Chuck's Top Ten Secrets to a Long, Happy, Useful
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Legendary Encounters Rules – Firefly
® ™ A Deck Building Game “You got a job, we can do it. Don’t much and wound the players. If you take damage care what it is.” – Captain Malcolm Reynolds equal to or greater than your health, then you’re defeated. Don’t worry though – another Game Summary player can heal you back into the game. But if Welcome to Legendary ® Encounters: everyone gets defeated at the same time, then A Firefly™ Deck Building Game. In this fully you lose. cooperative game for 1-5 players, you’ll take Some enemies attack Serenity herself. If she on the role of Mal, Zoe or one of the other takes too many hits, then it’s all over. crew members. Your First Game You start with a deck of basic cards and For your first game, follow the setup rules on a special Talent card. At the start of your Page 3, using the specific card stacks listed turn, take a card from the Episode deck and there. This will allow you to play the Pilot place it face-down onto the board. It could Episode “Serenity” and “The Train Job.” be an outlaw thug, an alliance ship, or even (Note: The Pilot episode is split into two a reaver raiding party. You’ll play cards separate Episode Decks.) from your hand to generate Attack, Recruit After your first game, you can play through Points, and special abilities. You’ll use all 14 Episodes of the series or mix and match Attack to defeat enemies and to scan hidden Episodes to play them in a different order. -
The Unofficial Browncoat Drinking Guide
Mix Me a Drink, Gorramit! Another freebie from the author of the DMB Universe David Mark Brown DMB Files De Novo Syndrome, #1 Desert Gods, #2 Relic Hunters First Relic, #1 The Green Ones Season One: Episodes 1-5 (Fall/Winter, 2013) All Lost DMB Files allowing for suspected gaps Reefer Ranger (#9) Del Rio Con Amor (#14) Fistful of Reefer (#17) The Austin Job (#18) Hell’s Womb (#22) Get Doc Quick (#24) McCutchen’s Bones (#25) Twitch and Die! (#26) Paraplegic Zombie Slayer (#35) Fourth Horseman (#43) Browncoat Drinking Guide FOREWORD As every browncoat knows, the ‘verse is a vast place full of trouble—some dark and ugly, some warm and inviting. But that trouble is strong kin to the freedom that keeps us flying. To weather the good along with the bad, a few critical ingredients should always be rightly considered and well met: a sturdy boat, an honest crew, a reliable firearm and a stiff drink. This little ebook deals with the latter. Whether it’s another depressing Unification Day, an upscale shindig or a just an evening with the crew, continue reading for the best mixed drinks the ‘verse has to offer. For starters, check out a few recipes for mudder’s milk. From there on out I’ll highlight the cocktail and shooter I’ve found best suited to each of Serenity’s crew. 4 David Mark Brown No browncoat gathering or Firefly marathon is complete without a good stiff drink. So get out your firefly shaped tumbler (What? You don’t have one?), put on your brown coat and make sure to have plenty of ice, because it’s time to mix me a drink, gorramit. -
Firefly Season 2” Is the Only Work of Fan Fiction I’Ve Ever Written, and I Wouldn’T Be Surprised If It’S the Only One I Ever Write
Firefly 201 + script bible 30th January 2016 revision Mike Le Page Author’s notes: The act of creating art is something I hold sacred, and I have no interest in shitting on someone else’s work, especially someone I respect as much as Joss Whedon. The following spec script for “Firefly season 2” is the only work of fan fiction I’ve ever written, and I wouldn’t be surprised if it’s the only one I ever write. I only wrote it because I had a waking dream that provided a neat way to tie up several loose ends from the series/movie as well as a way to bring Wash back that performs a critical plot function and isn’t just fan-service. This was written with longer-format episodes in mind. The crazy idea I had was that Firefly would be the ideal property with which to trial a kind of in-cinema, once-a-month mini-movie format which would promote the community of fans gathering at cinemas and allow studios to recoup the costs of shooting more expensive “TV” shows – much the same way that iMAX cinemas sold out for showings of Game of Thrones episodes. The idea was a second season of 8x 80-90 minute minimovies of Firefly, shot in a LOTR style shoot and released once a month over a single calendar year. This idea is in no way necessary for this script to work, but it perhaps goes some way to explain the length of this script. What you’ll notice is that I’ve erred on the side of changing things considerably from the first season/movie, separating the crew and mothballing Serenity for reasons to be explained: I don’t think it’s plausible that we could come back to the crew 10+ years later and have it be exactly the same. -
Sample File110 TRACEY SMITH
CREDITS Written By: Monica Valentinelli, Mark Diaz Truman, Brendan Conway, Dean Gilbert, and Jack Norris Additional Writing By: Margaret Weis, Rob Wieland, P.K. Sullivan, Philippe-Antoine Ménard, Cam Banks, and Dave Chalker Developed By: Monica Valentinelli and Mark Diaz Truman Systems Design By: Cam Banks, Dave Chalker, Philippe-Antoine Ménard, Rob Wieland, P.K. Sullivan, Dean Gilbert, and Mark Diaz Truman Rules Editing By: Mark Diaz Truman Design and Layout By: Daniel Solis and Thomas Deeny Title Page Art By: Crystal Ben Interior Art By: Marie Bergeron, Kurt Komoda, Ben Mund, James Nelson, Alejandro Monge, and Christopher West Edited By: Amanda Valentine, Alexander Perry, and Sally Christensen Series Research By: Chad Underkoffler Crew/Ship Sheet Enhancement By: Chris “Mr. Gone” Leland Playtested By: Sarah Babe, Amie Barnard, Bill Bodden,Sample Jeff Bridges, fileArcher Cafiso, Paul Cafiso, Dave Chalker, Brad Davies, John Drobina, Mike Fitch, E Foley, John Frazier, Jim Henley, Grace Jacobson, Marissa Kelly, Lauren Lyons, Matt M McElroy, Andie Miller, Matthew Nielsen, Brian Poe, Robert Ramus, Benjamin Rogers, Justin Rogers, Erik Stant, Paul Truman, Mark Diaz Truman, Dennis Twigg, Monica Valentinelli, Rob Wieland, and Ben Woerner STAFF Chief Executive: Margaret Weis Business Manager: Christi Cardenas MARGARET Brand Manager: Monica Valentinelli WEIS Systems Lead Designer: Mark Diaz Truman PRODUCTIONS, ltd. Art Director: Daniel Solis Assistant Art Director: Thomas Deeny MARGARETWEIS.COM MARGARET WEIS PRODUCTIONS, THE MW LOGO, CORTEX SYSTEM, -
Kaylee Frye, an Incomplete Role Model
Casey Canfield Disciplinary Deliverable 12/16/09 Kaylee Frye, an Incomplete Role Model It’s easy to turn on the TV and find shows about how fun and exciting it is to be a doctor, lawyer, or FBI agent – but what about being an engineer? Where’s the glamour and excitement in that? You could try some of the reality shows on the Discovery and Science channels and watch Doing DaVinci, Building it Bigger, or Heavy Metal Task Force. Or maybe you watch American Chopper or Restorer Guy on TLC. The problem is that all of these shows are for and about men and describe men’s relationship with creating and caring for technology. As a female engineer, I find my invisibility in the media problematic. But that is why I got so excited about Joss Whedon’s Firefly, which depicted a woman named Kaylee Frye as the ship’s engineer. In the real world, some women have difficulty balancing their desires to be feminine and their desire to be taken seriously as an engineer. Since engineers are coded as masculine, feminine-presenting women are automatically taken less seriously as engineers. While this tension was reflected in Kaylee’s character, there were missing elements in her back story that made her feel less real. Where and how did she learn so much about engines? What was her childhood like? Was becoming an engineer her life’s ambition? Granted, she’s a relatively minor character and the series ended incomplete, but the issues that were left unresolved reflect the issues that women in engineering engage with every day. -
213850426.Pdf
Make Me a Stone: The Female Christ Figure in Science Fiction Film Kerri White Submitted to the faculty of the University Graduate School in partial fulfilment of the requirements for the degree Master of the Arts in English in the College of Liberal Arts and Science Indiana University May 2011 White ii Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts in English. M.A. Committee g~~ Elaine Roth, Ph.D. Director ll wf6( February 1, 2011 Rebecca Brittenham, Ph .D. White iii ACKO WLEDGEMENTS My warmest thanks go to the amazing professors who aided me in this project. To Elaine Roth, thank you for always being positive, for encouraging me witb your enthusiasm, for your patience, and for your gifted ability to explain and teach comp] icated concepts that make my head spin. To Lee Kahn, thank you for your great insight concerning tbis project and the challenging questions you posed. I'd also like to thank you for taking me under your wing my first year and showing me the ropes! · To Rebecca Brittenham, thank you so much for helping me shape my project into what it is today. I'm always impressed by the unique way you look at concepts and your ability to think outside the box. From one Star Trek fan to another, I wish that you "Live long and prosper." And to Ann Richmond, who was my emotional rock throughout the process and a great friend throughout my time in the program and beyond, thank you for your friendship, your trust and your fantastic sense of humor. -
Finals 1 TU.Pdf
NEW TRIER VARSITY 2009 FINALS 1 1. One figure in this painting wears a necklace from which dangles a cross and clutches the branches of a tree. That tree has green, glowing fruit, and that figure almost entirely dominates the right side of the painting. In the background, a figure pokes its face out of an Orthodox church, and another figure walks with a scythe towards another figure. He, like two of the five houses in this painting, is upside down. Notable for its depiction of a huge green face looking into the eyes of a goat upon which another figure it milking a different goat, name this painting of Vitebsk, a work by Marc Chagall. ANSWER: I and the Village 2. In 2009, this company dropped a billion-dollar claim against its former CEO, Hank Greenberg, returning his pictures with company founder Cornelius Vander Starr. It also set the salary of Robert Benmosche (ben-mo-SHAY), its current head and the former CEO of MetLife, at seven million dollars, a year after Edward Liddy was paid one dollar for the same job. A report by Neil Barofsky stated that government money was funneled to this company’s counterparties, such as Goldman Sachs, when it was rescued with a bailout that could cost taxpayers 182 billion dollars. Name this insurance underwriter whose Fortune 500 ranking fell from thirteen to 245 in 2009 and which is now eighty percent owned by the US government. ANSWER: American International Group 3. The Hampson-Linde cycle uses this effect, which takes place below the inversion temperature. -
SF/SF #156! 1! September 2014 Science Fiction / San Francisco
Science Fiction/San Francisco Issue 156 September 2014 Xena Potlatch Theatre Space Cowboys Pirates Evolution J-Pop Stockton WW I Westercon ...and more! SF/SF #156! 1! September 2014 Science Fiction / San Francisco Issue 156 Editor-in-Chief: Jean Martin Published September 3, 2014 Managing Editor: Christopher Erickson email: [email protected] Compositor: Tom Becker Contents Editorial ......................................................................................Jean Martin............................. ........................................................................................ 3 Letters of Comment ...................................................................Christopher Erickson.............. ........................................................................................ 5 Four-Plus Years and One Night of PEERS.............................. Christopher Erickson.............. ........................................................................................ 8 Xena and Potlatch Conventions................................................ Jean Martin............................. Photos by Jean Martin.................................................... 9 Theatre Reviews .........................................................................Jean Martin............................. ...................................................................................... 18 PEERS Space Cowboys Ball .....................................................Christopher Erickson.............. Photos by Christopher -
Firefly: Still Flying: a Celebration of Joss Whedons Acclaimed Tv Series Pdf, Epub, Ebook
FIREFLY: STILL FLYING: A CELEBRATION OF JOSS WHEDONS ACCLAIMED TV SERIES PDF, EPUB, EBOOK Joss Whedon | 160 pages | 28 May 2010 | Titan Books Ltd | 9781848565067 | English | London, United Kingdom Firefly: Still Flying: A Celebration of Joss Whedons Acclaimed TV Series PDF Book Just a moment while we sign you in to your Goodreads account. Who was Book before meeting Mal and the rest of the Serenity crew? Those stories alone earn the 10 rating I'll give this one. Jul 07, Terry rated it really liked it. A worthy add to the growing collection. Peter Roberts. Great photos, info, bits about the props, places, people, characters, and more. Ives seems, as I look back on it, an odd spot to have served as stage wings for a melodrama, pure and simple. Sep 08, Dennis Lynch rated it really liked it. By Nicole Fuscia Books June 14, Then dig in below…. Still Flying is not so much a book as a must-have for the fan who wants everything, but I can promise you that it delivers on all fronts and will be a perfect addition to your own fan collection. Slightly disappointed that the cast quotes mostly were old interviews but that's to be expected. Wikipedia auf Englisch Keine. Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Keine aktuelle Diskussion zu diesem Buch. Arranged chronologically, the Military Quiz Book contains questions and answers covering a broad range of historical periods, from the ancient world to the present day, from personalities and quotations to battles and campaigns, from weapons to uniforms, and from the Screaming Eagles to oboe-equipped mosquitoes. -
The Expanded 'Verse
The Expanded 'Verse: Serialized Transmediality in Firefly/Serenity ............ by Frederick Blichert, BA (Hons.) A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario Submitted August 2014 © 2014, Frederick Blichert ii We know now that a text is not a line of words releasing a single "theological" meaning (the "message" of the Author- God) but a multi-dimensional space in which a variety of writings, none of them original, blend and clash. Roland Barthes1 iii ABSTRACT Popular narratives often extend textual content across multiple media platforms, creating transmedia stories. Recent scholarship has stressed the permeability of "the text," suggesting that the framework of a text, made up of paratexts including trailers and DVD extras, must be included in textual analysis. Here, I propose that this notion may be productively coupled with a theory of seriality––we may frame this phenomenon in the filmic terms of a narrative being comprised of transmedia sequels and/or prequels, or in the televisual language of episodes in a series. Through a textual analysis of the multifaceted transmedia narrative Firefly (2002-2003), I argue for a theoretical framework that further destabilizes the traditional text by considering such paratextual works as comic books, web videos, and the feature film Serenity (Joss Whedon, 2005) as narrative continuations within a single metatext that eschews the centrality of any one text over the others in favour of seriality. iv ACKNOWLEDGEMENTS I wish to thank Erika Balsom, Malini Guha, André Loiselle, and Charles O'Brien for their notes on various versions, drafts, and proposals of this material, along with Sylvie Jasen and Murray Leeder, who encouraged me to workshop some of these ideas as guest lecturer in their undergraduate courses. -
I Really Need to Know I Learned from Firefly
This combination of situations has made him a scoundrel trying to ignore his “heart of gold”, his mercenary inten- tions competing with the better instincts and morals of his past. With the scoundrel captain is the proverbial motley tm crew: Wash, the easy-going, wise-cracking pilot; Jayne, the anything-for-a-buck mercenary; Kaylee, the eternally- optimistic ship's engineer, and Zoe, Malcolm's first mate and comrade from the war. (At first blush, it's almost like you could see their character sheets off to the side.) By James Laird Davenport Also along for the ride is 'Inara', a member of an exclu- sive Guild of Companions. or those poor unfortunates who missed its brief She's more than a classy prostitute; she's a romantic- life on television, Firefly was one of the best gam- interest for the hardened Malcolm. Criminals when nec- F ing series ever produced. While it wasn't about essary, the crew seeks 'to keep fuel in the tanks and food gamers per se, it was quite easy to envision that we were on the table'. watching the adventures of a gaming group, in this case At the beginning of the series, they pick up in a space opera campaign. The show had an engaging three passengers who become de facto members of the ensemble of characters, great stories, and a unique vision crew: Simon, the doctor; River, Simon's mentally-addled, of the future. What more could you ask from a gaming fugitive sister; and Shepherd Book, the preacher looking campaign? to experience life outside the monastery. -
TV Finales and the Meaning of Endings Casey J. Mccormick
TV Finales and the Meaning of Endings Casey J. McCormick Department of English McGill University, Montréal A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Casey J. McCormick Table of Contents Abstract ………………………………………………………………………….…………. iii Résumé …………………………………………………………………..………..………… v Acknowledgements ………………………………………………………….……...…. vii Chapter One: Introducing Finales ………………………………………….……... 1 Chapter Two: Anticipating Closure in the Planned Finale ……….……… 36 Chapter Three: Binge-Viewing and Netflix Poetics …………………….….. 72 Chapter Four: Resisting Finality through Active Fandom ……………... 116 Chapter Five: Many Worlds, Many Endings ……………………….………… 152 Epilogue: The Dying Leader and the Harbinger of Death ……...………. 195 Bibliography ……………………………………………………………………………... 199 Primary Media Sources ………………………………………………………………. 211 iii Abstract What do we want to feel when we reach the end of a television series? Whether we spend years of our lives tuning in every week, or a few days bingeing through a storyworld, TV finales act as sites of negotiation between the forces of media production and consumption. By tracing a history of finales from the first Golden Age of American television to our contemporary era of complex TV, my project provides the first book- length study of TV finales as a distinct category of narrative media. This dissertation uses finales to understand how tensions between the emotional and economic imperatives of participatory culture complicate our experiences of television. The opening chapter contextualizes TV finales in relation to existing ideas about narrative closure, examines historically significant finales, and describes the ways that TV endings create meaning in popular culture. Chapter two looks at how narrative anticipation motivates audiences to engage communally in paratextual spaces and share processes of closure.