Screening TED: a Rhetorical Analysis of the Intersections of Rhetoric, Digital Media, and Pedagogy
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Twitter, Myspace and Facebook Demystified - by Ted Janusz
Twitter, MySpace and Facebook Demystified - by Ted Janusz Q: I hear people talking about Web sites like Twitter, MySpace and Facebook. What are they? And, even more importantly, should I be using them to promote oral implantology? First, you are not alone. A recent survey showed that 70 percent of American adults did not know enough about Twitter to even have an opinion. Tools like Twitter, Facebook and MySpace are components of something else you may have heard people talking about: Web 2.0 , a popular term for Internet applications in which the users are actively engaged in creating and distributing Web content. Web 1.0 probably consisted of the Web sites you saw back in the late 90s, which were nothing more than fancy electronic brochures. Web 1.5 would have been something like Amazon or eBay, sites on which one could buy, sell and leave reviews. What Web 3.0 will look like is anybody's guess! Let's look specifically at the three applications that you mentioned. Tweet, Tweet Twitter - "Twitter is like text messaging, only you can also do it from the Web," says Dan Tynan, the author of the Tynan on Technology blog. "Instead of sending a message to just one person, you can send it to thousands of people at once. You can choose to follow anyone's update (called "tweets") simply by clicking the Follow button on their profile, or vice-versa. The only rule is that each tweet can be no longer than 140 characters." Former CEO of Twitter Jack Dorsey once accepted an award for Twitter by saying, "We'd like to thank you in 140 characters or less. -
“I Don't Care for My Other Books, Now”
THE LIBRARY University of California, Berkeley | No. 29 Fall 2013 | lib.berkeley.edu/give Fiat Lux “I don’t care for my other books, now” MARK TWAIN’S AUTOBIOGRAPHY CONTINUED by Benjamin Griffin, Mark Twain Project, Bancroft Library Mark Twain’s complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. The eagerly-awaited Volume 2 delves deeper into Twain’s life, uncovering the many roles he played in his private and public worlds. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Like its predecessor, Volume 2 mingles a dia- ry-like record of Mark Twain’s daily thoughts and doings with fragmented and pungent portraits of his earlier life. And, as before, anything which Mark Twain had written but hadn’t, as of 1906–7, found a place to publish yet, might go in: Other autobiographies patiently and dutifully“ follow a planned and undivergent course through gardens and deserts and interesting cities and dreary solitudes, and when at last they reach their appointed goal they are pretty tired—and they The one-hundred-year edition comprises what have been frequently tired during the journey, too. could be called a director’s cut, says editor Ben But this is not that kind of autobiography. This one Griffin. “It hasn’t been cut to size or made to fit is only a pleasure excursion. the requirements of the market or brought into ” continued on page 6-7 line with notions of public decency. -
Utilizing Ted Video to Improve Students' Public Speaking
UTILIZING TED VIDEO TO IMPROVE STUDENTS’ PUBLIC SPEAKING SKILLS FOR ACADEMIC PURPOSES THESIS Submitted by: ZAHRIANI Student of Faculty of Education and Teacher Training Department of English Language Education Reg. No: 231324165 FACULTY OF EDUCATION AND TEACHER TRAINING AR-RANIRY STATE ISLAMIC UNIVERSITY DARUSSALAM – BANDA ACEH 2018 M/1440 H ACKNOWLEDGEMENT Alhamdulillah, all praises be to Allah, God the Almighty; the Most Exalted; the Compassionate and the Merciful; the King who owns the power over all the creatures; He, who always blesses and gives the researcher health, strength and passion to accomplish her thesis.Also, shalawat and salam be upon the Prophet Muhammad (peace be upon him) whom together with his family and companions has struggled wholeheartedly to guide his ummah to the right path. The researcher dedicates and unlimited gratitude her appreciation to her supervisors, Mr. Syamsul Bahri, S.Ag., M.TESOL and Mr. Drs. Amiruddin for their valuable guidance and advice in completing this thesis entitled: Utilizing TED Video to Improve Students’ Public Speaking Skills for Academic Purposes. And also to the people who have contributed to this research. The researcher also would like to dedicate her debt of gratitude which is owned to her her beloved father, Drh. Saad Zaglul Pasha and mother, Anisah, S.Pd (Almh.) for their sacrifice and prayers, might Allah grant him jannah, without their love and du’a, this thesis would not have been possible.Then she thanks all her sisters, Zahraini Maghfirah, ST, and Zahrina, S.Sos.I, and her brothers Zamroni Pasha, ST, and also all members of her big family. -
100000 Podcasts
100,000 Podcasts: A Spoken English Document Corpus Ann Clifton Sravana Reddy Yongze Yu Spotify Spotify Spotify [email protected] [email protected] [email protected] Aasish Pappu Rezvaneh Rezapour∗ Hamed Bonab∗ Spotify University of Illinois University of Massachusetts [email protected] at Urbana-Champaign Amherst [email protected] [email protected] Maria Eskevich Gareth J. F. Jones Jussi Karlgren CLARIN ERIC Dublin City University Spotify [email protected] [email protected] [email protected] Ben Carterette Rosie Jones Spotify Spotify [email protected] [email protected] Abstract Podcasts are a large and growing repository of spoken audio. As an audio format, podcasts are more varied in style and production type than broadcast news, contain more genres than typi- cally studied in video data, and are more varied in style and format than previous corpora of conversations. When transcribed with automatic speech recognition they represent a noisy but fascinating collection of documents which can be studied through the lens of natural language processing, information retrieval, and linguistics. Paired with the audio files, they are also a re- source for speech processing and the study of paralinguistic, sociolinguistic, and acoustic aspects of the domain. We introduce the Spotify Podcast Dataset, a new corpus of 100,000 podcasts. We demonstrate the complexity of the domain with a case study of two tasks: (1) passage search and (2) summarization. This is orders of magnitude larger than previous speech corpora used for search and summarization. Our results show that the size and variability of this corpus opens up new avenues for research. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Rethinking the Participatory Web: a History of Hotwired's “New Publishing Paradigm,” 1994–1997
University of Groningen Rethinking the participatory web Stevenson, Michael Published in: New Media and Society DOI: 10.1177/1461444814555950 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2016 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Stevenson, M. (2016). Rethinking the participatory web: A history of HotWired's 'new publishing paradigm,' 1994-1997. New Media and Society, 18(7), 1331-1346. https://doi.org/10.1177/1461444814555950 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. -
Understanding Black Feminism Through the Lens of Beyoncé’S Pop Culture Performance Kathryn M
Seattle aP cific nivU ersity Digital Commons @ SPU Honors Projects University Scholars Spring June 7th, 2018 I Got Hot Sauce In My Bag: Understanding Black Feminism Through The Lens of Beyoncé’s Pop Culture Performance Kathryn M. Butterworth Follow this and additional works at: https://digitalcommons.spu.edu/honorsprojects Part of the Feminist, Gender, and Sexuality Studies Commons, and the Race, Ethnicity and Post- Colonial Studies Commons Recommended Citation Butterworth, Kathryn M., "I Got Hot Sauce In My Bag: Understanding Black Feminism Through The Lens of Beyoncé’s Pop Culture Performance" (2018). Honors Projects. 81. https://digitalcommons.spu.edu/honorsprojects/81 This Honors Project is brought to you for free and open access by the University Scholars at Digital Commons @ SPU. It has been accepted for inclusion in Honors Projects by an authorized administrator of Digital Commons @ SPU. I GOT HOT SAUCE IN MY BAG: UNDERSTANDING BLACK FEMINISM THROUGH THE LENS OF BEYONCÉ’S POP CULTURE PREFORMANCE by KATHRYN BUTTERWORTH FACULTY ADVISOR, YELENA BAILEY SECOND READER, CHRISTINE CHANEY A project submitted in partial fulfillment of the requirements of the University Scholars Program Seattle Pacific University 2018 Approved_________________________________ Date____________________________________ Abstract In this paper I argue that Beyoncé’s visual album, Lemonade, functions as a textual hybrid between poetry, surrealist aesthetics and popular culture—challenging the accepted understanding of cultural production within academia. Furthermore, Lemonade centers black life while presenting mainstream audiences with poetry and avant-garde imagery that challenge dominant views of black womanhood. Using theorists bell hooks, Stuart Hall, Patricia Hill- Collins and Audre Lorde, among others, I argue that Beyoncé’s work challenges the understanding of artistic production while simultaneously fitting within a long tradition of black feminist cultural production. -
PAC Letterhead
NEWS RELEASE Contact: Erica Meza, Marketing and Strategic Communications Manager [email protected]; 210-486-3881 (o); 719-429-9838 (c) Sept. 22, 2020 TEDxPaloAltoCollege to inspire hope in third annual event, hosted virtually Alamo Colleges District-Palo Alto College will host the third annual TEDxPaloAltoCollege on Saturday, Sept. 26. The event will be livestreamed for free on Facebook and YouTube from 2–4 p.m. The independently produced event, operated under a license from the TED organization, was organized by faculty and staff volunteers and is aimed at creating dialogue and giving people a forum to share their passions, ideas, and experiences through the event theme – “Hope Rising.” “Over the past few years, one of our key community-building events has been our annual TEDxPaloAltoCollege, a carefully curated event that brings people together to consider new ideas,” said Dr. Robert Garza, president of Palo Alto College. “We knew how important it would be to present our annual TEDx event – albeit virtually. We hope that all of our participants leave the event inspired and with a sense of hope and purpose for a brighter tomorrow.” The two-hour event will feature short, powerful talks and performances from various activists, business leaders, artists, and athletes. Each speaker was carefully selected to present unique ideas covering a diverse list of topics all aligned with the theme “Hope Rising.” TEDxPaloAltoCollege Speaker List (bios are available at tedxpaloaltocollege.org/speakers) • Andrea “Vocab” Sanderson, the first African American -
Rethinking the Participatory Web Final
Preprint version of Stevenson, Michael. 2014. “Rethinking the Participatory Web: A History of HotWired’s ‘New Publishing Paradigm,’ 1994–1997.” New Media & Society, October. doi: 10.1177/1461444814555950. Title Rethinking the participatory web: A history of HotWired’s ‘new publishing paradigm,’ 1994-1997. Author Michael Stevenson University of Amsterdam [email protected] Abstract This article critically interrogates key assumptions in popular web discourse by revisiting an early example of web ‘participation.’ Against the claim that Web 2.0 technologies ushered in a new paradigm of participatory media, I turn to the history of HotWired, Wired magazine’s ambitious web-only publication launched in 1994. The case shows how debates about the value of amateur participation vis-à-vis editorial control have long been fundamental to the imagination of the web’s difference from existing media. It also demonstrates how participation may be conceptualized and designed in ways that extend (rather than oppose) 'old media' values like branding and a distinctive editorial voice. In this way, HotWired's history challenges the technology-centric change narrative underlying Web 2.0 in two ways: first, by revealing historical continuity in place of rupture, and, second, showing that 'participation' is not a uniform effect of technology, but rather something constructed within specific social, cultural and economic contexts. Keywords web history, participation, Web 2.0, cyberculture, digital utopianism, Wired !1 Introduction In the mid-2000s, a series of popular accounts celebrating the web’s newfound potential for participatory media appeared, from Kevin Kelly’s (2005) proclamation that active audiences were performing a ‘bottom-up takeover’ of traditional media and Tim O’Reilly’s (2005) definition of ‘Web 2.0’ to Time’s infamous 2006 decision to name ‘You’ as the person of the year (Grossman, 2006). -
Download Transcript
MoS Episode Transcript: Reid Hoffman MATTHEW MERCER: After days of tumultuous travel through harsh rain and biting winds, you finally ascend the cold, granite steps outside the gates of the mountain city of Grimgoleir. Glancing amongst your comrades from under your soaked cloak, you reach out for the heavy brass knocker and hammer the massive stone door three times. REID HOFFMAN: That's Matthew Mercer, creator of the hit Dungeons and Dragons web series called Critical Role. And right now, Matthew is your Game Master — the central storyteller in a game of Dungeons & Dragons. Which means: Your fate is in his hands. Listen carefully, because he has a question for you. One that could mean the difference between heroic success and epic failure. MERCER: A stillness takes the air, the sounds of rain almost fading as the door slowly opens, releasing the stench of death from within the chambers. Your eyes catch nearby torch light inside, and what appears to be an armored ghoul, slick with fresh blood as it drops some errant piece of a recent kill, and turns its head towards you with a growl. What would you like to do? VOICE: I’m going to stab that nasty ghoul with my magical scimitar and save the day! Come on, lucky sevens! Oh come on — a one? MERCER: Oh, you quickly draw your scimitar, the cold metal warming with the flames that magically dance across its surface as you rush the undead beast, but in your haste, you failed to notice the body on the ground hidden in shadow, catching your foot as your stumble forward, barely catching yourself before you come to stop right at the feet of the now-grinning ghoul. -
An Analysis of Commenting Behavior on TED Talks Videos
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Université de Montréal A Community of Curious Souls: An Analysis of Commenting Behavior on TED Talks Videos Andrew Tsou1*, Mike Thelwall2, Philippe Mongeon3, Cassidy R. Sugimoto1 1 School of Informatics and Computing, Indiana University, Bloomington, Indiana, United States of America, 2 School of Technology, University of Wolverhampton, Wolverhampton, United Kingdom, 3 E´cole de bibliothe´conomie et des sciences de l’information, Universite´ de Montre´al, Montre´al, Que´bec, Canada Abstract The TED (Technology, Entertainment, Design) Talks website hosts video recordings of various experts, celebrities, academics, and others who discuss their topics of expertise. Funded by advertising and members but provided free online, TED Talks have been viewed over a billion times and are a science communication phenomenon. Although the organization has been derided for its populist slant and emphasis on entertainment value, no previous research has assessed audience reactions in order to determine the degree to which presenter characteristics and platform affect the reception of a video. This article addresses this issue via a content analysis of comments left on both the TED website and the YouTube platform (on which TED Talks videos are also posted). It was found that commenters were more likely to discuss the characteristics of a presenter on YouTube, whereas commenters tended to engage with the talk content on the TED website. In addition, people tended to be more emotional when the speaker was a woman (by leaving comments that were either positive or negative). The results can inform future efforts to popularize science amongst the public, as well as to provide insights for those looking to disseminate information via Internet videos. -
Philip G. Zimbardo
PHILIP G. ZIMBARDO An Oral History conducted by Daniel Hartwig STANFORD HISTORICAL SOCIETY ORAL HISTORY PROGRAM Stanford University ©2017 2 Ferne Millen Photography Philip G. Zimbardo, 2015 3 4 Contents Publisher’s Note p. 9 Introduction p. 11 Abstract p. 13 Biography p. 15 Part One—May 9, 2016 p. 19 Ancestors, childhood, and family life in New York Temporary move to California High school classmate Stanley Milgram Milgram’s obedience experiments and career Stanford Prison Experiment Undergraduate education Social activism Part Two—September 1, 2016 p. 67 Graduate study at Yale Teaching at New York University Research on deindividuation Social activism Harlem Summer Project Vietnam War Malcolm X International European Social Psychology Summer Program Part Three—September 1, 2016 p. 97 Columbia University Joining Stanford faculty 5 Stanford Psychology Department Resident faculty at Cedro Teaching methods Psychology & Life Faculty and colleagues 1960s, activism, Vietnam War Social Psychology in Action Birth of the Stanford Prison Experiment Stanford Shyness Project Part Four—December 9, 2016 p. 145 End of the Stanford Prison Experiment Stanford Shyness Clinic Zimbardo Time Perspective Inventory Mind control Madness Part Five—December 9, 2016 p. 163 Discontinuity and paranoia Discovering Psychology Teaching psychology at Stanford American Psychological Association 9/11, terrorism Abu Ghraib Retirement The Lucifer Effect Heroic Imagination Project Part Six—March 12, 2017 p. 207 Man Interrupted, A Boy Disconnected Heroic Imagination Project Discovering Psychology 6 Recruitment of minorities and women Mentoring graduate students Applied psychology Program in Human Biology Part Seven—March 12, 2017 p. 245 Music Department, Stanley Getz Activism Psi Chi, the Psychology Honor Society Reflections and accomplishments Curriculum Vitae p.