ABOUT the PLAY by Susan Myer Silton, Dramaturg © 2018
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New Lawsuit Challenges Land Use Plan
SAN I BEL — CAPTIVA Serving the Islands since 1961 Vol. 17, No. 7 Tuesday, February 15 1977 ;1 section — ] Q cents New lawsuit challenges land use plan The density limits imposed on group claims is "unreasonable, voted unanimously to deny the request residential density for the Island is Sanibel Island by the city's com- inappropriate and incomplete," and because of density reasons and because based on a "political decision," rather prehensive land use plan have come thus "unenforcable" and "not bin- some of the proposed construction was than on sound planning criteria. under fire from a lawsuit filed last ding." to have taken place seaward of the "This appears to be the first direct Monday in Lee County Circuit Court by Labelling the plan "unrealistic and city's coastal construction setback line, attack on a substantive area of the the Pelican's Roost condominium arbitrary," the suit alleges that certain which had not been officially adopted plan, particularly the density developers, a non-profit Ohio cor- policy decisions in Sanibel's planning at that time. element," City Attorney Bowen *said. poration. process were made by city planning At one point, the council proposed a last week. According to City Attorney Neal consultants Wallace, Roberts, McHarg density compromise for the project of "I believe that the plaintiff in this Bowen, the Pelican's Roost suit ap- and Todd of Philadelphia outside of 21 units, but Pelican's Roost rejected case (Pelican's Roost) will have a pears to be one of a Mnd in the history properly noticed public meetings, the proposed compromise as being heavy burden of proof to prove the of the city's ongoing legal efforts to violating the requirements of the economically infeasible. -
Biographical Description for the Historymakers® Video Oral History with Ronald Glass
Biographical Description for The HistoryMakers® Video Oral History with Ronald Glass PERSON Glass, Ron, 1945- Alternative Names: Ronald Glass; Ronald Erle Glass Life Dates: July 10, 1945-November 25, 2016 Place of Birth: Evansville, Indiana, USA Occupations: Stage Actor; Television Actor Biographical Note Actor Ron Glass was born Ronald Earle Glass to Lefia Mae Gibson Glass and Crump Allen Glass on July 10, 1945, in Evansville, Indiana. A spelling bee champion at St. John’s Elementary School, Glass attended St. Francis High School where he excelled at athletics and singing. After graduating in 1964, Glass attended the University of Evansville where he received his B.A. degree in drama and literature. In 1968, Glass made his stage debut at the Guthrie Theatre in Minneapolis, Minnesota. Moving to Hollywood in 1972, Glass got his first television role Hollywood in 1972, Glass got his first television role in an episode of Sanford and Son. Other roles followed in All in the Family (1972); Maude (1972); Hawaii Five-O (1973); Good Times (1974); When Things Were Rotten (1975); and Streets of San Francisco (1976). In 1975, Glass became a regular on the police comedy Barney Miller; he later went on to play Felix in The New Odd Couple (1983). Glass appeared in series as varied as The Twilight Zone (1985); 227 (1985); Deep Space (1987); Family Matters (1989); Murder She Wrote (1984); Friends (1994); Star Trek Voyager (1995); Teen Angel (1997); and The Practice (1997). In 2002, Glass played the role of Shepherd Book in Firefly, which he reprised for Serenity, the 2005 movie based on the show. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
The Expanded 'Verse
The Expanded 'Verse: Serialized Transmediality in Firefly/Serenity ............ by Frederick Blichert, BA (Hons.) A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario Submitted August 2014 © 2014, Frederick Blichert ii We know now that a text is not a line of words releasing a single "theological" meaning (the "message" of the Author- God) but a multi-dimensional space in which a variety of writings, none of them original, blend and clash. Roland Barthes1 iii ABSTRACT Popular narratives often extend textual content across multiple media platforms, creating transmedia stories. Recent scholarship has stressed the permeability of "the text," suggesting that the framework of a text, made up of paratexts including trailers and DVD extras, must be included in textual analysis. Here, I propose that this notion may be productively coupled with a theory of seriality––we may frame this phenomenon in the filmic terms of a narrative being comprised of transmedia sequels and/or prequels, or in the televisual language of episodes in a series. Through a textual analysis of the multifaceted transmedia narrative Firefly (2002-2003), I argue for a theoretical framework that further destabilizes the traditional text by considering such paratextual works as comic books, web videos, and the feature film Serenity (Joss Whedon, 2005) as narrative continuations within a single metatext that eschews the centrality of any one text over the others in favour of seriality. iv ACKNOWLEDGEMENTS I wish to thank Erika Balsom, Malini Guha, André Loiselle, and Charles O'Brien for their notes on various versions, drafts, and proposals of this material, along with Sylvie Jasen and Murray Leeder, who encouraged me to workshop some of these ideas as guest lecturer in their undergraduate courses. -
Finding Aid to the Historymakers ® Video Oral History with Ronald Glass
Finding Aid to The HistoryMakers ® Video Oral History with Ronald Glass Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Glass, Ron, 1945- Title: The HistoryMakers® Video Oral History Interview with Ronald Glass, Dates: April 27, 2005 Bulk Dates: 2005 Physical 6 Betacame SP videocasettes (2:54:46). Description: Abstract: Stage actor and television actor Ronald Glass (1945 - 2016 ) appeared in numerous television shows, including All in the Family, Maude, Hawaii Five-O, Good Times, Friends, Star Trek Voyager, and Firefly. Glass was interviewed by The HistoryMakers® on April 27, 2005, in Los Angeles, California. This collection is comprised of the original video footage of the interview. Identification: A2005_111 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Actor Ron Glass was born Ronald Earle Glass to Lefia Mae Gibson Glass and Crump Allen Glass on July 10, 1945, in Evansville, Indiana. A spelling bee champion at St. John’s Elementary School, Glass attended St. Francis High School where he excelled at athletics and singing. After graduating in 1964, Glass attended the University of Evansville where he received his B.A. degree in drama and literature. In 1968, Glass made his stage debut at the Guthrie Theatre in Minneapolis, Minnesota. Moving to Hollywood in 1972, Glass got his first television role in an episode of Sanford and Son. Other roles followed in All in the Family (1972); Maude (1972); Hawaii Five-O (1973); Good Times (1974); When Things Were Rotten (1975); and Streets of San Francisco (1976). -
The Politicization of Natural Disasters in the US and Oman
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses April 2021 Cyclones, Spectacles, and Citizenship: The Politicization of Natural Disasters in the US and Oman Tyler Schuenemann University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the American Politics Commons, Comparative Politics Commons, Environmental Studies Commons, Political Theory Commons, and the Social and Cultural Anthropology Commons Recommended Citation Schuenemann, Tyler, "Cyclones, Spectacles, and Citizenship: The Politicization of Natural Disasters in the US and Oman" (2021). Doctoral Dissertations. 2138. https://doi.org/10.7275/20155937 https://scholarworks.umass.edu/dissertations_2/2138 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. CYCLONES, SPECTACLES, AND CITIZENSHIP: THE POLITICIZATION OF NATURAL DISASTERS IN THE US AND OMAN A Dissertation Presented By Tyler Schuenemann Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2021 Department of Political Science © Copyright by Tyler Schuenemann 2021 All Rights Reserved Cyclones, Spectacles, and Citizenship: -
TV Finales and the Meaning of Endings Casey J. Mccormick
TV Finales and the Meaning of Endings Casey J. McCormick Department of English McGill University, Montréal A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Casey J. McCormick Table of Contents Abstract ………………………………………………………………………….…………. iii Résumé …………………………………………………………………..………..………… v Acknowledgements ………………………………………………………….……...…. vii Chapter One: Introducing Finales ………………………………………….……... 1 Chapter Two: Anticipating Closure in the Planned Finale ……….……… 36 Chapter Three: Binge-Viewing and Netflix Poetics …………………….….. 72 Chapter Four: Resisting Finality through Active Fandom ……………... 116 Chapter Five: Many Worlds, Many Endings ……………………….………… 152 Epilogue: The Dying Leader and the Harbinger of Death ……...………. 195 Bibliography ……………………………………………………………………………... 199 Primary Media Sources ………………………………………………………………. 211 iii Abstract What do we want to feel when we reach the end of a television series? Whether we spend years of our lives tuning in every week, or a few days bingeing through a storyworld, TV finales act as sites of negotiation between the forces of media production and consumption. By tracing a history of finales from the first Golden Age of American television to our contemporary era of complex TV, my project provides the first book- length study of TV finales as a distinct category of narrative media. This dissertation uses finales to understand how tensions between the emotional and economic imperatives of participatory culture complicate our experiences of television. The opening chapter contextualizes TV finales in relation to existing ideas about narrative closure, examines historically significant finales, and describes the ways that TV endings create meaning in popular culture. Chapter two looks at how narrative anticipation motivates audiences to engage communally in paratextual spaces and share processes of closure. -
OBJ (Application/Pdf)
ABTRACT AFRICANA WOMEN'S STUDIES WILBURN, SHENETHA L. B.A. HAMPTON UNIVERSITY, 1997 DECONSTRUCTION OF STEREOTYPES AND MEDIATED MESSAGES IN AFRICAN-AMERICAN SITCOMS Advisor: Dr. Josephine Bradley Thesis dated May, 2002 This study examines the images of African Americans in black-themed sitcoms and mediated messages presented here. The study was based on the premise that the images of African Americans on television sitcoms are one dimensional and comedic. A content analysis approach was used to analyze various television sitcoms. Definitions were used to determine what type of image existed using the foundation provided by Donald Bogle and Stewart Hall. The researcher found that although many of the African-American-themed sitcoms investigated represented traditional stereotypical images, there were mediated messages in these sitcoms, which offered a new and different perspective on African Americans. This suggests that African-American images on black-themed sitcoms are moving forward. Additionally, the researcher found that sitcoms depicting African-American life from a comedic point-of-view seem to be more acceptable in popular culture than those which depict life from a dramatic and/or realistic point-of-view. DECONSTRUCTION OF STEREOTYPICAL IMAGES AND MEDIATED MESSAGES IN AFRICAN-AMERICAN SITCOMS A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERISTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY SHENETHA L. WILBURN DEPARTMENT OF AFRICANA WOMEN'S STUDIES ATLANTA, GEORGIA MAY 2002 "■V. ©2002 SHENETHA L. WILBURN All Rights Reserved ACKNOWLEDGEMENTS I would like to thank and acknowledge the following people for their dedication and commitment to my research: Dr. -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here. -
Sithfact Dec16.Pub
SSSITHITHITH FFFACTS 2016 A “G OOD TIDINGS FOR MR. G RINCH ” D ECEMBER ISSUE Wong, Anthology: She Walks in Shadows edited by Silvia Moreno-Garcia & Paula R. Stiles, Collection: Bone Swans by C.S.E. Cooney, Artist: Galen Dara, Special Award, Professional: Stephen Jones for The Art of Horror , and Special Award, Nonprofessional: John O’Neill for Black Gate . YOLEN NAMED SFWA G RAND MASTER GOOD READS NAMES BEST OF 2016 The Science Fiction & Fantasy Writers of America (SFWA) have named Jane Yolen the 33rd recipient of the Winners of the 2016 Goodreads Choice awards for Damon Knight Memorial Grand Master Award, reported the “best books of 2016,” as chosen by users of the site, Locus Online at the end of November. SFWA president were announced November 28. There are several catego- Cat Rambo said Yolen “epitomizes what a Grand Master ries of genre interest: should be. Her close to 300 hundred books, multiple Best Science Fiction: Morning Star: Red Rising Book awards, and overall high standard of prose and storytel- 3 by Pierce Brown, Best Fantasy: Harry Potter and the ling make her one of the treasures of fantasy and science Cursed Child: Parts One & Two by J.K Rowling, John fiction.” Tiffany and Jack Thorne, Best Horror: The Fireman by The award, given for “lifetime achievement in sci- Joe Hill, Best Mystery & Thriller: End of Watch: Bill ence fiction and/or fantasy,” will be presented at the Hodges Book 3 by Stephen King, Best History & Biogra- SFWA Nebula Conference held May 18-21, 2017, at the phy: Leonard: My Fifty-Year Friendship with a Remark- Pittsburgh Marriott Center in Pittsburgh, PA. -
Nell Police Load
load Job Vol. 15, Xo. 50 Thursday . Dec. 9, 1976 Twenty Cents illrntral !Uninr'.e Brrkly N rws ilagnzin.e The Selectmen and Town Manager Dale Green would llke to take this opportunity to say "thank you" to th.e public works department of the town for continuing to do an excellent ]ob of cleaning the downtown business area of snow and keeping the sidewalks and streets well sanded. The citizens of M~lo Nell Police Cont'd on Page 3 RECREATION NEWS - MILO No Derby dance this week. .._·I Next dance December 17th. We would like more 6th and· 7th grade basketball players at the Penquis gym Dec. 11, at 9:00. Teams wlll be chos en this week. The Arts & Crafts class has been suspended because of the lack of interest.· MEN'.S VOLLEYBALL STANDINGS: W L Yankees 8 1 Floaters 6 .3 Penquis 5 4 · Teachers 4 5 .. Dubs 3 6 . Angels 1 7 WOMEN'S VOLLEYBALL STANDINGS: W L Superstars 8 1 Hogan's Heroes 6 3 Raiders 3 6 Dizzy Dames 1 s Playoffs for girls Sunday, Dec. 12, at 1:00 p. m. Milo's n~v Police force now has new uniforms and posed for our photographer. They are Officer Alan Hendricks, from Bucksport, Police Chief Steve Vermette from Houlton and Officer Terry Thompson from Newport. The Town Crier wishes to welcome them to their new positions. (Photos by Claude Trask) 13 Shopping days left. ---------~--· --------~------- T HE TOWN CRIER Page 2 December 9. 1976 HOSPITAL INSPECTION SET FOR DECEMBER .16 - 17 THE TOWN CRIER is published each Thursday FRIENDS OF HOSPITAL TO KICK OFF MORE evening by the Milo Printing Company. -
ED 116 695 IR 002 940 TITLE Children's Television Report Card
DOCUMENT RESUME ED 116 695 IR 002 940 TITLE Children's Television Report Card, 1975. An Evaluation of the Effect of the 1974 Federal Communications Commission Report and Policy Statement on Children's Television. INSTITUTION Committee on Children's Television, San Francisco, Calif. PUB DATE 75 NOTE 48p.; Presented at the Federal Communications Commission Regional Meeting (San Francisco, California, November 20, 1975) AVAILABLE FROM Committee on Children's Television, Inc., 1511 Masonic Avenue, San Francisco, California 94117 EARS PRICE MF-$0.76 Plus Postage. HC Not Available from EDRS. DESCRIPTORS Broadcast Industry; *Broadcast Television; *Children; Commercial Television; Evaluation; Mass Media; *Programing (Broadcast); Statistical Data; Television; Television Commercials; *Television Research; Television Viewing IDENTIFIERS FCC; Federal Communications Commission ABSTRACT Over a two month period, the Committee on Children's Television evaluated the response of commercial broadcasters tothe Federal Communications Commission guidelines than_ wereestablished in 1974. Volunteers in 12 cities monitored children's programs on network affiliated and independent television stations. Managersof local television stations were also interviewed. The surveyrevealed that:(1) few stations were making any real effort-to present informative and educational material in exciting and imaginative ways,(2) age-specific programing was virtually nonexistent; (3) weekday programing for children was totally inadequate; (4) the number of Product ads were excessive; (5) very little money was invested in children's programing; and (6)hosts of children's television shows were selling products. The appendixes contain a summary of the 32 network programs mostconsistently aired; the cimmunity profiles which summarize the evaluation of locallyproduced programs, syndicated programs, andalternative network programing; the children's television program profile form used; andthe questionnaire sent to the station managers.