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Complaint, Cablevision Sys. Corp. V. Viacom Int'l
Case 1:13-cv-01278-LTS Document 9 Filed 03/07/13 Page 1 of 60 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ) CABLEVISION SYSTEMS CORPORATION ) and CSC HOLDINGS, LLC, ) ) Civil Action No. 13 CIV 1278 (LTS) Plaintiffs, ) (JLC) -against- ) ) COMPLAINT VIACOM INTERNATIONAL INC. and BLACK ) ENTERTAINMENT TELEVISION LLC, ) REDACTED PUBLIC VERSION ) Defendants. ) ) Plaintiffs Cablevision Systems Corporation and CSC Holdings, LLC (collectively, “Cablevision”), by their attorneys Ropes & Gray LLP, bring this Complaint against Viacom International Inc. and Black Entertainment Television LLC (collectively, “Viacom”) for violations of federal and state antitrust laws, and allege as follows: NATURE OF THE ACTION 1. This case involves Viacom’s abuse of its market power over access to commercially critical networks – its highly popular Nickelodeon, Comedy Central, BET, and MTV networks – to force Cablevision to license and distribute over scarce bandwidth some dozen other Viacom networks, which Viacom calls Suite Networks, that many Cablevision subscribers do not watch and for which Cablevision would prefer to substitute competing networks. Viacom strong-armed Cablevision into carrying Suite Networks by threatening to impose a near $ billion penalty if Cablevision licensed only the Viacom networks Cablevision wanted, networks Viacom calls its Core Networks. Stated differently, unless Cablevision agreed to distribute Viacom’s Suite, Cablevision would pay nearly as much for just the Core (which includes commercially critical networks) than for the Core and Suite 1 Case 1:13-cv-01278-LTS Document 9 Filed 03/07/13 Page 2 of 60 combined. Viacom’s diabolical and coercive scheme, which harms competition, consumers, and Cablevision, constitutes tying and block booking in violation of the Sherman Act and New York law. -
Biographical Description for the Historymakers® Video Oral History with Ronald Glass
Biographical Description for The HistoryMakers® Video Oral History with Ronald Glass PERSON Glass, Ron, 1945- Alternative Names: Ronald Glass; Ronald Erle Glass Life Dates: July 10, 1945-November 25, 2016 Place of Birth: Evansville, Indiana, USA Occupations: Stage Actor; Television Actor Biographical Note Actor Ron Glass was born Ronald Earle Glass to Lefia Mae Gibson Glass and Crump Allen Glass on July 10, 1945, in Evansville, Indiana. A spelling bee champion at St. John’s Elementary School, Glass attended St. Francis High School where he excelled at athletics and singing. After graduating in 1964, Glass attended the University of Evansville where he received his B.A. degree in drama and literature. In 1968, Glass made his stage debut at the Guthrie Theatre in Minneapolis, Minnesota. Moving to Hollywood in 1972, Glass got his first television role Hollywood in 1972, Glass got his first television role in an episode of Sanford and Son. Other roles followed in All in the Family (1972); Maude (1972); Hawaii Five-O (1973); Good Times (1974); When Things Were Rotten (1975); and Streets of San Francisco (1976). In 1975, Glass became a regular on the police comedy Barney Miller; he later went on to play Felix in The New Odd Couple (1983). Glass appeared in series as varied as The Twilight Zone (1985); 227 (1985); Deep Space (1987); Family Matters (1989); Murder She Wrote (1984); Friends (1994); Star Trek Voyager (1995); Teen Angel (1997); and The Practice (1997). In 2002, Glass played the role of Shepherd Book in Firefly, which he reprised for Serenity, the 2005 movie based on the show. -
This Is a Test
‘MATCHMAKER SANTA’ CAST BIOS LACEY CHABERT (Melanie) - Lacey Chabert is best known for her role as Claudia on the Golden Globe® Award-winning FOX television series “Party of Five.” Chabert was seen in Warner Brother’s “Ghosts of Girlfriends Past” opposite Jennifer Garner and Matthew McConaughey. She received outstanding reviews and an MTV Movie Award for her role in the box office hit “Mean Girls” from director Mark Waters. She also starred as Anjelica Huston’s daughter in “Daddy Day Care” and as Brooke Ellison in Christopher Reeve’s final directorial project, “The Brooke Ellison Story” for A&E. She most recently starred opposite Gena Rowlands in “What If God Were The Sun” for Lifetime. Originally from Purvis, Mississippi, Chabert got her big break on the Broadway stage playing young Cosette in Les Misérables. In 1998, she made her feature film debut as Penny Robinson in “Lost in Space.” On television, Chabert has appeared in “All My Children” as well as several made-for-TV movies, including “Gypsy” starring Bette Midler, “A Little Piece of Heaven” with Cloris Leachman and the Hallmark Channel Original Movie “Elevator Girl.” She has also voiced numerous animated films and TV shows, including “The Wild Thornberrys.” ### DONOVAN SCOTT (Chris) - Donovan Scott studied at the American Conservatory Theatre in San Francisco and then went on to join the Comedia Del Arte’ Troup, where he eventually became the Artistic Director. He went on to tour the East Coast for several years directing, writing, and performing with that troupe. Eventually, Donovan Scott returned to San Francisco were he did more theatre. -
Outstanding Drama Series
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 42nd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Live Television Broadcast Airing Exclusively on Pop Sunday, April 26 at 8:00 p.m. EDT/5:00 p.m. PDT Daytime Creative Arts Emmy® Awards Gala on April 24th To be held at the Universal Hilton Individual Achievement in Animation Honorees Announced New York – March 31st, 2015 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 42nd Annual Daytime Emmy® Awards. The awards ceremony will be televised live on Pop at 8:00 p.m. EDT/5:00 p.m. PDT from the Warner Bros. Studios in Burbank, CA. “This year’s Daytime Emmy Awards is shaping up to be one of our most memorable events in our forty-two year history,” said Bob Mauro, President, NATAS. “With a record number of entries this year, some 350 nominees, the glamour of the historic Warner Bros. Studios lot and the live broadcast on the new Pop network, this year promises to have more ‘red carpet’ then at any other time in our storied-past!” “This year’s Daytime Emmy Awards promises a cornucopia of thrills and surprises,” said David Michaels, Senior Vice President, Daytime. “The broadcast on Pop at the iconic Warner Bros. Studios honoring not only the best in daytime television but the incomparable, indefatigable, Betty White, will be an event like nothing we’ve ever done before. Add Alex Trebek and Florence Henderson as our hosts for The Daytime Creative Arts Emmy Awards at the Universal Hilton with Producer/Director Michael Gargiulo as our crafts lifetime achievement honoree and it will be two galas the community will remember for a long time!” 1 In addition to our esteemed nominees, the following six individuals were chosen from over 130 entries by a live, juried panel in Los Angeles and will be awarded the prestigious Emmy Award at our Daytime Creative Arts Emmy Awards on April 24, 2015. -
The Expanded 'Verse
The Expanded 'Verse: Serialized Transmediality in Firefly/Serenity ............ by Frederick Blichert, BA (Hons.) A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario Submitted August 2014 © 2014, Frederick Blichert ii We know now that a text is not a line of words releasing a single "theological" meaning (the "message" of the Author- God) but a multi-dimensional space in which a variety of writings, none of them original, blend and clash. Roland Barthes1 iii ABSTRACT Popular narratives often extend textual content across multiple media platforms, creating transmedia stories. Recent scholarship has stressed the permeability of "the text," suggesting that the framework of a text, made up of paratexts including trailers and DVD extras, must be included in textual analysis. Here, I propose that this notion may be productively coupled with a theory of seriality––we may frame this phenomenon in the filmic terms of a narrative being comprised of transmedia sequels and/or prequels, or in the televisual language of episodes in a series. Through a textual analysis of the multifaceted transmedia narrative Firefly (2002-2003), I argue for a theoretical framework that further destabilizes the traditional text by considering such paratextual works as comic books, web videos, and the feature film Serenity (Joss Whedon, 2005) as narrative continuations within a single metatext that eschews the centrality of any one text over the others in favour of seriality. iv ACKNOWLEDGEMENTS I wish to thank Erika Balsom, Malini Guha, André Loiselle, and Charles O'Brien for their notes on various versions, drafts, and proposals of this material, along with Sylvie Jasen and Murray Leeder, who encouraged me to workshop some of these ideas as guest lecturer in their undergraduate courses. -
The Florida Follies Marks Latest Chapter in Florence Henderson’S Career by Mary Damiano Characters, She Has Embraced the Role and the Them
www.ExpressGayNews.com • January 19, 2004 Q1 Q_COVERstory Brini Maxwell: Retro Queen of All Things Stylish New York TV Star Brings Cult Hit to the Style Network By Mary Damiano “I’ve always thought television was an Arts & Entertainment Editor exciting medium,” she says. “One of the things Brini Maxwell never dreamed that a I like about is that you reach so many people fabulous Salvation Army store find of a yet you have no idea who you’re reaching. vintage set of nesting bowls from the 1950s You create in a cocoon, and you put what would lead her down a new career path and you’ve created out there to these people. You land her a TV show on the Style Network. put it out there and people find it.” But these were not your typical nesting The Brini Maxwell Show premiered in bowls, just as Brini Maxwell is not your New York City on Jan. 1, 1998, and ran until typical television style doyenne. Maxwell, November 2003. Maxwell’s mother was her a.k.a. gender-bender Ben Sander, is an expert producer and camerawoman as well as a on the style and pop culture of a very specific recurring character. Other characters era—1958 to 1974—and has managed to included Maxwell’s friends and neighbors, incorporate that appreciation into every who dropped by as Maxwell presented her aspect of her life. Everything visible in her tips for decorating, cooking, entertaining and Chelsea apartment is from that era. Her living an all-around stylish life. wardrobe is a mix of pieces she’s made and Word spread and Maxwell’s unique show vintage finds. -
ABOUT the PLAY by Susan Myer Silton, Dramaturg © 2018
JEWEL THEATRE AUDIENCE GUIDE directed by Stephen Muterspaugh ABOUT THE PLAY by Susan Myer Silton, Dramaturg © 2018 TABLE OF CONTENTS ABOUT THE PLAY…………………………………………….1-11 Characters ................................................................................. 1 Synopsis ................................................................................ 2-3 Setting .................................................................................. 4-5 Time ..................................................................................... 6-9 Production History ............................................................... 10-11 REFERENCES / FURTHER READING ........................... 12 ii ABOUT THE PLAY OSCAR If you’re going to kill yourself, where’s the safest place to do it? With your friends! CHARACTERS (IN ORDER OF APPEARANCE) Speed (Scott Coopwood) one of the group of friends who play poker every Friday night Murray (Jeff Fiorito) another poker buddy, an officer with the NYPD, married to Mimi Roy (Jesse Caldwell) Oscar’s accountant and another poker regular, his name is a nod to Roy Gerber, a model for the character of Oscar (see “Writing The Odd Couple: Origins”, pp. 1-10) Vinnie (Andrew Davids) another poker buddy, married to Bebe Oscar Madison (David Ledingham) a sports journalist for the New York Post, divorced for a few months from Blanche Felix Ungar (Shaun Carroll) a news writer for CBS, separated for a day from his wife, Frances, at the play’s open Gwendolyn Pigeon (April Green) an English expatriate, secretary for Slenderama, a health club, widowed Cecily Pigeon (Erika Schindele) Gwendolyn’s sister, also an English expatriate and secretary for Slenderama, divorced 1 FELIX Marriages may come and go, but the game must go on. SYNOPSIS The play opens with the regular Friday night poker game underway at Oscar’s spacious but unkempt and rather dirty bachelor apartment in New York’s Upper West Side, where all the action of the play takes place. -
Finding Aid to the Historymakers ® Video Oral History with Ronald Glass
Finding Aid to The HistoryMakers ® Video Oral History with Ronald Glass Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Glass, Ron, 1945- Title: The HistoryMakers® Video Oral History Interview with Ronald Glass, Dates: April 27, 2005 Bulk Dates: 2005 Physical 6 Betacame SP videocasettes (2:54:46). Description: Abstract: Stage actor and television actor Ronald Glass (1945 - 2016 ) appeared in numerous television shows, including All in the Family, Maude, Hawaii Five-O, Good Times, Friends, Star Trek Voyager, and Firefly. Glass was interviewed by The HistoryMakers® on April 27, 2005, in Los Angeles, California. This collection is comprised of the original video footage of the interview. Identification: A2005_111 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Actor Ron Glass was born Ronald Earle Glass to Lefia Mae Gibson Glass and Crump Allen Glass on July 10, 1945, in Evansville, Indiana. A spelling bee champion at St. John’s Elementary School, Glass attended St. Francis High School where he excelled at athletics and singing. After graduating in 1964, Glass attended the University of Evansville where he received his B.A. degree in drama and literature. In 1968, Glass made his stage debut at the Guthrie Theatre in Minneapolis, Minnesota. Moving to Hollywood in 1972, Glass got his first television role in an episode of Sanford and Son. Other roles followed in All in the Family (1972); Maude (1972); Hawaii Five-O (1973); Good Times (1974); When Things Were Rotten (1975); and Streets of San Francisco (1976). -
The Politicization of Natural Disasters in the US and Oman
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses April 2021 Cyclones, Spectacles, and Citizenship: The Politicization of Natural Disasters in the US and Oman Tyler Schuenemann University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the American Politics Commons, Comparative Politics Commons, Environmental Studies Commons, Political Theory Commons, and the Social and Cultural Anthropology Commons Recommended Citation Schuenemann, Tyler, "Cyclones, Spectacles, and Citizenship: The Politicization of Natural Disasters in the US and Oman" (2021). Doctoral Dissertations. 2138. https://doi.org/10.7275/20155937 https://scholarworks.umass.edu/dissertations_2/2138 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. CYCLONES, SPECTACLES, AND CITIZENSHIP: THE POLITICIZATION OF NATURAL DISASTERS IN THE US AND OMAN A Dissertation Presented By Tyler Schuenemann Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2021 Department of Political Science © Copyright by Tyler Schuenemann 2021 All Rights Reserved Cyclones, Spectacles, and Citizenship: -
DAR CV/Bio Nov 2017.Pages
David Andrews Rogers MUSIC DIRECTOR - CONDUCTOR ORCHESTRATOR - ARRANGER www.MaestroDAR.com 484 W. 43rd St., Apt. 31p (917) 951-7657 New York, NY 10036 [email protected] BROADWAY NATIONAL TOURS An American in Paris Broadway 1st National Tour Christopher Wheeldon, director Les Misérables Broadway National Tour (Marius Company. 1998-2000) Trevor Nunn/John Caird, director Show Boat Broadway National Tours (3 companies, 1997-98) Harold Prince, director (starring, I: Cloris Leachman/Dean Jones, II: Tom Bosley, III: Pat Harrington/Anita Gillette) Phantom of the Opera Broadway National Tour (Raoul Company, 1996-97, Associate MD) Harold Prince, director NATIONAL & INTERNATIONAL TOURS The Wizard of Oz (ALW Production) North American Tour II (2015-16) Michael McGoff, associate director Le Magicien D’Oz (ALW Production) European Tour (2014-15) (MD/Conductor/Assoc. Music Supervisor) Jeremy Sams, director The Wizard of Oz (ALW Production) North American Tour I (2013-14) Jeremy Sams, director Fiddler on the Roof North American Tour (2009-12) Sammy Dallas Bayes, director (starring Topol, Theo Bikel, Harvey Fierstein, John Preece) Cats North American Tour (2008-09) Richard Stafford, director Chicago North American Tour (2007-08) Scott Faris, director Puttin’ on the Ritz Kaye Playhouse/Tour (1998) (starring Carol Lawrence) Karen Azenberg, director Heart Strings DIFFA National Tour (1992) David H. Bell, director Sing For Your Supper RSVP National Tour (1988) Ed DeLatte, director CONCERT APPEARANCES - Guest Conductor The Wonderful Music of Oz Oklahoma City -
TV Finales and the Meaning of Endings Casey J. Mccormick
TV Finales and the Meaning of Endings Casey J. McCormick Department of English McGill University, Montréal A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Casey J. McCormick Table of Contents Abstract ………………………………………………………………………….…………. iii Résumé …………………………………………………………………..………..………… v Acknowledgements ………………………………………………………….……...…. vii Chapter One: Introducing Finales ………………………………………….……... 1 Chapter Two: Anticipating Closure in the Planned Finale ……….……… 36 Chapter Three: Binge-Viewing and Netflix Poetics …………………….….. 72 Chapter Four: Resisting Finality through Active Fandom ……………... 116 Chapter Five: Many Worlds, Many Endings ……………………….………… 152 Epilogue: The Dying Leader and the Harbinger of Death ……...………. 195 Bibliography ……………………………………………………………………………... 199 Primary Media Sources ………………………………………………………………. 211 iii Abstract What do we want to feel when we reach the end of a television series? Whether we spend years of our lives tuning in every week, or a few days bingeing through a storyworld, TV finales act as sites of negotiation between the forces of media production and consumption. By tracing a history of finales from the first Golden Age of American television to our contemporary era of complex TV, my project provides the first book- length study of TV finales as a distinct category of narrative media. This dissertation uses finales to understand how tensions between the emotional and economic imperatives of participatory culture complicate our experiences of television. The opening chapter contextualizes TV finales in relation to existing ideas about narrative closure, examines historically significant finales, and describes the ways that TV endings create meaning in popular culture. Chapter two looks at how narrative anticipation motivates audiences to engage communally in paratextual spaces and share processes of closure. -
December 2016
THE NITTANY PRIDE Vol. XII No. 3 December 5, 2016 Penn State Goes “All In” At Town Hall Meeting “Do It For The Vine” One Last Time Dakota Access Pipeline versus Standing Rock TABLE OF CONTENTS Penn State Goes “All In” At Town Hall Meeting……………………………………….1 Penn State Welcomes A Brand New Chef………………………………………………..3 Food For Thought………………………………………………..………………………………...5 “Do It For The Vine” One Last Time………………………………………………………..7 #REVIEWED………………………………………………..………………………………………….9 Remembering Florence Henderson………………………………………………………..10 Smally-wood……………………………………………….…………………………………………12 The Economy Bubble………………………………………………..…………………………….14 Dakota Access Pipeline versus Standing Rock………………………………………….16 Editorial Staff Editor-in-Chief: Nico Regoli Managing and Online Editor: Isabella Bordonaro Staff Writer & Reporter: Aleigha DiDonato Staff Writer & Reporter: Monica Fiore Staff Writer & Reporter: Jay Wu Staff Writer & Reporter: Kierstin Flickinger Staff Writer & Reporter: Nathan Traini Contributing Writer & Editor: Chris Lucidi Contributing Writer: Sam Elliot Contributing Writer: Nicole Ruffner Contributing Writer: Scott Sinclair Faculty Advisor: Abhinav Aima The content of this publication resides solely with the authors and not with the Pennsylvania State University The Nittany Pride is funded by the Student Activity Fee at Penn State New Kensington. CAMPUS LIFE Penn State Goes “All In” At Town Hall Meeting By Isabella Bordonaro Managing and Online Editor NEW KENSINGTON, Pa. - Penn State held a Town Hall meeting Tuesday, November 15, to allow students from all campuses to meet with a panel of six Board of Trustee members, discussing the new “All In” diversity campaign. At Penn State New Kensington, students were able to meet in the Art Gallery, and watch the Town Hall from University Park via live stream. The Board of Trustee members were meant to discuss diversity and inclusion at Penn State, and how they personally deal with it in their own lives.