Lead-In AT&T Gives Skinny on Its New Bundle Directv Now Courts Cord-Cutters, but New Offering Has a Few Gaps to Close

Total Page:16

File Type:pdf, Size:1020Kb

Lead-In AT&T Gives Skinny on Its New Bundle Directv Now Courts Cord-Cutters, but New Offering Has a Few Gaps to Close Lead-In AT&T Gives Skinny on Its New Bundle DirecTV Now courts cord-cutters, but new offering has a few gaps to close BY DADE HAYES month for 100 channels would equate to a negative operating AKING THE STAGE Nov. margin of more than 7%. 28 at DirecTV Now’s New Another risk factor is the TYork launch event, Brad company’s stated intention to Bentley, CMO of AT&T’s enter- address the roughly 20 million tainment and internet services households not currently in the unit, offered something of a man- bundled cable ecosystem. While tra for the unbundling world. that unto itself is not a wholly “The challenge with unusual strategy, execs spoke skinny bundles is that your throughout the launch event of skinny is different from my reaching the subset of customers skinny, which is differ- within that 20 million who resist Brad Bentley, CMO of AT&T’s ent than someone else’s entertainment and internet services unit, credit checks and two-year con- skinny,” Bentley said. talks up DirecTV Now in New York. tracts that are common among AT&T’s skinny launched traditional MVPDs. It is difficult Nov. 30, offering what the to know how reliable and viable company sees as another CBS and Showtime, with which such a base will prove. proof point for the value AT&T has yet to reach carriage Analysts Craig Moffett and Mi- of its pending merger with terms. Sports, too, is not overly chael Nathanson issued a report Time Warner. The service, with “It’s really important to under- abundant, notably the hallmark noting the potential for DirecTV monthly prices ranging from stand that this is the foundation NFL Sunday Ticket package that Now to shake up the market $35 to $70, puts DirecTV in the for how we are going to do things helped build DirectTV’s satellite even if it proves little more than skinny derby with PlayStation in the future,” Stankey said. With MVPD reputation. a loss leader for AT&T. “We don’t Vue, Dish Network’s Sling and the mobile-optimized platform on The pricing, especially the expect DirecTV Now to be such forthcoming offerings from Hulu which DirecTV Now will sit, “for offering of HBO and Cinemax a runaway hit that it wrecks the and Google. the first time in our history, we for $5 apiece, made many Wall market as we know it,” they John Stankey, CEO of AT&T’s have control of the whole stack.” Street analysts wonder how wrote. “But it would be a mistake entertainment division, declared The service has a few notable AT&T would make the service to dismiss it as a non-event at its the rollout to be bigger than the gaps in its content offering (leav- profitable. Tom Eagan of Telsey new pricing. It is still dangerous… debut of the company’s U-verse ing aside the tech glitches that Advisory Group calculated that both to the ecosystem and, most MVPD a decade ago. plagued its opening days). One is the promotional offer of $35 a of all, to AT&T itself.” mememe PwC Strategy & Consulting. “This makes a fourth BROADCASTERS PRICE SPECTRUM AT $40 BILLION stage of the auction a virtual certainty. Even more But key is whether wireless companies are willing to pay up disturbing is…the large gap between the forward and reverse auctions could THE THIRD STAGE of the FCC’s broadcast in- Dec. 5, with all eyes on whether persist, and perhaps be an early centive spectrum auction closed Dec. 1 after 52 those bidders, wireless companies indicator of a potential eventual rounds, with broadcasters’ new asking price now and others, will beat, meet, or at SPECTRUM failure to successfully complete $40.3 billion for 108 MHz of spectrum. That’s least approach that total. Beating the auction altogether.” less than half broadcasters’ original asking or meeting it means the auction can WATCH So far, forward auction bidders price, though it was for more spectrum. Preston close and the FCC can start the process (primarily wireless companies looking Padden, who formerly represented TV stations of repacking TV stations into smaller space. to use the spectrum for broadband) have failed eyeing the auction, called the price “a genuine One analyst had his doubts. “At $40.3B, we be- to come near broadcasters’ two asking pric- bargain for the carriers and other bidders.” lieve that the cost is still far beyond the appetite es—$86 billion for 126 MHz and $55 billion for 114 Stage three of the forward auction begins of mobile network operators,” said Dan Hays of MHz, offering $22B both times. —John Eggerton 4 BROADCASTING & CABLE DECEMBER 5, 2016 BROADCASTINGCABLE.COM 1201_LeadIn.indd 4 12/2/16 4:45 PM Lead-In Grant Tinker, Who Presaged Prestige TV Age, Dies at 90 OR ANYONE UNFAMILIAR with the black-and-white beginnings to a more ambi- visionary Brandon Tartikoff, cemented the rich legacy left by Grant Tinker, who tious cultural exponent, Tinker recognized concept in a network context. The power- Fdied last week at 90, perhaps the biggest the potency of talent. It is de rigueur now, in house NBC primetime schedules of those proof of his impact turned this current age of prestige shows years in the 1980s included Hill Street Blues, out to be this: Tributes poured and the notion of auteur-driven sto- The Cosby Show, Cheers and Family Ties. in from the creative com- rytelling, for companies to mouth “Grant Tinker was a great man who made munity. Showrunners, writers talking points about being friendly an indelible mark on NBC and the history and directors praised the to creators. But Tinker in many of television that continues to this day,” sensibility and story sense of ways popularized the concept Steve Burke, NBCUniversal CEO, said in a Tinker, known for creating within the executive suite. statement. “He loved creative people and MTM Enterprises with his MTM titles including The Mary protected them, while still expertly managing then-wife Mary Tyler Moore Ty l e r M o o r e S h o w and The Bob the business. Very few people have been able and running NBC as chair- Tinker Newhart Show to achieve such a balance.” man and CEO in the 1980s. established, along Added NBC entertain- The Tinker tributes came with Norman The Mary Tyler ment chief Bob Greenblatt: Moore Show from the very people who, by the industry’s Lear’s landmark titles in “His level of class set him nature, tend to clash with the business execs the 1970s, the capability of apart from everyone else in charged with turning a profit on art. Among network shows to be wryly our business and all of us them were Steven Bochco, James L. Brooks, thoughtful and interested at this company owe him Gary David Goldberg and Hugh Wilson. in much more than specta- a debt of gratitude. In fact, During a period when television as a cle. Tinker’s tenure at NBC, TV watchers everywhere medium was trying to progress from its raw teamed with programming do.” —Dade Hayes mememe THE WATCHMAN Deputy Editor Michael Malone’s weekly look at the programming scene Travel Channel Gets Wet, While Mozart Stays Dry YOU MAY HAVE already had winter,” says Courtney White, rafts. It must be a new season your fill of holiday programming, Travel Channel senior VP of of Mozart in the Jungle on Mozart in the Jungle even with Santa a few weeks programming. Amazon. Exec producer Paul away from touching down. How The stunt will air on Sun- Weitz says the scene was par- about something completely days throughout January. Top ticularly stressful to shoot. “I different from the snow-covered Secret Beaches, for one, shows was just hoping no one fell in December TV confections, like sandy oases in Hawaii, the Ca- the water, and that Placido did a trip to a tropical beach or a pic- ribbean and other places you’d not catch a cold that would turesque pool? After the success like to be right about now. prevent him from singing the of its “Dive Into Summer” stunt “If you venture a little bit off next day,” he says. “It was in August, Travel Channel next the beaten path—hike a little completely insane.” month is debuting “Dive Into further, kayak a bit more—you’ll Season 3, starting Dec. 9, trade reporters. It appears they Winter,” with original episodes have a beautiful beach all to also ventures to, of all places, don’t share the numbers with of Top Secret Swimming Holes, yourself,” says White. Rikers Island—New York’s own show chiefs either, leaving the Top Secret Waterfalls and Top Until, of course, Travel all-inclusive island getaway. producers to guesstimate. Secret Beaches. Channel tells everyone Roman Coppola directed that “Supposedly there’s 200 “We’ve seen about them. episode, which featured a full million people who watch on other Scripps And here’s another orchestra performing for the every episode [of Mozart],” networks—tropical warm, welcome image jail’s inmates. “It was fun to quips Weitz. beaches, pools, from Television Land: make something that will never “And all of Argentina!” those kinds of Gael Garcia Bernal, Mon- happen again,” Coppola says. adds fellow exec producer getaways—that ica Bellucci and Placido Our Cover Story (page 8) Will Graham. Bonus points really resonate White Domingo, floating down mentions how SVOD players if they are watching on a hidden in the dead of Venice’s Grand Canal on don’t share ratings with pesky beach there.
Recommended publications
  • Why YOU Should Be an English Major
    Why YOU should be an English Major You’ll be able to communicate your ideas effectively. This is what employers want the most – people who can communicate clearly. Impress your employer with your ability to communicate, and you’ll get promoted. You’ll also sound smarter than everybody else. You’ll be able to learn new tasks and ideas. A liberal arts education teaches you how to learn, not how to do a specific job. Your employer will provide on-the-job training. Besides, the hot jobs of 20 years from now haven’t even been thought of yet; major in English, learn how to learn new job skills, and stay employed. You’ll be prepared for med school, law school, business school… Being an English major teaches you how to think critically. Graduate schools in every field are more interested in your ability to analyze situations and make connections between concepts than in your ability to memorize lists. You’ll get a good job. Major scientific, technological, industrial, and financial companies like to hire English majors. They want employees who can analyze problems, think up creative answers, and communicate those answers to coworkers. And an English degree teaches you to do all these things. You’ll earn lots of money. Well, maybe not as much as science graduates, but the 201 201 Payscale College Salary Report listed salaries for popular careers for English majors that ranged from $ to $ . 5- 6 40,000 76,000 You’ll move up the company ladder. Your English major taught you how to analyze problems, think creatively, synthesize intelligent solutions, and communicate those solutions to your bosses and coworkers.
    [Show full text]
  • NATPE 2013 Tuesday, January 29, 2013 Click For
    join the family this fall 20TH TV 3376 BRIAN S. TOP HAT BANNER MECHANICAL BUILT AT 100% MECH@ 100% 9.875" X 1.25" 9.625"W X 1"H SHOW DAILY NATPE • MIAMI BEACH TUESDAY, JANUARY 29, 2013 CONTENT INDUSTRY client and prod special info: # job# artist issue/ time pub post date (est) insert/ line Sinead Harte size air date screen 323-963-5199 ext 220 CHANGE 8240 Sunset Blvd CREATES bleed trim live Los Angeles, CA 90046 DEBATEBY ANDREA FREYGANG CERTAINBY CHARLOTTE LIBOV ideo might have killed ra - dio, as the first song aired on echnology is changing view- VMTV implied, but not every- ing habits and the TV industry one is certain that the internet is Tmust keep pace by reinventing going to cause TV’s demise. In itself, much as music industry did the opening session of NATPE, in the wake of the seismic changes as panelists debated the impact that nearly destroyed that indus- of social media and the internet try, observed David Pakman, who on the TV industry, audience re- led the opening panelA-004 at NATPE 1537F CHRISTINA SCHIERMANN PHOTO BY ALEX MATTEO BY PHOTO 1/4"=1' action was mixed. on Monday. Game changing or not? That was the topic under consideration Monday when a keynote panel of LAX FLIGHT PATH 9.01.08 N/A 4c “I think Facebook is a better experts voiced opinions about the impact of digital distribution. Among those weighing in were, In answer to the question competitor to TV than YouTube. from left to right, Kevin Beggs, Lionsgate Television Group president; TheBlaze’s Betsy Morgan, Will Disruption Choke250' the w TeleviX 65'- h 9.18.08 SUNDAY 150 It’s a very interesting debate president & chief strategy officer; and Aereo’s Chet Kanojia, founder and CEO sion Business Models?,68.75" the Xpanel 17.875" 62.5" X 16.25" ALL to have,” said Fiona Dawson, a SEE CHANGE, P.
    [Show full text]
  • Rick Ludwin Collection Finding
    Rick Ludwin Collection Page 1 Rick Ludwin Collection OVERVIEW OF THE COLLECTION Creator: Rick Ludwin, Executive Vice President for Late-night and Primetime Series, NBC Entertainment and Miami University alumnus Media: Magnetic media, magazines, news articles, program scripts, camera-ready advertising artwork, promotional materials, photographs, books, newsletters, correspondence and realia Date Range: 1937-2017 Quantity: 12.0 linear feet Location: Manuscript shelving COLLECTION SUMMARY The majority of the Rick Ludwin Collection focuses primarily on NBC TV primetime and late- night programming beginning in the 1980s through the 1990s, with several items from more recent years, as well as a subseries devoted to The Mike Douglas Show, from the late 1970s. Items in the collection include: • magnetic and vinyl media, containing NBC broadcast programs and “FOR YOUR CONSIDERATION” awards compilations, etc. • program scripts, treatments, and rehearsal schedules • industry publications • national news clippings • awards program catalogs • network communications, and • camera-ready advertising copy • television production photographs Included in the collection are historical narratives of broadcast radio and television and the history of NBC, including various mergers and acquisitions over the years. 10/22/2019 Rick Ludwin Collection Page 2 Other special interests highlighted by this collection include: • Bob Hope • Johnny Carson • Jay Leno • Conan O’Brien • Jimmy Fallon • Disney • Motown • The Emmy Awards • Seinfeld • Saturday Night Live (SNL) • Carson Daly • The Mike Douglas Show • Kennedy & Co. • AM America • Miami University Studio 14 Nineteen original Seinfeld scripts are included; most of which were working copies, reflecting the use of multi-colored pages to call out draft revisions. Notably, the original pilot scripts are included, which indicate that the original title ideas for the show were Stand Up, and later The Seinfeld Chronicles.
    [Show full text]
  • The Effects of Prime Time Sub-Branding in Network Television
    The Effects of Prime Time Sub-Branding in Network Television: An Analysis of NBC’s “Must See TV” A Thesis Submitted to the Faculty of Drexel University by Elizabeth A. Yanak In Partial Fulfillment of the Requirements of the Degree of Master of Science in Television Management August 2012 Acknowledgements Thank you to Drexel University for the immense number of available resources, especially those available online through the university library. I would like to recognize the superior direction of my advisor Andrew Susskind. He not only guided me in discovering excellent publications and interviewees, but also provided me with critical and much-needed motivation in order to finish this thesis. I would also like to thank the Television Management Program Director, Albert Tedesco, for his support and understanding throughout this entire process. I am very thankful to those who agreed to interviews for this thesis. Hearing about their firsthand experiences in network television was critical to this case study, but also has reinforced my desire to work in the television industry. I would like to thank my colleagues both in the Television Management program and at my current place of work. Your constructive criticism, brainstorming sessions about related media trends, and friendship was appreciated beyond words. I lastly would like to thank my family and boyfriend. I will never forget the immense amount of love and support you have given me throughout this endeavor. iii Table of Contents LIST OF APPENDIXES ....................................................................................................iv
    [Show full text]
  • A Senate Resolution​ Honoring the Life of Mary Tyler Moore.​ WHEREAS, Mary Tyler Moore Was Born in Brooklyn, New York, to Ge
    01/31/17 ​ REVISOR JFK/RC 17-2460​ 1.1 A Senate resolution​ 1.2 honoring the life of Mary Tyler Moore.​ 1.3 WHEREAS, Mary Tyler Moore was born in Brooklyn, New York, to George Tyler Moore​ 1.4 and his wife Marjorie Hackett, and was the oldest of three siblings; her family lived in the Flatbush​ 1.5 section of Brooklyn, but moved to Los Angeles when she was eight years old; and​ 1.6 WHEREAS, deciding at age 17 that she wanted to be a dancer, Mary's first television job​ 1.7 was as "Happy Hotpoint," a tiny elf dancing on Hotpoint appliances in TV commercials during the​ 1.8 1950s series "Ozzie and Harriet"; Mary soon began landing regular television roles on such programs​ 1.9 as "Richard Diamond, Private Detective," "Overland Trail," and "The Tab Hunter Show"; and​ 1.10 WHEREAS, in 1961, Carl Reiner cast her in the co-lead role of "The Dick Van Dyke Show,"​ 1.11 and her memorable, witty, energetic comedic take on the character of Laura Petrie made both Mary​ 1.12 and her signature capri pants extremely popular internationally, and she received the first of many​ 1.13 Emmy awards; in 1970, Mary and her husband Grant Tinker successfully pitched a sitcom to CBS​ 1.14 that centered on her, and "The Mary Tyler Moore Show," a newsroom sitcom set in Minneapolis​ 1.15 that also featured Ed Asner, Valerie Harper, Cloris Leachman, Gavin MacLeod, and Ted Knight,​ 1.16 became a major hit, with a unique approach at the time that depicted the life of a single, never-married​ 1.17 independent career woman at work and at home; and​ 1.18 WHEREAS, featuring
    [Show full text]
  • Quality TV As Liberal TV
    Michael z. Newman and other cultural productions similarly blessed with prestige. Quality TV as Liberal TV This essay will sketch a historical outline of this tradition of Quality TV as libera l TV, ident ifying its sources and examining its Alongside so many changes in American television over its years as. expressions of an ideology. a mass medium there have also been continuit ies. These are easily) In doing so I am choosing a handful of examples of emblematic obscured by the presentist "Golden Age" rhetoric of popular critics or influential texts over this timespan rather than canvassing in the early twenty -first century.1One such continuity, spanning ; all of the telev isual representations one might associate with several aesthetic and industrial eras, is a trad ition of quality in, liberalism. There will necessarily be a provisional character scripted prime-time series, which is intertwined with a tradition to my discussion, as the topic is big enough for a much longer of liberal politics in elite urban American culture. 2 More than work. Numerpus details remain to be filled in, but I hope that the thirty years ago, Jane Feuer argued that "quality TV is liberal TV."3 connections will at least seem apposite, and the liberalism of She was talking about programs like The Mary Tyler Moore Show . American Quality TV worthy of further critical elaboration. and WKRPin Cincinnati, and using "quality" not simply to judge > Unlike more established, older art forms, televis ion has relative value but to mark off a group of programs recognizable struggled to be accepted as legitimate culture worth discussing by producers and audiences alike as having prestige.4 If Quality in aesthetic terms in the first place.
    [Show full text]
  • Thetv Column
    B6 MONDAY, JANUARY 9, 1989 ,L tv TheTV Column By John Carmody Wnstitliont Nit S!,11 Wrier UNIVERSAL CITY, Calif. V's favorite punching bag, Geraldo RI- sitcoms right in a row—"The Cosby Show," vera, vied with a rare one-minute "ALF," "The Golden Girls," "Empty Nest," snowfall in the San Fernando Valley for "Cheers" and "Night Court" . attention here Saturday as NBC opened its stand Key to the experiment—to see if comedies can ■■ at the semiannual network press tour . play well in the 10 to 11 p.m. time slot usually Months after his NBC special on Satanisin reserved for dramas at comedy-rich NBC .. threw TV writers into a feeding frenzy, both NBC will also bring back the 1955 production NBC president Robert Wright, talking via satel- of "Peter Pan," starring Mary Martin, on March i', lite to the press from Boca Raton, Fla., and NBC 24, Good Friday . Entertainment president Brandon Tartikoff found The miniseries is not dead at NBC, Tartikoff themselves still fielding questions about Mr. emphasized. In addition to the "Around the World Respectability . in 80 Days" remake already scheduled, and a landmark Supreme Wright finally came out and said he didn't treatment of the Roe v. Wade regret airing the special after all . Court case on abortion, NBC has added a four- It was difficult material," he said. "It's inter- hour production for May called "I Know My First esting to know . that I have received letters Name Is Steven," based on the true-life California 2 story of Steven Sayner, who was abducted in F and contact by a number of people, most of whom seem to be teachers, expressing surprise that we 1972 from his family when he was a child and aired that show, and in the next paragraph, returned seven years later .
    [Show full text]
  • 'Seinfeld' Credo
    DOW JONES, A NEWS CORP COMPANY Nikkei 23249.95 0.00% ▲ Hang Seng 25182.15 0.19% ▼ U.S. 10 Yr 1/32 Yield 0.713% ▲ Crude Oil 42.31 0.17% ▲ Yen 106.96 0.03% ▲ DJIA 27896.72 0.29% ▼ The Wall Street Journal John Kosner English Edition Print Edition Video Podcasts Latest Headlines Home World U.S. Politics Economy Business Tech Markets Opinion Life & Arts Real Estate WSJ. Magazine Search 15-Year Fixed 2.25% 2.46% APR Refinance Rates the Lowest in History 30-Year Fixed 2.50% 2.71% APR 2.46% 5/1 ARM 2.63% 2.90% APR APR $225,000 (5/1 ARM) $904/mo 2.90% APR Calculate Payment $350,000 (5/1 ARM) $1,409/mo 2.79% APR Terms & Conditions apply. NMLS#1136 BOOKS | BOOKSHELF SHARE FACEBOOKNo Hugging, No Learning: The ‘Seinfeld’ Credo TWITTERThe show was assigned to an NBC executive who had never overseen a sitcom. Left alone, Larry David sought inspiration from the only available source: memories of misbegotten moments in his own past. EMAIL PERMALINK PHOTO: NBC/GETTY IMAGES By Edward Kosner Updated Aug. 12, 2016 4:30 pm ET SAVE PRINT TEXT 82 Everyone has a favorite episode or moment from the “Seinfeld” show—Jerry’s puffy pirate shirt and his suede jacket or his encounters with the close-talker and the woman with man hands; the impermeable maitre d’ at the Chinese restaurant; Elaine’s spastic dancing or deciding whether a potential beau was worth the investment of a precious, discontinued birth-control sponge; Kramer’s at-home talk-show set; George’s mortifying “shrinkage” after a dip in a chilly pool or the time he quit his job with a tirade, then showed up for work the next day as if nothing had happened.
    [Show full text]
  • Gerhard Zeiler Receives Brandon Tartikoff Legacy Award in Miami
    Gerhard Zeiler receives Brandon Tartikoff Legacy Award in Miami Luxembourg/Miami, 26 January 2011 – As the first Non-American TV executive, RTL Group CEO Gerhard Zeiler has been honoured with the 8th annual Brandon Tartikoff Legacy Award. The prestigious award was presented to Gerhard Zeiler by the global, non-profit programming association Natpe yesterday in Miami. In his introductory remarks during the awards event, Mark Kaner, President of News Corp’s Twentieth Century Fox Television Distribution, said: “I’ve never met anybody who loves programming more than he does and that shows in everything he does. He knows the difference between taking his work seriously and himself seriously. The first is essential, the second is a disaster.” In a video tribute, media entrepreneur Haim Saban said: “There is only one Mister TV Europe, and that’s Gerhard Zeiler.” Jeffrey Schlesinger, President of Warner Bros. International Television, said: “He’s easy to talk to, he says what he means. When you shake his hand you know you can take it to the bank.” The Brandon Tartikoff Legacy Award is named in honour of Brandon Tartikoff, a former Programme Executive at the US network NBC, who was responsible for famous shows such as The Cosby Show, Cheers, Seinfeld, Alf, Knight Rider, The A-Team, Miami Vice all of which became hit formats around the world. The award was created in 2004 to recognise innovative leaders and artistic visionaries in television who have shaped the business and inspired their colleagues. Previous recipients include creators and producers such as Anthony E. Zuiker (CSI franchise), Marc Cherry (Desperate Housewives), Dick Wolf (Law & Order), David E.
    [Show full text]
  • Masculinity in American Television from Carter to Clinton Bridget Kies University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 Masculinity in American Television from Carter to Clinton Bridget Kies University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Film and Media Studies Commons, Gender and Sexuality Commons, and the Mass Communication Commons Recommended Citation Kies, Bridget, "Masculinity in American Television from Carter to Clinton" (2018). Theses and Dissertations. 1844. https://dc.uwm.edu/etd/1844 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. MASCULINITY IN AMERICAN TELEVISION FROM CARTER TO CLINTON by Bridget Kies A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin–Milwaukee May 2018 ABSTRACT MASCULINITY IN AMERICAN TELEVISION FROM CARTER TO CLINTON by Bridget Kies The University of Wisconsin–Milwaukee, 2018 Under the Supervision of Professor Tasha Oren This dissertation examines American television during a period I call the long 1980s. I argue that during this period, television became invested in new and provocative images of masculinity on screen and in networks’ attempts to court audiences of men. I have demarcated the beginning and ending of the long 1980s with the declaration of Jimmy Carter as Time magazine’s Man of the Year in 1977 and Bill Clinton’s inauguration in 1993. This also correlates with important shifts in the television industry, such as the formation of ESP-TV (later ESPN) in 1979 and the end of Johnny Carson’s tenure as host of The Tonight Show on NBC in 1992.
    [Show full text]
  • Susan Mcleland 2607 Zach Scott Street Austin, Texas 78723 512/663-9262 [email protected]
    Susan McLeland 2607 Zach Scott Street Austin, Texas 78723 512/663-9262 [email protected] Education: Ph.D., University of Texas at Austin, Radio/Television/Film, 1996 Teaching Experience: University of Texas at Austin: Lecturer – teaching graduate courses in pedagogy for the College of Communication from 2000-2014; undergraduate courses in media history, theory, and screenwriting, 1996-2017. Publications include: “Roseanne, Roseanne, Reality, and Domestic Comedy,” in The Sitcom Reader, 2nd Ed., ed. Laura Linder and Mary Dalton, Albany: SUNY Press, 2016. “Mary Tyler Moore,” “Grant Tinker,” “Ted Turner” and “Barbara Walters,” in The Encyclopedia of Television, Vol. I and II, ed. Horace Newcomb. (Chicago: Museum of Broadcast Communications, 1997, 2005). “Barbarella Goes Radical: Hanoi Jane and the American Popular Press,” in Headline Hollywood: A Century of Film Scandal, ed. Adrienne L. McLean and David A. Cook. (New Brunswick, NJ: Rutgers Press, 2001.) Selected Conference Presentations: “’Why Jump the Shark when You Can Rape It?’ Game of Thrones, Online Fans and Sexual Violence,” 2015 Reception Studies Society Conference, IUPUI, Fort Wayne, Indiana. “WARNING: SPOILER ALERT: Talking about Television in the Era of Asynchronous Viewing,” at 2013 Reception Studies Society Conference, Marquette University, Milwaukee, Wisconsin. “DeadWife’s in the Pimp Spot: Reading American Idol through Extratextual Discourses,” at 2009 Reception Studies Society Conference, Purdue University, West Lafayette, Indiana. “Brangelina v. Team Aniston: Images as Weapons in the Battle for Public Opinion,” at A Thousand Words: Visual Culture and the Humanities Conference at the Melbern G. Glasscock Center for Humanities Research, Texas A&M University, 2006. Other Work Experience: Diversity Training Facilitator, Anti-Defamation League, 2010-present Assistant Guest Curator, “Dallas: Passion and Power on Primetime TV,” an exhibit commemorating the thirtieth anniversary of the television show Dallas at the Bob Bullock Texas State History Museum, May 31-September 14, 2008.
    [Show full text]
  • Certified for Publication in the Court of Appeal of the State of California Second Appellate District Division Four
    Filed 8/5/21 CERTIFIED FOR PUBLICATION IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA SECOND APPELLATE DISTRICT DIVISION FOUR BROOKE KNAPP, B307559 Plaintiff and Appellant, (Los Angeles County Super. Ct. No. 19STCV11400) v. LARRY GINSBERG et al., Defendants and Respondents. APPEAL from a judgment of the Superior Court of Los Angeles County, Christopher K. Lui, Judge. Reversed. Glaser Weil Fink Howard Avchen & Shapiro, Barry E. Fink, Adam Pines and Elizabeth Chilton for Plaintiff and Appellant. Haight Brown & Bonesteel, Arezoo Jamshidi, Jennifer K. Saunders for Defendants and Respondents. Before they married in 2004, appellant Brooke Knapp and her late husband, Grant Tinker, signed a premarital agreement (PMA) that in relevant part governed the ownership and testamentary disposition of their marital home, the Perugia property. Respondents Larry Ginsberg and his law firm, Harris-Ginsberg LLP (collectively Ginsberg), represented Knapp in connection with the PMA and approved the PMA as to form on her behalf. Non-attorney Sidney Tessler, Tinker’s longtime accountant and business manager, negotiated terms and approved the PMA as to form on Tinker’s behalf. Although the PMA stated that Tinker had been represented by and consulted with independent legal counsel, no attorney signed on Tinker’s behalf. Tinker did not sign a separate writing expressly waiving representation by independent legal counsel, as is required by Family Code section 1615 (“section 1615”) for unrepresented PMA signatories. During the marriage, Tinker made several amendments to his trust and estate plan, some of which concerned the Perugia property. After Tinker’s death in 2016, three of his adult children filed probate petitions to set aside two of the amendments, which they alleged were the product of Knapp’s undue influence.
    [Show full text]