Peabody Incorporated to Michael Ingram about estimate for new water heater installation, 1990; limited warranty for Heat Transfer Products; installation and operating manual for Super Stor Energy Recovery System; Instruction sheet for Taco “00” Cartridge Circulators, 1989; operation and installation instructions for Goldline Single Stage Temperature Control, along with a certificate of limited warranty and 15-year protection plan for Super/Stor Indirect Water Heater by Heat Transfer Products, Inc. o Folder (labeled “Conservation: Robert D. Mussey, 2 Terrace Tables, Aluminum Furn.”): photocopy of announcement of the opening of Robert Mussey’s private practice as a Furniture Conservator, 1989; letter from R.M. to M.K. about the outdoor tables, with post-it notes, 1989; “Contract Agreement for Conservation Services,” between The Currier Gallery of Art and the Conservation Center of the Society for The Preservation of New England Antiquities, for “Frank Lloyd Wright patio table,” 1989; letter from R.M. to M.K. about the contract, proposal, and estimate, and paper-clipped to the estimates, 1989; another copy of the “Contract Agreement for Conservation Services” between The Currier Gallery of Art and the Conservation Center of The Society for the Preservation of New England Antiquities, for “Frank Lloyd Wright patio table,” 1989; “SPNEA Furniture Conservation Center Estimated Conservation Costs” stapled to a “Contract Agreement for Conservation Services” between The Currier Gallery of Art and the Conservation Center of The Society for the Preservation of New England Antiquities for “6 folding aluminum and canvas lawn chairs,” 1989; another copy of “Contract Agreement for Conservation Services” between The Currier Gallery of Art and the Conservation Center of The Society for the Preservation of New England Antiquities, for “6 folding aluminum and canvas lawn chairs,” 1989; 2 copies of “Contract Agreement For Conservation Services” between Currier and the Conservation Center of SPNEA for “adjustable music stand, metal base, wood upper portions for support of sheet music,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA, for “hexagonal music stand with built-in lighting,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “set of 12 hassocks with loose upholstered cushions,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “hexagonal coffee table,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “pair of square tables,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “pair of low square tables,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “dining table in three parts,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “set of four music stools with hexagonal upholstered cushions,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “pair of dining chairs, upholstered,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “pair of square tables,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “set of 3 Japanese lamps, wood with painted fabric covers,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “pair of upholstered armchairs, Danish modern style, with casters,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “double bed on casters with mattress,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “pair of single beds with mattresses,” 1989; 2 copies of “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “pair of nightstands,” 1989; Résumé and biography for Robert D. Mussey, Jr. (furniture conservator at the Conservation Center at SPNEA); “SPNEA Conservation Center Personnel Profiles: Robert D. Mussey, Jr., Chief Furniture Conservator” (four unattached pages).

Box 55, labeled “Zimmerman House Files: Appliances to Conservation”:

o Folder (labeled “Conservation: Profile on SPNEA”): letter from Patricia Weslowski (director of the Conservation Center of SPNEA) to M.K. about a proposal for conservation work, 1989; “Preserving New England’s Heritage: The SPNEA Conservation Center” (catalogue about the Conservation Center of SPNEA), 1986-1987; pamphlet, “Codman House: The Grange” (SPNEA); pamphlet, “Annual Meeting” for SPNEA, 1988; pamphlet, “Harrison Gray Otis House” (SPNEA); pamphlet, “Beauport: Sleeper-McCann House” (SPNEA), 1988; pamphlet, “Bowen House: Roseland Cottage” (SPNEA); pamphlet, “Gibson House: A Victorian House Museum”; pamphlet, “SPNEA’s Historic Houses in New England” (2 copies); SPNEA newsletter, Series 45, Summer 1988; photocopy of article, “Gropius House: Renovating a Modern Classic,” The New York Times, December 1988 (a house owned by SPNEA); news release, “SPNEA Receives American Institute of Architects Award,” 1988; “SPNEA Conservation Center” (information sheet); “SPNEA Conservation Center: Furniture Conservation Services” (information sheet); photocopy of “SPNEA Conservation Center Organizational Chart,” 1989; “Representative Projects: Conservation Center” (SPNEA; stapled packet), 1988-1989. o Folder (labeled “Conservation SPNEA—HSR”): letter from M.K. to Chris Lee Eaton at the SPNEA Conservation Center about Zimmerman House preservation job (2 copies), 1988; pamphlet, “Gropius House” (SPNEA), circa 1988; handwritten note about Gropius House attendance, 1988; letter from Chris Lee Eaton (project coordinator at the SPNEA Conservation Center to David Rau (Curatorial Assistant at the Currier Gallery of Art), stapled to an Historic Structures Report and project proposal, 1988; “The Society for the Preservation of New England Antiquities Furniture Conservation Center: Contract, Treatment Proposal, Cost Estimate” (5 unattached pages including “Contract Agreement for Conservation Services” between Currier and the Conservation Center of SPNEA for “Collections survey,” “Treatment Proposal” and “Cost Estimate”), 1988; short letter from C.L.E. to David about supplementary information, 1988; short letter from C.L.E. to David about the proposal for the Historic Structure Report, 1988; bound copy of “Proposal to The Currier Gallery of Art for The Zimmerman House, Manchester, New Hampshire” from the Conservation Center of SPNEA, 1988; résumé for William C.S. Remsen (SPNEA), circa 1987; booklet, “Engineering, Consulting, Design” from Landmark Facilities Group, Inc.; résumé for Robert A. Kret (SPNEA), circa 1987; résumé for Anne Andrus Grady (SPNEA), 1987; résumé for Chris Lee Eaton (SPNEA), 1987; stapled packet of information from Structural Technology, Inc. (“wholly owned and operated by Conor M. Power”; worked with SPNEA); résumé for Marc A. Williams, 1988; 3 photocopies of the SPNEA newsletter, Series 45, Summer 1988; Society for the Preservation of New England Antiquities Annual Report 1986; letter from Margaret Burke (Director of Museums at SPNEA) to M.K. about the Zimmerman House proposal, 1988; photocopy of the letter from Margaret Burke (Director of Museums at SPNEA) to M.K. about the Zimmerman House proposal, 1988; short letter from Barbara (at the Currier) to M.K. about accessioning Zimmerman House items, with handwritten response, 1988; paper- clipped photocopy of application for “Historic Conservation Program Conservation Treatments and Storage Application” for SPNEA, 1988- 1989; “NEH Application Cover Sheet” for SPNEA, 1987-1988; Parts 3 and 4 (Table of Contents and Application Narrative, respectively) of an application for SPNEA, 1987-1988; photocopy of descriptions of attractions in Massachusetts, including Gropius House (owned by SPNEA); paper-clipped packet of handwritten notes about SPNEA and the Historic Structures Report; paper-clipped packet, “Phased Museum Development Plan” from SPNEA, 1987-1988; booklet, “Brownstone: An Owner’s Care and Repair Guide” from SPNEA; paper-clipped packet, “Society for the Preservation of New England Antiquities 1994-1996 Long Range Plan,” 1994. o Folder (labeled “Conservation Tilton + Lewis, HSR,” with a piece of paper with handwritten notes stapled to the inside of the folder): booklet, reprint of “Wright Prevails” from Progressive Architecture, November 1987 (about Tilton + Lewis); original memo with fax report attached from M.K. to John Tilton about the Zimmerman House, 1990; stapled packet of handwritten notes, invoices and receipts from/about Tilton + Lewis, 1989, undated; photocopy of letter from David Rau (Curatorial assistant at The Currier Gallery of Art) to John Tilton about Historic Structure Report proposal, 1988; photocopy of letter from David Rau to J.T. about commissioning Tilton + Lewis for the Zimmerman House Historic Structures Report, 1989; letter from J.T. and Tilton + Lewis Associates, Inc., including proposal, 1988; handwritten notes about “Tilton + Lewis Visit, 10/4/88”; cover sheet for enclosed information from several organizations, 1989; letter from Carla Lind to M.K., David Rau, J.T. and Don Kalec including an outline for work on the Historic Structures Report for the Zimmerman House, 1989; folder from Tilton + Lewis with a booklet, “A Prairie Home Interior: Restoring Frank Lloyd Wright’s May House,” reprinted from Interior Design, November 1987 (work done by Tilton + Lewis); handwritten note to David from Don; memo from Tilton + Lewis to D.R. about enclosed materials for review for Historic Structures Report company selection, 1988; folder from Tilton + Lewis containing another copy of the reprint booklet “A Prairie Home Interior,” photocopy of letter from J.T. to D.R. about visit to the Zimmerman House (1988), letter from D.R. to J.T. about upcoming visit by Tilton + Lewis (1988), letter from D.R. to J.T. about upcoming visit (1988), original letter from J.T. to D.R. about visit to the Zimmerman House (1988), letter from J.T. to D.R. including proposal for Historic Structures Report for the Zimmerman House (2 copies, 1988), letter from D.R. to J.T. announcing their selection as the firm to produce the Historic Structures Report for the Zimmerman House (2 copies, 1989), letter from J.T. to D.R. about estimate for work for preparation of the Historic Structures Report for the Zimmerman House (2 copies, 1988), photocopy of letter from D.R. to J.T. about postponing the selection of a firm for the Historic Structures Report (1988), an invoice from Tilton + Lewis (1989), and an invoice from Copy Express for the Historic Structures Report (1989); invoice from The Center of New Hampshire, 1989; letter from D.R. to Carla Lind about Zimmerman House articles, 1989; letter from D.R. to J.T. about Swanburg Construction vs. the Zimmermans trial transcripts, 1989; letter from D.R. to J.T. about interviews with John Geiger, 1989; letter from D.R. to J.T. about correspondence between the Zimmermans and the people at Taliesin, 1989; stapled packet of handwritten notes from “Zimmerman House Meeting, May 17, 1989”; receipt for delivery of package from J.T. to D.R., 1988; paper-clipped packet of items containing handwritten notes (1989) and the Tilton + Lewis proposal (1988); letter from D.R. to Carla Lind about fabric samples from the Zimmerman House, 1989; letter from D.R. to Tilton + Lewis Associates, Inc. about a meeting in Manchester, NH, 1989; photocopy of a letter from Tilton + Lewis Associates, Inc. to D.R. including proposal, revised 1989; paper-clipped packet containing photocopy of a letter from J.T. to D.R. about the schedule (1988) and a photocopy of a letter from J.T. to D.R. about the estimate (1988); stapled packet containing a photocopy of a letter from M.K. to William Wesley Peters about the Taliesin Fellowship and the Zimmerman House (1988) and photocopy of a letter from Charles Montooth at Taliesin to M.K. in response (1988); handwritten notes about SPNEA; 2 photocopies of a letter from David A. Hanks & Associates Inc. to M.K. about restoration architects (one copy is only one page), 1988; “Recommended Format for Historic Structures Reports,” 1988; 2 pages of unattached handwritten notes on legal paper about SPNEA, Tilton + Lewis, and others; handwritten notes about Historic Structures Report; memo from D.R. to M.K. about HSR (Historic Structures Report) Proposals, 1988; memo from D.R. to M.K. about The Zimmerman House HSR (Historic Structures Report); “Recommended Format for Historic Structures Reports,” 1988; photocopy of an invoice from Tilton + Lewis, 1989; short letter from Paige W. Roberts (Curatorial Intern at The Currier Gallery of Art) to J.T. about hygrothermograph charts, 1989; photocopy of a letter from D.R. to J.T. with directions from Logan Airport to Manchester, 1988. o Folder (labeled “Cyress,” [Cypress] with several post-it notes stuck to the inside front cover): handwritten notes about Don Taylor, Honeywell, and others; photos of woodwork in a special plastic sheet, with a card for Don Taylor, Custom Woodworking; 8 pages of undated handwritten notes on small notebook paper, pertaining to repairs on the Zimmerman House; handwritten notes on small notebook paper about lumber, 1990; handwritten notes on small notebook paper about glass and sealant, 1990; handwritten notes on small notebook paper about wood, 1990; photocopy of a receipt from Federal Express for sending a check to Ginger Pencil in Michigan, 1990; fax of handwritten notes about Cypress and Hermsdorf, 1990; photocopy of handwritten notes about Marty Vincent, 1990; stapled packet containing a photocopy of a letter from M.K. to Ginger Pencil of Kline Real Estate in Michigan about an order of cypress (1990), a photocopy of a memo from M.K. to Kathy Jean about purchasing cypress boards from Ginger Pencil (1990), a photocopy of the fax receipt, and a photocopy of the faxed order form of cypress boards (1990); photocopy of handwritten notes about “Wood Z House,” 1990; handwritten notes about “Wood Z House,” 1990; stapled packet containing a photocopy of a letter from M.K. to Ginger Pencil about ordering cypress boards (1990) and the faxed receipt and order form for the cypress boards (1990); fax receipt and fax about advisory services from Don Taylor to R.R., 1990; handwritten notes on graph paper about dimensions; handwritten notes on yellow legal paper about dimensions; handwritten notes on small notebook paper about Tom Gentle and wood; stapled packet of photocopied pages from a publication by the Architectural Woodwork Institute, 1977; stapled packet of photocopied pages about “Standard Specifications for Grades of Southern Cypress,” 1986; photocopy of handwritten note about by R.R. about “Cypress Supplier,” 1994; note from R.R. to Al about cypress, with handwritten notes, 1992; note to Al about unmilled cypress, with handwritten note, 1991; memo from M.K. to Al about the cypress wood, 1991. o Folder (labeled “Gentle, Tom”): letter from Thom Gentle to M.K. about treatment reports for the Zimmerman House woodwork, 1992; “Treatment Record” from Thom Gentle Consultants, 1991; “Treatment Report” from Thom Gentle Consultants, 1991; “List of Materials Used in Conservation Treatment of Zimmerman House Interior Woodwork, Built-In and Freestanding Furniture” by Thom Gentle Consultants; “Waxing Furniture” instructions from Thom Gentle Consultants; “The Routine Cleaning of Furniture Finishes” instructions by Thom Gentle; photocopy of “Guidelines for the Care of Furniture” by Thom Gentle, 1987; letter from M.K. to Thom Gentle about reports on work on the Zimmerman House, 1992; note from R.R. to M.K. about Thom Gentle’s work on the Zimmerman House, with handwritten note in response, 1991; photocopy of letter from M.K. to Thom Gentle about photographs and slides of work on the Zimmerman House, with handwritten notes, 1991; photocopy of letter from M.K. to Thom Gentle about fixing some problems after initial work on the Zimmerman House, 1990. o Folder (labeled “Thom Gentle/Doors Proposal,” with handwritten notes on the outside of the folder and several post-it notes on the inside cover of the folder): a portion of a proposal with handwritten notes; a portion of a list with handwritten notes; portion of a proposal for the Zimmerman House with handwritten notes; portion of a proposal for the Zimmerman House with handwritten notes (different from previous); nearly illegible handwritten notes on a small sheet of paper; portion of a proposal for the Zimmerman House; 2 pages of handwritten notes about the conservation proposal; handwritten notes about the NEA grant, 1996; handwritten notes about labor, 1996; information about publicity for the Zimmerman House; 3 pages (2 are the same) of a portion of a talk about the woodwork at the Zimmerman House, circa 1997; 3 pages on the organizational background (of the Currier Gallery of Art) and details on the proposed project (for the Zimmerman House), in pieces and taped together sheets, all with handwritten notes; 2 copies of the “National Endowment for the Arts, 1996-7 Grant Application, Project Narrative” (one copy is only 2 loose pages, the other is 4 paper-clipped pages), both with handwritten notes; handwritten note from Marilyn Hoffman to Andrew about Zimmerman House exterior doors, stapled to a memo from Valarie to Marilyn (via Andrew) about Zimmerman House exterior doors, 1994; letter from Thom Gentle to M.K. stapled to the “Condition Report and Treatment Proposal,” Thom Gentle’s résumé (2 copies of first page), list of “Architectural Woodwork and Furniture Conservation, Frank Lloyd Wright Projects,” 2 letters from Andrew Ladgo at the Conservation Center of the Society for the Preservation of New England Antiquities to M.K., report on the “Exterior Wood Finishes” for the Zimmerman House, proposal for work on the wood finishes at the Conservation Center, and Andrew Ladygo’s résumé (undated, 1990); brief statement requesting support for the preservation of the Zimmerman House; photocopy of slides with labels (cannot see slides but labels are legible), plus handwritten notes on the back of the page; 7 pages of sections from “The Currier Gallery of Art—Zimmerman House, NEA Heritage and Preservation Grant Application,” including the “Organizational Background,” “Project Narrative,” and “Biographies” (multiple copies of some pages; some with handwritten notes); letter from the National Endowment for the Arts to “the Field” about the reinventing NEA, 1995-1996; photocopy of invoice from Thom Gentle Consultants, 1996; memo from Veronica to Susan Strickler about NEA presentation (with handwritten notes), 1996; fax transmittal from Hetty to Laura about NEA grant application with samples of the application forms, 1996; photocopy of 2-page letter from Thom Gentle Consultants to M.K. about patio door treatments at the Zimmerman House (with handwritten notes), 1989; 2-page memo from Hetty to Andrew about the “Z-House exterior doors” (with handwritten notes), 1995; handwritten notes, circa 1996-1998; 6 photocopied pages of the Currier Gallery of Art’s application for a National Endowment for the Arts grant, 1996; stapled packet of items from Thom Gentle Consultants, including a letter to Valarie Kinkade (Site Administrator for the Zimmerman House) about a recent site visit and 2 treatment proposals with budgets, 1994; handwritten notes about the Zimmerman House; photocopy of “Intent to Apply” card for a grant (NEA?), with handwritten notes on the rest of the page, circa 1996; photocopies of 2 pages from the Currier Gallery of Art’s application for a National Endowment for the Arts grant, 1996-1997; post-it note about wood stuck to a business card for “The Mended Wall” and a photocopy of a card with the mailing address for the National Endowment for the Arts; 2 pages of drawings and handwritten notes on yellow legal paper; memo to Andrew about “NEA Funding for FY 1996-1997”; list of items about application for a grant (NEA?) with handwritten notes; photocopy of handwritten name and contact information for a furniture conservator; faxed draft of “Condition and Proposed Treatment Report: Front Entrance and Dining Loggia, Zimmerman House,” from the American Conservation Consortium, Ltd. to Hetty Startup, 1996; photocopy of “Intent to Apply” card for the National Endowment for the Arts, 1996; 7 pages from “The Currier Gallery of Art—The Zimmerman House, NEA Heritage and Preservation” grant application; 1 page from the Currier’s application for a grant from NEA, 1996. o Folder (labeled “Wood Restoration”): memo from R.R. to M.K. about Thom Gentle and NEA Grant Final Report, 1992; memo from R.R. to M.K. about final restoration reports from Thom Gentle, 1992; paper- clipped packet containing a letter from Tilton + Lewis to R.R. (1992) and a photocopy of the article “The Care and Protection of Wood Finishes” from the Winter 1991 issue of Design Solutions; paper- clipped packet containing a post-it note about shellac stuck to the front of the packet, a photocopy of a handwritten note to M.K. about a grant, photocopy of a memo from Johanna Gurland to M.K. about a grant award (1990), photocopy of a letter from the Amelia Peabody Charitable Fund to M.K. awarding a grant for the Zimmerman House, 1990; photocopy of a letter from M.K. to the Amelia Peabody Charitable Fund about grant money (1990), photocopy of a letter from the Amelia Peabody Charitable Fund about receipt of grant from the Currier (1990), 3 photocopied pages of a letter and proposal for a grant from M.K. to the Amelia Peabody Charitable Fund (1990), memo from M.K. to Johanna about the Peabody grant (1990), and a list of funding needs for the Zimmerman House; photocopy of a letter from Theo Redman Becker to M.K. about Zimmerman House furniture, 1991; photocopy of the article “A Bay Comes Back” from the November/December 1991 issue of Old-House Journal; photocopy of a letter from Andrew Ladygo (Conservation Center of the Society for the Preservation of New England Antiquities) to M.K. about a recent visit, stapled to a proposal for “Exterior Wood Finishes” from SPNEA, a proposal from Thom Gentle, and a memo from M.K. to R.R. about exterior doors, 1989; photocopy of a letter from Thom Gentle Consultants to M.K. about a condition report and treatment proposal, 1990; photocopy of the Condition Report and Treatment Proposal (2 pages, unattached); photocopy of a letter from R.R. to Frank Mazzuchelli at Harvey Construction Company, Inc. about door measurements for the Zimmerman House, 1990; photocopy of a letter from M.K. to Thom Gentle about the door measurements, 1990; “Application Narrative/Conservation Project Support” for grant application (3 cut and pasted pages); letter from Andrew Ladygo (Conservation Center of SPNEA) to M.K. about a recent visit, stapled to a proposal for “Exterior Wood Finishes” from SPNEA and a proposal from Thom Gentle; letter from Thom Gentle Consultants to M.K. about exterior doors (2 pages), 1989; letter from R.R. to Andrew Ladygo (Conservation Center of SPNEA) about exterior woodwork, 1990; photocopy of stapled package containing a letter from Thom Gentle Consultants to M.K. about the condition report and treatment proposal and the Condition Report and Treatment Proposal itself, 1990; photocopy of the Currier Gallery of Art’s application for a grant from the Institute of Museum Services, 1990 Conservation Project (stapled packet), 1990; 4-page letter from Thom Gentle Consultants to Valarie Kinkade (Site Administrator at the Zimmerman House) including two treatment proposals with budgets, 1994; 4 photocopied pages of the Financial Statement Forms from the Currier Gallery of Art’s application for a grant, 1987-1988; 3 copies of Thom Gentle’s résumé (one copy only has 2 pages, the others have 3 pages); stapled packet containing a letter from M.K. to Thom Gentle about the restoration schedule (1990), a letter from T.G. to M.K. about the restoration schedule (1990), and three pages of handwritten notes about T.T. and the restoration schedule (1990); paper-clipped packet containing a memo from Tilton + Lewis to M.K. or R.R. about an article on finishing exterior wood (1991) and a photocopy of the article “Technics: Painting and Finishing Exterior Wood” from Progressive Architecture, December 1991; paper-clipped packet containing “Condition Report and Proposal for Treatment” and “Conservation Treatment Report,” both from Thom Gentle Consultants, 1990; photocopy of a letter from Susan Strickler to Pamela Clapp (Program Director at The Andy Warhol Foundation for the Visual Arts) requesting funds and providing a copy of the budget, 1997. o Folder (labeled “Conservation; Furniture, Interior Woodwork”): stapled packet containing a letter from Marylou Davis (a furniture conservator) to M.K. about furniture conservation for the Zimmerman House (1989), a treatment proposal by Marylou Davis (1989), and a résumé for Marylou Davis. o Folder (labeled “Conservation: Thom Gentle, Interior Wood,” with post-it note stuck to the inside front cover): memo from M.K. to Kathy Jean about Thom Gentle’s “ZH Conservation” stapled to a 2-page list of hours worked and amount charged by Thom Gentle and staff (both are photocopies), 1990; stapled packet containing a photocopied letter from M.K. to T.G. about his restoration work at the Zimmerman House (1990), handwritten notes about T.G.’s bill (1990), a copy of the Purchase Analysis Report for money paid to Thom Gentle Consultants (1990), and a post-it note on the back of the report with a handwritten note from Thom to M.K. (1990); handwritten notes for “Directions to Thom Gentle’s”; photocopy of a letter from M.K. to T.G. about the treatment of the Zimmerman House doors, 1990; paper- clipped packet containing a photocopy of a memo from M.K. to Kathy Jean about the furniture restoration (1990), an invoice from Thom Gentle Consultants (1990), a letter from Thom Gentle Consultants to M.K. about projects and budgets for July 1990 (1990), handwritten notes about schedule, photocopies of handwritten notes about woodwork restoration with more handwritten notes (1990), handwritten notes on a small piece of notebook paper about woodwork restoration costs (1990); information about “Built-In Furniture at the Zimmerman House, stapled to a handwritten note about Thom Gentle; note about a phone message from Thom Gentle stapled to handwritten notes about Thom Gentle; paper-clipped packet containing a photocopy of a fax from Thom Gentle Consultants about “Conservation of Interior Built-In Furniture” (1989) and faxed copy of “Architectural Woodwork and Furniture Conservation Survey of The Zimmerman House Designed by Frank Lloyd Wright” by Thom Gentle Consultants (1989); letter from M.K. to Thom Gentle confirming the acceptance of his proposal, 1989; stapled packet containing a letter from Thom Gentle Consultants to M.K. about his survey of the Zimmerman House and his “Architectural Woodwork and Furniture Conservation Survey” for the Zimmerman House, 1989; letter from Thom Gentle Consultants to M.K. about an upcoming visit, 1989. o Folder (labeled “Carpentry and Carpenters”): photocopy of a letter from Valarie Kinkade (Site Administrator for the Zimmerman House) to Gerard Morin about his talk on working on the construction of the Zimmerman House, 1994; letter from Valarie Kinkade to Gerald (Gerard?) Morin about giving a talk about his experiences working on the construction of the Zimmerman House, 1993; letter from Valarie Kinkade to Gerard Morin about consulting on repairs on the Zimmerman House, 1994. o Folder (labeled “Conservation: Exterior Wood”): letter from Chris Lee Eaton (Architectural Conservator at SPNEA) to M.K. about the Zimmerman House restoration project (has a post-it note stuck to it), 1990; photocopy of a letter from R.R. to Andrew Ladygo (Architectural Conservator at SPNEA) about the restoration of the exterior woodwork, 1990; a clipping about Andrew Ladygo (Architectural Conservator at SPNEA); Andrew Ladygo’s (Architectural Conservator at SPNEA) résumé; memo from Valarie to Marilyn (via Andrew) about Zimmerman House exterior doors (1994), paper-clipped to a handwritten note from Valarie to Andrew about a proposal from Thom Gentle; photocopy of a letter from R.R. to Frank Mazzuchelli (Project Manager for Harvey Construction Company, Inc.) about door measurements for the Zimmerman House, 1990; photocopy of a letter from M.K. to Thom Gentle about the treatment of the Zimmerman House doors, 1990; letter from R.R. to Andrew Ladygo (Architectural Conservator at SPNEA) about the restoration of the exterior woodwork at the Zimmerman House, 1990; photocopy of a letter from M.K. to Pat Weslowski (Conservation Center at SPNEA) about the denial of a grant from the Institute of Museum Studies to restore the exterior woodwork of the Zimmerman House (with handwritten notes), 1990; photocopy of handwritten notes about Institute of Museum Studies grant materials, 1990; a piece of folded brown construction paper labeled “This Year’s IMS” (empty); paper- clipped packet with a post-it reading “Extra Signed Copies” containing 2 copies of page 42 of a grant application (NEA or IMS?) signed by Marilyn Hoffman (former Currier director), 2 copies of page 43 of a grant application (NEA or IMS?) signed by Marilyn Hoffman, and 3 copies of page 61 of a grant application (NEA or IMS?) signed by Marilyn Hoffman; letter from the Institute of Museum Services about the 1990 Conservation Project Support application; handwritten notes about an Institute for Museum Studies grant; clipping of an article entitled “Exterior Painting of Historic Structures,” source unknown; flyer for “Choosing Paint Colors for Older Houses” from the Providence Preservation Society (Providence, Rhode Island).

Book: Frank Lloyd Wright: The Life-Work of the American Architect Frank Lloyd Wright with Contributions by Frank Lloyd Wright, 1925. Signed “To the Zimmermans, Frank Lloyd Wright, Oct. 20/50.” (catalogue?)

Transcripts of the Court Proceedings of Swanburg vs. Zimmermans (“Swanburg

Construction Corporation vs. Lucille Zimmerman, R.N., Isadore Zimmerman, M.D.”), 1952-1956 o Book 1: Defendants Argument and Requests, Volume I o Book 2: Defendants Argument and Request, Volume II o Book 3: Plaintiff’s Argument and Request o Book 4: Testimony of Vincent Swanburg; Isadore and Lucille Zimmerman o Book 5: Direct Examination of Vincent R. Swanburg o Book 6: Direct Examination of Vincent R. Swanburg Cont. o Book 7: Cross-examination of Lucille Zimmerman o Book 8: Witnesses, Volume I o Book 9: Witnesses, Volume II o Book 10: Witnesses, Volume III o Book 11: Deposition of John W. Geiger o Book 12: Conference in Chambers o Book 1: Defendants Argument and Requests, Volume I (second copy; has many handwritten post-it notes) o Book 2: Defendants’ Argument and Request, Volume II (second copy; has many handwritten post-it notes) o Book 3: Plaintiff’s Argument and Request (second copy; has many handwritten post-it notes) o Book 4: Testimony of Vincent Swanburg; Isadore and Lucille Zimmerman (second copy; has many handwritten post-it notes) o Book 5: Direct Examination of Vincent R. Swanburg (second copy; has many handwritten post-it notes) o Book 6: Direct Examination of Vincent R. Swanburg Cont. (second copy; has many handwritten post-it notes) o Book 7: Cross-examination of Lucille Zimmerman (second copy) o Book 8: Witnesses, Volume I (second copy) o Book 9: Witnesses, Volume II (second copy) o Book 10: Witnesses, Volume III (second copy)

o Book 11: Deposition of John W. Geiger (second copy; has many handwritten post-it notes)

o Book 12: Conference in Chambers (second copy)

o Swanburg Construction Corporation vs. Lucille Zimmerman, R.N., Isadore Zimmerman, M.D.: Plaintiff’s Argument and Requests (third copy)

o Swanburg Construction Company vs. I.J. Zimmerman and L. Zimmerman (pages 524-810; letter from Jack B. Middleton at McLane, Graf, Raulerson & Middleton to Kimon S. Zachos, dated 1992, is enclosed)

Photocopies of plans for the Zimmerman House (on shelves in archives):

o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Sheet 1-A: Garden Plan” (2 copies, smaller one has handwritten notes on it)

o “Dr. and Mrs. I.J. Zimmerman Residence, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Landscape Documentation by Richard Sheridan, Landscape Architecture, Inc., 1999”

o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Furniture Arrangement, Sheet 10”

o Hand-drawn map of “underground lawn sprinklers”

o Map of sprinkler system

o Unlabeled floor plan with 4-foot square modules

o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Elevations, Sheet 3-A,” revised 1951

o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Footing Plan, Sheet 1-A,” revised 1951 o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Heating and Plumbing, Sheet No. 9,” revised 1951

o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Roof Framing Plan, Sheet 5-A,” revised 1951

o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Sections, Sheet No. 4,” revised 1951

o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Elevations, Sheet 3-A,” revised 1951

o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “General Plan, Sheet 2-A,” revised 1951

o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Sheet 1-A, Garden Plan”

o Original blueprint, “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Heating and Plumbing, Sheet No. 9,” revised 1951

o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Sheet 1-A, Garden Plan” (2 copies)

o “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” plan, “Heating and Plumbing, Sheet No. 9,” revised 1951

Original plans from Tilton + Lewis (on shelves in archives)

 “R-1, Isadore Zimmerman House Restoration, Plan and Details—Roof,” 1989

 “A-1, Isadore Zimmerman House Restoration, Plan—Restoration,” 1989- 1990

 “A-2, Isadore Zimmerman House Restoration, Elevations—Restoration, 1989-1991

 “Currier Art Gallery’s Zimmerman House, Elevations,” 1989 Box 56 (Princeton file) labeled “Other Frank Lloyd Wright Buildings” and “Frank Lloyd Wright Exhibitions”:

 Historic Preservation (published by the National Trust for Historic Preservation), volume 21, no. 4, October-December 1969; contains an article entitled “Rochester, New York” that mentions the Edward E. Boynton House designed by Frank Lloyd Wright. Includes a photo.

 Reflections (published by The Manchester Historic Association), vol. II, no. 1, Winter 1985; contains an article entitled “The Works of Frank Lloyd Wright in Manchester, New Hampshire.” Includes photos.

 Sixty Years of Living Architecture: The Work of Frank Lloyd Wright (catalogue of the exhibition of his work), circa 1954. Includes photos and drawings.

 Marin County Civic Center (discusses the architecture of and future plans for the Marin County Civic Center, designed by Frank Lloyd Wright and built by Taliesin Associates after his death in 1959), circa 1962. Includes photos and drawings.

 The Christian Science Monitor, March 30, 1990; contains an article entitled “Just Don’t Look Under the Floor” about the restoration of the Zimmerman House and a listing of “Frank Lloyd Wright Sites Open to the Public.” Includes photos.

 Pamphlet from Sotheby’s about the Frank Lloyd Wright-designed Jacobs II house in Middleton, Wisconsin that was for sale, with history and information about the house and the surrounding area, 1986. Includes photos.

 Pamphlet, “The Non-Residential Architecture of Frank Lloyd Wright,” about the exhibition of the same name circulated by the Department of Architecture, Cornell University. Includes photos and drawings.

 Pamphlet, “Three Buildings by Frank Lloyd Wright: American Spirit Alive in Japan,” about the exhibit at the National Building Museum, 1997. Includes photos.

 Pamphlet, “Frank Lloyd Wright’s Fallingwater,” including a history of the house, photos, and information about tours.

 Booklet, “The Ennis-Brown House,” including a history of the house, photos and drawings, 1988. Also, there is a pamphlet entitled “Frank Lloyd Wright: Ennis-Brown House” (with a brief history, information about tours, and photos) and a sheet to mail in for more information about the Ennis-Brown House tucked into the booklet.

 Pamphlet, “Frank Lloyd Wright: Taliesin, Spring Green, Wisconsin,” 1994. Includes a brief history, photos, and information about tours.

 Booklet, “An Invitation to Visit an American Synagogue Designed by Frank Lloyd Wright,” including a brief history, photos and description of the symbolism of the architecture. Also includes a postcard with a photo of the synagogue tucked inside the booklet (circa 1960s).

 Booklet, “Working with an Architect: The Littles and Frank Lloyd Wright,” including a brief history, photos, drawings and a description of the house, 1989. 2 copies.

 The Price Tower: Architect: Frank Lloyd Wright, including a history of the building, photos, and notes on Frank Lloyd Wright, circa 1980s-1990s. Includes a pamphlet entitled “The Price Tower: Architect: Frank Lloyd Wright” with drawings and photos (circa 1960s) and a large pamphlet entitled “The Price Tower: For Sale” (circa 1980s-1990s).

 Frank Lloyd Wright’s Fallingwater, including a brief history of the house, photos, and descriptions of the rooms, 1988. 2 copies.

 Pamphlet, “Frank Lloyd Wright and Madison: Eight Decades of Artistic and Social Interaction,” to accompany the exhibit of the same name at the Elvejhem Museum of Art, University of Wisconsin—Madison, 1988. Includes brief histories of various Frank Lloyd Wright buildings, photos, and drawings. Also there is a small advertisement for a book entitled Frank Lloyd Wright and Madison: Eight Decades of Artistic and Social Interaction tucked into the pamphlet.

 Pamphlet, “Pope-Leighey House: A National Trust Historic Site,” including information about visiting and a photo.

 Monona Terrace Convention Center, including history and description of the convention center (center was not completed at time of publication but projected to be completed by 1997), photos and drawings, 1995.

 Booklet, “Kentuck Knob: Frank Lloyd Wright, Architect,” including history and description of the house and photos.

 Wingspread, including a history of the house and the Johnson family, drawings, photos, and descriptions of the rooms, 1997.

 The Meeting House: First Unitarian Society, Madison, Wisconsin, including a history of the congregation and the building, drawings and photos, 1991. Also there is a pamphlet entitled “The Unitarian Meeting House” with a brief history and description of the meeting house, photos and drawings (circa 1990) tucked into the book.

 Frank Lloyd Wright and Wichita: The First Usonian Design, including the history and descriptions of the house, photos and drawings, 2005 (reprinted from a 1992 edition). Also there is a letter from the Wichita- Sedgwick County Historical Museum about the book, 2005 (tucked inside).

 Preserving Wright’s Heritage: Third Annual Symposium March 24-27, 1988. Booklet for the “symposium and festival honoring the architectural heritage of Frank Lloyd Wright and the preservation of his homes, buildings, and decorative designs,” sponsored by Domino’s Pizza, Inc. Includes schedule, general information, and information about the keynote speaker.

 Wright in Wisconsin: Newsletter of Frank Lloyd Wright Wisconsin, Volume 14 Issue 3, September 2008.

 The Frank Lloyd Wright Building Conservancy Annual Conference: Preserving Wright at the Edge of the Prairie. Booklet published for the conference, including the conference schedule, registration information, conservancy membership information, and travel and accommodations information, 1997.

 Booklet, “Realizations of Usonia: Frank Lloyd Wright in Westchester,” to accompany the exhibit of the same name at the Hudson River Museum, 1985. Includes a brief history of Usonia Homes (a cooperative community in Pleasantville, New York), drawings and photos.

 Fold-out poster, “The Decorative Designs of Frank Lloyd Wright,” for the exhibit of the same name at the Grey Art Gallery and Study Center at New York University, 1978. Poster includes a reproduction of the Frank Lloyd Wright work “Drawing for Francis W. Little House: Billiard Room Furniture.”

 Pamphlet, “Frank Lloyd Wright, Architect,” for the exhibit of the same name at the Museum of Modern Art, New York, 1994. Includes a brief history of Frank Lloyd Wright’s life and work, drawings, photos, and visitor information. 2 copies.

 Booklet, “The Decorative Designs of Frank Lloyd Wright,” for the exhibit of the same name at Renwick Gallery of the National Collection of the Fine Arts, Smithsonian Institution, Washington, D.C.; the Grey Art Gallery and Study Center, New York University; and the David and Alfred Smart Gallery, The University of Chicago, 1978-1979. Includes a brief history of Frank Lloyd Wright’s life, a longer history of his career, drawings and photographs.

 Booklet, “Frank Lloyd Wright at the Metropolitan Museum of Art,” The Metropolitan Museum of Art Bulletin, Fall 1982 (entire bulletin focuses on Frank Lloyd Wright). Includes a history of Frank Lloyd Wright’s life and work, essays (including one about Frank Lloyd Wright and Japanese prints), drawings and photographs.

 Booklet, “Frank Lloyd Wright at the Metropolitan Museum of Art.” Reprint of previous item (third printing), 1998.

 Pamphlet, “Frank Lloyd Wright: Designs for An American Landscape, 1922-1932,” for the exhibition of the same name, 1996-1997. Pamphlet includes a brief history of Frank Lloyd Wright’s life and work, drawings and photographs.

 Booklet, Frank Lloyd Wright: 1867-1967, an exhibition of drawings by Frank Lloyd Wright at the Ripon College Art Gallery, Ripon, Wisconsin, 1967

Box 57 (Princeton file) labeled “Zimmerman House Featured or Mentioned in Various Publications”:

 House and Home, September 1956

 House and Home, April 1956

 House Beautiful, October 1959 (2 copies; features an article that quotes Lucille Zimmerman)

 House Beautiful, November 1955 (entire issue is dedicated to Frank Lloyd Wright)

Box 58 (cardboard Princeton file) labeled “Zimmerman House Featured or Mentioned in Various Publications”:

 Modernism Magazine, Spring 2005; contains the article “A Work of Kindred Spirits: Frank Lloyd Wright’s Zimmerman House,” by Kurt J. Sundstrom and Hetty Startup (a curator at the Currier Museum of Art and the Zimmerman House Site Administrator, respectively), pages 84-91. 2 copies.  Pamphlet, “The Craftsman Table: Dining Rooms by Greene & Greene, Gustav Stickley, and Frank Lloyd Wright,” an exhibition at the Hirschl and Adler Galleries, New York City, 1992. Includes photographs of furniture designed by Frank Lloyd Wright.

 Arts Around Boston, Spring 2000; contains the article “A Treasure North of Boston: Zimmerman House: The Frank Lloyd Wright Home is Restored to Original Specifications.” Includes a brief history of the Zimmerman House, photos and visitor information.

 Yankee Magazine, June 2002; contains the article “Exporting New England Style,” about Yale architecture professor Vincent Scully and includes photos of the Zimmerman House. Other Vincent Scully material in the collection.

 Progressive Architecture reprint, November 1987; reprint of four articles: “Wright Prevails,” “The Selling of Frank Lloyd Wright,” “The First of its Kind,” and “Redone Wright,” 1987-1988. “Wright Prevails” includes discussion of the restoration of the Meyer May House by Carla Lind and Tilton + Lewis, who restored the Zimmerman House.

 New Hampshire Seasons Magazine, Fall 2001; contains the article “The Design World of Frank Lloyd Wright,” including discussion of the architecture of the Zimmerman House, photos and visitor information.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 13, Issue 1, Summer 2003; contains the article “Reviving a Garden: The Isadore J. and Lucille Zimmerman House,” discussing the restoration of the Zimmerman House garden, designed by Frank Lloyd Wright; includes photos.

Box 59 (cardboard Princeton file) labeled “Frank Lloyd Wright Quarterly, Home and Studio Newsletters, Wright Angles”

 Frank Lloyd Wright Quarterly, “A Classic Usonian!” “One of a Kind School,” “The Year of Wright,” Vol. 1 No. 1, Spring 1990 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains the article “A Usonian Classic: Wright’s Zimmerman House Opens to the Public this Fall,” which includes discussion of the architecture of the house and its history, photos and visitor information.

 Frank Lloyd Wright Quarterly, “Frank Lloyd Wright and Hollywood,” “Voters Approve Monona Terrace,” “New Wright Gallery,” Vol. 4 No. 1, Winter 1993 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “The Shared Vision of Frank Lloyd Wright and George Mann Niedecken,” “Desert Dwellings,” “New Home for Pope-Leighey House,” Vol. 6 No. 4, Fall 1995 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Architecture and Music,” Vol. 9 No. 2, Spring 1998 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Living Architecture…Alive in Pittsburgh,” Vol. 10 No. 2, Spring 1999 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Frank Lloyd Wright in Arizona,” Vol. 10 No. 4, Fall 1999 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Florida Southern College: A Child of the Sun,” Vol. 12 No. 3, Summer 2001 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “A Focus on Taliesin,” Vol. 14 No. 3, Summer 2003 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, Vol. 15 No. 1, Winter 2004 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Shaping the Spirit,” Vol. 17 No. 4, Fall 2006 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Magnificently Wright,” “Frank Lloyd Wright Away From Home,” “New Wright Books,” Vol. 5 No. 3, Summer 1994 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 The Frank Lloyd Wright Foundation 1996 Annual Report, 1997.

 The Frank Lloyd Wright Foundation 1997 Annual Report, 1998.

 The Frank Lloyd Wright Foundation 1999 Annual Report, 2000.

 The Frank Lloyd Wright School of Architecture: An Overview 1990-1991. Contains information about the Frank Lloyd Wright School of Architecture, including the history of the school, the learning program, and academic credit and evaluation information.

 Wright Angles: Newsletter of the Frank Lloyd Wright Home and Studio Foundation, Vol. 17 No. 3, Summer 1991.

 Wright Angles: Newsletter of the Frank Lloyd Wright Home and Studio Foundation, Vol. 17 No. 4, Fall 1991.

 Wright Angles: Newsletter of the Frank Lloyd Wright Home and Studio Foundation, Vol. 18 No. 2, Spring 1992.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Revisiting the Restoration,” “Excursion to Michigan,” “Distinguished Illinois Preservationist Named,” Volume 20 Number 2, May/June/July 1994.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Junior Programs at the Home & Studio,” “Excursion to California,” “Elizabeth Wright Ingraham Lecture,” Volume 20 Number 4, November/December/January 1994/1995.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Special Annual Report Issue,” “Annual Meeting Invitation,” “Calendar of Events,” Volume 21 Number 1, February/March/April 1995. Note: the Frank Lloyd Wright Home and Studio Foundation 1994 Annual Report is a separate booklet folded into the newsletter.  Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Robie House Announcement,” “Museum Accreditation,” “Architectural Workshops,” Volume 21 Number 2, May/June/July 1995.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Exotic Objects From the East,” “Robie House Update,” “Gala Benefit,” Volume 21 Number 3, August/September/October 1995.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Wright’s Wasmuth Portfolio,” “Wright Plus Announcements,” “Paul Goldberger Lecture,” Volume 22 Number 1, February/March/April 1996.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Wright’s Tomek House,” “Exclusive Members’ Tour,” Volume 22 Number 2, May/June/July 1996.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Frank Lloyd Wright’s Fifty Views of Japan,” “Summer Lunchtime Lectures,” “Photography Workshop,” Volume 22 Number 3, August/September/October 1996.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Ernst Wasmuth Presentation,” “Holiday Events,” Volume 22 Number 4, November/December/January 1996/1997.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Annual Report 1996,” Volume 23 Number 1, February/March/April 1997.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Special Centennial Issue,” “Centennial Activities,” “Annual Meeting,” “Walter Burley Griffin Lecture,” Volume 24 Number 1, February/March/April 1998.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Frank Lloyd Wright’s Modernism,” “Art Glass Conservation at Robie,” “Studio Centennial Symposium,” Volume 24 Number 3, August/September/October 1998.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Special Issue Annual Report,” Volume 24 Number 4, November/December/January 1998/99.  Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “A 25-year Legacy,” “Loop Summertime Lectures,” “Foundation News,” Volume 25 Number 2, May/June/July 1999; includes information about an upcoming trip to visit the Kalil and Zimmerman Houses.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Rethinking the Importance of the Robie House,” “New Hyde Park Lecture Series,” “Recreation of the Boulders,” Volume 25 Number 3, August/September/October 1999.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Special Issue 1999 Annual Report,” Volume 25 Number 4, November/December/January 1999/2000.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “An Interview with Eric Lloyd Wright,” “Foundation News,” “Members Survey,” Volume 26 Number 1, February/March/April 2000.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Artist Carol Bishop on the Romantic Wright,” “Foundation News: Foundation Announces New Name,” “Public Programs,” “Wright Plus Research Sets the Record Straight,” Volume 26 Number 2, May/June/July 2000. Includes information about the change of the name from the Frank Lloyd Wright Home and Studio Foundation to The Frank Lloyd Wright Preservation Trust.

 Wright Angles: The Newsletter of the Frank Lloyd Wright Home and Studio Foundation, “Recreating Wright’s Working Environment,” “The Inside Story of the Foundation’s New Name,” “Public Programs,” “New Logo Preview,” Volume 26 Number 3, August/September/October 2000. Includes detailed information on the name change from the Frank Lloyd Wright Home and Studio Foundation to The Frank Lloyd Wright Preservation Trust.

 Wright Angles: Publication of the Frank Lloyd Wright Preservation Trust, “Prairie Landscapes,” Volume 28 Number 3, August/September/October 2002.

 Wright Angles: Publication of the Frank Lloyd Wright Preservation Trust, “Prairie Murals,” Volume 29 Number 3, August/September/October 2003 (published by The Frank Lloyd Wright Preservation Trust).  Wright Angles: Publication of the Frank Lloyd Wright Preservation Trust, “Wright’s Urn,” Volume 29 Number 4, November/December 2003/January 2004.

Frank Lloyd Wright Quarterly Box File

 Frank Lloyd Wright Quarterly, “Wright’s Japanese Treasures,” “Monona Terrace Revisited,” “Dana-Thomas House Restoration,” Vol. 1 No. 3, Autumn 1990 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); includes a brief report about the opening of the Zimmerman House to the public and visitor information about the Zimmerman House.

 Photocopy of the article “The Magic of Wright,” by Robert Campbell, from Frank Lloyd Wright Quarterly, Vol. 3 No. 2, Spring 1992 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); the article mentions the Zimmerman House.

 Frank Lloyd Wright Quarterly, “A Visit to Taliesin, Exploring Wright sites in the Midwest,” “Earthquake Damage in California,” Vol. 5 No. 2, Spring 1994 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman house.

 Frank Lloyd Wright Quarterly, “Fabyan Villa,” “Life at Riverbank,” “Frank Lloyd Wright’s San Francisco office,” Vol. 6 No. 1, Winter 1995 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Frank Lloyd Wright and Japan,” “A Hidden Legacy,” “Wright, the Collector,” Vol. 6 No. 2, Spring 1995 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.  Frank Lloyd Wright Quarterly, “Monona Terrace,” “Taliesin: Work of a Lifetime,” “Wright Drawings on CD-ROM,” Vol. 6, No. 3, Summer 1995 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains a brief announcement about Hetty Startup being appointed to site administrator for the Zimmerman House and visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “The Shared Vision of Frank Lloyd Wright and George Mann Niedecken,” “Desert Dwellings,” “New Home for Pope-Leighy House,” Vol. 6 No. 4, Fall 1995 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House (second copy).

 Frank Lloyd Wright Quarterly, “A Classic Sense of Order,” “Picknicking with Frank Lloyd Wright,” “Preserving a Treasure,” Vol. 7 No. 1, Winter 1996 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House, 2 copies.

 Frank Lloyd Wright Quarterly, “Frank Lloyd Wright in Manhattan,” “Exploring Wright Sites in the East,” “New Life for Waller Apartments,” Vol. 7 No. 2, Spring 1996 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); includes the article “Exploring Wright Sites in the East,” which has a brief history and description of the Zimmerman house, and visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Designs for an American Landscape,” “Conserving Wright Drawings,” “The Architecture of Canoeing,” Vol. 7 No. 3, Summer 1996 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House and information about the Zimmerman House Twilight Tour (under the “Calendar of Events” section).

 Frank Lloyd Wright Quarterly, “Skyview: A Turbulent Past,” “Living in All the Wright Places,” “Ken Burns Produces Wright Documentary,” Vol. 7 No. 4, Fall 1996 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Divine Architecture,” “No Passing Fancy,” “Putting a Masterpiece Back Together,” Vol. 8 No. 1, Winter 1997 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.  Frank Lloyd Wright Quarterly, Commemorative Issue, “Frank Lloyd Wright and Wisconsin: 100 Years of Built Architecture,” “Romeo and Juliet Windmill Celebrates a Century, 1897-1997,” “Monona Terrace Grand Opening,” Vol. 8 No. 3, Summer 1997 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Architecture and Light,” Vol. 9 No. 3, Summer 1998 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, Frank Lloyd Wright and the Sea,” Vol. 10 No. 1, Winter 1999 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, Vol. 11 No. 1, Winter 2000 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Remembering Frank Lloyd Wright,” Vol. 11 No. 2, Spring 2000 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Wright’s Organic Architecture,” Vol. 12 No. 1, Winter 2001 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Hillside: Where the Past and Future Meet,” Vol. 12 No. 2, Spring 2001 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Frank Lloyd Wright and the Regionalists,” Vol. 14 No. 1, Winter 2003 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains information about the book Frank Lloyd Wright: Usonian Houses, which may or may not discuss the Zimmerman House (considered by Frank Lloyd Wright to be “a classic Usonian”); also contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Frank Lloyd Wright: The Vertical Dimension,” Vol. 15 No. 3, Summer 2004 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

 Frank Lloyd Wright Quarterly, “Frank Lloyd Wright’s Encounter with the Arizona Desert,” Vol. 16 No. 1, Winter 2005 (published by The Frank Lloyd Wright Foundation as a replacement for The Friends of Taliesin); contains visitor information about the Zimmerman House.

Box 60 (cardboard Princeton file) labeled “Frank Lloyd Wright Building Conservancy Bulletins”

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Vol. 1 Issue 4, March 1991. (Duplicate copies in Binder 7.)

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 2 Issue 2, December 1991; the article “What is an Historic Structures Report?” mentions that the Zimmerman House has been the subject of an Historic Structures Report; the article “Exterior Wood Treatment” mentions that Thom Gentle has done exterior wood conservation on the Zimmerman House. (Duplicate copies in Binder 7.)

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 2 Issue 5, September 1992; the article “Conservancy Promotes Regional Activities” mentions the Conservancy Conference to be hosted by the Zimmerman House and the Currier Gallery of Art. (Duplicate copies in Binder 7).

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 8 Issue 9, Winter 1998-99; the section “Wright Events” provides information about Zimmerman House volunteer training and public tours of the Zimmerman House; the section “At the Properties” discusses the restoration of the roof of the Zimmerman House.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 8 Issue 2, Spring 1999; the section “Wright Events” provides information about “Twilight Tours” at the Zimmerman House; the section “At the Properties” discusses the Zimmerman House.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 8 Issue 3, Summer 1999; the section “Wright Events” provides information about “Twilight Tours” at the Zimmerman House.  Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 8 Issue 4, Fall 1999.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 10 Issue 1, Winter 2000.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 10 Issue 2, Spring 2000.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 10 Issue 4, Winter 2001.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 11 Issue 2, Fall 2001; the section “From the Conservancy” discusses Hetty Startup’s career as the Zimmerman House Site Administrator; the section “At the Properties” mentions that the Zimmerman House was given special recognition by the Manchester Historic Association and Yankee Magazine.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 12 Issue 2, Summer 2002; the section “Wright Spirit Awards Nominations” mentions The Currier Museum of Art as a past recipient; the section “Wright Events” provides information about “Twilight Tours” at the Zimmerman House; 9 copies.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 12 Issue 3, Fall 2002; the article “Singing to Keep Warm: the Preservation of the Baird House” (in the section “Homeowners Forum”) is written by Hetty Startup (former Site Administrator for the Zimmerman House) and mentions the Zimmerman House; 9 copies.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 12 Issue 4, Spring 2003; the article “Viewing Wright’s New York Work” is written by Hetty Startup (former Site Administrator for the Zimmerman House) and mentions the Zimmerman House; 9 copies.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 13 Issue 1, Summer 2003; the section “Wright Spirit Awards Nominations mentions The Currier Museum of Art as a past recipient; the section “Wrightscapes” includes the article “Reviving a Garden: The Isadore J. and Lucille Zimmerman House,” about the Zimmerman House Garden Restoration Project; 6 copies.

 The Frank Lloyd Wright Building Conservancy: The 2003 Silent Auction. Listings and descriptions of the items in the 2003 Silent Auction held to raise funds for The Frank Lloyd Wright Building Conservancy.  Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 14 Issue 1, Spring 2004.

Box 61 (brown Princeton file) labeled “Taliesin Fellowship Journal”

 Journal of the Taliesin Fellows, Issue 1, Spring 1990; the section “Updates” discusses the Zimmerman House restoration. Includes introductory letter from the editor.

 Journal of the Taliesin Fellows, Issue 6, Spring 1992; the article “Morton Delson and The Kalil House” discusses both the Zimmerman House and the Kalil house in Manchester and was written by Michael Komanecky (former curator at the Currier Museum of Art who oversaw the Zimmerman House restoration); 2 copies.

 Journal of the Taliesin Fellows, “Eight Architects, Eight Projects,” Issue 15, Fall 1994. Includes an insert labeled “Issue 16, Winter 1994” that includes a “Taliesin Fellow Biographical Questionnaire.”

 Journal of the Taliesin Fellows, “Luster and Serenity,” Issue 17, Spring 1995.

 Journal of the Taliesin Fellows, “A Tribute,” Issue 18, Summer 1995.

 Journal of the Taliesin Fellows, “The Yahara Boat Club,” Issue 20, Winter 1996.

 Journal of the Taliesin Fellows, “Wright and Rand,” “All-Steel Houses for California,” Issue 21, Spring 1997; in the “Donors 1996” list, the Currier Gallery of Art is listed under “Contributors—$50-99.”

 Journal of the Taliesin Fellows, “The Work of Robert Beharka,” “Grant Manson: Remembrances,” Issue 22, Summer 1997.

 Journal of the Taliesin Fellows, “John Henry Howe: The Consummate Apprentice,” Issue 23, Summer 1998; in the “Donors 1997” list, the Currier Gallery of Art is listed under “Contributors—$50-99.”

 Journal of the Taliesin Fellows, “The Work of Don Erickson,” Issue 24, Spring 1999; in the “Donors 1998” list, the Currier Gallery of Art is listed under “Contributors—$50-99.”

 Journal of the Taliesin Fellows, Issue 2, Fall 1990; contains the article “Architect, Apprentice, Client: Realizing Wright’s Usonian Design for the Zimmermans,” by Michael Komanecky (former curator at the Currier Museum of Art who oversaw the Zimmerman House restoration), which includes photos and discussion of the roles played by Frank Lloyd Wright (architect), John Geiger (apprentice), and the Zimmermans (clients).

 Taliesin: The New Frontier: Broadacre City, Taliesin Fellowship Publication, Vol. 1 No. 1, October 1940; Frank Lloyd Wright, Editor.

 Friends of Taliesin, Vol. 5 No. 2, May 1989.

 Taliesin Fellows Newsletter, Number 1, October 5, 2000.

 The Legacy of Frank Lloyd Wright, a special publication by Chrysler- Plymouth, House Beautiful, and The Frank Lloyd Wright Foundation for the exhibition “A Lasting Vision: The Legacy of Frank Lloyd Wright”; undated. The section “Wright Houses You Can Visit” mentions the Zimmerman House.

 A Classic Usonian! The Zimmermans’ Gift to the Currier Gallery of Art, the guide to the exhibit “A Classic Usonian! Frank Lloyd Wright’s 1950 House for Isadore J. and Lucille Zimmerman” at The Currier Gallery of Art, 1990. 7 copies.

Binder 7 labeled “Frank Lloyd Wright Building Conservancy Quarterly Newsletter”

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Vol. 1 Issue 1, June 1990.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Vol. 1 Issue 2, September 1990. 2 copies.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Vol. 1 Issue 3, December 1990; the article “The Currier Gallery of Art Opens Zimmerman House” discusses the history and restoration of the Zimmerman House and includes photographs. 2 copies.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Vol. 1 Issue 4, March 1991. 2 copies.  Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 1 Issue 5, June 1991; the article “Conservancy Conference Attacks Issues” mentions Michael Komanecky’s (former curator at the Currier Gallery of Art who was in charge of the Zimmerman House restoration) talk about real estate disposition and that the conference for 1992 will be hosted by the Currier Gallery of Art and the Zimmerman House.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 2 Issue 1, September 1991; page 6 has a “Save the Date” notice about the next annual meeting of the Frank Lloyd Wright Building Conservancy being held at the Zimmerman House in September of 1992.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 2 Issue 3, March 1992; the section “Save the Dates” mentions that the 1992 Conservancy Conference will be held in Manchester, NH (at the Zimmerman House and the Currier Gallery of Art).

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 2 Issue 4, June 1992; the section “Wright Notes” includes information about the 1992 Conservancy Conference to be hosted by the Zimmerman House and the Currier Gallery of Art.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 2 Issue 6, December 1992; the article “‘Wright Spirit’ Awards Highlight New Hampshire Conference” discusses the 1992 Conservancy Conference hosted by the Zimmerman House and the Currier Gallery of Art; the article “The Northwest Chapter’s Tracy House Tour: Community Building and Public Education” mentions the Zimmerman House. 4 copies.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 2 Issue 9, September 1993; the article “Building Maintenance: Usonian Colored Concrete Mat” mentions the Zimmerman House and its Historic Structure Report.  Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 3 Issue 2, Spring 1994.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 3 Issue 3, Summer 1994; the article “Pleasantville Bus Tours Highlight New York Mini-Conference” mentions that an entire bus of Zimmerman House docents took part in the tours.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 3 Issue 4, Winter 1995. 2 copies.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 4 Issue 1, Spring 1995; the article “Review of two new CD-ROMs on Frank Lloyd Wright” mentions the Zimmerman House; page 10 (under “New Currier Administrator”) mentions that “Hetty Startup has been named Site Administrator for the Currier Gallery of Art’s Zimmerman House.”

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 4 Issue 2, Summer 1995. 2 copies.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 4 Issue 3, Fall 1995.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 4 Issue 4, Winter 1996.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 5 Issue 1, Spring 1996; the section “Frank Lloyd Wright Building Conservancy Annual Report” mentions that The Currier Gallery of Art and Zimmerman House donated to the silent auction; the section “Wright Sites Updates from Across the Nation” mentions that The Currier Gallery of Art is reopening the Zimmerman House to the public after extensive renovations.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 5 Issue 3, Autumn 1996.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 5 Issue 4, Winter 1996; the section “At the Properties” discusses renovations on the Zimmerman House.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 6 Issue 1, Spring 1997.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 6 Issue 2, Summer 1997; the article “The Frank Lloyd Wright Building Conservancy Annual Conference: ‘Preserving Wright on the Edge of the Prairie,’” contains a photo of the Zimmerman House with mention of a private Zimmerman House tour available for bid at the silent auction at the conference.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 6 Issue 3, Fall 1997.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 7 Issue 1, February 1998.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 7 Issue 2, Spring 1998.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 7 Issue 3, Summer 1998; the article “A Case Study of the Stuart Richardson House (Glen Ridge, NJ, 1941)” mentions the Zimmerman House in an example of restoring the radiant heating system.

 Bulletin: The Quarterly Newsletter of the Frank Lloyd Wright Building Conservancy, Volume 7 Issue 4, Fall 1998; in the section “Contributions Received in 1997,” the Currier Gallery of Art/Zimmerman House is listed under “$99 and below.”

Architectural Drawing Storage Cabinet, Drawer 1 (top drawer)

 Bound booklet, unlabeled, containing photocopies of various items related to the Zimmermans and the Zimmerman House. Includes correspondence between the Zimmermans, Frank Lloyd Wright, Eugene Masselink (secretary to Frank Lloyd Wright), John Geiger, the Swigart Paper Company, Corning Glass Works, Hermsdorf Mfg. Co. Inc.; the architectural design contract; a photocopy of a reprint of the article “The Amoskeag Millyard” from the Harvard Alumni Bulletin, 1968; a photocopy of the exhibition booklet for “Amoskeag: A Way of Life.”

 Rolled-up plans, labeled “Complete Set of Z-House plans, Gift of Manchester Building and Planning Office” [has been moved to the archives]; stapled set contains “Plot Plan, Sheet No. 1,” “General Plan, Sheet No. 2,” “Elevations, Sheet No. 3,” “Sections, Sheet No. 4,” “Roof Framing, Sheet No. 5,” “Workspace Details, Sheet No. 6,” “Millwork, Sheet No. 7,” “Reflected Ceiling Plan, Sheet No. 8,” Heating and Plumbing, Sheet No. 9”; all are labeled “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect.”  Rolled-up photocopy of “A Detail Topographic Plan of Lots #40 and #41, Pinecrest, Union Street and Heather and Street, Manchester, NH, for Dr. I.J. Zimmerman, Aug. 1949.”

 Medium flat file labeled “Original Presentation Drawings,” containing: 2 small prints/drawings of the Zimmerman House floor plan, each with different areas highlighted lightly in yellow; medium print/drawing of the Zimmerman House floor plan and exterior view from four different sides; a color print/drawing of the exterior of the Zimmerman House, labeled “View from Heather Street.” The last two are labeled “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect.”

 Large flat file labeled “Plans, Nov. 11, 1951,” containing: 3 copies of the floor plan labeled “Workspace Details, Sheet 6-B” and “Revised Nov. 1 1951” (each with slightly different notes and markings about changes to the plans). All are labeled “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect.”

 Large flat file labeled “Plans, June 2, 1951,” containing: blueprint labeled “Plot Plan, Sheet No. 1”; blueprint labeled “Footing Plan, Sheet 1-A”; print/drawing labeled “Footing Plan, Sheet 1-A”; blueprint labeled “General Plan, Sheet No. 2”; blueprint labeled “Elevations, Sheet No. 3”; blueprint labeled “Sections, Sheet No. 4”; blueprint labeled “Roof Framing, Sheet No. 5”; blueprint labeled “Workspace Details, Sheet 6”; blueprint labeled “Millwork, Sheet No. 7”; blueprint labeled “Reflected Ceiling Plan, Sheet No. 8”; blueprint labeled “Heating and Plumbing, Sheet No. 9.” All are labeled “Revised June 2, 1951” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect.”

 Large flat file labeled “Plans, June 11, 1951 Plus July 12 Revisions,” containing: print/drawing labeled “General Plan, Sheet 2-A” and “Revised June 11, 1951”; print/drawing labeled “Millwork Details, Sheet 7-A” and “Revised June 11, 1951”; print/drawing labeled “Millwork Details, Sheet 7- A” and “Revised July 12, 1951”; print/drawing labeled “Millwork Details, Sheet 7-A” and “Revised July 12, 1951” (different notes and markings than previous print/drawing); print/drawing labeled “Workspace Details, Sheet 6- B” and “Revised Nov. 1, 1951”; print/drawing labeled “Sheet 1-A, Garden Plan”; print/drawing labeled “Elevations, Sheet 3-A” and “Revised June 11, 1951”; print/drawing labeled “Roof Framing Plan, Sheet 5-A” and “Revised June 11, 1951”; print/drawing labeled “Workspace and Baths, Sheet 6-A” and “Revised July 12, 1951”; print/drawing labeled “Millwork Details, Sheet 7-B” and “Revised June 11, 1951”; print/drawing labeled “Reflected Ceiling Plan, Sheet 8-A” and “Revised June 11, 1951”; print/drawing labeled “General Plan, Sheet 2-A” and “Revised June 11, 1951”; print/drawing labeled “Roof Framing Plan, Sheet 5-A” and “Revised June 11, 1951”; print/drawing labeled “Workspace and [Baths], Sheet 6-A” and Revised June 11, [1951]” (right corner is torn off); print/drawing labeled “Reflected Ceiling Plan, Sheet 8-A” and “Revised June 11, 1951.” All are labeled “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect.”

Architectural Drawing Storage Cabinet, Drawer 2 (second from top)

 Medium flat file labeled “Cabinet Work—Geiger,” containing: print/drawing labeled “Storage Trays, Sheet No. 15”; print/drawing labeled “Radio & Storage Cabinets in Entrance Gallery, Sheet No. 12”; print/drawing labeled “Master Bedroom Cabinets, Sheet No. 14”; print/drawing labeled “Master Bedroom Cabinets, Sheet No. 14” (different notes from previous item); print/drawing labeled “Master Bedroom Cabinets, Sheet No. 14” (different notes from previous two items); print/drawing, the upper half labeled “Workspace” and the lower half labeled “Full Size Details” (does not have the Zimmerman House label); print/drawing labeled “Music Cabinet Garden Room, Sheet No. 13”; print/drawing labeled Music Cabinet Garden Room, Sheet No. 13” (different notes from previous item); print/drawing labeled “Radio & Storage Cabinets in Entrance Gallery, Sheet No. 12” (different notes from previous item); print/drawing labeled “Storage Trays, Sheet No. 15” (different notes from previous item); print/drawing labeled “Storage Trays, Sheet No. 15” (different notes from previous two items); print/drawing labeled “Details—Guest Bath” and “House for Dr. I.J. Zimmerman, Frank Lloyd Wright, Architect”; print/drawing labeled “Details—Guest Bath” and “House for Dr. I.J. Zimmerman, Frank Lloyd Wright, Architect.” All are labeled “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect,” except where noted.

 Large flat file labeled “Lyons Iron Works, Roof Beams,” containing: an invoice with drawings and specifications on Lyons Iron Works Inc. letterhead, dated July 31, 1951; print/drawing from Lyons Iron Works, Inc. with drawings of the beams for the roof and specifications.

 Large flat file labeled “Japanese Paper Samples,” containing: one small sample of black, red and gold butterfly and animal designs on cream-colored paper; two large samples of red, green, purple, blue and orange flowers on cream-colored paper; two large samples of red and blue stars inside gray circles on cream-colored paper; one large sample of blue and gold flowers and hills on white paper; two small samples of red and gold circles on cream- colored paper; one medium sample of red, gold, blue and brown houses on cream-colored paper; one medium sample of white geometric shapes on gold- colored paper; one large sample of red and gold flowers and hills on white paper.  Large flat file labeled “Masonry & Metalwork,” containing: two small prints/drawings labeled “Detail, Carport Steps”; a small print/drawing labeled “Detail—Fireplace Grate”; print/drawing labeled “Perforated Block Detail”; print/drawing labeled “Perforated Block Detail” (different notes from previous item). All are labeled “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect.”

 Large flat file labeled “Millwork (interior), Clerestory Revisions, Mailbox,” containing: small print/drawing labeled “Terrace Door Details” and “House for Dr. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; medium print/drawing labeled “Mailbox at Entrance” and “House for Dr. and Mrs. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; three medium prints/drawings labeled “Additional Clerestory Windows in Workspace” and “House for Dr. and Mrs. Isadore J. Zimmerman, Frank Lloyd Wright, Architect”; small print/drawing labeled “Plywood Panels” and “House for Dr. & Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; medium print/drawing labeled “Door & Plywood Schedule” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; medium print/drawing labeled “Revised Light Box Details—Garden Room— Oct. 15, 1951” and “House for Dr. & Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; print/drawing with drawings and specifications for full-length sashes and screens, labeled “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect.”

 Large flat file labeled “Furniture,” containing: small print/drawing labeled “Pattern for 4 ½” Sponge Rubber Hassock Cushion” and “House for Dr. & Mrs. I.J. Zimmerman”; medium print/drawing labeled “Detail Chair” and “House for Dr. & Mrs. I.J. Zimmerman, Manchester, New Hampshire”; medium print/drawing labeled “Dining Table, Night Table, Section—Seat in Garden Room, Furniture Details, Additional Pool and Furniture Details”; medium print/drawing labeled “Furniture Details” and “House for Dr. & Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; medium print/drawing labeled “Bed Spreads” and “House for Dr. & Mrs. I.J. Zimmerman”; medium print/drawing labeled “Hassock” and “Frank Lloyd Wright, Architect”; print/drawing labeled “Serving Tray” and “House for Dr. & Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; print/drawing labeled “Furniture Details, Sheet 11” and “House for Dr. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; print/drawing labeled “Dining Chair” and “Frank Lloyd Wright, Architect”; print/drawing labeled “Quartet Music Stand” and “Frank Lloyd Wright, Architect.”

 Large flat file labeled “Rug Layout, Furniture and Arrangement (no date),” containing: two medium prints/drawings from Hermsdorf Fixture Manufacturing Company, labeled “1 Table to Measurements from Plan by Mr. Wright, Arch.” And “Dr. Zimmerman, 223 Heather St., Manchester, NH, 11/2/54”; print/drawing labeled “Lamp Detail” and “House for Dr. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; print/drawing labeled “Furniture Arrangement, Sheet 10” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Frank Lloyd Wright, Architect” (coloring added); original print/drawing labeled “Furniture Arrangement, Sheet 10” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” (different handwritten notes from previous item); print/drawing, unlabeled, looks like “Furniture Arrangement, Sheet 10”; print/drawing labeled “Furniture Arrangement, Sheet 10” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” (different notes from previous two items); print/drawing labeled “Furniture Arrangement, Sheet 10” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” (different notes from previous three items).

 Large flat file labeled “Garden Plans, Topographic Plan, Lawn Sprinkler System,” containing: print/drawing labeled “Sheet 1-A, Garden Plan” and “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; two prints/drawings labeled “Sheet 1-A, Garden Plan” and “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect” (different notes from previous item); small print/drawing labeled “Underground Lawn Sprinklers, Isadore Zimmerman, 223 Heather St, Manchester, NH”; print/drawing, unlabeled, seems to be another underground lawn sprinklers plan (different from previous item); print/drawing labeled “Sheet 1-A, Garden Plan” and “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; print/drawing labeled “A Detail Topographic Plan of Lots #40 & #41, Pinecrest, Union St. & Heather St., Manchester, NH, for Dr. I.J. Zimmerman, Aug. 1949.”

Architectural Drawing Storage Cabinet, Drawer 3 (third from top)

 Medium flat file labeled “John Geiger, Reflected Ceiling Plan the Zimmerman House,” containing: drawing of the reflected ceiling plan.

 Large flat file, unlabeled, containing: blueprint labeled “Millwork, Sheet No. 7,” “Revised June 2, 1951,” and “House for Dr. & Mrs. Isadore J. Zimmermann, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Elevations, Sheet 3-A,” “Revised June 11, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Millwork, Sheet No. 7,” “Revised June 2, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmermann, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Heating & Plumbing, Sheet No. 9,” “Revised June 2, 1951,” and “House for Dr. & Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Reflected Ceiling Plan, Sheet No. 8,” “Revised June 2, 1951,” and “House for Dr. & Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Sections, Sheet No. 4,” “Revised June 2, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Workspace Details, Sheet 6,” “Revised June 2, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Plot Plan, Sheet No. 1,” “Revised June 2, 19[51],” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Roof Framing Plan, Sheet 5-A,” “Revised June 11, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Roof Framing, Sheet No. 5,” “Revised June 2, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Elevations, Sheet No. 3,” “Revised June 2, 1951,” and “House for Dr. & Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “General Plan, Sheet No. 2,” “Revised June 2, 1951,” and “House for Dr. & Mrs. Isadore Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Footing Plan, Sheet 1-A,” “Revised June 2, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint for three separate items, “Existing Service,” “New Service,” and “Electric Riser” (two copies, one with notes and dated 8/9/76).

 Large flat file (missing a cover), containing: medium drawing labeled “Details—Fireplace Crane” and “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; drawing labeled “Section—Seat in Garden Room, Furniture Details, Additional Pool & Furniture Details” and “House for Dr. and Mrs. I. J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect.”

 Large flat file, unlabeled, containing: blueprint labeled “Plot Plan, Sheet No. 1,” “Revised June 2, 19[51],” and “House for Dr. & Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; copy of blueprint labeled “Footing Plan, Sheet 1-A,” “Revised June 2, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; blueprint labeled “Elevations, Sheet 3-A,” “Revised June 11, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; blueprint labeled “Elevations, Sheet No. 3,” “Revised June 2, 1951,” and “House for Dr. & Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; blueprint labeled “Sections, Sheet No. 4,” “Revised June 2, 1951,” and “House for Dr. & Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; blueprint labeled “Roof Framing, Sheet No. 5,” “Revised June 2, 1951,” and “House for Dr. & Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; blueprint labeled “General Plan, Sheet No. 2,” “Revised June 2, 1951,” and “House for Dr. & Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; blueprint labeled “Roof Framing Plan, Sheet 5-A,” “Revised June 11, 1951,” “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; blueprint labeled “Footing Plan, Sheet 1-A,” “Revised June 2, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; blueprint labeled “Millwork, Sheet No. 7,” “Revised June 2, 1951,” and “House for Dr. & Mrs. Isadore J. Zimmermann, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; blueprint labeled “Reflected Ceiling Plan, Sheet No. 8,” “Revised June 2, 1951,” and “House for Dr. & Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; blueprint labeled “Roof Framing Plan, Sheet 5-A,” “Revised June 11, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; blueprint labeled “Workspace Details, Sheet 6,” “Revised June 6, 1951,” and “House for Dr. and Mrs. Isadore J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect.”

 Large flat file (missing a cover) containing: a photo of architectural plans for the “House for Mr. & Mrs. Charles Dabney, Near Chicago,” by Frank Lloyd Wright.

Architectural Drawing Storage Cabinet, Drawer 4 (fourth from top)

 Large brown envelope, labeled “Jan. 1999, Donated ‘as is’ landscape plan (to show existing plantings), Richard Sheridan, Bow, NH,” containing: a color plan labeled “Dr. & Mrs. I.J. Zimmerman Residence, Manchester, New Hampshire, Frank Lloyd Wright, Architect,” including placement and labels of plants. Also labeled “Landscape Documentation by Richard Sheridan, Landscape Architect, Inc., Bow, New Hampshire 03304, (603) 224-3279, January 1, 1999.” Includes scale and some details of the house itself.

 Loose items including: a photocopy of the Zimmerman House floor plan, with specific areas divided into “zones” and colors added, plus additional notes; two copies of a blueprint labeled “Grave Marker for Dr. and Mrs. Isadore Zimmerman, Manchester, New Hampshire, For the Currier Gallery of Art, Manchester, NH” and “Taliesin Associated Architects, William Wesley Peters, Architect, Spring Green, Wisconsin, August 1988”; small plan of boiler and ductwork with handwritten notes, labeled “Schematic for Zimmerman, 30 November 1986”; photocopy of plan labeled “Zimmerman House, Manchester, N.H., Revised Heating and Cooling System, Michael B. Ingram, Architect, A.I.A., Floor Plan with Sections & Details, A-1”; photocopy of plan labeled “Title: General Electric, Heat & Air-Conditioning, For: Dr. & Mrs. Zimmerman, Manchester, N.H., By: G.E. Certified Dealer, Architect: Michael B. Ingram, Manchester, N.H., Date: 7/29/76”; photocopy of plan with three separate drawings with notes, labeled “Existing Service,” “New Service,” and “Electric Riser”; photocopy of plan labeled “Title: General Electric, Heat & Air-Conditioning, For: Dr. & Mrs. Zimmerman, Manchester, N.H., By: G.E. Certified Dealer, Architect: Michael B. Ingram, Manchester, N.H., Date: 7/29/76” (same as previous item but a much clearer copy); photocopy of plan labeled “Zimmerman House, Manchester, N.H., Revised Heating & Cooling System, Michael B. Ingram, Architect, A.I.A., Floor Plan with Sections and Details, A-1” (same as previous item but a much clearer copy); photocopy of plan with three separate drawings with notes, labeled “Existing Service,” “New Service,” “Electric Riser” (same as previous item, no difference in copy quality).

 Medium flat file labeled “(1982) Matthew Stefan Drawings of Zimmerman House” (also referred to as George Mathew Stefan or George M. Stefan) containing: a letter from George M. Stefan to Lucille Zimmerman, dated February 10, 1982; drawing by George Mathew Stefan labeled “Axonometric of Roof from West, 333-Isadore Zimmerman,” 1982; drawing by George Mathew Stefan labeled “Roof Plan, Sections & Details, 333-Isadore Zimmerman,” 1982; drawing by George Mathew Stefan labeled “Module Unit, 333-Isadore Zimmerman,” 1982; drawing by George Mathew Stefan labeled “Exterior Elevations, 333-Isadore Zimmerman,” 1982; drawing by George Mathew Stefan labeled “Axonometric View from West, 333-Isadore Zimmerman,” 1982.

 Large flat file (no cover but has a small pocket at the bottom), containing: a blueprint labeled “The George Wight Storage House, On the Property of the Zimmerman House by Frank Lloyd Wright, The Currier Gallery of Art, Manchester, New Hampshire, Design by Jasonoah Design/Build, Boston, Massachusetts, April 8, 1998”; plan labeled “Title: General Electric, Heat & Air-Conditioning, For: Dr. & Mrs. Zimmerman, Manchester, N.H., By: G.E. Certified Dealer, Architect: Michael B. Ingram, Manchester, N.H., Date: 7/29/76”; plan with three separate drawings with notes, labeled “Existing Service,” “New Service,” and “Electric Riser”; carbon copy of plan labeled “Title: General Electric, Heat & Air-Conditioning, For: Dr. & Mrs. Zimmerman, Manchester, N.H., By: G.E. Certified Dealer, Architect: Michael B. Ingram, Manchester, N.H., Date: 7/29/76”; carbon copy of plan with three separate drawings with notes, labeled “Existing Service,” “New Service,” and “Electric Riser”; carbon copy with handwritten notes of plan labeled “Zimmerman House, Manchester, N.H., Revised Heating and Cooling System, Michael B. Ingram, Architect, A.I.A., Floor Plan with Sections and Details, A-1”; plan labeled “Zimmerman House, Manchester, N.H., Revised Heating and Cooling System, Michael B. Ingram, Architect, A.I.A., Floor Plan with Section Details, A-1.”

 Large flat file labeled “Linen Templates,” containing: hexagon template with an illegible label, a label that reads “4/10 inches larger than pattern,” and a label that reads “includes 1 inch seam at periphery”; diamond template labeled “Napkin Pattern”; hexagon template labeled “Corrected to original drawing allowing 1” seam” and “Napkin Pattern”; copy of pattern plan labeled “Table Linen for Dr. & Mrs. I.J. Zimmerman, Frank Lloyd Wright, Architect,” with drawings and dimensions for five different napkins; trapezoid template, unlabeled; copy of plan labeled “Wood Serving Tray, Frank Lloyd Wright, Architect”; trapezoid template, unlabeled (different from previous item); large trapezoid template labeled “Place Mat”; large trapezoid template labeled “Place Mats” and “Tablecloth and Place Mats”; large triangle template, unlabeled (matches one of the napkin designs); copy of pattern plan labeled “Table Linen for Dr. & Mrs. I.J. Zimmerman, Frank Lloyd Wright, Architect.”

 Large flat file (no cover but has a small pocket at the bottom and two strips of cardstock on top), containing: photocopy of a plan labeled “Zimmerman House Restoration, Harvey Construction Company, Inc., Drainage as Built, 10/30/90”; two photocopies of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., H-1, 7/3/89” and “Hot Water Flow Diagram”; copy of plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan of Radiant Heat Tubing, H-1, 12/7/89”; plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan & Details—Roof, R-1, Nov. 29 1989”; plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Elevations—Restoration, A-2, 9/11/89”; plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan—Restoration, A-1, 9/11/89”; plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration Project, A Property of the Currier Gallery of Art, Manchester, N.H., Plan & Details, Concrete Flat Work, A-3, 12/18/89”; copy of a plan by Tilton + Lewis labeled “Currier Art Gallery’s Zimmerman House, Plan, 9/11/89”; 2 copies of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan—Restoration, A-1, 9/11/89” and “1. Plan Review Issue, 12/18/89, 2. Issued for Permit, 3/15/90”; copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan—Restoration, A-1, 9/11/89,” with handwritten notes (the two previous items are copies of this plan); copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Elevations— Restoration, A-2, 9/11/89” (slightly different from previous items); copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan of Radiant Heat Tubing, H-1, 12/7/89”; copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House, A Property of the Currier Gallery of Art, Manchester, N.H., Plan & Details, Concrete Flat Work, A-3, 12/18/89,” with handwritten notes; copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan—Restoration, A-1, 9/11/89”; photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Elevations—Restoration, A- 2, 9/11/89”; photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan—Restoration, A-1, 9/11/89”; stapled copies of two plans by Tilton + Lewis, one labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan— Restoration, A-1, 9/11/89” and “1. Plan Review Issue, 12/18/89, 2. Issued for Permit, 3/15/90” and one labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Elevations— Restoration, A-2, 9/11/89” and “1. Plan Review Issue, 12/18/89, 2. Issued for Permit, 3/15/90, 3. West Elevation Revised, 4/19/91”; photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Elevations—Restoration, A- 2, 9/11/89”; copy of a plan by Tilton + Lewis labeled “Zimmerman House, Currier Gallery of Art, Roof Plan & Details, Nov. 29 1989,” with a handwritten note about revisions dated 12/11/89; copy of a plan by Tilton + Lewis labeled “Zimmerman House, Currier Gallery of Art, Roof Plan & Details, R1.0, Nov. 29, 1989”; photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan & Details—Roof, R-1, Nov. 29 1989, Revised 12/11/89, Revised 12/15/89”; photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan—Restoration, A-1, 9/11/89” and “1. Plan Review Issue 12/18/89, 2. Issued for Permit, 3/15/90”; copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan—Restoration, A-1, 9/11/89” and “1. Plan Review Issue, 12/18/89, 2. Issued for Permit, 3/15/90”; copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Elevations— Restoration, A-2, 9/11/89” and “1. Plan Review Issue, 12/18/89, 2. Issued for Permit, 3/15/90”; copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan & Details, Concrete Flat Work, A-3, 12/18/89” and “1. Plan Review Issue, 12/18/89, 2. Issued for Permit, 3/15/90”; copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H. Plan & Details— Roof, R-1, Nov. 29 1989” and “1. Revised, 12/11/89, 2. Revised, 12/15/89, 3. Plan Review Issue, 12/18/89, 4. Remove Vent & Insulation, 1/26/90, 5. Revise Snow Melt Tubing, 2/1/90, 6. Issued for Permit, 3/15/90”; copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan of Radiant Heat Tubing, H-1, 3/12/90” and “1. Issued for Permit, 3/15/90”; photocopy of a plan labeled “Sprinkler System,” undated; copy of a plan labeled “Sprinkler System,” undated (same as previous item but on a different type of paper); photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan & Details, Concrete Flat Work, A-3, 12/18/89”; photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan of Radiant Heat Tubing, H-1, 12/7/89” with two hand written notes reading “To Be Revised as of 12/13/89”; photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan of Radiant Heat Tubing, H-1, 12/7/89,” with two handwritten notes reading “To Be Revised as of 12/13/89”; photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan of Radiant Heat Tubing, H-1, 12/7/89”; photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan—Restoration, A-1, 9/11/89” and “1. Plan Review Issue, 12/18/89, 2. Issued for Permit, 3/15/90”; copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., 7/3/89”; photocopy of a plan labeled “Sheet 1-A, Garden Plan” and “House for Dr. and Mrs. I.J. Zimmerman, Manchester, New Hampshire, Frank Lloyd Wright, Architect”; photocopy of a plan by Tilton + Lewis labeled “Currier Art Gallery’s Zimmerman House, Elevations, 9/11/89”; photocopy of a plan by Tilton & Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan, H-1, 7/3/89”; photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan, H-1, 7/3/89”; photocopy of a plan labeled “A Detail Topographic Plan of Lots #40 & #41, Pinecrest, Union St. & Heather St., Manchester, N.H. for Dr. I.J. Zimmerman, Aug. 1949”; plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan—Restoration, A-1, 9/11/89” and “2. Plan Review Issue, 12/18/89, 2.Issued for Permit, 3/15/90”; photocopy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan—Restoration, A-1, 9/11/89”; photocopy of a plan by Tilton + Lewis labeled “Currier Art Gallery’s Zimmerman House, Plan, 9/11/89”; photocopy of a plan labeled “Zimmerman House”; photocopy of a plan labeled “Floor Plan,” with handwritten notes and highlighted areas; photocopy of a plan labeled “Floor Plan” with handwritten notes; photocopy of a plan by Tilton + Lewis of the Zimmerman House floor plan, unlabeled, with handwritten notes; copy of a plan by Tilton + Lewis labeled “Isadore Zimmerman House Restoration, A Property of the Currier Gallery of Art, Manchester, N.H., Plan—Restoration, 9/11/89” and “1. Plan Review Issue, 12/18/89, 2. Issued for Permit, 3/15/90.”

Architectural Drawing Storage Cabinet, Drawer 5 (bottom drawer)

 Letter-size envelope labeled “Z-House Interiors and Original Construction,” containing: 15 photographs in both color and black and white of the Zimmerman House, including interior and exterior artwork, exterior views, interior views, and interior and exterior construction work including workers.

 Legal-size envelope labeled “Z-House Interiors and Exteriors and Damage,” containing: 7 color photographs of the Zimmerman House, including interior views, exterior views, and damage to the house.

 Stack of four letter-size photographs mounted on cardboard, black and white photographs of the Zimmerman House, two interior and two exterior views; Stack of four smaller photographs mounted on cardboard, black and white photographs of the Zimmerman House, two interior and two exterior views.

 Stack of six small photographs mounted on cardboard, black and white photographs of the Zimmerman House, details shots of the interior and exterior.

 Stack of four large photographs mounted on cardboard, black and white photographs of the Zimmerman House, three exterior views and one interior view.

 Stack of six large photographs in cardboard frames, color and black and white photographs of the Zimmerman House, three exterior views, one interior view, one black and white photograph of Dr. and Mrs. Zimmerman outside, and one black and white photograph of Frank Lloyd Wright.

Box 62, labeled “Various Artists: Newsclippings and Memorabilia”

 Folder labeled “D’Haese, Roël,” containing: booklet, “Roël D’Haese,” Galerie Claude Bernard, 1961; two black and white photographs from Galerie Claude Bernard of Roël D’Haese sculptures; newsclipping of brief article and photo of a sculpture by Roël D’Haese (source unknown, undated); card from a sculpture exhibit of Roël D’Haese’s work; booklet, “Roël D’Haese: Sculptures,” Galerie Claude Bernard, Paris.  Folder labeled “El Greco,” containing: newsclipping, “El Greco’s language of gestures” by Rudolf Wittkower (source unknown, undated).

 Folder labeled “Elia, Michel,” containing: a card for Michel Elia’s sculpture exhibition at the World House Galleries, New York, 1962.

 Folder labeled “Eliscu, Frank,” containing: booklet about Frank Eliscu and his sculpture exhibition at the Sculpture Center, New York, 1959.

 Folder labeled “Emery, Lin,” containing: booklet about Lin Emery and her sculpture exhibition at the Sculpture Center, New York, 1962.

 Folder labeled “Engman, Robert,” containing: postcard with a photo of a Robert Engman sculpture, undated; booklet about Robert Engman and his exhibition at the Massachusetts Institute of Technology, 1966.

 Folder labeled “Eskimo Art,” containing: pamphlet from Waddington Fine Arts, Montreal about exhibition of Eskimo carvings, undated; photo of an Eskimo carving from a mailing from the Chapel Arts Center and St. Anselm’s College, undated; booklet, “The Art of the Eskimo,” from the exhibition at Plymouth State College and Saint Anselm’s College, undated; large card from Lola and Walter Wiltshire with a signed drawing by Eskimo Henri Napartuk on the cover and a small note from Lola Wiltshire tucked inside, undated.

 Folder labeled “Penalba, Alicia,” containing: eight black and white photos of sculptures by Alicia Penalba with handwritten notes on the backs; booklet, “Penalba: Sculptures de 1972 à 1976,” Villand & Galanis, Paris, 1977; small booklet, “Alicia Penalba: Sculpture,” from an exhibition at Otto Gerson Gallery, New York, 1960; booklet, “Penalba,” from an exhibition at the Musée d’Art Moderne de la Ville de Paris (signed by Alicia Penalba), 1977.

 Folder labeled “Tamayo, Rufino,” containing: stapled newsclipping about Rufino Tamayo from Art News, 1979.

 Folder labeled “Teshigahara,” containing: booklet, “Teshigahara,” from the sculpture exhibition of Teshigahara, 1961.

 Folder labeled “Tovish, Harold,” containing: booklet, “Harold Tovish: Twenty Years of Sculpture—1946-1966,” Wheaton College, Norton, Massachusetts, 1967; pamphlet from the exhibit “Tovish: Scuplture,” the Swetzoff Gallery, Boston, 1965.

 Folder labeled “Towley, Hugh,” containing: small booklet, “Townley: Sculpture in Wood,” The Swetzoff Gallery, Boston, 1959; booklet, “Hugh Townley,” The Pace Gallery, Boston, 1962.  Folder labeled “Turnbull, William,” containing: booklet, “Turnbull,” Marlborough-Gerson Gallery Inc., New York, 1963; black and white photograph of a sculpture by William Turnbull with handwritten notes on the back.

 Folder labeled “Vantongerloo, George,” containing: booklet, “George Vantongerloo,” Marlborough Fine Art Limited, London, 1962.

 Folder labeled “Müller, Robert,” containing: letter from Albert Loeb of the Albert Loeb Gallery (New York) to L.Z. about purchasing a sculpture by Robert Müller for the Currier Gallery of Art, 1963; wax paper envelope containing a letter from Catherine Rainhorn-Thieck at the Galerie de France to the Zimmermans, 1983 (in original envelope) and eight black and white photographs of Robert Müller’s sculptures, with handwritten notes on the backs; booklet, “Robert Müller: Sculptures and Drawings,” Albert Loeb Gallery, New York, 1963.

 Folder labeled “Minguzzi, Luciano,” containing: pamphlet from an exhibition of Luciano Minguzzi’s sculpture, Catherine Viviano Gallery, New York, 1961.

 Folder labeled “Viani, Alberto,” containing: booklet, “Alberto Viani,” from the exhibition of his sculptures, Galleria Odyssia, New York, 1964.

 Folder labeled “Kandinsky, Vasily,” containing: postcard with a painting by Vasily Kandinsky from The Peggy Guggenheim Collection, Venice.

 Folder labeled “Katz, Leo,” containing: a “Season’s Greetings” card with a painting by Leo Katz.

 Folder labeled “Negri, Mario,” containing: two copies of a pamphlet from an exhibition of Mario Negri’s sculptures, Grace Borgenicht Gallery, New York, 1960.

 Folder labeled “Nickford, Juan,” containing: pamphlet from an exhibition of Juan Nickford’s sculptures, the Sculpture Center, New York, 1963.

 Folder labeled “Orozco Frescoes,” containing: three postcards labeled “Detail of Orozco Frescoes—Dartmouth College” (two postcards are the same).

 Folder labeled “Pankok, Otto,” containing: pamphlet from an exhibition of Otto Pankok’s sculptures, Galerie Alex Vömel, Düsseldorf, 1961.

 Folder labeled “Paolozzi, Eduardo,” containing: postcard with picture of a sculpture by Eduardo Paolozzi from the Tate Gallery, London; booklet, “Paolozzi: New Works,” The Waddington Galleries, London, 1963.  Folder labeled “Pattison, Abbott,” containing: pamphlet from an exhibition of Abbott Pattison’s sculptures, The Downtown Gallery, New York, 1966.

 Folder labeled “Prints,” containing: newsclipping from Time, 1959, containing some information about the painter Orozco as well as some short articles that seem unrelated; booklet, “30 Contemporary American Prints,” from the exhibition at the IBM Gallery, New York, 1964; booklet, “Color Print Artists of Modern Japan,” from the exhibition at the Museum of Fine Arts, Boston, 1953.

 Folder labeled “Reder, Bernard,” containing: newsclipping, “Bernard Reder: His Sculpture at the Whitney Is a Triumphant Affirmation,” The New York Times, 1961.

 Folder labeled “Reinhoud,” containing: pamphlet from an exhibition of Reinhoud’s sculpture, Lefebre Gallery, New York, 1962; pamphlet from another exhibition of Reinhoud’s sculptures, Lefebre Gallery, New York, 1965.

 Folder labeled “Richmond, Oliffe,” containing: pamphlet for an exhibition of Oliffe Richmond’s sculptures, Terry Dintenfass Inc., New York, 1964.

 Folder labeled “Robus, Hugo,” containing: booklet, “Hugo Robus,” from an exhibition of his work, The American Federation of Arts, New York, 1960.

 Folder labeled “Rosati, James,” containing: letter from Pierre Levai of the Marlborough Gallery in New York to Robert M. Doty (former director of the Currier Gallery of Art) about L.Z. purchasing a sculpture by James Rosati, 1982, paper-clipped to a booklet, “James Rosati: Recent Sculpture,” from an exhibition, Marlborough Gallery Inc., New York, 1982; booklet, “James Rosati: Recent Sculpture,” Otto Gerson Gallery, 1962.

 Folder labeled “Satoru, Abe,” containing: booklet from an exhibition of Abe Satoru’s work, the Sculpture Center, New York, 1961.

 Folder labeled “Schlemowitz, Adam,” containing: postcard with a photo of an Abe Schlemowitz sculpture (or possibly a painting), Howard Wise Gallery, New York.

 Folder labeled “Shahn, Ben,” containing: list of works from the exhibition “Ben Shahn Graphics—Retrospective,” with handwritten prices on the side; invitation to a private preview of a “Retrospective Exhibition of Graphics by Ben Shahn,” Kennedy Galleries, New York, 1973; press release from Kennedy Galleries about the exhibition “Ben Shahn Graphics—Retrospective,” 1973.

 Folder labeled “Silva(da), Frances Vieira,” containing: newsclipping about Maria Helena Vieira da Silva, painter, Time, 1961.

 Folder labeled “Somaini, Francesco,” containing: booklet from an exhibition of Francesco Somaini’s sculptures, Galleria Odyssia, New York, 1964.

 Folder labeled “Swarz, Sahl,” containing: booklet from the exhibition “Swarz: Bronzes, 1961-62,” the Sculpture Center, New York, 1962; booklet from the exhibition “Swarz: Sculpture,” the Sculpture Center, New York, 1960.

 Folder labeled “Tajiri,” containing: booklet from an exhibition of Tajiri’s sculptures, Hamilton Galleries, London, 1964; pamphlet from the exhibition, “Made in USA: Fourteen Sculptures by Tajiri,” The Minneapolis Institute of Arts, circa 1963; pamphlet from the exhibition “Tajiri: First New York Exhibition,” André Emmerich Gallery, New York, 1965; pamphlet from an exhibition of the work of Tajiri and Hope Manchester (in French).

 Folder labeled “Matta, Roberto Echauren,” containing: postcard for an exhibition of Roberto Echauren Matta’s work, Gimpel & Hanover Galerie, Zürich, 1964.

 Folder labeled “Meadows, Bernard,” containing: postcard with a photo of a Bernard Meadows sculpture from the Tate Gallery, London.

Box 63, labeled “Various Artists: Newsclippings and Memorabilia”

 Folder labeled “Mexican Art,” containing: small newsclipping of a photo with the caption “Mexican Clay Figure”; five black and white postcards with photos of Mexican sculptures and architecture.

 Folder labeled “Medical,” containing: newsclipping, “H.L. Blumgart; Physician-in-Chief At Beth Israel Hospital in Boston” (obituary), The New York Times, 1977; blank prescription sheet for Coll’s Pharmacy in Manchester from I.J. Zimmerman, M.D.; newsclipping, “Dr. Blumgart, held Harvard, positions” (obituary), The Boston Globe, 1977; paper- clipped packet of items including newsclipping about a New Hampshire conference on pacemakers, a message for “Zimmerman” with recommended gynecologists (1972), handwritten note with contact information for Dr. Robert Shirley, handwritten note with a list of doctors, newsclipping about angina, directory of the New Hampshire Urologic Society (one page), and a photocopy from a directory of doctors of urological surgery by state (I.Z. is not listed); paper-clipped packet of items including instructions for the medication “Ceclor,” photocopy from a pharmaceutical dictionary from the “Miscellaneous Psychotherapeutic Agents” section, instructions for the medication “nystatin-neomycin sulfate-gramicidin-triamcinolone” cream, instructions for the medication “Florinef Acetate,” instructions for the medication “Meclan,” handwritten note on the back of prescription paper reading “Meclan cream,” instructions for the medication “Limbitrol”; clipped article, “Surgery of the Mayas,” from Abbottempo.

 Folder labeled “Mason, Raymond,” containing: booklet, “Raymond Mason,” Galerie Claude Bernard, Paris, 1965 (in French).

 Folder labeled “Martin, Etienne,” containing: booklet from the exhibition of Etienne Martin’s sculpture at the Lefebre Gallery, New York, 1965.

 Folder labeled “Cook, Robert,” containing: booklet, “Cook: Recent Bronzes,” from an exhibition of Robert Cook’s sculptures at the Sculpture Center, New York, 1961; booklet from an exhibition of Robert Cook’s sculptures at the Sculpture Center, New York, 1959; booklet from an exhibition of Robert Cook’s sculptures at the Sculpture Center, New York, 1957; booklet, “Recent Bronzes by Robert Cook,” from an exhibition of Robert Cook’s sculptures at the Sculpture Center, New York, 1964.

 Folder labeled “Creeft, José de,” containing: pamphlet from an exhibition of José de Creeft’s sculptures at The Contemporaries, New York, 1964; booklet about José de Creeft’s life and work, The American Federation of Arts, 1960; booklet, “José de Creeft: Recent Sculpture,” from an exhibition of José de Creeft’s sculpture at The Contemporaries, New York, 1961.

 Folder labeled “Cremeans, Robert,” containing: newsclipping about sculptor Robert Cremean.

 Folder labeled “Decker, Lindsey,” containing: booklet, “Lindsey Decker: Sculpture, Constructions, Drawings, Collages,” from an exhibition of Lindsey Decker’s work at the Currier Gallery of Art, 1966.

 Folder labeled “Andréou,” containing: booklet, “Andréou,” about the work of the artist Andréou (in French); booklet, “Andréou: Sculptures,” from the exhibition, 1961.

 Folder labeled “Appel, Karel,” containing: postcard with a painting by Karel Appel from the Louisiana Museum.  Folder labeled “Archambault, Louis,” containing: newsclipping about sculptor Louis Archambault, MD, 1963.

 Folder labeled “Armitage, Kenneth,” containing: postcard with photo of a sculpture by Kenneth Armitage from the Tate Gallery, London; newsclipping of a photo of a sculpture by Kenneth Armitage; booklet from an exhibition of Kenneth Armitage’s work, Marlborough Fine Art Limited, London, 1962; booklet, “Exhibition of Recent Sculpture by Kenneth Armitage,” Paul Rosenberg & Co., New York, 1962; list of works by Kenneth Armitage in the exhibition at Paul Rosenberg & Co.; black and white photograph of a Kenneth Armitage sculpture from Marlborough Fine Art Limited; black and white photograph of a Kenneth Armitage sculpture from Paul Rosenberg & Co.

 Folder labeled “Aschenbach, Paul,” containing: pamphlet, “Aschenbach,” from an exhibition of Paul Aschenbach’s sculpture at the Sculpture Center, New York, 1961.

 Folder labeled “Baizerman, Saul,” containing: booklet, “Saul Baizerman: Memorial Exhibition, 1889-1957,” at the World House Galleries, New York, 1958.

 Folder labeled “Barlach, Ernst,” containing: booklet, “Work by Ernst Barlach,” from an exhibition of Ernst Barlach’s work circulated by the Smithsonian Institution, 1962-1963 (was circulated to the Currier Gallery of Art).

 Folder labeled “Barrett, Oliver O’Connor,” containing: pamphlet from an exhibition of Oliver O’Connor Barrett’s work at the Sculpture Center, New York, 1962.

 Folder labeled “Barye, Antoine-Louis,” containing: pamphlet, “Barye: Bronzes,” from an exhibition of Antoine-Louis Barye’s sculptures at The Alan Gallery, New York, 1963.

 Folder labeled “Basaldella, Mirko,” containing: booklet, “Mirko,” from an exhibition of Mirko Basaldella’s sculptures at the World House Galleries, New York, 1961; booklet from “An Exhibition of Sculpture, Reliefs and Paintings by Mirko” at The Bundy Art Gallery, 1964.

 Folder labeled “Bloc, André,” containing: booklet, “André Bloc: Recent Works,” from an exhibition of his work at the Drian Galleries, London, circa 1961; booklet, “Bloc: Œuvres Récentes,” from an exhibition of his work at the Galerie Hella Nebelüng, Düsseldorf, 1961 (in French; inside back page is signed by someone).  Folder labeled “Boccioni,” containing: newsclippings of two sculptures by Boccioni.

 Folder labeled “Bourdelle, Antoine,” containing: invitation to the opening of the exhibition “Antoine Bourdelle: One Hundred Sculptures and Drawings Commemorating the Hundredth Anniversary of the Artist’s Birth” at the Charles E. Slatkin Galleries, New York, 1961.

 Folder labeled “Butler, Reg,” containing: booklet, “Reg Butler: Sculpture and Drawings,” from the exhibition of his work at the Hanover Gallery, 1963.

 Folder labeled “Misc.: Persian, Oriental, New Guinea,” containing: newsclipping about primitive art in Central Mexico, Northwest Coast Indian art, and art by the Asmat of New Guinea; newsclipping about Asmat art from New Guinea; postcard with a photograph of a Persian sculpture from the Museum of Fine Arts, Boston; a Polaroid picture of a sculpture in a courtyard.

 Folder labeled “Misc.,” containing: an empty envelope from Taliesin (Wisconsin) addressed to the Zimmermans, postmarked 1982; small piece of paper titled “Ancient Hebrew Arts” referencing page numbers; piece of paper titled “Errata” with catalogue numbers; newsclipping about stained glass; newsclipping, “Who’s Painting What?”; several pages of handwritten notes about various aspects of art; newsclipping, a photo of an unidentified piece of sculpture; letter from William Allen Storrer (an art professor at the University of South Carolina) to L.Z. about George M. Stefan’s drawings of the Zimmerman House, 1981; booklet, “Historic Houses and Museums of New England,” published by The New England Council, circa 1970.

 Folder labeled “Kneale, Bryan,” containing: letter from the director of The Redfern Gallery Ltd. (London) to L.Z. about Bryan Kneale’s exhibitions, 1962; booklet, “Kneale: Recent Sculptures and Drawings” from the exhibition of Bryan Kneale’s work at The Redfern Gallery, London, 1962; booklet, “Kneale: Sculptures, Paintings, Drawings,” from the exhibition of Bryan Kneale’s work at the Redfern Gallery, London, 1960.

 Folder labeled “Laurens, Henri,” containing: black and white photograph of a sculpture by Henri Laurens.

 Folder labeled “Lebrun, Rico,” containing: booklet, “Rico Lebrun,” from the exhibition of Rico Lebrun’s work organized by the Fine Arts Patrons of Newport Harbor and shown at the Pavilion Gallery (Newport Beach, California), Colorado Springs Fine Arts Center (Colorado Springs, Colorado), and the Portland Art Museum (Portland, Oregon), 1964.  Folder labeled “Leoncillo,” containing: booklet, “Sculpture by Leoncillo,” from the exhibition of Leoncillo’s sculptures at Galleria Odyssia, New York, 1965.

 Folder labeled “Louis, Morris,” containing: newsclipping about Morris Louis’s paintings, Time, 1986.

 Folder labeled “Levine, Jack,” containing: newsclipping, painting by Jack Levine; booklet, “Jack Levine,” from an exhibition of his work at the De Cordova Museum, Lincoln, Massachusetts, 1968.

 Folder labeled “Mastrolianni, Umberto,” containing: booklet, “Mastroianni: Sculptures,” from an exhibition of his work at Galeria Bonino, Ltd., New York, 1964.

 Folder labeled “Makonde,” containing: small poster announcing the exhibition of Makonde sculpture at St. Paul’s School, Concord, New Hampshire, circulated by the Smithsonian Institution.

 Folder labeled “Maldarelli, Oronzio,” containing: booklet, “An Exhibition of Sculpture (1948-1958) by Oronzio Maldarelli,” Paul Rosenberg & Co., New York, 1959.

 Folder labeled “Marcks, Gerhard,” containing: booklet, “Gerhard Marcks: Tierdarstellungen,” from an exhibition of Gerhard Marcks’s work at Galerie Vömel, Düsseldorf, 1981; booklet, “Gerhard Marcks: Recent Sculpture,” from an exhibition of Gerhard Marcks’s sculptures, Otto Gerson Gallery, New York, 1961; booklet, “A Comprehensive Exhibition of Bronze Sculpture by Gerhard Marcks” at the Leonard Hutton Galleries, New York, 1967.

Box 64, labeled “Various Artists: Newsclippings and Memorabilia”

 Folder labeled “Richier, Germaine,” containing: Germaine Richier, by Jean Cassou, published by Allert de Lange, Amsterdam, 1961 (part of the “Modern Sculptors” series); booklet, “Germaine Richier,” from an exhibition of her work at Kunsthaus Zürich, 1963 (in German); newsclipping about Germaine Richier’s work, Time, 1956; booklet, “Germaine Richier,” from an exhibition of Germaine Richier’s work at The Arts Club of Chicago, 1966; two black and white photos of Germaine Richier sculptures; booklet, “Germaine Richier,” from an exhibition of Germain Richier’s work at Galerie Creuzevault, Paris, circa 1959 (in French).

 Folder labeled “Callery, Mary”: empty (remove).  Folder labeled “Caparn, Rhys,” containing: booklet, “Rhys Caparn: Selections from Thirty Years: Sculpture and Drawings,” from an exhibition of Rhys Caparn’s work at the Riverside Museum, New York, 1961.

 Folder labeled “Cascella, Andrea,” containing: newsclipping with a photograph of a sculpture by Andrea Cascella.

 Folder labeled “Cesar,” containing: postcard with a photograph of a sculpture by Cesar from The Tate Gallery, London; booklet from an exhibition of Cesar’s work at the Weyhe Gallery, New York, 1961; booklet, “César: Sculpture 1953-1961,” from an exhibition of César’s work at the Saidenberg Gallery, New York, 1961; signed print by César.

 Folder labeled “Chadwick, Lynn,” containing: booklet, “Lynn Chadwick,” from an exhibition of Lynn Chadwick’s work at Marlborough Fine Art Limited, London, 1961; booklet, “Lynn Chadwick,” from an exhibition of Lynn Chadwick’s work at the Knoedler Galleries, New York, 1961 (signed by Lynn Chadwick).

 Folder labeled “Challenger, Michael,” containing: biographical information about artist Michael Challenger.

 Folder labeled “Chinni, Peter,” containing: booklet, “Peter Chinni: Recent Sculptures,” from an exhibition of Peter Chinni’s work at the Albert Loeb Gallery, New York, 1966.

 Folder labeled “Clatworthy, Robert,” containing: pamphlet from an exhibition of Robert Clatworthy’s sculptures, The Waddington Galleries, London, circa 1965.

 Folder labeled “Consagra, Pietro,” containing: booklet, “Sculpture in Wood by Pietro Consagra,” from an exhibition of Pietro Consagra’s work at Galleria Odyssia, New York, 1965.

 Folder labeled “African Art,” containing: advertisement from Christie’s London of an auction of “Tribal Art” (the other side has an advertisement from Christie’s South Kensington of an auction of “Pictures, Drawings and Prints, particularly of American, African, Australasian, Eastern and Islamic Interest”); newsclipping about an ivory mask; handwritten notes with drawing of a tribal mask; pamphlet, “African Art from the Wagstaff Collection,” the Wadsworth Athenaeum, 1973; booklet from an exhibition of African art at Galerie Vömel, Düsseldorf, 1972 (in German); stapled newsclipping, “A Sacred Symbol of Home,” National Geographic, 1974; newsclipping, “The Art of Africa,” Modern Maturity, 1982; newsclipping, “Candid Artists in Old Africa”; booklet, “Ausstellung Afrikanische Bronzen,” an exhibition at Galerie Alex Vömel, Düsseldorf, 1963; pamphlet, “African Sculpture Lent by New York Collectors,” an exhibition at The Museum of Primitive Art, New York, 1958; four color pictures of African sculptures; five black and white photographs of African sculptures (one is from the Segy Gallery in New York); postcard with a photograph of an African sculpture from The Brooklyn Museum; pamphlet, “Exhibition of Cameroon-Nigerian Helmet Masks and Headpieces,” from the exhibition at the Tribal Arts Gallery Two, New York, 1974.

 Folder labeled “Alex, Kosta,” containing: booklet, “Kosta Alex,” from an exhibition of Kosta Alex’s work at Galerie Claude Bernard, Paris, 1964; five black and white photographs of sculptures by Kosta Alex from Galerie Claude Bernard.

 Folder labeled “Etrog, Sorel,” containing: booklet, “Sorel Etrog: Artist-in- Residence,” from an exhibition of Sorel Etrog’s work at the Hopkins Center, Dartmouth College, Hanover, New Hampshire, 1967; booklet, “Sorel Etrog: Recent Sculpture,” from an exhibition of Sorel Etrog’s work at the Dominion Gallery, Montreal, 1967.

 Folder labeled “Fenosa, Apelles,” containing: booklet, “Exhibition of Sixteen Bronzes by Apelles Fenosa,” from an exhibition of Apelles Fenosa’s sculptures at Paul Rosenberg & Co., New York, 1960.

 Folder labeled “Gallery Info.,” containing: black and white photograph from Galerie Claude Bernard, Paris, from the show “Aspects de la Sculpture Américaine,” 1960; listing of sculptures from the Albright-Knox Art Gallery; booklet, “Werke deutscher Bildhauer: 1918-1939,” from an exhibition at Galerie Alex Vömel, Düsseldorf, 1965 (in German); black and white photograph of “Installation View—Works by Gallery Artists,” from the Hamilton Gallery of Contemporary Art, New York, 1978; pamphlet, “Deutschland Germania,” 1958 (in German); pamphlet for the Albright-Knox Gallery, Buffalo, New York.

 Folder labeled “Franke, Gunther,” containing: pamphlet for an exhibition of Günther Franke’s work at Galerie Günther Franke, München, 1962 (in German).

 Folder labeled “Freundlich, Otto,” containing: booklet, “Deux Sculptures Monumentales de Otto Freundlich,” 1962 (in French).

 Folder labeled “Gaudier-Brzeska, Henri,” containing: postcard with a photo of a sculpture by Henri Gaudier-Brzeska from the Tate Gallery, London.

 Folder labeled “Ipousteguy, Jean,” containing: pamphlet from an exhibition of Jean Ipousteguy’s work at the Allan Frumkin Gallery, Chicago; booklet from an exhibition of Jean Ipousteguy’s work at the Albert Loeb Gallery, New York, 1964.

 Folder labeled “Hunt, Richard,” containing: folded poster (mailed to L.Z.) with a photo of a sculpture by Richard Hunt advertising an exhibition of his work at the B.C. Holland Gallery in Chicago, 1963.

 Folder labeled “Hiquily, Philippe,” containing: pamphlet from an exhibition of Philippe Hiquily’s sculpture at The Contemporaries, New York, 1959; small poster from an exhibition of Philippe Hiquily’s sculpture at The Contemporaries, New York, 1961.

 Folder labeled “Hepworth, Barbara,” containing: a brown envelope from England (H.M. Geisen Lainer?) to the Zimmermans containing four cards with black and white photographs of Barbara Hepworth’s sculptures, all from the Tate Gallery, 1966.

 Folder labeled “Helfant, Nancy,” containing: pamphlet from an exhibition of Nancy Helfant’s sculpture at Vassos Gallery, New Canaan, Connecticut.

 Folder labeled “Heiliger, Bernhard,” containing: pamphlet from an exhibition of his work at Stæmpfli, New York, 1966.

 Folder labeled “Hardy, Tom,” containing: booklet, “Tom Hardy: Recent Sculpture and Drawings,” 1957.

 Folder labeled “Halegua, Alfredo,” containing: pamphlet from an exhibition of Alfredo Halegua’s sculptures and drawings at Galleria Sudamericana, New York, 1964.

 Folder labeled “Grippe, Peter,” containing: booklet from an exhibition of Peter Grippe’s sculptures at Nordness Gallery, New York, 1960.

 Folder labeled “Graves, Bradford,” containing: photograph of a sculpture by Bradford Graves from the Hamilton Gallery of Contemporary Art, New York.

 Folder labeled “Gonzalez, Julio,” containing: booklet from a retrospective exhibition of Julio Gonzalez’s work at The Museum of Modern Art (New York) and The Minneapolis Institute of Arts, 1956.

 Folder labeled “Gilioli, Emile,” containing: pamphlet from an exhibition of Emile Gilioli’s sculptures at the World House Galleries, New York, 1963-1964.

 Folder labeled “Greco, Emilio”: empty (remove).  Folder labeled “Weiss, Harvey,” containing: booklet from an exhibition of sculpture by Harvey Weiss, Paul Rosenberg & Co., New York, 1963.

 Folder labeled “Welch, Livingston,” containing: booklet from an exhibition of Livingston Welch’s sculpture at the World House Galleries, 1962.

 Folder labeled “Werthmann,” containing: booklet, “Werthmann: Skulpturen,” Düsseldorf, 1966 (in German); pamphlet from an exhibition of Werthmann’s sculptures at the Hamilton Galleries, London, 1966.

 Folder labeled “Williams, Wayne Francis,” containing: booklet, “Scultptures by Wayne Francis Williams,” from the exhibition at the Maynard Walker Gallery, New York, 1961.

 Folder labeled “Witkin, Isaac,” containing: pamphlet from an exhibition of Isaac Witkin’s sculpture at The Waddington Galleries, London, 1966.

 Folder labeled “Wostan,” containing: postcard for an exhibition of Wostan’s work in Paris, 1961 (in French).

 Folder labeled “Wotruba, Fritz,” containing: booklet from an exhibition of Fritz Wotruba’s work at the Marlborough-Gerson Gallery, New York, 1964; booklet from an exhibition of Fritz Wotruba’s work at the Galerie Claude Bernard, Paris, 1961; booklet from an exhibition of Fritz Wotruba’s sculpture at Fine Arts Associates, New York, 1960.

 Folder labeled “Yoshimura, Fumio,” containing: pamphlet from an exhibition of Fumio Yoshimura’s sculptures at the Dartmouth College Museum and Galleries, Hanover, New Hampshire, 1981.

 Folder labeled “Zadkine, Ossip,” containing: booklet from an exhibition of Ossip Zadkine’s work at The Tate Gallery (London), Hatton Art Gallery (Newcastle upon Tyne), and City Art Gallery (Bristol), 1961.

 Folder labeled “Zajac, Jack,” containing: price list from The Downtown Gallery, New York, for three works by Jack Zajac, 1961; pamphlet for an exhibition of Jack Zajac’s sculptures at The Downtown Gallery, New York, 1960; newsclipping with photo and brief interview with Jack Zajac.

Box 65, labeled “Personal Memorabilia and Correspondence,” containing:

 A book embossed with “Cherished Memories,” with handwritten information about the life of Lucille Zimmerman, from her funeral ceremony; and a postcard from the Goodwin Funeral Home, Manchester, New Hampshire.  A box containing a book embossed with “Cherished Memories,” with handwritten information about the life of Isadore J. Zimmerman, from his funeral ceremony.

 Folder (labeled “Frank Lloyd Wright, Zimmerman House”) containing a holiday envelope from Mr. and Mrs. Frank Lloyd Wright (at Taliesin West) to Dr. and Mrs. Isadore Zimmerman, containing a copy of the magazine Arizona Highways, December 1951; holiday envelope from Mr. and Mrs. Frank Lloyd Wright (at Taliesin West) to Dr. and Mrs. Isadore Zimmerman, containing a copy of the magazine Arizona Highways, 1952.

 Envelope from Mr. and Mrs. Frank Lloyd Wright to Mr. and Mrs. Isadore Zimmerman, containing a copy of Arizona Highways, December 1958.

Box 66, labeled “Various Artists: Memorabilia,” containing:

 pamphlets and booklets from various artists and exhibitions, including a program from the Boston Symphony Orchestra’s Seventy-Ninth Season, 1959-1960; a program from the Oliver Ditson Company’s performance of Carmen, Boston (with English translations); Bulletin, Museum of Fine Arts, Boston, Volume LX, Number 318, 1962; Supplement: Exhibit Four and Exhibit Seven, West Gallery, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1959; booklet from the exhibition “Exhibit Five: French Paintings of the Nineteenth Century” at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts; booklet from the exhibition “Paul-Emile Borduas, 1905-1960” at the Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, 1967 (2 copies); booklet from the exhibition “Recent Painting USA: The Figure” circulated by the Museum of Modern Art, 1962-1963; Boston Museum Bulletin, Volume LXXI, Number 363, 1973 (Museum of Fine Arts, Boston); booklet from the exhibition “Exhibit Four and Exhibit Seven” at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts; booklet from an exhibition of Kurt Roesch’s paintings at the Currier Gallery of Art, 1955 (2 copies); booklet from the exhibition “Toledo Glass National II” circulated by The Smithsonian Institution Traveling Exhibition Service, 1969-1970 (originally organized and shown by The Toledo Museum of Art, 1968; 2 copies); The Bulletin of The Cleveland Museum of Art for May 1962: 44th May Show; booklet from an exhibition of the work of Richard Lindner at the Galerie Claude Bernard, Paris, 1965 (in French); and others.

Box 67, labeled “Various Artists: Memorabilia,” containing:

 Booklet from the exhibition “Children and Flowers” at The Winnipeg Art Gallery (Manitoba, Canada), 1958  Booklet from the exhibition “Tenth Annual Exhibition” at the Museum of Art of Ogunquit (Ogunquit, Maine), 1962

 Booklet from the exhibition “R.B. Kitaj: Pictures with Commentary, Pictures without Commentary” at Marlborough Fine Art Limited New London Gallery, London, 1963

 Booklet from the exhibition “Dynamic Symmetry: A Retrospective Exhibition” at the Rhode Island School of Design, The Currier Gallery of Art, and Dartmouth College, 1961 (2 copies)

 Booklet from the exhibition “Claude Monet: Seasons and Moments” at The Museum of Modern Art, New York and the Los Angeles County Museum, 1960

 Booklet from an exhibition of the work of Kurt Schwitters at the Pasadena Art Museum, The Currier Gallery of Art, The Phillips Collection (Washington, D.C.), the University of Minnesota, and the Busch-Reisinger Museum (Harvard University, Cambridge, Massachusetts), 1962-1963 (3 copies)

 Pamphlet from the exhibition “Farreras, Sempere, Soria: Three Spanish Painters” at Marlborough Fine Art Limited New London Gallery, London, 1963

 Booklet from the exhibition “French Masters” at Marlborough Fine Art Limited, London, 1962

 Booklet from the exhibition “Jack Levine: Retrospective Exhibition, Paintings, Drawings, Graphics” at The Jewish Museum, New York, 1979-1980 (a letter from Emanuel L. Josephs to the Zimmermans is stapled to the title page)

 Booklet from the exhibition “Sixteen Americans” at the Museum of Modern Art, New York, 1959

 Booklet from the exhibition “Watercolours and Drawings by Oskar Kokoschka, Henry Moore and Graham Sutherland” at Marlborough Fine Art Limited, London, 1964

 Booklet from the exhibition “Lucebert edited by Lucebert” at Marlborough New London Gallery, London, 1963

 Booklet from the exhibition “Exhibit Six: Impressionist Paintings, 33 Renoir, 2 Monet” at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

 Program booklet from the Tenth Boston Arts Festival, 1961

 Booklet from an exhibition of watercolors by Robert Eshoo at Pucker/Safrai Gallery, Boston, 1972  Booklet from the exhibition “Winnipeg Collects” at The Winnipeg Art Gallery (Manitoba, Canada), 1960

 Booklet from an exhibition of the work of Lilla Cabot Perry at The Currier Gallery of Art (Manchester, New Hampshire), Hirschl and Adler Galleries, Inc. (New York), and the New Jersey State Museum (Trenton, New Jerser), 1969- 1970

 Booklet from an exhibition of paintings by Pierre Soulages at The New Gallery, Hayden Library, Massachusetts Institute of Technology (Cambridge, Massachusetts), 1962

 Booklet from an exhibition of the work of John Piper at Marlborough New London Gallery, London, 1963

 Booklet from the exhibition “Nineteenth and Twentieth Century Paintings from the Smith College Museum of Art, Northampton, Massachusetts” at the Colby College Art Museum (Waterville, Maine) and the Currier Gallery of Art (Manchester, New Hampshire), 1969 (2 copies)

 Booklet from an exhibition of work by André Masson at Marlborough Fine Art Limited, London, 1962

 Pamphlet from an exhibition of work by Jan Müller at Stæmpfli, New York, 1964

 Booklet from an exhibition of The Dana Collection at the Institute of Contemporary Art, Boston, 1962

 Booklet from the exhibition “A Great Period of French Painting” at Marlborough Fine Art Limited, London, 1963

 Booklet from the exhibition “The Sea by Milton Avery” at Keene State College (Keene, New Hampshire), The Currier Gallery of Art (Manchester, New Hampshire) and Williams College Museum of Art (Williamstown, Massachusetts), 1971

 The Museum Year: 1970-1971, The Ninety-Fifth Annual Report of the Museum of Fine Arts, Boston

 Pamphlet from the exhibition “From the Louis J. Georgopoulos Collection” at the Manchester Institute of Arts and Sciences, Manchester, New Hampshire, 1973

 Bulletin, The Currier Gallery of Art, Number 2, 1973

 Bulletin, The Currier Gallery of Art, March, 1962  Jewett Arts Center: Catalogue of European and American Sculpture, Paintings and Drawings at Wellesley College by Curtis H. Shell and John McAndrew, 1958

 Pamphlet from an exhibition of the work of C.S. Price at The Downtown Gallery, New York, 1958

 Booklet from the Thirteenth National Print Exhibition at The Brooklyn Museum, 1962

 Booklet from an exhibition of Robert Andrew Parker’s work at the World House Galleries, New York, 1961

 Booklet from an exhibition of paintings by Jannis Spyropoulos at the World House Galleries, New York, 1961

 Booklet from an exhibition of paintings by Jannis Spyropoulos at the World House Galleries, New York, 1963

 Booklet from the exhibition “Meisterwerke der Malerei und Plastik” at the Galerie Wilhelm Grosshennig, Düsseldorf, 1961

 Booklet from the exhibition “Watercolors by Edward Hopper with a Selection of his Etchings” at The Currier Gallery of Art (Manchester, New Hampshire), Museum of Art, Rhode Island School of Design (Providence, Rhode Island), and the Wadsworth Atheneum (Hartford, Connecticut), 1959-1960

 Booklet from the Seventh Annual Exhibition at the Museum of Art of Ogunquit (Ogunquit, Maine), 1959

 Booklet from the exhibition “Abstract Painting in the 70’s: A Selection” at the Museum of Fine Arts, Boston, 1972

 Booklet from an exhibition of Vieira Da Silva’s work at Knoedler Galleries, New York, 1963

 Booklet from the exhibition “The Samuel H. Kress Collection: A Catalog of European Paintings and Sculpture” at The Joe and Emily Lowe Art Gallery of The University of Miami, 1961

 Pamphlet from the exhibition “Color, Material, Form: Bowling, Loving, Mohr” at The Currier Gallery of Art, St. Paul’s School (Concord, New Hampshire), The Heckscher Museum (Huntington, New York), and Kresge Art Center Gallery (Michigan State University), 1982 (there is a photocopied newsclipping about museum additions tucked inside the pamphlet)

 Booklet from an exhibition of work by David Hare at Alessandra Gallery, New York, 1976  Booklet from the exhibition “1958 Biennial: Paintings, Prints, Sculpture” at the Walker Art Center, Minneapolis, Minnesota, 1958

 Booklet from the exhibition “Jan Müller: 1922-1958” at The Solomon R. Guggenheim Museum, New York, 1962

 Booklet from an exhibition of the work of Maryan at Galerie Claude Bernard, Paris, 1970 (in French)

 Booklet from an exhibition of the work of Jean-Pierre Vielfaure at La Galerie du Fleuve, Paris, 1960 (in French)

 Booklet from the exhibition “Famous Likeness” at The Institute of Contemporary Art, Boston, The Columbus Gallery of Fine Arts (Columbus, Ohio), and The Milwaukee Art Center (Milwaukee, Wisconsin), 1961

 Booklet from the exhibition “The Image Lost and Found” at the Metropolitan Boston Arts Center at the Institute of Contemporary Art, Boston (the inaugural exhibition), 1960

 Booklet from the exhibition “Maurice Prendergast, 1859-1924” at the Museum of Fine Arts, Boston, 1960

 Booklet from an exhibition of the work of Maryan at the Galerie de France, Paris, 1965 (there is an invitation to the opening tucked inside the booklet)

Box 68, labeled “Various Artists: Memorabilia,” containing:

 Bulletin, Museum of Fine Arts, Boston, Volume LIX, Number 316, 1961

 Bulletin, Museum of Fine Arts, Boston, Volume LV, Numbers 301-302, Autumn- Winter 1957

 Booklet from the exhibition “Dutch Drawings: Masterpieces of Five Centuries,” circulated by the Smithsonian Institution to the National Gallery of Art (Washington, D.C.), The Pierpont Morgan Library (New York), The Minneapolis Institute of Arts (Minneapolis, Minnesota), Museum of Fine Arts (Boston, Massachusetts), The Cleveland Museum of Art (Cleveland, Ohio), and The Art Institute of Chicago (Chicago, Illinois), 1958-1959

 Booklet from the exhibition “The Age of Rembrandt: An Exhibition of Dutch Paintings of the Seventeenth Century” at the California Palace of the Legion of Honor (San Francisco), The Toledo Museum of Art, and the Museum of Fine Arts, Boston, 1966  Booklet from the exhibition “The Sixth Winnipeg Show” at the Winnipeg Art Gallery (Manitoba, Canada), 1960

 Booklet from the exhibition “16 Younger Minnesota Artists” at the Walker Art Center (Minneapolis), 1960

 Booklet from an exhibition of the work of Fernand Leger at the Galerie Claude Bernard, Paris, 1970 (in French)

 The Museum Year: 1971-1972, The Ninety-Sixth Annual Report of the Museum of Fine Arts, Boston

 Program booklet from the Ninth Annual Boston Arts Festival, 1960

 Modern Paintings, Drawings and Sculptures from the Larry Aldrich Collection, auction catalog from Parke-Bernet Galleries, Inc., New York, 1963

 Booklet from the exhibition “Sculpture/New Hampshire” sponsored by the New Hampshire Visual Arts Coalition (shown in various galleries throughout New Hampshire), Autumn 1981

 Booklet from the exhibition “The Robert Laurent Memorial Exhibition” at the University of New Hampshire (Durham, New Hampshire), 1972-1973

 Booklet from the exhibition “XIX and XX Century European Masters: Paintings, Drawings, Sculptures” at Marlborough Fine Art Limited, London, 1959

 Booklet from the exhibition “Modigliani: Paintings & Drawings” at the Museum of Fine Arts, Boston and the Los Angeles County Museum, 1961 (a stapled newsclipping about Modigliani was found tucked inside the booklet)

 Booklet from an exhibition of paintings and collages by Robert Motherwell at the Sidney Janis Gallery, New York, 1961

 Booklet from the exhibition “View 1960” at the Institute of Contemporary Art, Boston, Massachusetts, circulated by the Smithsonian Institution, 1960

 Booklet from the exhibition “19th and 20th Century Drawings, Watercolours, Sculpture” at Marlborough Fine Art Limited, London, 1961

 Booklet from an exhibition of the work of Serge Poliakoff at the Galerie de France, Paris, 1964 (in French)

 Booklet from an exhibition of work by Ceri Richards at Marlborough New London Gallery, London, 1963  The Bulletin of The Cleveland Museum of Art, Volume Fifty, Number One, January 1963

 Booklet from the exhibition “The British Are Coming! Contemporary British Art” at the De Cordova Museum, Lincoln, Massachusetts, 1975

 Pamphlet from the exhibition “Robert Eshoo: A Decade of Painting and Drawing” at The Currier Gallery of Art, Manchester, New Hampshire, 1981

 Booklet from an exhibition of the work of Egon Schiele, Marlborough Fine Art Limited, London, 1964

 Booklet from the exhibition “Vincent Van Gogh: Paintings, Watercolors and Drawings” at The Baltimore Museum of Art, the Cleveland Museum of Art, Albright Art Gallery (Buffalo, New York), and Museum of Fine Arts, Boston, 1961-1962 (there is a small photograph of the Zimmermans tucked inside the booklet)

 Booklet from the exhibition “A Family Exhibit” at the Knoedler Galleries, New York, 1959