The Expanded 'Verse
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Chuck's Top Ten Secrets to a Long, Happy, Useful
Earlham College Baccalaureate Address May 9, 2009 Chuck’s Top Ten Secrets to a Long, Happy, Useful, Productive and Meaningful Life Chuck Yates Professor of History Thank you Phoebe. Thank you Sarah. Thanks to all of you. And now for something completely different.1 I’m not Malcolm Reynolds, but I do aim to misbehave.2 ‘Scuse me while I whip this out.3 Look at you guys. You made it. Omedeto, felicidades, gongxi, mazeltov, and mabrouk. Give yourselves a big Earlham College yee ha. This is the real deal. That’s right — it’s count to four and out the door for you guys. It’s been a bit more than that for me, but these have been four of the best years of my life, because of the time I got to spend in classrooms with you. I’ve seen thousands of others pass through here, but there’s never been a class quite like you before. Check it out: you’ve never graduated from Earlham before. Right? And I’ve never spoken at baccalaureate before. But today, 22 years after teaching my first courses at Earlham, I get to be your baccalaureate speaker. I think that makes this my commencement too, so I want you to know how proud I am that you chose me to do this for you. And I also want to say thanks to all of you for what I’ve learned from you while you were here. You can’t beat a deal like that. Two hundred and fifty of you and just one of me. -
Synergy + Firefly Instruction Manual
Brown Manufacturing Group, Inc. FireFly™ & Synergy™ 4661 Stafford SW Wyoming, MI 49548 Instructions 616-249-0200 fax 616-249-3211 www.brownmfg.net US Patent# 10,011,136 [email protected] FY2x36-45 & SY36-84 FireFly Curing System Synergy Pretreat System The Synergy™ Industrial Pretreat Module provides complete multi-variate control of each garment. The system is designed for high volume digital decorators and connects directly to the FireFly curing system, allowing for rapid evaporation of pretreat solution and delivery to the digital output device. $150.00 April 2019 Conveyor Dryer Brown Manufacturing Group, Inc. 4661 Stafford Ave. S.W. Wyoming, MI 49548 Phone: 616-249-0200 Setup Guide Fax: 616-249-3211 www.brownmfg.net [email protected] Assembly A Firefly dryer consists of several modular assemblies BELT TRACKING which are joined together to create a complete conveyor ADJUSTMENT KNOBS dryer unit. Common modules are: TAKEUP ROLLERS OBJECT DETECT SENSORS BELT MOTORS LOAD DETECT SENSORS HEIGHT SENSORS BELT TRACKING KNOBS BELT ROLLERS SCANNER HOLDERS LEVELING FEET Figure 4: TAKE UP ROLLER MODULE Figure 1: DRIVE ROLLER MODULE TOP AIR FILTERS EXHAUST DUCT STARTING COLLARS CAMERA ACCESS PLATES DRONE UPPER CONTROL CABINET CONDENSATION DRONE LOWER CONTROL CABINET CATCH PANS Figure 5: EXHAUST MODULE FRONT BULB COVERS LEVELING FEET Figure 2: PRIMARY HEAT MODULE TOP FILTERS CAMERA ACCESS PLATES DRONE UPPER CONTROL CABINET DRONE LOWER CONTROL CABINET Figure 6: COOLER MODULE LEVELING FEET Figure 3: DRONE HEAT MODULE Assembly Step 1: Ensure Adequate Clearance: Assembly Step 2: Identify and Arrange: Before placing the Firefly modules, it is important to Using the figures in this manual, identify the modules ensure adequate clearance will be available for both the that shipped with your dryer. -
ENGLISH 2810: Television As Literature (V
ENGLISH 2810: Television as Literature (v. 1.0) 9:00 – 10:15 T/Th | EH 229 Dr. Scott Rogers | [email protected] | EH 448 http://faculty.weber.edu/srogers The Course The average American watches about 5 hours of television a day. We are told that this is bad. We are told that television is bad for us, that it is bad for our families, and that it is wasting our time. But not all television is that way. Some television shows have what we might call “literary pretensions.” Shows such as Twin Peaks, Homicide: Life on the Street, The Wire, Buffy the Vampire Slayer, Firefly, Veronica Mars, Battlestar Galactica, and LOST have been both critically acclaimed and the subject of much academic study. In this course, we shall examine a select few of these shows, watching complete seasons as if they were self-contained literary texts. In other words, in this course, you will watch TV and get credit for it. You will also learn to view television in an active and critical fashion, paying attention to the standard literary techniques (e.g. character, theme, symbol, plot) as well as televisual issues such as lighting, music, and camerawork. Texts Students will be expected to own, or have access to, the following: Firefly ($18 on amazon.com; free on hulu.com) and Serenity ($4 used on amazon.com) LOST season one ($25 on amazon.com; free on hulu.com or abc.com) Battlestar Galactica season one ($30 on amazon.com) It is in your best interest to buy or borrow these, if only to make it easier for you to go back and re-watch episodes for your assignments. -
How Disney Visual Media Influences Children's Perceptions of Family a Content Analysis an Honors Thesis
Family on Film: How Disney Visual Media Influences Children's Perceptions of Family A Content Analysis An Honors Thesis (SOC 424) by Alexandra Garman Thesis Advisor Dr. Richard Petts ) c' __ / Ball State University Muncie, Indiana December, 2011 Expected Date of Graduation December 17, 2011 ," I . / ' 1 Abstract The Walt Disney Company has held a decades-long grip on family entertainment through visual media, amusement parks, clothing, toys, and even food. American children, and children throughout the world, are readily exposed to Disney's visual media as often as several times a day through film and television shows. As such, reviewing what this media says and analyzing its potential affects on our society can be beneficial in determining what messages children are receiving regarding values and norms concerning family. Specifically, analyzing family structure can help to provide an outlook for future normative structure. Depicted family interactions may also reflect how realistic families interact, what children expect from their families, and how children may interact with their own families in coming years. This study seeks to analyze various media released in recent years (2006-2011) and how these media portray family structure and interaction. Family appears to be variant in structure, including varied parental figures, as well as occasionally including non-biological figures. However, the family structure still seems, on the whole, to fit or otherwise promote (through inability of variants to do well) the traditional family model ofheterosexual, married biological parents and their offspring. Interestingly, Disney appears to place a great emphasis on fathers. Interactions between family members are relatively balanced, with some families being more positive in interaction and others being more negative. -
A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected]
Student Research and Creative Works Book Collecting Contest Essays University of Puget Sound Year 2015 The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/book collecting essays/6 Krista Silva The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works I am an inhabitant of the Whedonverse. When I say this, I don’t just mean that I am a fan of Joss Whedon. I am sincere. I live and breathe his works, the ever-expanding universe— sometimes funny, sometimes scary, and often heartbreaking—that he has created. A multi- talented writer, director and creator, Joss is responsible for television series such as Buffy the Vampire Slayer , Firefly , Angel , and Dollhouse . In 2012 he collaborated with Drew Goddard, writer for Buffy and Angel , to bring us the satirical horror film The Cabin in the Woods . Most recently he has been integrated into the Marvel cinematic universe as the director of The Avengers franchise, as well as earning a creative credit for Agents of S.H.I.E.L.D. My love for Joss Whedon began in 1998. I was only eleven years old, and through an incredible moment of happenstance, and a bit of boredom, I turned the television channel to the WB and encountered my first episode of Buffy the Vampire Slayer . I was instantly smitten with Buffy Summers. She defied the rules and regulations of my conservative southern upbringing. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Legendary Encounters Rules – Firefly
® ™ A Deck Building Game “You got a job, we can do it. Don’t much and wound the players. If you take damage care what it is.” – Captain Malcolm Reynolds equal to or greater than your health, then you’re defeated. Don’t worry though – another Game Summary player can heal you back into the game. But if Welcome to Legendary ® Encounters: everyone gets defeated at the same time, then A Firefly™ Deck Building Game. In this fully you lose. cooperative game for 1-5 players, you’ll take Some enemies attack Serenity herself. If she on the role of Mal, Zoe or one of the other takes too many hits, then it’s all over. crew members. Your First Game You start with a deck of basic cards and For your first game, follow the setup rules on a special Talent card. At the start of your Page 3, using the specific card stacks listed turn, take a card from the Episode deck and there. This will allow you to play the Pilot place it face-down onto the board. It could Episode “Serenity” and “The Train Job.” be an outlaw thug, an alliance ship, or even (Note: The Pilot episode is split into two a reaver raiding party. You’ll play cards separate Episode Decks.) from your hand to generate Attack, Recruit After your first game, you can play through Points, and special abilities. You’ll use all 14 Episodes of the series or mix and match Attack to defeat enemies and to scan hidden Episodes to play them in a different order. -
Zack Whedon Davidé Fabbri Zack Whedon 2/17/12 1:11 Pm ® S R
ZACKZACK WHEDONWHEDON ® DAVIDÉDAVIDÉ FABBRIFABBRI STAR WARS FREE ® FROM YOUR PALS AT DARK HORSE COMICS AND COMICS HORSE DARK AT PALS YOUR FROM FCBD12 SW-SEREN.indd 1 2/17/12 1:11 PM FCBD12 SW-SEREN.indd 2 tions, or locales, without satiric intent, is coincidental. Printed by Cadmus Communications, Easton, PA, U.S.A. tions, orlocales,without satiricintent,iscoincidental.Printed byCadmusCommunications,Easton, PA, Anyresemblancetoactual persons(livingordead),events,institu either aretheproduct oftheauthor’simaginationorareused fictitiously. writtenpermissionofDarkHorse Comics,Inc.Names,characters,places,andincidentsfeaturedinthispublication without theexpress categories andcountries.Allrightsreserved. Noportionofthispublicationmaybereproducedortransmitted,inanyform or are ©2012LucasfilmLtd.DarkHorse Comics® andtheDarkHorselogoaretrademarksofComics,Inc.,registered inva Wars andillustrationsforStar Text ©2012LucasfilmLtd.&™.Allrightsreserved.Usedunderauthorization. Milwaukie, OR97222.StarWars ArtoftheBadDeal,”May2012.PublishedbyDarkHorseComics, Inc.,10956SEMainStreet, WARS—“The STAR FREE COMICBOOK DAY: RONDA D MICHAEL A D ZACK WHEDON ZACK advertising sales: (503) 905-2370 » comic shop locator service: (888)266-4226 service: (503)905-2370»comicshop locator sales: advertising ALLA ALLA DA AVIDÉ FABBRI AVIDÉ MIKE RANDY RANDY M H M C assistant editor assistant collection editor P F HRISTIAN REDD cover art SIERRA R lettering V T ATTISON T ICHARDSON INA ALESSI ECCHIA talk about this issue online at: online at: aboutthisissue talk Pencils HO UGHES Colors STRADLE publisher D script designer YE YE AVID M editor Inks HAHN LINS AS Y STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS ANDERMAN at lucas licensing. ANDERMAN at ALDERS, CAROL special thankstoJ ROEDER Comics! Horse Dark from pals this your at free offering enjoy please afirst-timer, or time reader along you’re whether But Emperor. -
The Unofficial Browncoat Drinking Guide
Mix Me a Drink, Gorramit! Another freebie from the author of the DMB Universe David Mark Brown DMB Files De Novo Syndrome, #1 Desert Gods, #2 Relic Hunters First Relic, #1 The Green Ones Season One: Episodes 1-5 (Fall/Winter, 2013) All Lost DMB Files allowing for suspected gaps Reefer Ranger (#9) Del Rio Con Amor (#14) Fistful of Reefer (#17) The Austin Job (#18) Hell’s Womb (#22) Get Doc Quick (#24) McCutchen’s Bones (#25) Twitch and Die! (#26) Paraplegic Zombie Slayer (#35) Fourth Horseman (#43) Browncoat Drinking Guide FOREWORD As every browncoat knows, the ‘verse is a vast place full of trouble—some dark and ugly, some warm and inviting. But that trouble is strong kin to the freedom that keeps us flying. To weather the good along with the bad, a few critical ingredients should always be rightly considered and well met: a sturdy boat, an honest crew, a reliable firearm and a stiff drink. This little ebook deals with the latter. Whether it’s another depressing Unification Day, an upscale shindig or a just an evening with the crew, continue reading for the best mixed drinks the ‘verse has to offer. For starters, check out a few recipes for mudder’s milk. From there on out I’ll highlight the cocktail and shooter I’ve found best suited to each of Serenity’s crew. 4 David Mark Brown No browncoat gathering or Firefly marathon is complete without a good stiff drink. So get out your firefly shaped tumbler (What? You don’t have one?), put on your brown coat and make sure to have plenty of ice, because it’s time to mix me a drink, gorramit. -
Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................ -
MATTHEW REILLY UNIVERSE a Jumpchain CYOA
MATTHEW REILLY UNIVERSE A Jumpchain CYOA Welcome to the shared universe of Matthew Reilly’s novels. You, visitor, are at the tip of the spear. This world of high stakes, nail-biting action needs heroes like you, now more than ever, to defend its people from forces that would seek to control it for their own ends. To explain a little more about the world you’ve stumbled into, to the vast bulk of humanity the world is quite mundane; your average citizen has as roughly the same concept of their world as you or I, and it would be quite easy to live your life as though nothing was any different. Yet behind the curtain, many wheels are in motion. Intelligence organisations and Special Forces units clash in exotic locations – Antarctic research labs, overgrown ruins, secret military facilities – often where highly unusual discoveries are made and where the most daring come away with the prize. Heavily-armed bounty hunters and Private Military Corporations chase lucrative contracts across the world for money and glory; careless of international law and often any collateral damage. In uncharted wilds, hidden cultures and tribes who have never been exposed to the modern world protect secrets from the forgotten past and carry out the rites of their forefathers to this day. Shadowy groups steer the courses of governments with hidden hands. Conspiracies of hate and enlightenment both grow inky webs throughout the military-industrial complex and permeate universities, corporations, the government and other institutions. And behind even these secret manipulators lie great mysteries which continue to shape the world as we know it after many thousands of years, and which may spell its doom...or its salvation. -
Theorising the Practice of Expressing a Fictional World Across Distinct Media and Environments
Transmedia Practice: Theorising the Practice of Expressing a Fictional World across Distinct Media and Environments by Christy Dena A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy (PhD) School of Letters, Art and Media Department of Media and Communications Digital Cultures Program University of Sydney Australia Supervisor: Professor Gerard Goggin Associate Supervisor: Dr. Chris Chesher Associate Supervisor: Dr. Anne Dunn 2009 Let’s study, with objectivity and curiosity, the mutation phenomenon of forms and values in the current world. Let’s be conscious of the fact that although tomorrow’s world does not have any chance to become more fair than any other, it owns a chance that is linked to the destiny of the current art [...] that of embodying, in their works some forms of new beauty, which will be able to arise only from the meet of all the techniques. (Francastel 1956, 274) Translation by Regina Célia Pinto, emailed to the empyre mailing list, Jan 2, 2004. Reprinted with permission. To the memory of my dear, dear, mum, Hilary. Thank you, for never denying yourself the right to Be. ~ Transmedia Practice ~ Abstract In the past few years there have been a number of theories emerge in media, film, television, narrative and game studies that detail the rise of what has been variously described as transmedia, cross-media and distributed phenomena. Fundamentally, the phenomenon involves the employment of multiple media platforms for expressing a fictional world. To date, theorists have focused on this phenomenon in mass entertainment, independent arts or gaming; and so, consequently the global, transartistic and transhistorical nature of the phenomenon has remained somewhat unrecognised.