3Rd Dimension Veritas Et Visus August 2010 Vol 5 No 7/8

Total Page:16

File Type:pdf, Size:1020Kb

3Rd Dimension Veritas Et Visus August 2010 Vol 5 No 7/8 3rd Dimension Veritas et Visus August 2010 Vol 5 No 7/8 Autodesk Research, p53 Microsoft, p70 Barco, p94 Nokia Research, p104 Letter from the publisher : Is poor quality 3D a danger to industry success? by Mark Fihn 2 News from around the world 3 Conference Summaries: 53 Conference on Advanced Human Interfaces, May 26-28, 2010, Rome, Italy 53 TV 3.0 – The Future of TVs, May 26-27, 2010, Seattle, Washington 56 SID Display Week 2010, May 25-28, 2010, Seattle, Washington 60 SID DisplaySearch Business Conference, May 24, 2010, Seattle, Washington 67 CHI, April 10-15, 2010, Atlanta, Georgia 69 NAB 2010, April 10-15, 2010, Las Vegas, Nevada, by Michael Starks 77 5th China International 3D World Forum, April 9-11, 2010, Shenzhen, China 92 Eye Tracking Research and Applications, March 22-24, 2010, Austin, Texas 95 Stereoscopic Displays and Applications, January 18-20, 2010, San Jose, California 100 New product introductions: lessons lost by Norman Hairston 107 To 3D or not 3D, that’s no longer the question by Jon Peddie 110 Is 3D doomed? – Point/Counterpoint Five reasons 3D display is doomed by Steve Peterson 112 Five reasons 3D display ISN'T doomed (a rebuttal) by Neil Schneider 113 MTBS visits Best Buy in Wilmington, DE by Neil Schneider 117 Frenzy in the Third Dimension by Marty Shindler 120 Last Word: “Avatar” as the “Jazz Singer” by Lenny Lipton 122 Display Industry Calendar 123 The 3rd Dimension is focused on bringing news and commentary about developments and trends related to the use of 3D displays and supportive components and software. The 3rd Dimension is published electronically 10 times annually by Veritas et Visus, 3305 Chelsea Place, Temple, Texas, USA, 76502. Phone: +1 254 791 0603. http://www.veritasetvisus.com Publisher & Editor-in-Chief Mark Fihn [email protected] Managing Editor Phillip Hill [email protected] Contributors Norman Hairston, Lenny Lipton, Jon Peddie, Steve Peterson, Neil Schneider, Marty Shindler, and Michael Starks Subscription rate: US$47.99 annually. Single issues are available for US$7.99 each. Hard copy subscriptions are available upon request, at a rate based on location and mailing method. Copyright 2010 by Veritas et Visus. All rights reserved. Veritas et Visus disclaims any proprietary interest in the marks or names of others. Veritas et Visus 3rd Dimension August 2010 Is poor quality 3D a danger to industry success? by Mark Fihn With increasing frequency, I hear dire predictions about the dangers associated with “poor quality” 3D to the ongoing success of the stereoscopic display market. Actually, there are three related, but different, concerns that are being expressed – by both industry experts and by more casual observers: 1. Poorly created 3D or conversion from 2D will turn off viewers to the detriment of the interests of 3D that has been well crafted. 2. Price premiums for 3D films are turning people off to 3D. 3. After the Avatar-derived buzz of excitement, it’s natural to see a responding craze, and then a predictable “chasm” related to most new technology introductions, where excitement diminishes after early adopters take their first looks… Some detractors go so far as to suggest that 3D movie ticket price premiums will even deter people from buying 3DTVs or 3D gaming consoles. A recent New York Times headline, “Resistance Forms against Hollywood’s 3D Push,” has inspired considerable discussion about whether or not 3D is really here to stay or if it’s nothing more than a passing fad. I’m reminded of another favorite quip from the New York Times: “The problem with television is that the people must sit and keep their eyes glued on a screen; the average American family hasn’t time for it...for this reason, if for no other, television will never be a serious competitor (to radio).” -- New York Times, commentary after television was introduced at the World’s Fair in 1939 OK. I don’t like to pay premium prices for 3D at the local theater. And I’ll certainly admit that the 2D-to-3D conversion that I saw in The Last Airbender was less than desirable – to the point that I’d consider saving the $2.50 3D premium at my local theater in the highly unlikely case that I’d ever pay to see the movie again. I agree that we should all encourage Hollywood to stay focused on making sure only “good” 3D is introduced, but we all know that there will inevitably be “not-so-good” 3D productions that reach the cinemas. But this is no different than movies in general; in fact there are certainly plenty of movies released that do not meet production quality expectations… So why aren’t industry pundits questioning the future of cinema generally? Personally, I trust the consumer’s ultimate ability to determine the success or failure of a new technology. If a poor quality 3D movie results in large audiences heading to the bathroom, guess what – that movie will probably not do well. If a movie is bothersome in 3D mode on a 3D Blu-ray release, guess what – people will switch to 2D mode. If a game is rendered poorly into 3D, guess what – people will play in 2D. And if premiums being charged for 3D movie ticket prices or 3D Blu-ray releases stall sales, then guess what, the premiums will drop. The consequence of poor quality 3D will not be that all 3D technologies will suffer, but that price premiums will be adjusted downward. VHS succumbed to DVD when the price delta (both for the players and the titles) dropped to almost nothing. DVD is now succumbing to Blu-ray as the price delta (both for the players and the titles) continues to narrow. 2D (whether in the theater or on an optical disk or via download), will succumb to 3D when the price gap narrows. This is true whether the production quality is best-in-class or worst-in-class. 3D is here to stay. Quality will continue to improve, albeit we’ll see poor quality along the way. Prices will continue to drop to further reinforce the technology developments. Ultimately, the sort of negative predictions about the future of 3D we’re now seeing in the press, will seem as silly as the above New York Times quote about the future of television… 2 Veritas et Visus 3rd Dimension August 2010 3D news from around the world compiled by Phillip Hill and Mark Fihn 3D cinema continues to do well at the box office Despite some suggestions that 3D is losing its luster at the box office, 3D movie titles continue to do extremely well, with the biggest problem seeming to be that of finding enough venues at which to showcase the many 3D titles. While Avatar is the obvious #1 blockbuster, Alice in Wonderland is now the 5th highest grossing film of all time, (more than $1 billion worldwide, moving ahead of the Dark Knight), and Toy Story 3, already ranks #11 on the all-time list for the US market. In just the past two months, Toy Story 3, Shrek Forever After, and Despicable Me have come out to an accumulated $1.7 billion in revenues worldwide (and still climbing). Those are huge numbers for the 3D films… Rank Title (click to view) Studio US Lifetime Gross Date 1 Avatar Fox $749,748,874 12/18/09 2 Toy Story 3 BV $390,606,539 6/18/10 3 Alice in Wonderland (2010) BV $334,191,110 3/5/10 4 Up BV $293,004,164 5/29/09 5 Shrek Forever After P/DW $235,753,203 5/21/10 6 How to Train Your Dragon P/DW $217,581,231 3/26/10 7 Monsters Vs. Aliens P/DW $198,351,526 3/27/09 8 Ice Age: Dawn of the Dinosaurs Fox $196,573,705 7/1/09 9 Despicable Me Uni $192,743,765 7/9/10 10 The Polar Express WB $181,320,482 11/10/04 http://boxofficemojo.com/genres/chart/?id=3d.htm Upcoming 3D cinematic releases Step Up 3-D BV 8/6/10 Harry Potter and the Deathly Hallows WB 11/19/10 (Part One in 3D) Piranha 3D W/Dim. 8/20/10 Tangled BV 11/24/10 Resident Evil: Afterlife (in 3D) SGem 9/10/10 Yogi Bear WB 12/17/10 Alpha and Omega LGF 9/17/10 Tron: Legacy BV 12/17/10 Legend of the Guardians: The Owls of WB 9/24/10 Ga'Hoole Gulliver's Travels Fox 12/22/10 Jackass 3-D Par. 10/15/10 The Cabin in the Woods (in 3D) MGM 1/14/11 Saw 3D LGF 10/29/10 The Green Hornet (in 3-D) Sony 1/14/11 My Soul to Take (in 3D) Uni. 10/29/10 Drive Angry (in 3D) Sum. 2/11/11 3 Veritas et Visus 3rd Dimension August 2010 Gnomeo and Juliet (in 3-D) Mira. 2/11/11 Contagion (3D) WB 10/21/11 Mars Needs Moms (in 3D) BV 3/11/11 Puss in Boots (working title) P/DW 11/4/11 Sucker Punch (in 3D) WB 3/25/11 Arthur Christmas (in 3D) Sony 11/11/11 Rio Fox 4/8/11 Happy Feet 2 in 3D WB 11/18/11 The Three Musketeers (2011) Sum. 4/15/11 Hugo Cabret (in 3D) Sony 12/9/11 Priest (in 3D) SGem 5/13/11 Alvin and the Chipmunks 3D Fox 12/16/11 Pirates of the Caribbean: On Stranger The Adventures of Tintin: The Secret of BV 5/20/11 Par.
Recommended publications
  • Stern Twin-Propeller Effects on Harbor Infrastructures. Experimental Analysis
    water Article Stern Twin-Propeller Effects on Harbor Infrastructures. Experimental Analysis Anna Mujal-Colilles 1,* , Marcel· la Castells 2, Toni Llull 1, Xavi Gironella 1 and Xavier Martínez de Osés 2 1 Marine Engineering Laboratory, Department of Civil and Environmental Engineering, Universitat Politècnica de Catalunya, C/ Jordi Girona 1, 08034 Barcelona, Spain; [email protected] (T.L.); [email protected] (X.G.) 2 Department of Nautical Science and Engineering, Universitat Politècnica de Catalunya, Pla de Palau, 18, 08003 Barcelona, Spain; [email protected] (M.l.C.), [email protected] (X.M.d.O.) * Correspondence: [email protected]; Tel.: +34-93-401-7017 Received: 12 October 2018; Accepted: 30 October 2018; Published: 2 November 2018 Abstract: The growth of marine traffic in harbors, and the subsequent increase in vessel and propulsion system sizes, produces three linked problems at the harbor basin area: (i) higher erosion rates damaging docking structures; (ii) sedimentation areas reducing the total depth; (iii) resuspension of contaminated materials deposited at the seabed. The published literature demonstrates that there are no formulations for twin stern propellers to compute the maximum scouring depth. Another important limitation is the fact that the formulations proposed only use one type of maneuvering during the experimental campaign, assuming that vessels are constantly being undocked. Trying to reproduce the real arrival and departure maneuvers, 24 different tests were conducted at an experimental laboratory in a medium-scale water tank using a twin propeller model to estimate the consequences and the maximum scouring depth produced by stern propellers during the backward/docking and forward/undocking scenarios.
    [Show full text]
  • Is the Greek Crisis One of Supply Or Demand?
    YANNIS M. IOANNIDES Tufts University CHRISTOPHER A. PISSARIDES London School of Economics Is the Greek Crisis One of Supply or Demand? ABSTRACT Greece’s “supply” problems have been present since its acces- sion to the European Union in 1981; the “demand” problems caused by austerity and wage cuts have compounded the structural problems. This paper discusses the severity of the demand contraction, examines product market reforms, many of which have not been implemented, and their potential impact on com- petitiveness and the economy, and labor market reforms, many of which have been implemented but due to their timing have contributed to the collapse of demand. The paper argues in favor of eurozone-wide policies that would help Greece recover and of linking reforms with debt relief. reece joined the European Union (EU) in 1981 largely on politi- Gcal grounds to protect democracy after the malfunctioning political regimes that followed the civil war in 1949 and the disastrous military dictatorship of the years 1967–74. Not much attention was paid to the economy and its ability to withstand competition from economically more advanced European nations. A similar blind eye was turned to the economy when the country applied for membership in the euro area in 1999, becom- ing a full member in 2001. It is now blatantly obvious that the country was not in a position to compete and prosper in the European Union’s single market or in the euro area. A myriad of restrictions on free trade had been introduced piecemeal after 1949, with the pretext of protecting those who fought for democracy.
    [Show full text]
  • 3DTV Corp FAQ (5-2011)
    3DTV Corp FAQ (5-2011) Table of Contents INTRO—Will 3D Hurt My Kids Eyes and Why Does It Give Me a Headache? 1. How does the 3DTV Corp Universal Emitter hook up to your 3D ready TV, projector or computer? ....................................................................................................................................... 5 NOTE ON 3D BLURAY PLAYERS ............................................................................................ 6 DLP Link Glasses 8 PS3 AND XBOX ................................................................................................................... 10 3D BLURAY VIEWING ON CHECKERBOARD TV’S (3D READY DLP TV’S) ............................. 13 COMPATIBILITY AND ALTERNATIVES TO THE NVIDIA 3D VISION AND 3D PLAY SYSTEM 15 For a PC with a CRT (older tube type TV or pc monitor) ................................................... 18 DLP PROJECTORS ................................................................................................................ 17 3D Ready DLP Projectors ................................................................................................... 21 2. I have a DLP projector but it’s NOT 3D ready--will it work? .................................................. 23 3. What models of Samsung or Mitsubishi TV’s are 3D Ready? ............................................... 23 4. Compatible with the following Mitsubishi 3D Ready DLP TV‘s and any with the 3D plug . .. 25 5. What about the older Samsung 3D Ready Plasma TV’s? .....................................................
    [Show full text]
  • European Views on the UK's Renegotiation: Spain, Finland
    blogs.lse.ac.uk http://blogs.lse.ac.uk/europpblog/2015/10/29/european-views-on-the-uks-renegotiation-spain-finland-estonia-and-cyprus/ European views on the UK’s renegotiation: Spain, Finland, Estonia and Cyprus The success or failure of David Cameron’s planned renegotiation of the UK’s EU membership will depend to a large extent on how the other 27 EU member states respond to his proposals. But how do countries across the EU view the UK’s renegotiation? Building on a report published in 2014 by the German Council on Foreign Relations, EUROPP is running a series of overviews of the renegotiation from each of the EU’s member states. Compiled by the LSE’s Tim Oliver and written by authors based at universities and research institutions, the overviews will set out what discussion – if any – there has been about the renegotiation and the wider views within each country on the renegotiation and a potential Brexit. This post is the fifth in the series and gives views from Spain, Finland, Estonia and Cyprus. Spain: A flexible but Europeanist Response Finland: Supportive, but a wait-and-see approach Estonia: Brexit would be contrary to Estonia’s interests Cyprus: Special ties with the UK will determine Cyprus’s final stance Spain: A Flexible but Europeanist Response Europeanism still defines Spaniards’ attitudes on foreign policy. Unlike other EU countries, no Eurosceptic parties have emerged during the harsh years of the economic and financial crisis, nor have the main political parties or other social organizations developed any anti-European discourse.
    [Show full text]
  • Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism
    Journal of Strategic Security Volume 6 Number 5 Volume 6, No. 3, Fall 2013 Supplement: Ninth Annual IAFIE Article 3 Conference: Expanding the Frontiers of Intelligence Education Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism Gary Adkins The University of Texas at El Paso Follow this and additional works at: https://scholarcommons.usf.edu/jss pp. 1-9 Recommended Citation Adkins, Gary. "Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism." Journal of Strategic Security 6, no. 3 Suppl. (2013): 1-9. This Papers is brought to you for free and open access by the Open Access Journals at Scholar Commons. It has been accepted for inclusion in Journal of Strategic Security by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism This papers is available in Journal of Strategic Security: https://scholarcommons.usf.edu/jss/vol6/iss5/ 3 Adkins: Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism Gary Adkins Introduction The world has effectively exited the Industrial Age and is firmly planted in the Information Age. Global communication at the speed of light has become a great asset to both businesses and private citizens. However, there is a dark side to the age we live in as it allows terrorist groups to communicate, plan, fund, recruit, and spread their message to the world. Given the relative anonymity the Internet provides, many law enforcement and security agencies investigations are hindered in not only locating would be terrorists but also in disrupting their operations.
    [Show full text]
  • Sam Harris Interview Part Four
    SAM HARRIS INTERVIEW PART FOUR NOTE: This transcript was generated by the service Rev.com, and though it’s quite good, it is imperfect. If you would like to quote anything from this episode you are welcome to! But please find the point in the audio where the quote originates, and verify that the transcript is accurate. If Rev’s transcript is inaccurate, we ask that you only post or publish a version of the quote that you deem correct (because your ears are awesome!). Hello again, Ars Technica listeners. This is the fourth and final installment of a four-part interview with neuroscientist, New York Times bestselling author, podcaster, and controversial public intellectual, Sam Harris. We’ll pick up with the uplifting theme we left off on yesterday. Which is to say, high tech weaponry that tomorrow’s nihilistic, suicidal mass murderers might just use to kill very large numbers of us. Before we get started though, a quick note of orientation. As those of you who listened to last week’s interview with UCSF neuroscientist Adam Gazzaley know, I originally thought this podcast series would be a limited set of just eight episodes connected to my latest science fiction novel, which is also called After On, and which came out last summer. But the podcast acquired a life of its own, and I’m about to publish episode #38 in the series of eight. As you’re about to find out, these first eight episodes have a distinctive format, in that each of them ends with a conversation between me at Tom Merritt - who you might may from CNET, from TechTV, then later from Leo Laporte’s network, and now from Tom’s own videocast, Daily Tech News Show.
    [Show full text]
  • Reply Comments to Comment 36
    Reply Comments to Comment 36. David B. Carroll 19 February 2003 1. Class of Work From Comment #361: Audiovisual works as follows: foreign-language audiovisual works not available for sale in the United States but available for purchase outside the US on DVDs that are regionally encoded to prevent playback on DVD players purchased in the United States. The exemption requested is to permit circumvention of the region coding mechanism. 2. Summary of Argument Additional factual information in support of Comment #36’s initial request for an exemption is submitted. The proposed class is compared against a similar class from Comment #352, which offers some advantages over this class. 3. Factual Support / Legal Arguments 3.1.Evidence of a need to circumvent DVD region coding for works in this class. The Library’s solicitation for comments makes it clear that a demonstration of actual or likely damage is a prerequisite for a successful exemption, rather than an argument based solely on hypothetical or legal grounds. I have collected additional examples of, and documentation for, real-world demand for DVD content unavailable in Region 1 (“R1”) format. 3.1.1. DVD features unavailable on VHS. In rejecting an exemption for circumvention of DVD access controls in 2000, the Library of Congress wrote3: 1 Carroll, David B. Comment #36. 18 Dec 2002. http://www.copyright.gov/1201/2003/comments/036.pdf. 2 Von Lohmann, Fred and Gwen Hinze, Electronic Frontier Foundation, and Gigi Sohn, Public Knowledge. Comment #35. Dec 2002. http://www.copyright.gov/1201/2003/comments/035.pdf. From the comments and testimony presented, it is clear that, at present, most works available in DVD format are also available in analog format (VHS tape) as well..
    [Show full text]
  • Robust Watermarking Techniques for Stereoscopic Video Protection Afef Chammem
    Robust watermarking techniques for stereoscopic video protection Afef Chammem To cite this version: Afef Chammem. Robust watermarking techniques for stereoscopic video protection. Other [cs.OH]. Institut National des Télécommunications, 2013. English. NNT : 2013TELE0008. tel-00917964 HAL Id: tel-00917964 https://tel.archives-ouvertes.fr/tel-00917964 Submitted on 12 Dec 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THESE DE DOCTORAT CONJOINT TELECOM SUDPARIS et L’UNIVERSITE PIERRE ET MARIE CURIE Spécialité : Informatique et Télécommunication Ecole doctorale : Informatique, Télécommunications et Electronique de Paris Méthodes de tatouage robuste pour la protection de l'imagerie numérique 3D Présentée par Afef Chammem Soutenu le 27 Mai 2013 à paris Devant le jury composé de : Prof. Touradj Ebrahimi Head of the MMSPG, EPFL Rapporteur Prof. Laurent Lucas Head of the SIC Group, URCA Rapporteur Prof. Patrick Gallinari Head of the LIP6, UPMC Président Dr. Frédéric Dufaux CNRS Research Director, TelecomParisTech Examinateur Prof. Faouzi Ghorbel Head of the CRISTAL Lab, ENSI Examinateur Head of the New Formats and New Coding Project, Mme. Maryline Clare Examinateur Orange Labs Prof. Françoise Preteux Deputy Scientific Director, Mines ParisTech Directeur de thèse HDR.
    [Show full text]
  • IMAGES from the WALT DISNEY FAMILY MUSEUM Walt and Lillian
    IMAGES FROM THE WALT DISNEY FAMILY MUSEUM For high resolution versions of the images below or for additional images and information, please contact: Andi Wang, Communications and Digital Media Manager 415.345.6816 or [email protected] Walt and Lillian Disney on board The Rex, 1935 Courtesy Walt Disney Family Foundation, ©Disney Walt Disney, early 1930s Courtesy of The Walt Disney Company, ©Disney Walt Disney reading to his daughters Courtesy Walt Disney Family Foundation Walt Disney reads a bedtime story to his daughters Sharon (left) and Diane (right). The Walt Disney Family Museum Photo by Ric Miller, courtesy The Walt Disney Family Museum. The Museum is located in a former army barrack on the Main Post in the Presidio of San Francisco, with the Golden Gate Bridge as a backdrop. The Walt Disney Family Museum, at night Photo by Jim Smith, courtesy The Walt Disney Family Museum. The Walt Disney Family Museum, from the back Photo by Jim Smith, courtesy The Walt Disney Family Museum. A reflection of the Golden Gate Bridge can be seen on the Museum’s back glass panel. The Theater Photo by Jim Smith, courtesy The Walt Disney Family Museum. Inspired by Fantasia and “The Sorcerer’s Apprentice,” this state-of-the-art digital theater seats an audience of 114 and daily screens classic Disney films. 2 Gallery 2: The Move to Hollywood Photo by Jim Smith, courtesy The Walt Disney Family Museum. IN 1923, when Walt Disney’s first company (Laugh-O- grams) failed, Walt moved out West and formed the Disney Brothers Cartoon Studios, which ultimately led to the creation of Mickey Mouse.
    [Show full text]
  • 1 Stereographics
    1 Stereographics Mike Bailey [email protected] This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License Computer Graphics Stereographics.pptx mjb – August 5, 2021 1 2 Stereovision is not new – It’s been in common use in the movies since the 1950s Computer Graphics Life Magazine mjb – August 5, 2021 2 1 And, even longer than that in stills 3 Newport Maritime Museum Portland Art Museum Computer Graphics mjb – August 5, 2021 3 4 Binocular Vision In everyday living, part of our perception of depth comes from the slight difference in how our two eyes see the world around us. This is known as binocular vision. We care about this, and are discussing it, because stereo computer graphics can be a great help in de-cluttering a complex 3D scene. It can also enhance the feeling of being immersed in a movie. OSU President Dr. Becky Johnson Computer Graphics mjb – August 5, 2021 4 2 5 The Cyclops Model In the world of computer graphics, the two eye views can be reconstructed using standard projection mathematics. The simplest approach is the Cyclops Model. In this model, the left and right eye views are obtained by rotating the scene plus and minus what a Cyclops at the origin would see Y ψ ψ X L C R Z The left eye view is obtained by rotating the scene an angle +ψ about the Y axis. The right eye view is obtained by rotating the scene an angle -ψ about the Y axis. In practice, if you wanted to do this (and you don’t), a good value of ψ would be 1-4˚.
    [Show full text]
  • Kathleen Kennedy, Frank Marshall
    PARAMOUNT PICTURES Présente Une production LUCASFILM Ltd Un fi lm de STEVEN SPIELBERG (Indiana Jones and the Kingdom of the Crystal Skull) Avec HARRISON FORD CATE BLANCHETT, KAREN ALLEN, RAY WINSTONE, JOHN HURT, JIM BROADBENT et SHIA LaBEOUF Scénario de DAVID KOEPP Produit par GEORGE LUCAS, KATHLEEN KENNEDY, FRANK MARSHALL Un fi lm PARAMOUNT Distribué par PARAMOUNT PICTURES FRANCE SORTIE : 21 MAI 2008 Durée : 2h03 DISTRIBUTION PRESSE Michèle Abitbol-Lasry Séverine Lajarrige 184, bld Haussmann – 75008 Paris 1, rue Meyerbeer – 75009 Paris Tél. : 01 45 62 45 62 Tél. : 01 40 07 38 86 [email protected] Fax : 01 40 07 38 39 [email protected] SYNOPSIS Ses exploits sont légendaires, son nom est synonyme d'aventure… Indiana Jones, l'archéologue au sourire conquérant et aux poings d'acier, est de retour, avec son blouson de cuir, son grand fouet, son chapeau… et son incurable phobie des serpents. Sa nouvelle aventure débute dans un désert du sud- ouest des États-Unis. Nous sommes en 1957, en pleine Guerre Froide ; Indy et son copain Mac viennent tout juste d'échapper à une bande d'agents soviétiques à la recherche d'une mystérieuse relique surgie du fond des temps. De retour au Marshall College, le Professeur Jones apprend une très mauvaise nouvelle : ses récentes ac- tivités l'ont rendu suspect aux yeux du gouvernement américain. Le doyen Stanforth, qui est aussi un proche ami, se voit contraint de le licencier. À la sortie de la ville, Indiana fait la connaissance d'un jeune motard rebelle, Mutt, qui lui fait une pro- position inattendue.
    [Show full text]
  • 851 Burlway Rd
    KAHALA TOWER PRIME BAY AREA OFFICE BUILDING 851 BURLWAY ROAD BURLINGAME, CA HWY 101 FRONTAGE MARY ALAM, MBA CJ BRILL Senior Vice President Investment Advisor LOCATED IN THE O: 415.358.2111 O: 415.349.0147 HEART OF NEW TECH M: 415.297.5586 M: 310.793.6069 [email protected] [email protected] PRIME PENINSULA CalDRE #01927340 CalDRE #02073511 LOCATION 851 BURLWAY ROAD BURLINGAME, CA CONFIDENTIALITY & DISCLOSURE AGREEMENT The information contained in the following Investment Summary is proprietary and strictly confidential. It is intended to be reviewed only by the party receiving it from NAI Northern California Investment Real Estate Brokerage and should not be made available to any other person or entity without the written consent of Broker. This Investment Summary has been prepared to provide summary, unverified information to prospective purchasers, and to establish only a preliminary level of interest in the subject property. The information contained herein is not a substitute for a thorough due diligence investigation. Broker has not made any investigation, and makes no warranty or representation, with respect to the income or expenses for the subject property, the future projected financial performance of the property, the size and square footage of the property and improvements, the presence or absence of contaminating substances, PCB’s or asbestos, the compliance with State and Federal regulations, the physical condition of improvements thereon, or the financial condition or business prospects of any tenant, or any tenant’s plans or intentions to continue occupancy of the subject property. The information contained in the Marketing Brochure has been obtained from sources we believe to be reliable; however, Broker has not verified, and will not verify, any of the in- formation contained herein, nor has Broker conducted any investigation regarding these matters and makes no warranty or representation whatsoever regarding the accuracy or completeness of the information provided.
    [Show full text]