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Monster Central User Guide
USER GUIDE Monster ® Home Theater Controller AV 100 Monster Home Theater and Lighting Controller AVL 300 ® Monster Central OmniLink™ A NOTE FROM THE HEAD MONSTER Dear Enthusiast, THANK YOU for purchasing your Monster Central® Control product. Monster Central Control opens up a whole new world where you command your home entertainment and environment—from operating audio/video components across your entire home, to accessing and distributing media libraries, to commanding lighting with the touch of a button, and more. User-friendly and future-ready, Monster Central Control products enhance your lifestyle at home today and tomorrow: Monster® HomeHome TheaterTheater ControllerController AVAV 100—100—Activity-Based Controller with easy, online setup lets you command home A/V components with the touch of a button. Monster Home Theater and Lighting Controller AVL 300—Activity-Based Controller with easy, online setup lets you command all of your A/V components, even all the lights in your home, with a touch of a button. Monster Central OmniLink™ (for AVL300 only)—included—RF-to-IR bridge and IR signal blaster/extender transmits Controller commands through cabinet doors, walls, ceilings and fl oors—even from different rooms. i Monster Central Wireless PC Link (for AVL300 only)—optional— Enables your Controller 300 to control your PC from remote locations, and wirelessly transmits new component confi gurations, name changes, customized titles, music playlists, and even the latest fi rmware from your PC to your Controller. llluminEssence™ Lighting Systems—not included—To enhance your home environment. These easy-to-install lighting modules can be controlled using the same Monster Central Controller you use to command your home A/V from any room in the house. -
IMAGES from the WALT DISNEY FAMILY MUSEUM Walt and Lillian
IMAGES FROM THE WALT DISNEY FAMILY MUSEUM For high resolution versions of the images below or for additional images and information, please contact: Andi Wang, Communications and Digital Media Manager 415.345.6816 or [email protected] Walt and Lillian Disney on board The Rex, 1935 Courtesy Walt Disney Family Foundation, ©Disney Walt Disney, early 1930s Courtesy of The Walt Disney Company, ©Disney Walt Disney reading to his daughters Courtesy Walt Disney Family Foundation Walt Disney reads a bedtime story to his daughters Sharon (left) and Diane (right). The Walt Disney Family Museum Photo by Ric Miller, courtesy The Walt Disney Family Museum. The Museum is located in a former army barrack on the Main Post in the Presidio of San Francisco, with the Golden Gate Bridge as a backdrop. The Walt Disney Family Museum, at night Photo by Jim Smith, courtesy The Walt Disney Family Museum. The Walt Disney Family Museum, from the back Photo by Jim Smith, courtesy The Walt Disney Family Museum. A reflection of the Golden Gate Bridge can be seen on the Museum’s back glass panel. The Theater Photo by Jim Smith, courtesy The Walt Disney Family Museum. Inspired by Fantasia and “The Sorcerer’s Apprentice,” this state-of-the-art digital theater seats an audience of 114 and daily screens classic Disney films. 2 Gallery 2: The Move to Hollywood Photo by Jim Smith, courtesy The Walt Disney Family Museum. IN 1923, when Walt Disney’s first company (Laugh-O- grams) failed, Walt moved out West and formed the Disney Brothers Cartoon Studios, which ultimately led to the creation of Mickey Mouse. -
Estta625827 09/08/2014 in the United States Patent And
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA625827 Filing date: 09/08/2014 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91205893 Party Defendant Li-Wei Chih Correspondence EVE BROWN Address SUFFOLK UNIVERSITY LAW SCHOOL 120 TREMONT STREET BOSTON, MA 02108 UNITED STATES [email protected] Submission Defendant's Notice of Reliance Filer's Name Eve Brown Filer's e-mail [email protected] Signature /Eve Brown/ Date 09/08/2014 Attachments Monster NOR 4.pdf(1169079 bytes ) http://www.change.org/p/monster-energy-company-stop-trademark-bullying- monsterfishkeepers-com Petition Closed with 8,875 supporters 8,875 signatures Stop Trademark Bullying MonsterFishKeepers.com! Petition by Nicole Putnam Ocala, FL Monster Aquaria Network is made up of three aquarium hobby sites and their respective forums: MonsterFishKeepers.com, AquariaCentral.com, and Aquatic-Photography.com. The Monster Fish Keepers™ Class 38 trademark "M" has been registered with the U.S. Patent and Trademark Office since October of 2007. On February 24th, Monster Energy Company sent a cease and desist letter asking that the "M" logo be dropped from clothing, accessories and stickers. Along with advertising, this merchandise is a source of revenue for Monster Aquaria Network which defrays the cost of maintaining the sites. Monster Energy Company feels that the "M" logo constitutes trademark infringement and would cause customers confusion with their own MONSTER™, MONSTER ENERGY®, and MONSTER “Claw M®” registered trademarks. (It is unlikely that consumers would mistake a brand marketed to the keepers of large fish in specialty online sites and aquarium stores, for a brand marketed to regular customers in sports facilities and typical grocery and retail establishments.) The cease and desist letter was in response to MFK filing for a Class 25 trademark (clothing, footwear, and headgear). -
Kathleen Kennedy, Frank Marshall
PARAMOUNT PICTURES Présente Une production LUCASFILM Ltd Un fi lm de STEVEN SPIELBERG (Indiana Jones and the Kingdom of the Crystal Skull) Avec HARRISON FORD CATE BLANCHETT, KAREN ALLEN, RAY WINSTONE, JOHN HURT, JIM BROADBENT et SHIA LaBEOUF Scénario de DAVID KOEPP Produit par GEORGE LUCAS, KATHLEEN KENNEDY, FRANK MARSHALL Un fi lm PARAMOUNT Distribué par PARAMOUNT PICTURES FRANCE SORTIE : 21 MAI 2008 Durée : 2h03 DISTRIBUTION PRESSE Michèle Abitbol-Lasry Séverine Lajarrige 184, bld Haussmann – 75008 Paris 1, rue Meyerbeer – 75009 Paris Tél. : 01 45 62 45 62 Tél. : 01 40 07 38 86 [email protected] Fax : 01 40 07 38 39 [email protected] SYNOPSIS Ses exploits sont légendaires, son nom est synonyme d'aventure… Indiana Jones, l'archéologue au sourire conquérant et aux poings d'acier, est de retour, avec son blouson de cuir, son grand fouet, son chapeau… et son incurable phobie des serpents. Sa nouvelle aventure débute dans un désert du sud- ouest des États-Unis. Nous sommes en 1957, en pleine Guerre Froide ; Indy et son copain Mac viennent tout juste d'échapper à une bande d'agents soviétiques à la recherche d'une mystérieuse relique surgie du fond des temps. De retour au Marshall College, le Professeur Jones apprend une très mauvaise nouvelle : ses récentes ac- tivités l'ont rendu suspect aux yeux du gouvernement américain. Le doyen Stanforth, qui est aussi un proche ami, se voit contraint de le licencier. À la sortie de la ville, Indiana fait la connaissance d'un jeune motard rebelle, Mutt, qui lui fait une pro- position inattendue. -
Fear of Deaf Cinema
1 Fear of Deaf Cinema Alex Burns ([email protected]), 2010 [Note: Accepted for publication in M/C 13(3) (2010) but undelivered to publisher at final edit stage due to illness.] The French experimental film composer Michel Chion has proposed ‘deaf cinema’ as a new aesthetic framework to interpret film dialogue, multi-layered soundtracks and silence. This article suggests Chion’s aesthetic theory is fragmentary. Through a sampling of Hollywood films in different historical periods, the article explores the implications of Chion’s ‘deaf cinema’ versus Robert Bresson’s ‘tactics of silence’, for the boundaries of film soundtracks; aesthetic strategies of silence; the variations in silent, experimental, genre and contemporary films, and the absence of deaf filmmakers and perspectives. Film Studies scholars who use these aesthetic strategies to develop more emancipatory and inclusive frameworks, as demonstrated in the work of deaf filmmakers Samuel Dore and Robert Hoskin. “Against the tactics of speed, of noise, set tactics of slowness, of silence.” ‐ Robert Bresson (Bennett, Hickmann and Wall, 15) Defining Deaf Cinema Michel Chion (www.michelchion.com) the French experimental music composer has proposed ‘deaf cinema’ as a new aesthetic framework to interpret film dialogue, multi-layered soundtracks, and silence. “The silent film may be called deaf,” Chion observes, “insofar as it prevented us from hearing the real sounds of the story. It had no ears for the immediate aural space, the here and now of action.” (Chion 7). As a past assistant to ‘musique concrete’ composer Pierre Schaeffer, Chion is sensitive to how inductive theories can shape how we perceive film and music. -
Genre and the Politics of Performance in the Modern American Environmental Movement
Appealing to Better Natures: Genre and the Politics of Performance in the Modern American Environmental Movement by Shannon Davies Mancus B.A. in Theatre and Speech, May 2004, Wagner College M.A. In American Studies, May 2011, The George Washington University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 15, 2016 Dissertation directed by Melani McAlister Associate Professor of American Studies and International Affairs Elisabeth Anker Associate Professor of American Studies and Political Science The Columbian College of the Arts and Sciences of The George Washington University certifies that Shannon Davies Mancus has passed the Final Examination for the degree of Doctor of Philosophy as of March 28, 2016. This is the final and approved form of the dissertation. Appealing to Better Natures: Genre and the Politics of Performance in the Modern American Environmental Movement Shannon Davies Mancus Dissertation Research Committee Melani McAlister, Associate Professor of American Studies and International Affairs, Dissertation Co-Director Elisabeth Anker, Associate Professor of American Studies and Political Science, Dissertation Co-Director Jennifer Nash, Assistant Professor of American Studies and Women's Studies, Committee Member Gayle Wald, Professor of English and American Studies, Committee Member James A. Miller, Professor of English and American Studies & Director of the Center for the Study of Public History and Culture, Committee Member (Deceased) ii © Copyright 2016 by Shannon Davies Mancus All rights reserved. iii Dedication For my co-protagonist, Tony, and in memory of James A. -
Shauna R. Madison Cotchett, Pitre & Mccarthy
JOSEPH W. COTCHETT (SBN 36324; [email protected]) PHILIP L. GREGORY (SBN 95217; [email protected]) 2 NANCIE. NISHIMURA (SBN 152621; [email protected]) 3 CAMILO ARTIGA-PURCELL (SBN 273229; [email protected]) SHAUNA R. MADISON (SBN 299585; [email protected]) 4 COTCHETT, PITRE & MCCARTHY, LLP 840 Malcolm Road, Suite 200 5 Burlingame, CA 94010 Telephone: (650) 697-6000 6 Facsimile: (650) 697-0577 7 Attorneys for Plaintiffs 8 SUPERIOR COURT FOR THE STATE OF CALIFORNIA 9 IN THE COUNTY OF SAN MATEO 10 11 MONSTER, LLC, a Nevada limited liability Case No. C\" S!.\ qq 1 corporation; and 12 COMPLAINT FOR: NOEL LEE, individually and as TRUSTEE 13 OF THE NOEL LEE LIVING TRUST, 1. FRAUD AND DECEIT; 14 Plaintiffs, 2. AIDING AND ABETTING FRAUD AND 15 DECEIT; v. 16 3. BREACH OF DUTY OF TRUST AND BEATS ELECTRONICS LLC, a Delaware CONFIDENCE; 17 corporation; 4. AIDING AND ABETTING BREACH OF 18 ANDRE YOUNG a/k/a Dr. DRE; DUTY OF TRUST AND CONFIDENCE; 19 JIMMY IOVINE; 5. BREACH OF FIDUCIARY DUTY; 20 PAUL D. WACHTER; 6. AIDING AND ABETTING BREACH OF 21 FIDUCIARY DUTY; HTC AMERICA HOLDING, INC., a 22 Washington corporation; and 7. UNFAIR COMPETITION; and DOES 1-25, 8. VIOLATIONS OF THE CALIFORNIA 24 CORPORATIONS CODE. Defendants. 25 DEMAND FOR JURY TRIAL 26 27 28 L.\ \\' Cffl,IC:FS Crnci11rr, PITRE COMPLAINT & i\lc:C\l\THY, LLP 1 TABLE OF CONTENTS 2 Page 3 I. INTRODUCTION.................................................................................................................. 1 4 A. BACKGROUND ON LEE AND MONSTER ....................................................................... 3 5 6 B. LEE AND MONSTER ENGINEER THE “B EATS BY DR. -
Attendee List CONNECTIONS™: the Digital Home Conference and Showcase
Attendee List CONNECTIONS™: The Digital Home Conference and Showcase May 11-13, 2005 © 2005 CONNECTIONS™ CONNECTIONS™ 2005 Attendee List Aaron Bernstein QUALCOMM Inc Aaron Feen AMD Aaron Lee NETGEAR Abbey Flores CNET Adam Burg Mediabolic, Inc. Adam Mayer Scientific-Atlanta Adi Lavi Serconet Aditi Joshi AOL Alain Fernando-Santana NetCentrex Inc Alan Bittancourt Seagate Alan Snodgrass Intel Corporation Alexander Marquez Intel Capital Alfonso Rubio DS2 Alicia Nieva-Woodgate Mediabolic, Inc. Alison Murdock IBDNetwork Allen Huotari MoCA Alvin Lau Digital 5 Ameer Navidi LIVEdigitally Ami Wright Universal Electronics Amy Deveau Andrea Sorace Digital 5 Andreas Kluth The Economist Andreas Wuerfel Deutsche Telekom USA Andrew Bovingdon ANT Limited Andrew Hartsfield WiLife, Inc. Andrew Lindsay-Stewart Vodafone Andrew Steele Terayon Andy Llana Canadian Telecom Andy Melder Intellon Corporation Angelo Ugge BridgeCo Aniraj K R Wipro Technologies Ann McArtor Cisco Anne Marie Biernacki The Digiticians LLC Antone Gonsalves TechWeb Antonia Washington Pioneer Electronics (USA) Inc. Ariane Zander Messe Berlin GmbH Arnon Catalan Gteko Art Rangel Apple Computer Ashish Tomar Nokia Ashley Hannant CE Lifestyles Atif Rafiq Avishai Eliash Gteko Avner Matmor Yitran Communications Ltd. Azadeh Jaffari Seagate Babak Rezvani Xanboo Barbara Dwyer PRIMEDIA Bard Richmond Streamzap Barry Solomon Devicescape Software Barry Willis Absolute Multimedia www.connectionsconference.com CONNECTIONS™ 2005 Attendee List Bart Sattler TWA-nieuws Benjamin Grimley Exent Technologies Bennett Norell Sereniti Inc. Benny Evangelista San Francisco Chronicle Benson Chao Digital Video Multimedia News Bernadete Hill DynamicCity Bernard Gander Logitech Europe SA Bill Ablondi Parks Associates Bill Boyle Intel Corporation Bill Diamond Xanboo Bill McFarland Atheros Bill Scheffler Zensys Bill Schilit Intel Bill Selph Hewlett Packard Bob Gregory Intel Corporation Bob Harris Bob King Vulcan Inc. -
Images from the Walt Disney Family Museum
! IMAGES FROM THE WALT DISNEY FAMILY MUSEUM For high resolution versions of the images below or for additional images and information, please contact: Andrea Wang, The Walt Disney Family Museum 415.345.6816 or [email protected] Libby Garrison, The Walt Disney Family Museum 415.345.6822 or [email protected] WALT DISNEY Walt and Lillian Disney on board The Rex, 1935 Courtesy Walt Disney Family Foundation / © Disney Walt Disney, early 1930s Courtesy of The Walt Disney Company / © Disney Walt Disney reading to his daughters Courtesy Walt Disney Family Foundation Walt Disney reads a bedtime story to his daughters Sharon (left) and Diane (right). The Walt Disney Family Museum The Museum is located in a former army barrack on the Main Post in the Presidio of San Francisco, with the Golden Gate Bridge as a backdrop. Photo by Ric Miller, Courtesy The Walt Disney Family Museum. The Walt Disney Family Museum at Night Photo by Jim Smith, Courtesy The Walt Disney Family Museum. The Walt Disney Family Museum, from the back A reflection of the Golden Gate Bridge can be seen on the Museum’s back glass panel. Photo by Jim Smith, Courtesy The Walt Disney Family Museum. The Theater Inspired by Fantasia and “The Sorcerer’s Apprentice”, this state-of-the-art digital theater seats an audience of 114 and screens classic Disney films daily. Photo by Jim Smith, Courtesy The Walt Disney Family Museum. 2 Gallery 2: The Move to Hollywood In 1923, when Walt Disney’s first company (The Laugh-O-grams failed), Walt moved out West and formed the Disney Brother Studios, which ultimately led to the creation of Mickey Mouse. -
Good Design 2008
GOOD DESIGN 2008 AWARDED PRODUCT DESIGNS AND GRAPHICS AND PACKAGING THE CHICAGO ATHENAEUM: MUSEUM OF ARCHITECTURE AND DESIGN THE EUROPEAN CENTRE FOR ARCHITECTURE ART DESIGN AND URBAN STUDIES ELECTRONICS NuLook LS-2 Speaker System .molldesign for Nubert electronic GmbH Siedle Door Speaker Sets S.Siedle & Söhne Telefon-und Telegrafenwerke OHG. Siedle Hands-Free Telephone S.Siedle & Söhne Telefon-und Telegrafenwerke OHG. Philips Boundary Layer Microphone LFH 9172 GP designpartners GmbH for Philips Austria GmbH Speech Processing Ci 75 Mobile Mouse One & Co. for Kensington OBID® Reader Family piu products for Feig Electronic GmbH Berker Series 1930 Porzellan Rotary Switch Rosenthal AG and Berker GmbH & Co. KG FR500 and FR1000 Field Radios Whipsaw, Inc. for Eton Corporation MEDION MP4 Player X60001 Medion Design Team/ Medion AG MEDION Notebook Remote Medion Design Team/ Medion AG Blu-Ray Player MEDION life S71001 Medion Design Team/ Medion AG Good Design Awards Page 1 of 35 2008 © 1992-2016 The Chicago Athenaeum - Use of this website as stated in our legal statement Dect Phone Serie MEDION life Medion Design Team/ Medion AG MEDION AKOYA S 34581 Entertainment PC Medion Design Team/ Medion AG MEDION 16” Notebook Belago Medion Design Team/ Medion AG MEDION AKOYA S Nettop PC Medion Design Team/ Medion AG MEDION LCD TV Medion Design Team, Medion AG SP Datapoint + SP Printer Pharmacy Computer and Label Printer KEM STUDIO for Script Pro Beats by Dr. Dre Headphones Ammunition, LLC for Monster Cable HTC Touch Diamond Mobile Telephone One & Co. for HTC Caruso Table Radio .moll design for T+A elektroakustik GmbH & Co. KG D-Link HorstBox Configuration Portal designafairs for D-Link (Deutschland) GmbH Silent Cube designafairs for FAST LTA AG Logitech Mx 1100 Cordless Laser Mouse Design Partners for Logitech Harman Kardon Infinity Reference Series Altitude Inc. -
Court-Ordered Liquidation of Kerner Optical, LLC in San Rafael, California (Kerner Blvd)
09/27/21 05:05:34 Court-Ordered Liquidation of Kerner Optical, LLC in San Rafael, California (Kerner Blvd) Auction Opens: Fri, Oct 21 9:00am Auction Closes: Tue, Oct 25 9:00am Lot Title Lot Title 100 Bridgeport Toro-Cut TC4 Vertical Machining 114 (3) Movie Posters - Star Wars Episode III Center - CNC (framed), Doctor Who (3D) and Speed Racer 101 Heavy-Duty Industrial Band Saw - Powermatic (3D) Model 87 116 Variety Lot - Kenmore Refrigerator, Cassette 102 EMCO Maximat UC3 Lathe Milling Machine Recorders, Cassette Player with Digital Readout 117 Variety Lot - Conference Table, Office Chairs, 103 Bench Grinder on Anchored Stand - Milwaukee Couch, Drafting Machine Model 4980 117B HP Color LaserJet 4550DN Printer 104 Clausing Drill Press Model 1763 151 Delta Radial Arm Saw 104A Dayton Rolling Tool Cabinet with Tools and 152 DeWalt Sliding Compound Miter Saw Drill Bits 153 (3) Stands with Rollers 104B Carbide Cutter Bits 154 Rockwell 15-331 Drill Press 105 Bridgeport Industrial-Duty Milling Machine 155 Rockwell 15-665 Drill Press with Bausch & Lomb Acu-Rite III Digital Readout 156 TDS-200 8" Bench Grinder 106 Bridgeport Industrial-Duty Milling Machine 157 Rockwell 05-05 Bench Grinder with Bausch & Lomb Acu-Rite III Digital 158 Eagle P1-47 Storage Cabinet and Drill Bits Readout 159 Porter Cable Random Orbit Sander 107 Steel Cabinet & Machinists' Tools 160 Porter Cable Variable Speed Belt Sander 108 Cabinet and Contents including Rolling Work 161 Skil Belt Sander and Rotozip Spiracut Table 162 (1) Duofast and (1) Senco Finish Nail Gun 108A Milwaukee -
Star Wars, Galaxy's Edge & Working at Disney – Field Of
STAR WARS, GALAXY’S EDGE & WORKING AT DISNEY – FIELD OF VIEW WITH VICKI DOBBS BECK – SIE2 VIDEO TRANSCRIPT SPEAKER: Brought to you by Accenture NICK ROSA: Yeah, I mean it's difficult to Extended Reality. This is Field of View. contain my excitement because since I was a NICK ROSA: Good morning, good evening, little child, I always dreamt about Industrial Light good afternoon, everyone. My name is Nick and Magic and incredible stuff that you were Rosa and I work for the Accenture Extended doing with all the Lucasfilm Productions from Indiana Jones, to Star Wars. I mean it's so Reality Team. incredible to have you here and to be able to DANIEL COLAIANNI: Hi everyone. My name is talk to you about all your previous experience, Daniel Colaianni and from AIXR, the Academy of the present and the future of what VR is going International Extended Reality. And it is very to bring to us. exciting to have you all back again for the DANIEL COLAIANNI: I mean, Vicki, we were second episode of Field of View. just chatting, just before this, right, you've been NICK ROSA: Yes, because today, we have a at Lucasfilm – sorry, ILMxLAB now for – well, very, very special. Lucasfilm technically, for 28 years now. DANIEL COLAIANNI: Very special guest, right. VICKI DOBBS BECK: Yep, 28 years over about NICK ROSA: Absolutely. We have a person that a 32-year span. So when I started at ILM, they has been working in the movie industry and at were just beginning work on Indiana Jones and the forefront of innovation of special effects and the Last Crusade and there were six computer movie production.