'Seinfeld' Credo
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Why YOU Should Be an English Major
Why YOU should be an English Major You’ll be able to communicate your ideas effectively. This is what employers want the most – people who can communicate clearly. Impress your employer with your ability to communicate, and you’ll get promoted. You’ll also sound smarter than everybody else. You’ll be able to learn new tasks and ideas. A liberal arts education teaches you how to learn, not how to do a specific job. Your employer will provide on-the-job training. Besides, the hot jobs of 20 years from now haven’t even been thought of yet; major in English, learn how to learn new job skills, and stay employed. You’ll be prepared for med school, law school, business school… Being an English major teaches you how to think critically. Graduate schools in every field are more interested in your ability to analyze situations and make connections between concepts than in your ability to memorize lists. You’ll get a good job. Major scientific, technological, industrial, and financial companies like to hire English majors. They want employees who can analyze problems, think up creative answers, and communicate those answers to coworkers. And an English degree teaches you to do all these things. You’ll earn lots of money. Well, maybe not as much as science graduates, but the 201 201 Payscale College Salary Report listed salaries for popular careers for English majors that ranged from $ to $ . 5- 6 40,000 76,000 You’ll move up the company ladder. Your English major taught you how to analyze problems, think creatively, synthesize intelligent solutions, and communicate those solutions to your bosses and coworkers. -
Seinfeld, the Movie an Original Screenplay by Mark Gavagan Contact
Seinfeld, The Movie an original screenplay by Mark Gavagan based on the "Seinfeld" television series by Larry David and Jerry Seinfeld contact: Cole House Productions (201) 320-3208 BLACK SCREEN: TEXT: "One year later ..." TEXT FADES: DEPUTY (O.S.) Well folks. You've paid your debt to society. Good luck and say out of trouble. FADE IN: EXT. LOWELL MASSACHUSETTS JAIL -- MORNING ROLL CREDITS. JERRY, GEORGE and ELAINE look impatient as they stand empty- handed, waiting for something. The DEPUTY walks back towards the jail building behind them. CUT TO: INT. LOWELL MASSACHUSETTS JAIL KRAMER is surrounded by teary-eyed guards and inmates. They love him. He's carrying a metal cafeteria tray covered with signatures, as well as scores of cards, notes and letters. Several in the crowd hug KRAMER. CUT TO: EXT. LOWELL MASSACHUSETTS JAIL KRAMER stumbles as he walks up to GEORGE, ELAINE and JERRY. CUT TO: EXT. SOMEWHERE IN RURAL MASSACHUSETTS -- DAY We see an ugly old school bus at a dead stop with the flashers on. "LARRY'S NYC BUS SERVICE" is painted sloppily on the side. An extremely old man herds dozens of stubborn sheep across the road. He's moving at an impossibly slow pace. CUT TO: INT. OLD SCHOOL BUS JERRY, GEORGE and ELAINE are sitting in bus's original kid- sized bench seats. They look bored and uncomfortable. 2. Cheerful KRAMER is in the front row chatting with the DRIVER and pointing at the animals outside. CUT TO: INT. HALLWAY IN FRONT OF JERRY'S APARTMENT -- LATER KRAMER & JERRY walk wearily towards their doors. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
China in 50 Dishes
C H I N A I N 5 0 D I S H E S CHINA IN 50 DISHES Brought to you by CHINA IN 50 DISHES A 5,000 year-old food culture To declare a love of ‘Chinese food’ is a bit like remarking Chinese food Imported spices are generously used in the western areas you enjoy European cuisine. What does the latter mean? It experts have of Xinjiang and Gansu that sit on China’s ancient trade encompasses the pickle and rye diet of Scandinavia, the identified four routes with Europe, while yak fat and iron-rich offal are sauce-driven indulgences of French cuisine, the pastas of main schools of favoured by the nomadic farmers facing harsh climes on Italy, the pork heavy dishes of Bavaria as well as Irish stew Chinese cooking the Tibetan plains. and Spanish paella. Chinese cuisine is every bit as diverse termed the Four For a more handy simplification, Chinese food experts as the list above. “Great” Cuisines have identified four main schools of Chinese cooking of China – China, with its 1.4 billion people, has a topography as termed the Four “Great” Cuisines of China. They are Shandong, varied as the entire European continent and a comparable delineated by geographical location and comprise Sichuan, Jiangsu geographical scale. Its provinces and other administrative and Cantonese Shandong cuisine or lu cai , to represent northern cooking areas (together totalling more than 30) rival the European styles; Sichuan cuisine or chuan cai for the western Union’s membership in numerical terms. regions; Huaiyang cuisine to represent China’s eastern China’s current ‘continental’ scale was slowly pieced coast; and Cantonese cuisine or yue cai to represent the together through more than 5,000 years of feudal culinary traditions of the south. -
Using Artistic Markers and Speaker Identification for Narrative-Theme
Using Artistic Markers and Speaker Identification for Narrative-Theme Navigation of Seinfeld Episodes Gerald Friedland, Luke Gottlieb, and Adam Janin International Computer Science Institute 1947 Center Street, Suite 600 Berkeley, CA 94704-1198 [fractor|luke|janin]@icsi.berkeley.edu Abstract ysis, thus completely ignoring the rich information within the video/audio medium. Even portable devices such as This article describes a system to navigate Seinfeld smartphones are sufficiently powerful for more intelligent episodes based on acoustic event detection and speaker browsing than play/pause/rewind. identification of the audio track and subsequent inference of In the following article, we present a system that ex- narrative themes based on genre-specific production rules. tends typical navigation features significantly. Based on the The system distinguishes laughter, music, and other noise idea that TV shows are already conceptually segmented by as well as speech segments. Speech segments are then iden- their producers into narrative themes (such as scenes and tified against pre-trained speaker models. Given this seg- dialog segments), we present a system that analyzes these mentation and the artistic production rules that underlie “markers” to present an advanced “narrative-theme” navi- the “situation comedy” genre and Seinfeld in particular, gation interface. We chose to stick to a particular exam- the system enables a user to browse an episode by scene, ple presented in the description of the ACM Multimedia punchline, and dialog segments. The themes can be filtered Grand Challenge [1] ; namely, the segmentation of Seinfeld by the main actors, e.g. the user can choose to see only episodes 2. -
Immigration and Restaurants in Chicago During the Era of Chinese Exclusion, 1893-1933
University of South Carolina Scholar Commons Theses and Dissertations Summer 2019 Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933 Samuel C. King Follow this and additional works at: https://scholarcommons.sc.edu/etd Recommended Citation King, S. C.(2019). Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5418 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933 by Samuel C. King Bachelor of Arts New York University, 2012 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in History College of Arts and Sciences University of South Carolina 2019 Accepted by: Lauren Sklaroff, Major Professor Mark Smith, Committee Member David S. Shields, Committee Member Erica J. Peters, Committee Member Yulian Wu, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School Abstract The central aim of this project is to describe and explicate the process by which the status of Chinese restaurants in the United States underwent a dramatic and complete reversal in American consumer culture between the 1890s and the 1930s. In pursuit of this aim, this research demonstrates the connection that historically existed between restaurants, race, immigration, and foreign affairs during the Chinese Exclusion era. -
Flying the Line Flying the Line the First Half Century of the Air Line Pilots Association
Flying the Line Flying the Line The First Half Century of the Air Line Pilots Association By George E. Hopkins The Air Line Pilots Association Washington, DC International Standard Book Number: 0-9609708-1-9 Library of Congress Catalog Card Number: 82-073051 © 1982 by The Air Line Pilots Association, Int’l., Washington, DC 20036 All rights reserved Printed in the United States of America First Printing 1982 Second Printing 1986 Third Printing 1991 Fourth Printing 1996 Fifth Printing 2000 Sixth Printing 2007 Seventh Printing 2010 CONTENTS Chapter 1: What’s a Pilot Worth? ............................................................... 1 Chapter 2: Stepping on Toes ...................................................................... 9 Chapter 3: Pilot Pushing .......................................................................... 17 Chapter 4: The Airmail Pilots’ Strike of 1919 ........................................... 23 Chapter 5: The Livermore Affair .............................................................. 30 Chapter 6: The Trouble with E. L. Cord .................................................. 42 Chapter 7: The Perils of Washington ........................................................ 53 Chapter 8: Flying for a Rogue Airline ....................................................... 67 Chapter 9: The Rise and Fall of the TWA Pilots Association .................... 78 Chapter 10: Dave Behncke—An American Success Story ......................... 92 Chapter 11: Wartime............................................................................. -
NATPE 2013 Tuesday, January 29, 2013 Click For
join the family this fall 20TH TV 3376 BRIAN S. TOP HAT BANNER MECHANICAL BUILT AT 100% MECH@ 100% 9.875" X 1.25" 9.625"W X 1"H SHOW DAILY NATPE • MIAMI BEACH TUESDAY, JANUARY 29, 2013 CONTENT INDUSTRY client and prod special info: # job# artist issue/ time pub post date (est) insert/ line Sinead Harte size air date screen 323-963-5199 ext 220 CHANGE 8240 Sunset Blvd CREATES bleed trim live Los Angeles, CA 90046 DEBATEBY ANDREA FREYGANG CERTAINBY CHARLOTTE LIBOV ideo might have killed ra - dio, as the first song aired on echnology is changing view- VMTV implied, but not every- ing habits and the TV industry one is certain that the internet is Tmust keep pace by reinventing going to cause TV’s demise. In itself, much as music industry did the opening session of NATPE, in the wake of the seismic changes as panelists debated the impact that nearly destroyed that indus- of social media and the internet try, observed David Pakman, who on the TV industry, audience re- led the opening panelA-004 at NATPE 1537F CHRISTINA SCHIERMANN PHOTO BY ALEX MATTEO BY PHOTO 1/4"=1' action was mixed. on Monday. Game changing or not? That was the topic under consideration Monday when a keynote panel of LAX FLIGHT PATH 9.01.08 N/A 4c “I think Facebook is a better experts voiced opinions about the impact of digital distribution. Among those weighing in were, In answer to the question competitor to TV than YouTube. from left to right, Kevin Beggs, Lionsgate Television Group president; TheBlaze’s Betsy Morgan, Will Disruption Choke250' the w TeleviX 65'- h 9.18.08 SUNDAY 150 It’s a very interesting debate president & chief strategy officer; and Aereo’s Chet Kanojia, founder and CEO sion Business Models?,68.75" the Xpanel 17.875" 62.5" X 16.25" ALL to have,” said Fiona Dawson, a SEE CHANGE, P. -
Chapters 11 and 12 Contributed by Stoljar-Gold Ziegler Gold Source
Chapters 11 and 12 Contributed by Stoljar-Gold Ziegler Gold Source: Chapter Eleven 1. The Lord said to Jerry, "I will bring one more plague upon Pharaoh and upon Manhattan; afterwards Newman will drive you out of here. He’s an idiot altogether.” 1. Please, speak into the ears of the people, and let them “borrow”, each man from his friend and each woman from her friend, silver vessels and golden vessels. That’s right. Gold, Jerry! Gold!” 1. So the Lord gave the people favor in the Manhattanites’ eyes; also Jerry was highly esteemed in the land of Manhattan – How could anyone not like him? 1. Jerry said, "So said the Lord, Art Vandelay, ‘At the dividing point of the night, I will go out into midtown Manhattan, and every firstborn Bubble Boy in the land of Manhattan will die, from the firstborn Bubble Boy of Pharaoh, who sits on his throne to the firstborn Bubble Boy of the slave woman who is behind the millstones, and every firstborn Bubble animal. 1. And there will be a great cry throughout the entire land, such as there never has been and such as there shall never be again. They’ll cry, and then they’ll cry again. 1. But to all the children of Israel, not one dog will whet its tongue against either man or beast, in order that you shall know that the Lord will separate between the Manhattanites and between Israel”. What does dog licking have to do with the slaying of first Bubble boys? That’s what I’d like to know about it. -
Lusty-Eyed Richie Cross Young Man Sets Down His Friend’S Bong
Mission Statomont: To Moko Holms in Tooth. «Jason Sattler talks about a n d R eligio n badly dressed man looks into the fraternity house. Following the lead of “Roy,” a fraternity A member, he heads toward the backyard. They weave in and out of pairs of nicely dressed young men talking about their majors, where they live, where they lived last year, and what they like to do. “Roy” and the Badly Dressed Man stop and face each other. “Roy”: So, what other houses have you been to tonight? Badly Dressed Man: Just a few others, none of them really have food, except the first place had pizza. “Roy”: Yeah. We don’t have any food. You want a Coke? Badly Dressed Man: No, I don’t drink caffeine. It just messes you up. Makes it so you can’t dream right. “Roy”: Really? I’ve never heard that. Badly Dressed Man: Most people don’t know about it. It’s just like male circumcision, people don’t know how much that messes you up. “Roy”: How do you mean “messes you up”? Badly Dressed Man: If you call losing 30-40 percent of the sensitivity messing it up, I’d say it messes it up pretty bad. But, I don’t know how you’d go about judg ing a thing like sensitivity in numbers. “Roy”: Yeah. I don’t know how you’d do that. They stand and stare at the floor for almost a full minute. “Roy”: You want to meet some other guys in the house? Let’s see if I can find you someone to talk to, OK? Jason Sattler visits the dorms to say We Were Only Biyce Baer Introduces Freshm en Lusty-Eyed Richie Cross young man sets down His Friend’s bong. -
D1.1 Part1 Corruption and the Opposite to Corruption
This project is co-funded by the Seventh Framework Programme for Research and Technological Development of the European Union EU Grant Agreement number: 290529 Project acronym: ANTICORRP Project title: Anti-Corruption Policies Revisited Work Package: WP1. Social, legal, anthropological and political approaches to theory of corruption Title of deliverable: D1.1 State-of-the-art report on theories and harmonised concepts of corruption Corruption and the Opposite to Corruption A Map of the Conceptual Landscape Due date of deliverable: 28 February, 2014 Actual submission date: 28 February, 2014 Second submission date: 10 October, 2014 Authors: Bo Rothstein & Aiysha Varraich Quality of Government Institute, University of Gothenburg Organization name of lead beneficiary for this deliverable: Quality of Government Institute Project co-funded by the European Commission within the Seventh Framework Programme Dissemination Level PU Public X PP Restricted to other programme participants (including the Commission Services) RE Restricted to a group specified by the consortium (including the Commission Services) Co Confidential, only for members of the consortium (including the Commission Services) The information and views set out in this publication are those of the author(s) only and do not reflect any collective opinion of the ANTICORRP consortium, nor do they reflect the official opinion of the European Commission. Neither the European Commission nor any person acting on behalf of the European Commission is responsible for the use which might be made of the following information. Corruption and the Opposite to Corruption A Map of the Conceptual Landscape Bo Rothstein & Aiysha Varraich The Quality of Government Institute Department of Political Science University of Gothenburg Box 711 SE 405 30 Gothenburg, Sweden Abstract Corruption has been viewed through many lenses within the different academic disciplines, taking on different meanings along the way. -
8 TV Power Games: Friends and Law & Order
8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and profits The legal drama series Law & Order was first broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV.