Rethinking the Participatory Web: a History of Hotwired's “New Publishing Paradigm,” 1994–1997
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Delivering Timely Environmental Information to Your Community
United States Office of Research and Development EPA/625/R-01/010 Environmental Protection Office of Environmental Information September 2001 Agency Washington, DC 20460 http://www.epa.gov/empact Delivering Timely Environmental Information to Your Community The Boulder Area Sustainability Information Network (BASIN) E M P A C T Environmental Monitoring for Public Access & Community Tracking Disclaimer This document has been reviewed by the U. S. Environmental Protection Agency (EPA) and ap- proved for publication. Mention of trade names or commercial products does not constitute en- dorsement or recommendation of their use. EPA/625/R-01/010 September 2001 Delivering Timely Environmental Information to Your Community The Boulder Area Sustainability Information Network (BASIN) United States Environmental Protection Agency Office of Research and Development National Risk Management Research Laboratory Cincinnati, OH 45268 Recycled/Recyclable Printed with vegetable- based ink on paper that contains a minimum of 50% post-consumer fiber content processed chlorine free CONTRIBUTORS Dr. Dan Petersen of the U.S. Environmental Protection Agency (EPA), National Risk Management Laboratory, served as principal author of this handbook and managed its development with support of Pacific Environmental Services, Inc., an EPA contractor. The following contributing authors represent the BASIN team and provided valuable assistance for the development of the handbook: BASIN Team Larry Barber, United States Geological Survey (USGS), Boulder, Colorado Michael -
“I Don't Care for My Other Books, Now”
THE LIBRARY University of California, Berkeley | No. 29 Fall 2013 | lib.berkeley.edu/give Fiat Lux “I don’t care for my other books, now” MARK TWAIN’S AUTOBIOGRAPHY CONTINUED by Benjamin Griffin, Mark Twain Project, Bancroft Library Mark Twain’s complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. The eagerly-awaited Volume 2 delves deeper into Twain’s life, uncovering the many roles he played in his private and public worlds. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Like its predecessor, Volume 2 mingles a dia- ry-like record of Mark Twain’s daily thoughts and doings with fragmented and pungent portraits of his earlier life. And, as before, anything which Mark Twain had written but hadn’t, as of 1906–7, found a place to publish yet, might go in: Other autobiographies patiently and dutifully“ follow a planned and undivergent course through gardens and deserts and interesting cities and dreary solitudes, and when at last they reach their appointed goal they are pretty tired—and they The one-hundred-year edition comprises what have been frequently tired during the journey, too. could be called a director’s cut, says editor Ben But this is not that kind of autobiography. This one Griffin. “It hasn’t been cut to size or made to fit is only a pleasure excursion. the requirements of the market or brought into ” continued on page 6-7 line with notions of public decency. -
Print Journalism: a Critical Introduction
Print Journalism A critical introduction Print Journalism: A critical introduction provides a unique and thorough insight into the skills required to work within the newspaper, magazine and online journalism industries. Among the many highlighted are: sourcing the news interviewing sub-editing feature writing and editing reviewing designing pages pitching features In addition, separate chapters focus on ethics, reporting courts, covering politics and copyright whilst others look at the history of newspapers and magazines, the structure of the UK print industry (including its financial organisation) and the development of journalism education in the UK, helping to place the coverage of skills within a broader, critical context. All contributors are experienced practising journalists as well as journalism educators from a broad range of UK universities. Contributors: Rod Allen, Peter Cole, Martin Conboy, Chris Frost, Tony Harcup, Tim Holmes, Susan Jones, Richard Keeble, Sarah Niblock, Richard Orange, Iain Stevenson, Neil Thurman, Jane Taylor and Sharon Wheeler. Richard Keeble is Professor of Journalism at Lincoln University and former director of undergraduate studies in the Journalism Department at City University, London. He is the author of Ethics for Journalists (2001) and The Newspapers Handbook, now in its fourth edition (2005). Print Journalism A critical introduction Edited by Richard Keeble First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX9 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Selection and editorial matter © 2005 Richard Keeble; individual chapters © 2005 the contributors All rights reserved. -
A Slice of Life in My Virtual Community Howard Rheingold
A Slice of Life in My Virtual Community Howard Rheingold I'm a writer, so I spend a lot of time alone in a room with my words and my thoughts. On occasion, I venture outside to interview people or to find information. After work, I reenter the human community, via my family, my neighborhood, my circle of acquaintances. But that regime left me feeling isolated and lonely during the working day, with few opportunities to expand my circle of friends. For the past seven years, however, I have participated in a wide-ranging, intellectually stimulating, professionally rewarding, sometimes painful, and often intensely emotional ongoing interchange with dozens of new friends, hundreds of colleagues, thousands of acquaintances. And I still spend many of my days in a room, physically isolated. My mind, however, is linked with a worldwide collection of like-minded (and not so like-minded) souls: My virtual community. Virtual communities emerged from a surprising intersection of humanity and technology. When the ubiquity of the world telecommunications network is combined with the information-structuring and storing capabilities of computers, a new communication medium becomes possible. As we've learned from the history of the telephone, radio, television, people can adopt new communication media and redesign their way of life with surprising rapidity. Computers, modems, and communication networks furnish the technological infrastructure of computer-mediated communication (CMC); cyberspace is the conceptual space where words and human relationships, data and wealth and power are manifested by people using CMC technology; virtual communities are cultural aggregations that emerge when enough people bump into each other often enough in cyberspace. -
The Internet and Engaged Citizenship
The Internet and Engaged Citizenship David Karpf american academy of arts & sciences The Internet and Engaged Citizenship David Karpf © 2019 by the American Academy of Arts & Sciences. All rights reserved. ISBN: 0-87724-128-7 This publication is available online at www.amacad.org /project/practice-democratic -citizenship. Suggested citation: David Karpf, The Internet and Engaged Citizenship (Cambridge, Mass.: American Academy of Arts and Sciences, 2019). This paper is part of the American Academy’s Commission on the Practice of Democratic Citizenship. The statements made and views expressed in this publication are those held by the author and do not necessarily represent the views of the Officers and Members of the American Academy of Arts & Sciences. Please direct inquiries to: American Academy of Arts & Sciences 136 Irving Street Cambridge, MA 02138 Telephone: 617-576-5000 Fax: 617-576-5050 Email: [email protected] Web: www.amacad.org Contents 1 Introduction 2 Why Understanding the Digital Citizen Proves So Difficult 3 The Pace of Internet Time 7 The Proprietary Data Gap 10 The Internet and Engaged Citizenship, Circa 2019 10 The Internet and Political Polarization 14 Digital Pathways for Participation 17 The Earnest Internet Versus the Ambivalent Internet 20 The Quiet Demise of Web 2.0 23 Digital Democracy and the Field of Dreams Fallacy 26 Conclusion 26 The Upside of Internet Time 27 Bridging the Proprietary Data Gap 28 New Policy Challenges for the Platform Era 29 About the Author Introduction The Internet is everywhere. Years ago, it was limited to desktop comput- ers, synonymous with the static and whir of a connecting modem. -
Mapping Notions of Cyberspace
MAPPING NOTIONS OF CYBERSPACE: OPTIMISM, SKEPTICISM, AND THE ISSUES OF IDENTITY AND SPIRITUALITY A thesis presented to the faculty of the College of Communication of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Putut Widjanarko June 2005 This thesis entitled MAPPING NOTIONS OF CYBERSPACE: OPTIMISM, SKEPTICISM, AND THE ISSUES OF IDENTITY AND SPIRITUALITY BY PUTUT WIDJANARKO has been approved for the School of Telecommunications and the College of Communication by Drew McDaniel Professor of Telecommunications Greg Shepherd Interim Dean, College of Communication WIDJANARKO, PUTUT. M.A. June 2005. Telecommunications Mapping Notions of Cyberspace: Optimism, Skepticism, and the Issues of Identities and Spirituality (151 pp.) Director of Thesis: Drew McDaniel This is a literature survey on concepts of the Internet and cyberspace and their influence, both on society at large and at the individual level. On society, it discusses the optimistic and skeptic views on the impact of the Internet. At the personal level, it discusses issues of self and identity, and spirituality and religiosity. Except for spirituality and religiosity issues of the Internet, this work chose one author to represent each category: Howard Rheingold for the optimistic view, Clifford Stoll for the skeptic view, and Sherry Turkle for the issues of self and identity. The author’s critiques on those notions are offered in the last chapter. The author argues that the diversity of notions on the Internet can be put in a broader historical and social context. These notions reflect the ever-present questions about the relationship between human and its technologies. Approved: Drew McDaniel Professor of Telecommunications To Elin, Faikar, Hanum and Ranti ACKNOWLEDGEMENTS Praise be to Allah, the Cherisher and Sustainer of the Worlds. -
Rethinking the Participatory Web Final
Preprint version of Stevenson, Michael. 2014. “Rethinking the Participatory Web: A History of HotWired’s ‘New Publishing Paradigm,’ 1994–1997.” New Media & Society, October. doi: 10.1177/1461444814555950. Title Rethinking the participatory web: A history of HotWired’s ‘new publishing paradigm,’ 1994-1997. Author Michael Stevenson University of Amsterdam [email protected] Abstract This article critically interrogates key assumptions in popular web discourse by revisiting an early example of web ‘participation.’ Against the claim that Web 2.0 technologies ushered in a new paradigm of participatory media, I turn to the history of HotWired, Wired magazine’s ambitious web-only publication launched in 1994. The case shows how debates about the value of amateur participation vis-à-vis editorial control have long been fundamental to the imagination of the web’s difference from existing media. It also demonstrates how participation may be conceptualized and designed in ways that extend (rather than oppose) 'old media' values like branding and a distinctive editorial voice. In this way, HotWired's history challenges the technology-centric change narrative underlying Web 2.0 in two ways: first, by revealing historical continuity in place of rupture, and, second, showing that 'participation' is not a uniform effect of technology, but rather something constructed within specific social, cultural and economic contexts. Keywords web history, participation, Web 2.0, cyberculture, digital utopianism, Wired !1 Introduction In the mid-2000s, a series of popular accounts celebrating the web’s newfound potential for participatory media appeared, from Kevin Kelly’s (2005) proclamation that active audiences were performing a ‘bottom-up takeover’ of traditional media and Tim O’Reilly’s (2005) definition of ‘Web 2.0’ to Time’s infamous 2006 decision to name ‘You’ as the person of the year (Grossman, 2006). -
Download Transcript
MoS Episode Transcript: Reid Hoffman MATTHEW MERCER: After days of tumultuous travel through harsh rain and biting winds, you finally ascend the cold, granite steps outside the gates of the mountain city of Grimgoleir. Glancing amongst your comrades from under your soaked cloak, you reach out for the heavy brass knocker and hammer the massive stone door three times. REID HOFFMAN: That's Matthew Mercer, creator of the hit Dungeons and Dragons web series called Critical Role. And right now, Matthew is your Game Master — the central storyteller in a game of Dungeons & Dragons. Which means: Your fate is in his hands. Listen carefully, because he has a question for you. One that could mean the difference between heroic success and epic failure. MERCER: A stillness takes the air, the sounds of rain almost fading as the door slowly opens, releasing the stench of death from within the chambers. Your eyes catch nearby torch light inside, and what appears to be an armored ghoul, slick with fresh blood as it drops some errant piece of a recent kill, and turns its head towards you with a growl. What would you like to do? VOICE: I’m going to stab that nasty ghoul with my magical scimitar and save the day! Come on, lucky sevens! Oh come on — a one? MERCER: Oh, you quickly draw your scimitar, the cold metal warming with the flames that magically dance across its surface as you rush the undead beast, but in your haste, you failed to notice the body on the ground hidden in shadow, catching your foot as your stumble forward, barely catching yourself before you come to stop right at the feet of the now-grinning ghoul. -
Crowdfunding the Cheapest Robots in Silicon Valley: a VC's View | Wired Business | Wired.Com
GEAR SCIENCE ENTERTAINMENT BUSINESS SECURITY DESIGN OPINION VIDEO INSIDER MAGAZINE SUBSCRIBE Renew | Give a Gift | International BUSINESS startups guest column FOLLOW WIRED BUSINESS 10 questions Crowdfundinbegnd etr he Cheapest Robots in Silicon 135 Valley: A VCb’igs t eVchiew Tweet 189 16 BY PETER D. HENIG 0d5a.t2a8.13 6:30 AM 27 digital content education MOST RECENT WIRED POSTS Vine Adds New hardware Tools for 6- health science Second Auteurs infographics markets Contributor mobile Content | How Technology is retail Changing Academic social Research the prediction Contributor Content | First Rule of Cloud Club: Don’t Talk About Cloud Club Dash Robotics’ cardboard robotic creature. Photo: Dash Robotics Contributor They wanted to show me origami robots: electronic creatures built by simply folding paper (in this case Content | laser-cut cardboard) and adding simple electronics and engineering on top. It sounded too cool to be Situational true. Yet, after hearing the pitch from Dash Robotics, I found myself convinced that the technology had Intelligence for Effective Decision the potential to not only perform successfully in the marketplace at a decent price point, but could do Making, Critical so at a commercial scale that “cheap robots” have never before achieved. Communications Dash Robotics was founded at UC Berkeley by four Ph.D. students with a simple mission — to make robots cheap, lightweight, and fun to use. The breakthrough came when one of the founders realized Watch All Three Seasons of that robot joints could be mechanically engineered and constructed in a completely different way. Walking Dead on AMC Over the Traditionally, robots large and small have come with lots of parts. -
For Immediate Release
Farm-to-Table Dining Made Easier as Epicurious.com Tours U.S. Farmers’ Markets Leading Food Site Offers Tips, Recipes and Giveaways for Greenmarket Shoppers NEW YORK, June 30, 2008 – Epicurious.com is hitting the road to visit farmers' markets across the United States and help make farm-to-table dining simpler—and a better value--for Americans. In five major city greenmarkets, Epicurious.com editors will give away a full menu of recipes printed on reusable cards, based on ingredients that will be in season in that market, such as figs and summer squash in San Francisco, peppers and blueberries in Portland, tomatillos and nectarines in Chicago, corn and cucumbers in Philadelphia, and apples and chard in New York. Visitors to the farmers’ markets will receive for free greenmarket shopping and cooking tips from Epicurious.com editors, Epicurious recipes and shopping lists printed on TasteBook recipe cards, and Bertolli Premium Pasta Sauce and recipes, all within an eco-friendly Epicurious tote bag. “As Americans become more environmentally conscious, many of us look for ways to shrink our carbon footprint. One great way to go green is to support local farmers,” according to Tanya Steel, editor in chief of Epicurious.com. “However, our readers tell us how challenging it can be to put together an entire meal using local ingredients, so Epicurious is touring the country’s Farmers’ Markets to offer inspiration and tips for eco-minded cooks of all levels.” Visit Epicurious.com at a Farmers’ Market near you on the following dates: • San Francisco’s Ferry Plaza: July 22nd and 26th • Portland, Oregon’s Portland State University: August 2nd and 9th • Chicago’s Daley Plaza: August 14th • Philadelphia’s Reading Terminal Market: August 22nd – August 29th • New York’s Union Square Market: September 15th For more information, please visit: http://www.epicurious.com/articlesguides/seasonalcooking/farmtotable/farmersmarketmenus. -
Rethinking the Participatory Web Final
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Humanities Commons Preprint version of Stevenson, Michael. 2014. “Rethinking the Participatory Web: A History of HotWired’s ‘New Publishing Paradigm,’ 1994–1997.” New Media & Society, October. doi: 10.1177/1461444814555950. Title Rethinking the participatory web: A history of HotWired’s ‘new publishing paradigm,’ 1994-1997. Author Michael Stevenson University of Amsterdam [email protected] Abstract This article critically interrogates key assumptions in popular web discourse by revisiting an early example of web ‘participation.’ Against the claim that Web 2.0 technologies ushered in a new paradigm of participatory media, I turn to the history of HotWired, Wired magazine’s ambitious web-only publication launched in 1994. The case shows how debates about the value of amateur participation vis-à-vis editorial control have long been fundamental to the imagination of the web’s difference from existing media. It also demonstrates how participation may be conceptualized and designed in ways that extend (rather than oppose) 'old media' values like branding and a distinctive editorial voice. In this way, HotWired's history challenges the technology-centric change narrative underlying Web 2.0 in two ways: first, by revealing historical continuity in place of rupture, and, second, showing that 'participation' is not a uniform effect of technology, but rather something constructed within specific social, cultural and economic contexts. Keywords web history, participation, Web 2.0, cyberculture, digital utopianism, Wired !1 Introduction In the mid-2000s, a series of popular accounts celebrating the web’s newfound potential for participatory media appeared, from Kevin Kelly’s (2005) proclamation that active audiences were performing a ‘bottom-up takeover’ of traditional media and Tim O’Reilly’s (2005) definition of ‘Web 2.0’ to Time’s infamous 2006 decision to name ‘You’ as the person of the year (Grossman, 2006). -
Screening TED: a Rhetorical Analysis of the Intersections of Rhetoric, Digital Media, and Pedagogy
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 Screening TED: A rhetorical analysis of the intersections of rhetoric, digital media, and pedagogy Joseph Alan Watson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Watson, Joseph Alan, "Screening TED: A rhetorical analysis of the intersections of rhetoric, digital media, and pedagogy" (2014). LSU Doctoral Dissertations. 2544. https://digitalcommons.lsu.edu/gradschool_dissertations/2544 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCREENING TED: A RHETORICAL ANALYSIS OF THE INTERSECTIONS OF RHETORIC, DIGITAL MEDIA, AND PEDAGOGY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by Joseph A. Watson B.A., The University of Memphis, 1998 M.A., The University of Memphis, 2003 December 2014 ACKNOWLEDGEMENTS The decision to enter a doctoral program is agreeing to train for and complete an intense marathon. During my training, I had the good fortune to work with some amazingly talented and supportive people at LSU. First, thank you to my best friend and wife, Shalika, for supporting and believing in this dream. You have been the backbone and inspiration for this entire journey.