Historic Structure Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lincoln Logs Inventor John Lloyd Wright | Lemelson Center for the Study of Invention and Innovation
8/20/2019 Lincoln Logs Inventor John Lloyd Wright | Lemelson Center for the Study of Invention and Innovation An advertisement for Lincoln Logs, 1925. Courtesy of Period Paper Lincoln Logs Inventor John Lloyd Wright AUGUST 23, 2018 BY MONICA M. SMITH Yes, this popular childhood toy was designed by none other than the son of architect Frank Lloyd Wright! Years ago while conducting research for the Lemelson Center’s Invention at Play exhibition, I was surprised to learn that Lincoln Logs—one of my favorite childhood toys—were designed by John Lloyd Wright, son of world-famous architect Frank Lloyd Wright. Overshadowed by his father, John has received little attention beyond a brief 1982 biography now available online. And he certainly seemed reticent about telling his own story, instead publicly sharing only a few experiences as part of his short, impressionistic 1946 book about Frank titled My Father Who Is On Earth. https://invention.si.edu/lincoln-logs-inventor-john-lloyd-wright 1/5 8/20/2019 Lincoln Logs Inventor John Lloyd Wright | Lemelson Center for the Study of Invention and Innovation Left: John Lloyd Wright in Spring Green, Wisconsin, 1921, ICHi-173783. Right: Frank Lloyd Wright with son John Lloyd Wright, undated., i73784. Courtesy of Chicago History Museum Turns out that John was both a successful toy designer and an architect in, dare I say it, his own right. Here is a brief overview of his story, including the origins of those ever-popular Lincoln Logs. Born in 1892, John Kenneth (later changed to Lloyd) Wright was the second of Frank and Catherine Wright’s six children. -
Historic-Cultural Monument (HCM) List City Declared Monuments
Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No. CF No. Adopted Community Plan Area CD Notes 1 Leonis Adobe 23537 Calabasas Road 08/06/1962 Canoga Park - Winnetka - 3 Woodland Hills - West Hills 2 Bolton Hall 10116 Commerce Avenue & 7157 08/06/1962 Sunland - Tujunga - Lake View 7 Valmont Street Terrace - Shadow Hills - East La Tuna Canyon 3 Plaza Church 535 North Main Street and 100-110 08/06/1962 Central City 14 La Iglesia de Nuestra Cesar Chavez Avenue Señora la Reina de Los Angeles (The Church of Our Lady the Queen of Angels) 4 Angel's Flight 4th Street & Hill Street 08/06/1962 Central City 14 Dismantled May 1969; Moved to Hill Street between 3rd Street and 4th Street, February 1996 5 The Salt Box 339 South Bunker Hill Avenue (Now 08/06/1962 Central City 14 Moved from 339 Hope Street) South Bunker Hill Avenue (now Hope Street) to Heritage Square; destroyed by fire 1969 6 Bradbury Building 300-310 South Broadway and 216- 09/21/1962 Central City 14 224 West 3rd Street 7 Romulo Pico Adobe (Rancho 10940 North Sepulveda Boulevard 09/21/1962 Mission Hills - Panorama City - 7 Romulo) North Hills 8 Foy House 1335-1341 1/2 Carroll Avenue 09/21/1962 Silver Lake - Echo Park - 1 Elysian Valley 9 Shadow Ranch House 22633 Vanowen Street 11/02/1962 Canoga Park - Winnetka - 12 Woodland Hills - West Hills 10 Eagle Rock Eagle Rock View Drive, North 11/16/1962 Northeast Los Angeles 14 Figueroa (Terminus), 72-77 Patrician Way, and 7650-7694 Scholl Canyon Road 11 The Rochester (West Temple 1012 West Temple Street 01/04/1963 Westlake 1 Demolished February Apartments) 14, 1979 12 Hollyhock House 4800 Hollywood Boulevard 01/04/1963 Hollywood 13 13 Rocha House 2400 Shenandoah Street 01/28/1963 West Adams - Baldwin Hills - 10 Leimert City of Los Angeles May 5, 2021 Page 1 of 60 Department of City Planning No. -
How Did Frank Lloyd Wright Establish a New Canon of American
“ The mother art is architecture. Without an architecture of our own we have no soul of our own civilization.” -Frank Lloyd Wright How did Frank Lloyd Wright establish a new canon of American architecture? Frank Lloyd Wright (1867-1959) •Considered an architectural/artistic genius and THE best architect of last 125 years •Designed over 800 buildings •Known for ‘Prairie Style’ (really a movement!) architecture that influenced an entire group of architects •Believed in “architecture of democracy” •Created an “organic form of architecture” Prairie School The term "Prairie School" was coined by H. Allen Brooks, one of the first architectural historians to write extensively about these architects and their work. The Prairie school shared an embrace of handcrafting and craftsmanship as a reaction against the new assembly line, mass production manufacturing techniques, which they felt created inferior products and dehumanized workers. However, Wright believed that the use of the machine would help to create innovative architecture for all. From your architectural samples, what may we deduce about the elements of Wright’s work? Prairie School • Use of horizontal lines (thought to evoke native prairie landscape) • Based on geometric forms . Flat or hipped roofs with broad overhanging eaves . “Environmentally” set: elevations, overhangs oriented for ventilation . Windows grouped in horizontal bands called ribbon fenestration that used shifting light . Window to wall ratio affected exterior & interior . Overhangs & bays reach out to embrace . Integration with the landscape…Wright designed inside going out . Solid construction & indigenous materials (brick, wood, terracotta, stucco…natural materials) . Open continuous plan & spaces; use of dissolving walls, but connected spaces Prairie School •Designed & used “glass screens” that echoed natural forms •Created Usonian homes for the “masses” Frank Lloyd Wright, Darwin D. -
Reciprocal Sites Membership Program
2015–2016 Frank Lloyd Wright National Reciprocal Sites Membership Program The Frank Lloyd Wright National Reciprocal Sites Program includes 30 historic sites across the United States. FLWR on your membership card indicates that you enjoy the National Reciprocal sites benefit. Benefits vary from site to site. Please check websites listed in this brochure for detailed information on each site. ALABAMA ARIZONA CALIFORNIA FLORIDA 1 Rosenbaum House 2 Taliesin West 3 Hollyhock House 4 Florida Southern College 601 RIVERVIEW DRIVE 12621 N. FRANK LLOYD WRIGHT BLVD BARNSDALL PARK 750 FRANK LLOYD WRIGHT WAY FLORENCE, AL 35630 SCOTTSDALE, AZ 85261-4430 4800 HOLLYWOOD BLVD LAKELAND, FL 33801 256.718.5050 480.860.2700 LOS ANGELES, CA 90027 863.680.4597 ROSENBAUMHOUSE.COM FRANKLLOYDWRIGHT.ORG 323.644.6269 FLSOUTHERN.EDU/FLW WRIGHTINALABAMA.COM FOR UP-TO-DATE INFORMATION BARNSDALL.ORG FOR UP-TO-DATE INFORMATION FOR UP-TO-DATE INFORMATION TOUR HOURS: 9AM–4PM FOR UP-TO-DATE INFORMATION TOUR HOURS: TOUR HOURS: BOOKSHOP HOURS: 8:30AM–6PM TOUR HOURS: THURS–SUN, 11AM–4PM OPEN ALL YEAR, EXCEPT OPEN ALL YEAR, EXCEPT TOUR TICKETS AVAILABLE AT THE THANKSGIVING, CHRISTMAS AND NEW Experience firsthand Frank Lloyd MAJOR HOLIDAYS. HOLLYHOCK HOUSE VISITOR’S CENTER YEAR’S DAY. 10AM–4PM Wright’s brilliant ability to integrate TUES–SAT, 10AM–4PM IN BARNSDALL PARK. VISITOR CENTER & GIFT SHOP HOURS: SUN, 1PM–4PM indoor and outdoor spaces at Taliesin Hollyhock House is Wright’s first 9:30AM–4:30PM West—Wright’s winter home, school The Rosenbaum House is the only Los Angeles project. Built between and studio from 1937-1959, located Discover the largest collection of Frank Lloyd Wright-designed 1919 and 1923, it represents his on 600 acres of dramatic desert. -
The 20Th-Century Architecture of Frank Lloyd Wright National Locator Unity Temple, Oak Park, Illinois
The 20th-Century Architecture of Frank Lloyd Wright National Locator Unity Temple, Oak Park, Illinois 87.800° W 87.795° W 87.790° W Erie St N Grove Ave Grove N 41.8902° N, 87.7947° W Ontario St 41.8901° N, 87.7992° W E E 41.890° N 41.890° N Austin Garden Park Scoville Park N Euclid Ave Euclid N N Linden Ave Linden N Forest Ave Forest N Oak Park Ave Park Oak N N Kenilworth Ave Kenilworth N Lake St Unity Temple ! 41.888° N 41.888° N E 41.8878° N, 87.7995° W E North Blvd 41.8874° N, 87.7946° W South Blvd 41.886° N 41.886° N Home Ave Home S Grove Ave Grove S S Euclid Ave Euclid S S Clinton Ave Clinton S S Wesley Ave Wesley S S Oak Park Ave Park Oak S S Kenilworth Ave Kenilworth S 87.800° W 87.795° W Pleasant St 87.790° W Nominated National Historic Projection: Lambert Conformal Conic 1:4,500 Green Space/Park Datum: North American Datum 1983 Property Landmark Production Date: October 2015 0 100 Meters ! Gould Center, Department of Geography ¹ Buffer Zone Center Point Buildings The Pennsylvania State University Frederick C. Robie House, Chicago, Illinois Frederick C. Robie House, Chicago, Illinois 87.600° W 87.598° W 87.596° W Ave Kimbark S 87.594° W 87.592° W S Woodlawn Ave Woodlawn S E 57th St 41.791° N 41.791° N S Kimbark Ave Kimbark S 41.7904° N, 87.5972° W E41.7904 N, 87.5957° W S Ellis Ave Ellis S E S Kenwood Avenue Kenwood S Frederick C. -
Individual Artist Fellowships C.O.L.A
INDIVIDUAL ARTIST FELLOWSHIPS C.O.L.A. 2013 C.O.L.A. 2013 INDIVIDUAL ARTIST FELLOWSHIPS Department of Cultural Affairs City of Los Angeles This catalog accompanies an exhibition and performance series sponsored by the City of Los CITY OF Angeles Department of Cultural Affairs featuring LOS ANGELES its C.O.L.A. 2013 Individual Artist Fellowship recipients in the visual and performing arts. 2013 INDIVIDUAL Exhibition: May 19 to July 7, 2013 ARTIST Los Angeles Municipal Art Gallery FELLOWSHIPS Barnsdall Park Opening Reception: May 19, 2013, 2 to 5 p.m. Performances: June 28, 2013 Grand Performances 2 Antonio R. Villaraigosa LOS ANGELES CITY COUNCIL CULTURAL AFFAIRS COMMISSION Department of Cultural Affairs DEPARTMENT OF CULTURAL AffaiRS Mayor City of Los Angeles City of Los Angeles City of Los Angeles Ed P. Reyes, District 1 York Chang Paul Krekorian, District 2 President Olga Garay-English Aileen Adams Dennis P. Zine, District 3 The Department of Cultural Affairs (DCA) generates and supports high-quality Executive Director Deputy Mayor Tom LaBonge, District 4 Josephine Ramirez arts and cultural experiences for Los Angeles’s 4 million residents and 40 million Strategic Partnerships Paul Koretz, District 5 Vice President Senior Staff Tony Cardenas, District 6 annual overnight and day visitors. DCA advances the social and economic impact of the arts and ensures access to diverse and enriching cultural activities through Richard Alarcon, District 7 Maria Bell Matthew Rudnick Bernard C. Parks, District 8 Annie Chu grant making, marketing, public art, community arts programming, arts education, Assistant General Manager Jan Perry, District 9 Charmaine Jefferson and building partnerships with artists and arts and cultural organizations in Herb J. -
National Register of Historic Places Registration Form This Form Is for Use in Nominating Or Requesting Determinations for Individual Properties and Districts
NPS Form 10-900 \M/IVIUJ i ^vy. (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property___________________________________________________________ historic name Wayfarers Chapel ________________________________ other names/site number__________________________________________ 2. Location ___________________________ street & number 5755 Palos Verdes Drive South_______ NA d not for publication city or town Rancho Palos Verdes________________ NAD vicinity state California_______ code CA county Los Angeles. code 037_ zip code 90275 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this C3 nomination D request f fr*d; (termination -
Preserving the Textile Block at Florida Southern College a Report Prepared for the World Monuments Fund Jeffrey M
Preserving the Textile Block at Florida Southern College A Report Prepared for the World Monuments Fund Jeffrey M. Chusid, Preservation Architect 18 September 2009 ISBN-10: 1-890879-43-6 ISBN-13: 978-1-890879-43-3 © 2011 World Monuments Fund 2 Letter from World Monuments Fund President Bonnie Burnham 4 Letter from Florida Southern President Anne B. Kerr, Ph.D. 5 Executive Summary 6 Introduction 7 Preservation Philosophy 7 History and Significance 10 Ideas behind the System 10 Description of the System 10 Conservation Issues with the System in Earlier Sites 13 Recent Conservation Projects at the Storer, Freeman, and Ennis Houses 14 Florida Southern College 16 A History of Changes 18 Site Conditions and Analysis 19 Contents Prior research and observations 19 WMF Site visit 19 Taxonomy of Conservation Problems in the Textile-Block System 20 Issues and Challenges 22 The Textile-Block System 22 The Block 23 Methodologies 24 Conservation 25 Recommendations 26 Appendix A: Visual Conditions Documentation 29 Appendix B: Team Members 38 3 In April 2009, World Monuments Fund was honored to convene a historic gathering of historians, architects, conservators, craftsmen, and scientists at Florida Southern College to explore Frank Lloyd Wright’s use of ornamental concrete textile block construction. To Wright, this material was a highly expressive, decorative, and practical approach to create monumental yet affordable buildings. Indeed, some of his most iconic structures, including the Ennis House in Los Angeles, utilized the textile block system. However, like so many of Wright’s experiments with materials and engineering, textile block has posed major challenges to generations of building owners, architects, and conservators who have struggled with the system’s material and structural performance. -
2019 – 2020 Frank Lloyd Wright National Reciprocal Sites Membership Program
2019 – 2020 FRANK LLOYD WRIGHT NATIONAL RECIPROCAL SITES MEMBERSHIP PROGRAM THE FRANK LLOYD WRIGHT NATIONAL RECIPROCAL SITES PROGRAM IS AN ALLIANCE OF FRANK LLOYD WRIGHT ORGANIZATIONS THAT OFFER RECIPROCAL BENEFITS TO PARTICIPATING MEMBERS. Frank Lloyd Wright sites and organizations listed here are independently For questions about the Frank Lloyd Wright National Reciprocal Sites owned, managed and operated. Reciprocal Members are advised to contact Membership Program please contact your institution’s membership sites prior to their visit for tour and site information. Phone numbers and department. Each site / organization may handle processing differently. websites are provided for your convenience. This icon indicates a 10% shop discount. You must present a membership card bearing the “FLWR” identifier to claim these benefits at reciprocal sites. 2019 – 2020 MEMBER BENEFITS ARIZONA THE ROOKERY 209 S LaSalle St Chicago, IL 60604 TALIESIN WEST lwright.org 312.994.4000 12345 N Taliesin Dr Scottsdale, AZ 85259 Beneits: Two complimentary tours franklloydwright.org 888.516.0811 Beneits: Two complimentary admissions to the 90-minute Insights tours. INDIANA Reservations recommended. THE JOHN AND CATHERINE CHRISTIAN HOUSE-SAMARA CALIFORNIA 1301 Woodland Ave West Lafayette, IN 47906 samara-house.org 765.409.5522 HOLLYHOCK HOUSE Beneits: One complimentary tour 4800 Hollywood Blvd Los Angeles, CA 90026 barnsdall.org IOWA Beneits: Two complimentary self-guided tours MARIN COUNTY CIVIC CENTER THE HISTORIC PARK INN HOTEL (CITY NATIONAL BANK AND 3501 -
Frank Lloyd Wright
'SBOL-MPZE8SJHIU )JTUPSJD"NFSJDBO #VJMEJOHT4VSWFZ '$#PHL)PVTF $PNQJMFECZ.BSD3PDILJOE Frank Lloyd Wright Historic American Buildings Survey Sample: F. C. Bogk House Compiled by Marc Rochkind Frank Lloyd Wright: Historic American Buildings Survey, Sample Compiled by Marc Rochkind ©2012,2015 by Marc Rochkind. All rights reserved. No part of this book may be transmitted or reproduced in any form or by any means (including electronic) without permission in writing from the copyright holder. Copyright does not apply to HABS materials downloaded from the Library of Congress website, although it does apply to the arrangement and formatting of those materials in this book. For information about other works by Marc Rochkind, including books and apps based on Library of Congress materials, please go to basepath.com. Introduction The Historic American Buildings Survey (HABS) was started in 1933 as one of the New Deal make-work programs, to employ jobless architects, draftspeople, and photographers. Its purpose is to document the nation’s architectural heritage, especially those buildings that are in danger of ruin or deliberate destruction. Today, the HABS is part of the National Park Service and its repository is in the Library of Congress, much of which is available online at loc.gov. Of the tens of thousands HABS buildings, I found 44 Frank Lloyd Wright designs that have been digitized. Each HABS survey includes photographs and/or drawings and/or a report. I’ve included here what the Library of Congress had–sometimes all three, sometimes two of the three, and sometimes just one. There might be a single photo or drawing, or, such as in the case of Florida Southern College (in volume two), over a hundred. -
Adiant P Ressions
Radiant Impressions Note to Teachers UCI Institute and Museum of California Art (IMCA) aims to be a resource to educators and students by offering school visits, programs, digital tools, and activities designed for grades 3–12 that contribute to the development of stronger critical-thinking skills, empathy, and curiosity about art and culture. When students are encouraged to express themselves and take risks in discussing and creating art, they awaken their imaginations and nurture their creative and innovative potential. School visits offer opportunities for students to develop observation and interpretation skills using visual and sensory information, build knowledge independently and with one another, and cultivate an interest in artistic production. This Teacher Resource Guide includes essays, artist biographies, strategies for interdisciplinary curriculum integration, discussion questions, methods for teaching with objects, a vocabulary list, and activities for three works in IMCA’s collection that are included in the exhibition Radiant Impressions. About the Exhibition From California Impressionism to the Light and Space movement, California artists have been celebrated for their skillful rendering of the perceptual effects of light. Focusing on painters working in California throughout the 20th century, Radiant Impressions considers the ways these artists have engaged with light not only for its optical qualities Radiant Impressions but also for its power to infuse ephemeral moments with meaning and emotion. Whether the warm golden tones of the California sun or the intense glow of electric bulbs, light in these paintings communicates a sense of anticipation, celebration, rest, and reflection. Presenting works organized in thematic groupings—The Domestic Realm and Work, Capturing the Scene, Play and the Social Sphere, and Lighting the Portrait—the exhibition brings together a diverse selection of landscapes and portraiture as well as genre scenes depicting people at work and at play. -
A Rccaarchitecture California the Journal of the American Institute Of
architecture california the journal of the american institute of architects california council a r cCA aiacc design awards issue 04.3 photo finish ❉ Silent Archives ❉ AIACC Member Photographs ❉ The Subject is Architecture arcCA 0 4 . 3 aiacc design a wards issue p h o t o f i n i s h Co n t e n t Tracking the Awards 8 Value of the 25 Year Award 10 ❉ Eric Naslund, FAIA Silent Archives: 14 In the Blind Spot of Modernism ❉ Pierluigi Serraino, Assoc. AIA AIACC Member Photographs 18 ❉ AIACC membership The Subject is Architecture 30 ❉ Ruth Keffer AIACC 2004 AWARDS 45 Maybeck Award: 48 Daniel Solomon, FAIA Firm of the Year Award: 52 Marmol Radziner and Associates Lifetime Achievement 56 Award: Donlyn Lyndon, FAIA ❉ Interviewed by John Parman Lifetime Achievement 60 Award: Daniel Dworsky, FAIA ❉ Interviewed by Christel Bivens Kanda Design Awards 64 Reflections on the Awards 85 Jury: Eric Naslund, FAIA, and Hugh Hardy, FAIA ❉ Interviewed by Kenneth Caldwell Savings By Design A w a r d s 88 Co m m e n t 03 Co n t r i b u t o r s 05 C r e d i t s 9 9 Co d a 1 0 0 1 arcCA 0 4 . 3 Editor Tim Culvahouse, AIA a r c C A is dedicated to providing a forum for the exchange of ideas among mem- bers, other architects and related disciplines on issues affecting California archi- Editorial Board Carol Shen, FAIA, Chair tecture. a r c C A is published quarterly and distributed to AIACC members as part of their membership dues.