DOCSLIB.ORG

The Light Princess • South Coast Repertory •1 TABLE of CONTENTS Part I: the Play the Characters

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Light Princess • South Coast Repertory •1 TABLE of CONTENTS Part I: the Play the Characters STUDY GUIDE Prepared by Literary Associate Kat Zukaitis The Light Princess • SOUTH COAST REPERTORY •1 TABLE OF CONTENTS PART I: THE PLAY The Characters . 3 The Story . 3 Meet the Author: George MacDonald . 4 Going to the Source: A Summary of George MacDonald’s The Light Princess . 5 An Excerpt from The Light Princess . 6 Meet the Playwright: Lila Rose Kaplan . 7 Meet the Composer and Lyricist: Mike Pettry . 7 PART II: CLASSROOM ACTIVITIES BEFORE THE SHOW Questions for Discussion . 8 Puns, Puns, Puns! . 9 AFTER THE SHOW Discussion About the Theatre . 10 Discussion About the Play . 10 Activities . 11 PART III: AT THE THEATRE Welcome to the Julianne Argyros Stage . 12 Theatre Etiquette . 12 Student Tips for Theatre Trips . 12 Programs . 12 PART IV: EDUCATION STATION California Visual and Performing Arts Framework . 13 Five Strands of Art Education . 14 Basic Theatre Vocabulary . 15 PART V: RESOURCES The Light Princess by George MacDonald . 16 More About This Adaptation of The Light Princess . 16 2 • SOUTH COAST REPERTORY • The Light Princess Part I: The Play THE CHARACTERS Princess King Witch Wiseman 2 Prince Queen Wiseman 1 Gravitrons THE STORY did not need to be saved, and demands that he put her back in the lake. He jumps in with her—the first time in her life that she has experienced falling. It’s amaz- wo Wisemen begin to tell a story set a very ing. She teaches him to play Marco Polo, and he flies long time ago—but they argue and cannot her back to her balcony for the night. He has fallen in decide how to begin their tale. The King and love. Queen in the story enter and get the Wisemen The King and the Witch are both alarmed to hear back on track. of the meeting. The King, determined to find a suit- TOur story begins once upon a time. A young able husband for the Princess, brings in a series of King and Queen are happy and in love, until they dis- suitors with alarming proposals to keep her weighted cover that they cannot have children. They seek the down. The Queen is so upset by the King’s single- help of the Queen’s sister, a Witch who also is in love minded pursuit of a son-in-law that they quarrel, and with the King. She agrees to help, for a price. The she returns the key to his heart. Meanwhile, the Witch, King and Queen rejoice over the arrival of a baby daughter, until they discover that she has no gravity, either physical or emotion- al. The Princess not only floats, she can’t feel serious emotions like fear, sadness, or love—and if she can’t find her gravity by her 16th birthday, the Witch will take over the kingdom. As the Princess grows up, what she loves more than anything is to swim in the lake, for that is the one place she has weight. But the Wisemen, her guard- ians and tutors, don’t have time to swim with her. The Princess’ 16th birthday is fast approaching, and the Wisemen are busy coming up with ideas to help her find her gravity. Alas, the Princess’ attempts to cry all end in laughter… because, as the Queen points out, love, not tears, is what allows us to feel weighty emotions. However, the Princess has never fallen in love. Over the Queen’s objections, the King and Wisemen decide to hold a Suitor Competition to find the Princess a husband. Meanwhile, a young Prince (in dis- guise as a musician) wanders through the forest, trying in vain to write a love song. He convinces the Witch to let him stay with her. While playing his guitar on the shore of the lake, he hears the Princess splashing and jumps in to save her. She, of course, The Light Princess • SOUTH COAST REPERTORY •3 determined to keep the Princess from falling in love, be- above his head. The Princess saves the drowning Prince witches the Prince and sets him to work digging a hole from the lake and revives him. For the first time in her at the bottom of the Princess’ lake, causing all the water life, she cries and her tears refill the lake. The curse is to drain out. broken and the Princess falls to the ground with her The Princess is furious when she finds out who gravity restored. is causing the lake to drain away. To make amends, The Witch returns to find that her power is gone. the Prince offers to plug the hole with his own body, The King wishes to punish the Witch, but the Princess knowing that he will drown as soon as the water closes intervenes—the Witch, too, she says, just needs to be over his head. He asks the Princess to wait with him as taught how to love. In the end, the King and Queen the water rises. She does not want to speak to him, but reconcile, the Wisemen retire and the Princess, with her is eventually persuaded to give the Prince a kiss before musician Prince at her side, becomes her father’s chief he dies. He sings his first love song as the waters rise advisor. A happy ending for all! MEET THE AUTHOR: GEORGE MACDONALD Adapted from George MacDonald: Life, Works, Legacy by Matthew Bracey he stage play The Light Princess is adapted from a fairy tale that Scottish author, George MacDonald, originally published in 1864. George MacDonald was born in 1824 in Aberdeen- shire, Scotland. As a boy, he loved boxing and reading. THe eventually learned to read in Dutch, English, French, Ger- man, Greek, Italian, Latin and Spanish. After graduating from university, MacDonald moved to London, where he studied theology. When his career as a preacher proved unsuccess- ful, he tried his hand at writing. His extensive knowledge of language and culture played an important role in his ability to paint vivid, memorable pictures in his books. Some years later, poet W.H. Auden wrote: “In his power to project his inner life into images, beings, landscapes which are valid for all, he is one of the most remarkable writers of the nineteenth century.” MacDonald published more than 50 books over the course of four decades. While he wrote fiction, non- fiction, and poetry, he is best remembered for his fan- tasy and fairy tales. “I write, not for children,” he wrote, “but for the child-like, whether they be of five, or fifty, or seventy-five.” The story “The Light Princess” was origi- nally published as part of a longer novel, Adela Cathcart, in 1864. Some of his other best known works include Phantases (1858), At the Back of the North Wind (1871), The Princess and the Goblin (1872) and The Princess and Curdie (1883). MacDonald served as a mentor to Lewis Carroll, and en- couraged him to publish Alice in Wonderland. His writings also had a substantial influence on several major 20th century fantasy authors, including C.S. Lewis (The Chronicles of Narnia), J.R.R. Tolk- ien (The Hobbit and The Lord of the Rings), and Madeleine L’Engle (A Wrinkle in Time). MacDonald spend the last two decades of his life living in Italy with his wife. He died in 1905, at the age of 80. Portrait of George MacDonald in 1863 4 • SOUTH COAST REPERTORY • The Light Princess GOING TO THE SOURCE: A SUMMARY OF GEORGE MACDONALD’S THE LIGHT PRINCESS Adapted from Rag & Bone Puppet Theatre Teacher’s Guide nce upon a time, so long ago that I have forgotten the date, there lived a king and queen who had no children. The King was “ always grumbling about it. It was more than he deserved,O therefore, when, at last, the king and queen had a daughter—as lovely a little princess as ever cried.” The King wrote all the invitations to the christening and, of course, he forgot someone. Unfortunately, the person he forgot was his own sister, the Princess Makemnoit. And she was a wicked witch. Makemnoit arrived at the christening with an evil spell for the baby: Light of spirit, by my charms, Never weary human arms. Light of body, every part; Only crush thy parents’ heart. Suddenly, the Princess was lighter than air; she’d lost her gravity. One day she slipped out of her nurse’s arms and floated to the ceiling. The King had to get a ladder to pull her down. Another day, they put the baby down to sleep on the Queen’s bed and a gust of wind carried her off. They found her under a rose bush, and they watched her much more carefully after that. Everyone loved the baby, because she was always laughing. The servants loved to play ball with her, with the laughing baby as the ball. By the time the Princess The cover of the 1920 edition of The Princess and the Goblin, was 17, she had learned never to go anywhere without a by George MacDonald. heavy stone to hold her down, but she was still laughing. She laughed at everything—even sad things. Her parents When Princess Makemnoit learnt that her spell was were very worried. Two wise philosophers (at least they broken in water, she caused all the water in the kingdom say they are wise) from the College of Metaphysicians had to dry up. The Princess’s beloved lake began to sink. The many suggestions. “Give her tests and tests and tests and Princess was devastated. People said she would not live an tests and tests!” cried one.
Load more

Recommended publications
  • Fairy Tales in Chapter Books
    Alexander, Lloyd. The Book of Three Codell, Esme. Diary of a Fairy Godmother Haskell, Merrie. The Princess Curse Taran, Assistant Pig-Keeper to a famous oracular Hunky Dory's interest in wishcraft over witchcraft gets Twelve princesses suffer from a puzzling curse, sow, sets out on a hazardous mission to save her kicked out of charm school. Now she's determined and anyone who ends it will win a reward. Reveka, Prydain from the forces of evil. to follow her heart and become a fairy godmother. But a sharp-witted apprentice herbalist, wants that re- how to go about doing it? ward. But her investigations lead to deeper myster- Bach, Shelby. Of Giants and Ice ies and a daunting choice - will she break the curse Eleven-year-old Rory, daughter to famous Dahl, Roald. James and the Giant Peach at the peril of her own soul? parents, finds herself becoming a celebrity in her A young boy escapes from two wicked aunts and em- own right as she participates in the magical after barks on a series of adventures with six giant insects Healey, Christopher. The Hero’s Guide to Saving school program, Ever After School. he meets inside a giant peach. the Kingdom The four princes erroneously dubbed Prince Baker, E.D. The Wide-Awake Princess Frederick, Heather. Once Upon a Toad Charming and rudely marginalized in their respec- Princess Annie is Sleeping Beauty’s younger sister. Cat is sent to live with her father and stepsister Olivia, tive fairy tales form an unlikely team when a witch When her sister pricks her finger and the whole but interference by her inept fairy godmother causes threatens the whole kingdom.
    [Show full text]
  • A Checklist of George Macdonald's Books Published in America, 1855-1930
    North Wind: A Journal of George MacDonald Studies Volume 39 Article 2 1-1-2020 A Checklist of George MacDonald's Books Published in America, 1855-1930 Richard I. Johnson Follow this and additional works at: https://digitalcommons.snc.edu/northwind Recommended Citation Johnson, Richard I. (2020) "A Checklist of George MacDonald's Books Published in America, 1855-1930," North Wind: A Journal of George MacDonald Studies: Vol. 39 , Article 2. Available at: https://digitalcommons.snc.edu/northwind/vol39/iss1/2 This Article is brought to you for free and open access by the English at Digital Commons @ St. Norbert College. It has been accepted for inclusion in North Wind: A Journal of George MacDonald Studies by an authorized editor of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. A Checklist of George MacDonald Books Published in America, 1855-1930 Richard I. Johnson Many of George MacDonald’s books were published in the US as well as in the United Kingdom. Bulloch and Shaberman’s bibliographies only provide scanty details of these; the purpose of this article is to provide a more accurate and comprehensive list. Its purpose is to identify each publisher involved, the titles that each of them published, the series (where applicable) within which the title was placed, the date of publication, the number of pages, and the price. It is helpful to look at each of these in more detail. Publishers About 50 publishers were involved in publishing GMD books prior to 1930, although about half of these only published one title.
    [Show full text]
  • The Princess and the Goblin and the Princess and Curdie
    The Princess and the Goblin and The Princess and Curdie Colin Manlove George MacDonald’s The Princess and the Goblin (1872), which first appeared in Good Words for the Young from November 1870 to June 1871, is based on the traditional notion of fairy people trying to kidnap women, and also ultimately stems from myths of subterranean beings stealing people of the surface for their own—notably in the story of Pluto and Proserpina. In MacDonald’s story the goblins live in mines and dig into the house in which young Princess Irene lives, to seize her and make her the wife of their Prince Harelip. This idea is common in Victorian times in the frequent translations of such stories of the Grimms as “Snow White” or “Rumpelstiltskin,” and from Dickens’s “The Sexton and the Goblins” in Pickwick Papers (1838) to Mrs Juliana Horatia Ewing’s “Amelia and the Dwarfs” (1871). Indeed the very year in which The Princess and the Goblin first appeared in book form also saw the publication of Bulwer Lytton’s The Coming Race, the story of a technologically far advanced race living beneath the earth and planning to take over the world. The Victorians, it is well known, were continually and fearfully aware of the potential for revolution among the downtrodden proletariat, for whom their numerous charities were in part sops to Cerberus.1 While MacDonald is rarely political in his writing, in The Princess and the Goblin he does tap into a social current of his age. His temperament, while often socialist towards individuals, is more laissez-faire towards groups.
    [Show full text]
  • George Macdonald's the Wise Woman
    Studies in Scottish Literature Volume 42 | Issue 2 Article 7 11-30-2016 Imagining Evil: George MacDonald's The iW se Woman: A Parable (1875) Colin Manlove University of Edinburgh Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Children's and Young Adult Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Manlove, Colin (2016) "Imagining Evil: George MacDonald's The iW se Woman: A Parable (1875)," Studies in Scottish Literature: Vol. 42: Iss. 2, 201–217. Available at: https://scholarcommons.sc.edu/ssl/vol42/iss2/7 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. IMAGINING EVIL: GEORGE MACDONALD’S THE WISE WOMAN: A PARABLE (1875) Colin Manlove George MacDonald has some claim to the title of “a neglected Scottish writer.” A great man and author in his day, he is now largely forgotten in his own country. Only his children’s fairy tales still spark an occasional glimmer of recognition, particularly his At the Back of the North Wind (1870) and The Princess and the Goblin (1872). Recent academic interest in MacDonald as a fantasy writer, and particularly as the forerunner of C.S. Lewis and J.R.R. Tolkien, has however begun to rescue him from obscurity, particularly in the U.S.. Here I want to carry on this process by showing the power of a story which where noticed is too often condemned—The Wise Woman: A Parable.
    [Show full text]
  • Semiotic Adventures in George Macdonald's Fantasies
    CHALLENGING THE FATHER, SEEKING THE MOTHER, ADDRESSING THE CHILD: SEMIOTIC ADVENTURES IN GEORGE MACDONALD'S FANTASIES Marisa Alice Paterson B.A. (Hon), Simon Fraser University, 1990 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department 0 f English @ ~arisaAlice Paterson 1993 SIMON FRASER UNIVERSITY October 1993 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME: Marisa Paterson DEGREE: Master of Arts (English) TITLE OF THESIS: Challenging the Father, Seeking the Mother, Addressing the Child: Semiotic Adventures in George MacDonald's Fantasies Examining Committee: Chair: Kathy Mezei , I / ' Janet Giltrow Senior Supervisor Senior Lecturer of English Mason Harris Associate Professor of English PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. Title of Thesis/Project/Extended Essay Author: - - -. 4 (s i gn&ure) (date) / ABSTRACT George MacDonald's fantasies written for adults (Phantastes, Lilith) and those written for children (The Princess and the Goblin, The Princess and Curdie, At the Back of the North Wind) can be examined in terms of their challenge to code and doctrine.
    [Show full text]
  • Download the Free STUDY GUIDE
    Dear Reader, We are so exited to share our comic series, The Light Princess, with you! This incredible fairy tale was originally written by scottish author, George MacDonald in 1864. The story is full of allegory and metaphors, and loved by many regardless of age and gender. While it was originally written for children, both C.S. Lewis and J.R.R. Tolkein loved this story, and considered MacDonald the inspiration for their well known works, Narnia and The Lord of the Rings. In light of this, this study guide has been designed to enrich the story for ages 6-16, and has been broken up into three levels of activities: beginner, in- termediate and advanced. We hope that this educational guide is something that your whole family can go through together, and help draw out just some of the richness that MacDonald infused throughout this beautiful story. How to Get the Comic Series If you do not already have the series, you can find it digitally on ComiXology, read it for free on Webtoon, or buy a physical series on Amazon. If you have younger children, you can download the edited version of Issue 1 that has removed pages 7-13 to make it more appropriate for children. The free webtoons version has also been edited, and the rest of the series is appropriate for all ages. About Cave Pictures Publishing Our projects include wholly original works by acclaimed artists in the comics industry as well as original adaptations of existing works. We work in many genres, including: supernatural fiction, historic fiction, fantasy, and science fiction.
    [Show full text]
  • Creating Literary Analysis
    Creating Literary Analysis v. 1.0 This is the book Creating Literary Analysis (v. 1.0). This book is licensed under a Creative Commons by-nc-sa 3.0 (http://creativecommons.org/licenses/by-nc-sa/ 3.0/) license. See the license for more details, but that basically means you can share this book as long as you credit the author (but see below), don't make money from it, and do make it available to everyone else under the same terms. This book was accessible as of December 29, 2012, and it was downloaded then by Andy Schmitz (http://lardbucket.org) in an effort to preserve the availability of this book. Normally, the author and publisher would be credited here. However, the publisher has asked for the customary Creative Commons attribution to the original publisher, authors, title, and book URI to be removed. Additionally, per the publisher's request, their name has been removed in some passages. More information is available on this project's attribution page (http://2012books.lardbucket.org/attribution.html?utm_source=header). For more information on the source of this book, or why it is available for free, please see the project's home page (http://2012books.lardbucket.org/). You can browse or download additional books there. ii Table of Contents About the Authors................................................................................................................. 1 Acknowledgments................................................................................................................. 2 Dedications............................................................................................................................
    [Show full text]
  • PRINCESS Books 11/2018
    PRINCESS Books 11/2018 PICTURE BOOKS: Princess Palooza jj Allen, J The Very Fairy Princess jj Andrews, J The Very Fairy Princess: Here Comes the Flower Girl! Jj Andrews, J The Very Fairy Princess Takes the Stage jj Andrews, J The Princess and the Pizza jj Auch, M Snoring Beauty jj Bardhan-Quallen, S The Princess and the Pony jj Beaton, K Marisol McDonald Doesn’t Match = Marisol McDonald No Combina jj Brown, Monica Babar and Zephir jj Brunhoff, J Princess Peepers Picks a Pet jj Calvert, P Puss in Boots jj Cauley, L The Frog Princess jj Cecil, L The Princess and the Pea in Miniature: After the Fairy Tale by Hans Christian Andersen jj Child, L Princess Smartypants jj Cole, B Do Princesses Scrape Their Knees? Jj Coyle, C A Hero’s Quest jj DiCamillo, K The Mouse and the Princess jj DiCamillo, K A Friend for Merida jj Disney The Prince Won’t Go to Bed! Jj Dodds, D A Gold Star for Zog jj Donaldson, J Zog and the Flying Doctors jj Donaldson, J Dora Saves the Snow Princess jj Dora How to Become a Perfect Princess In Five Days jj Dube, P Olivia and the Fairy Princesses jj Falconer, I Olivia: The Princess jj Falconer, I The Most Wonderful Thing in the World jj French, V The Princess Knight jj Funke, C The Snow Rabbit jj Garoche, C Spells jj Gravett, E Fitchburg Public Library 610 Main St, Fitchburg, MA 01420 978-829-1789 www.fitchburgpubliclibrary.org Princesses Save the World jj Guthrie, S Princesses Wear Pants jj Guthrie, S Snoring Beauty jj Hale, B Princess Academy jj Hale, S PA1 Princess Hyacinth: (The Surprising Tale of a Girl Who Floated)
    [Show full text]
  • The Light Princess
    ADDDDDDDDDDD^DDDDDDDDDDDF H I H rag & bone puppet theatre I H I H The Light Princess I H I H I H ADDDDDDDDDDDDDDDF I H I H H I I H H I I H H I I H I H H I I H H I I H H I I H I H H I I H H I I H I H H I I H H I I H H I I H KMMMMMMMMMMMMMMMP I H I H teacher’s guide I H I H I H I H I H I H I H I H I H I H I H I H I H I H I KMMMMMMMMMMMMMMMMMMMMMMMMP Contents Dear Teacher: ………………………………………4 The Company ……………………………………… 5 About the Production ……………………………… 7 The Characters ………………………………………8 The Story ………………………………………… 11 Word Search ……………………………………… 14 Where is the Baby? ……………………………… 16 A Rag & Bone Production ………………………… 18 Make a Puppet Show …………………………… 21 Scrap Wood Puppets ……………………………… 24 rag & bone puppet theatre The Light Princess f Based on the story by George MacDonald CCCCCCCCCCCCCCCCCCCCCCCCCCC Dear Teacher: We’re looking forward to performing The Light Princess at your school. This study guide has a synopsis of the show, a word search, a maze, and information about the production. Feel free to photocopy any of this guide for use with your class. Thank you for inviting us to your school. We hope your students and staff enjoy the show! Yours truly, Kathy MacLellan & John Nolan DDDDDDDDDDDDDDDDDDDDDDDDDDD The Company Founded in 1978 by John Nolan and Kathy MacLellan, Rag & Bone’s shows produced include The Snow Queen, The Nativity, The Cow Show, The Nightingale, Tug of War, A Bauchan in the Family, A Promise is a Promise, The Weaving of a Dream, The Story of Holly & Ivy, Felicity Falls, Macbeth, and The Light Princess and Zoom.
    [Show full text]
  • Fairy Tales and Political Socialization
    FAIRY TALES AND POLITICAL SOCIALIZATION by Mehrdad Faiz Samadzadeh A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Curriculum, Teaching & Leadership University of Toronto Ontario Institute for Studies in Education © Copyright by Mehrdad Faiz Samadzadeh 2018 FAIRY TALES AND POLITICAL SOCIALIZATION Mehrdad Faiz Samadzadeh Doctor of Philosophy Department of Curriculum, Teaching & Leadership Ontario Institute for Studies in Education University of Toronto 2018 Abstract The concept of childhood is one of the many facets of modernity that entered Western consciousness in the seventeenth century. It emanated from the historical mutations of the post-Renaissance era that set in motion what Norbert Elias calls the civilizing process, one that spawned a repressive mode of socialization in tandem with the cultural and ideological hegemony of the new power elite. Accordingly, childhood became a metaphor for oppression targeting not only children, but also women, the underclass, the social outcast, and the colonized as they all were deemed “incompletely human”. From mid-nineteenth century on, however, childhood began to evince a liberating potential in tandem with the changing direction of modern Western civilization. This ushered in an alternative concept of childhood inspired by the shared characteristics between the medieval and modern child that finds expression in the works of distinguished literary figures of the Victorian era. What followed was an entire movement towards the recognition of children’s rights and status that set the context for the growing interest in childhood as a subject of historical inquiry in the twentieth century. This conceptual vicissitude of childhood is central to the present thesis which I pursue in relation to the literary genre of fairy tale.
    [Show full text]
  • THE LIGHT PRINCESS GEORGE MACDONALD 1. What! No Children?
    THE LIGHT PRINCESS GEORGE MACDONALD 1. What! No Children? Once upon a time, so long ago that I have quite forgotten the date, there lived a king and queen who had no children. And the king said to himself, "All the queens of my acquaintance have children, some three, some seven, and some as many as twelve; and my queen has not one. I feel ill-used." So he made up his mind to be cross with his wife about it. But she bore it all like a good patient queen as she was. Then the king grew very cross indeed. But the queen pretended to take it all as a joke, and a very good one too. "Why don't you have any daughters, at least?" said he. "I don't say sons; that might be too much to expect." "I am sure, dear king, I am very sorry," said the queen. "So you ought to be," retorted the king; "you are not going to make a virtue of that, surely." But he was not an ill-tempered king, and in any matter of less moment would have let the queen have her own way with all his heart. This, however, was an affair of state. The queen smiled. "You must have patience with a lady, you know, dear king," said she. She was, indeed, a very nice queen, and heartily sorry that she could not oblige the king immediately. 2. Won't I, Just? The king tried to have patience, but he succeeded very badly. It was more than he deserved, therefore, when, at last, the queen gave him a daughter--as lovely a little princess as ever cried.
    [Show full text]
  • Select Bibliography of the Works of George Macdonald
    George MacDonald: A Select Bibliography This is not a comprehensive listing of MacDonald’s works. For a more complete list, please see the following: Bulloch, John Malcolm. A Bibliography of George MacDonald. 1925. Jordan, Mary Nance. George MacDonald: A Bibliographical Catalog and Record. Limited edition of 100 copies. Fairfax, VA: privately published, 1984. Shaberman, Raphael. George MacDonald: a Bibliographical Study. Winchester, Hampshire/Detroit: St. Paul's Bibliographies/Omnigraphics, 1990. FAIRY TALES & WORKS FOR CHILDREN -Dealings with the Fairies, 1867 -At the Back of the North Wind, 1871 -The Princess and the Goblin, 1872 -Gutta Percha Willie: The Working Genius, 1873 -The Wise Woman, 1875 (alternate titles: The Lost Princess and A Double Story) -The Princess and Curdie, 1883 -The Light Princess and Other Fairy Tales, 1893 -The Complete Fairy Tales, 1999 FANTASIES -Phantastes: A Faerie Romance for Men and Women, 1858 -The Portent, 1864 -Works of Fancy and Imagination (10 vols), 1871 -Lilith, 1895 NON-FICTION WORKS & POETRY -Within and Without: A Dramatic Poem, 1855 -Poems, 1857 -The Disciple and Other Poems, 1867 -Unspoken Sermons, 1867 -The Miracles of Our Lord, 1870 -Exotics: A Translation of the Spiritual Songs of Novalis, the Hymn Book of Luther, and Other Poems from the German and Italian, 1876 -A Book of Strife in the Form of the Diary of an Old Soul, 1880 -A Threefold Cord: Poems by Three Friends, 1883 -The Tragedie of Hamlet, 1885 -Unspoken Sermons: Second Series, 1886 -Unspoken Sermons: Third Series, 1889 -The Hope of the Gospel, 1892 -The Poetical Works of George MacDonald - 2 vols, 1893 -A Dish of Orts, 1893 -Scotch Songs and Ballads, 1893 -Rampolli, 1897 (expanded edition of Exotics) -George Macdonald in the pulpit: the 'spoken' sermons of George Macdonald, 1996 Marion E.
    [Show full text]