The Use and Meaning of Metaphor in Abu Nawas's
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). the Golden Age of Arab and Islamic
). THE GOLDEN AGE OF ARAB AND ISLAMIC CULTURE "BAGHDAD,AT THE coNFLUENcE oF Two cuLTUREs, Aramaean and Greek, became,in the tenth century, the intellectual center of the world." As capital of the caliphate,Baghdad rvasalso to becomethe cultural capitalof the Islamic world. Our purposeis to show,as briefly aspossible, the role that this region played in the transmissionof the knowledge of antiquity, in the evolution of religious attitudes,and in the flowering of Arabic literature.We shall no[ try to flnd out, any more than did the caliphs of the period, whether the actorsrvere Iranians, Arabs, Moslems,Christians, or |ews. Mcn of lettersand of sciencehad gatheredin this city either through cultural affinityor becausethey had beensummoned to the caliph'scourt for their worth or their competence. An effort was made to keep the languageand the religion at an indispensablecultural level.In reality, there was but a single aim: It was necessary to study the structureand the rules of the language of the Koran in order to have the languagerespected and understood.We shall not spendtoo much time on the grammaticalwork, sincewe want to fol- low the more universal tendencies,especially in their in- fluenceon medievalEurope. We shall mention only Khalil, the inventor of Arabic prosody,the first author of a diction- 64 THE GOLDEN AGE ary, and especiallyhis pupil Sibawaih, who has the dis- tinction of having codified definitively all the problems of grammar. Later, Mubarrad wrote a work which is not only didactic but a valuablecollection of poetic quotations. He also shareswith his rival and contemporary,Tha'lab, the honor of having contributedto the philological training of severalpoets. -
Proquest Dissertations
The history of the conquest of Egypt, being a partial translation of Ibn 'Abd al-Hakam's "Futuh Misr" and an analysis of this translation Item Type text; Dissertation-Reproduction (electronic) Authors Hilloowala, Yasmin, 1969- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 21:08:06 Link to Item http://hdl.handle.net/10150/282810 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly fi-om the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectiotiing the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
You with the Magic Gaze (Yā Sāhir Al-Tarf ).3
1 Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: __________________________ _______________ Christine N. Kalleeny Date 2 FIGURING THE ICONOCLAST: THE EROS OF WINE IN TWO POEMS BY ABŪ NUWĀS AND THE SYMPOSIUM OF PLATO By Christine N. Kalleeny Doctor of Philosophy Comparative Literature Claire Nouvet, Ph.D., Advisor Kevin Corrigan, Ph.D., Committee Member Phillip F. Kennedy, Ph.D., Committee Member Deborah A. White, Ph.D., Committee Member Accepted: Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies Date FIGURING THE ICONOCLAST: THE EROS OF WINE IN TWO POEMS BY ABŪ NUWĀS AND THE SYMPOSIUM OF PLATO 3 By Christine N. Kalleeny Ph.D., Emory University, 2010 Advisor: Claire Nouvet, Ph.D. An abstract of A dissertation submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University In partial fulfillment of the requirements for the degree of Doctor of Philosophy In Comparative Literature 2010 4 Abstract FIGURING THE ICONOCLAST: THE EROS OF WINE IN TWO POEMS BY ABŪ NUWĀS AND THE SYMPOSIUM OF PLATO By Christine N. -
Madmen Who Were Poets, David Larsen 8
The Poetry Project february / march 2017 Issue #250 The Poetry Project February / March 2017 Issue #250 Director: Stacy Szymaszek Managing Director: Nicole Wallace Archivist: Will Edmiston Program Director: Simone White Archival Assistant: Marlan Sigelman Communications & Membership Coordinator: Laura Henriksen Bookkeeper: Carlos Estrada Newsletter Editor: Betsy Fagin Workshop/Master Class Leaders (Spring 2017): Lisa Jarnot, Reviews Editor: Sara Jane Stoner Aldon Nielsen, Arlo Quint, and Matvei Yankelevich Monday Night Readings Coordinator: Judah Rubin Box Office Staff: Micaela Foley, Cori Hutchinson, and Anna Wednesday Night Readings Coordinator: Simone White Kreienberg Friday Night Readings Coordinator: Ariel Goldberg Interns: Shelby Cook and Cori Hutchinson Friday Night Readings Assistant: Yanyi Luo Newsletter Consultant: Krystal Languell Volunteers James Barickman, Mel Elberg, Micaela Foley, Hadley Gitto, Olivia Grayson, Cori Hutchinson, Anna Kreienberg, Phoebe Lifton, Ashleigh Martin, Dave Morse, Batya Rosenblum, Hannah Treasure, Viktorsha Uliyanova, and Shanxing Wang. Board of Directors Camille Rankine (Chair), Katy Lederer (Vice-Chair), Carol Overby (Treasurer), and Kristine Hsu (Secretary), Todd Colby, Adam Fitzgerald, Boo Froebel, Erica Hunt, Jonathan Morrill, Elinor Nauen, Laura Nicoll, Purvi Shah, Jo Ann Wasserman, and David Wilk. Friends Committee Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Gillian McCain, Eileen Myles, Patricia Spears Jones, Michel de Konkoly Thege, Greg Masters, Ron Padgett, Bob Holman, Paul Slovak, John Yau, Anne Waldman, and Hal Willner. Funders The Poetry Project is very grateful for the continued support of our funders: Axe-Houghton Foundation; The Cheswatyr Foundation, Committee on Poetry; Dr. Gerald J. & Dorothy R. Friedman Foundation, Inc.; Humanities New York; Jerome Foundation; Leaves of Grass Fund; Leslie Scalapino – O Books Fund; LitTAP; Poets & Writers, Inc.; Poets for the Planet Fund; The Robert D. -
Thesis Submitted in Accordance with the Requirements for the Degree Of
Modern Arabic Literary Biography: A study of character portrayal in the works of Egyptian biographers of the first half of the Twentieth Century, with special reference to literary biography BY WAHEED MOHAMED AWAD MOWAFY Thesissubmitted in accordancewith the requirementsfor the degreeof Doctor of Philosophy The University of Leeds The Department of Arabic and Middle Eastern Studies June 1999 I confirm that the work submitt&d is my own and that appropriate credit has been given where referenceshave been made to the work of others ACKNONNILEDGEMENTS During the period of this study I have received support and assistýncefrom a number of people. First I would like to expressmy sincere gratitude and appreciation to my supervisor Dr. A. Shiviiel, who guided me throughout this study with encouragement, patience and support. His generoushelp was always there whenever neededand he undoubtedly easedmy task. I also acknowledgemy indebtednessto the Faculty of Da*ral-ýJlýrn, Cairo University, PP) OW Op 4t or and in particular to Profs. Raja Jabr and al-Tahir Ahmed Makki and Abd al-Sabur 000 SIýZin for inspiring me in my study of Arabic Literature. Next I would like to thank the Egyptian EducationBureau and in particular the Cultural Counsellorsfor their support. I also wish to expressmy gratitudeto Prof Atiyya Amir of Stockholm University, Prof. C Ob 9 Muhammad Abd al-Halim of S. 0. A. S., London University, Prof. lbrlfrim Abd al- C Rahmaonof Ain ShamsUniversity, Dr. Muhammad Slim Makki"and Mr. W. Aziz for 0V their unlimited assistance. 07 Finally, I would like to thank Mr. A. al-Rais for designing the cover of the thesis, Mr. -
Ab Tamm M's Contribution to Abb Sid Gazal Poetry
AB� TAMM�M'S CONTRIBUTION TO �ABB�SID GAZAL POETRY When Abu Tammam is mentioned, three things come to mind: the col- lection of the Ifamäsa, the badi-style and the madih-poems, because it was this genre to which Abu Tammam devoted most of his verses. Therefore, western scholars label Abu Tammam as a "neo-classical" poet along with al-Buhturi and al-Mutanabbi because, unlike Abu Nuwds, Abu Tammam did not contribute to the "modern" genres, such as, e.g., wine and love poetry. While this is quite true in the case of wine poetry, it is not true at all in the case of the gazal genre. Of course, the number of lines of Abu Tam- mdm's gazal poems is much smaller than the number of lines devoted to madih poems. But this is simply due to the fact that gazal poems are much shorter than madih poems. If we take the number of poems, the proportion of madih to gazal turns out to be rather surprising: the dlwan1 contains 132 gazal poems compared to 175 madih poems, so the difference is not so great. In fact, as far as we know, there is no poet between Abu Nuwas and Halid al-Katib who has left behind a comparable amount of gazal verse. This comparatively high number of gazal verse in the dlwän of Abu Tam- mam corresponds to the importance this poet is given in the later antholo- gies of love poetry. Let us take as an example the first part of the Kitab az- Zahra of Ibn Däwüd al-Isfahani.2 In this book, the most often quoted poets are al-Buhturi and Abu Tammam. -
Proceedings of the Colloquium on Paradise and Hell in Islam Keszthely, 7-14 July 2002
Proceedings of the Colloquium on Paradise and Hell in Islam Keszthely, 7-14 July 2002 - Part One - EDITED BY K DÉVÉNYI - A. FODOR THE ARABIST BUDAPEST STUDIES IN ARABIC 28-29 THE ARABIST BUDAPEST STUDIES IN ARABIC 28-29 Proceedings of the Colloquium on Paradise and Hell in Islam Keszthely, 7-14 July 2002 EDITOR ALEXANDER FODOR - Part One - ASSOCIATE EDITORS KINGA DÉVÉNYI TAMÁS IVÁNYI EDITED BY K. DÉVÉNYI - A. FODOR EÖTVÖS LORÁND UNIVERSITY CHAIR FOR ARABIC STUDIES & CSOMA DE KŐRÖS SOCIETY SECTION OF ISLAMIC STUDIES Copyright Ed. Csorna de Kőrös Soc. 2008 MÚZEUM BLD. 4/B BUDAPEST, 1088 HUNGARY BUDAPEST, 2008 THE ARABIST CONTENTS BUDAPEST STUDIES IN ARABIC 28-29 P reface........................................................................................................................................ vii Patricia L. Baker (London): Fabrics Fit for A ngels ............................................................... 1 Sheila S. Blair (Boston): Ascending to Heaven: Fourteenth-century Illustrations of the Prophet’s Micra g ......................................................................................................... 19 Jonathan M. Bloom (Boston): Paradise as a Garden, the Garden as Garden . 37 Giovanni Canova (Naples): Animals in Islamic Paradise and H ell ...................... 55 István Hajnal (Budapest): The Events o f Paradise: Facts and Eschatological Doctrines in the Medieval Isma'ili History ................................................................................ 83 Alan Jones (Oxford): Heaven and Hell in the -
Durham E-Theses
Durham E-Theses The diwan of Abu Al-Hasan Al-Tihami Al-Furayh, Osman Saleh How to cite: Al-Furayh, Osman Saleh (1969) The diwan of Abu Al-Hasan Al-Tihami, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9931/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk THE DIWAN OF' ABU AL-HASAN AL-TIHAMI THESIS FOR THE DEGREE OP M.A. BY OSMA1I SALEH AL-PURAYH SCHOOL OP ORIENTAL STUDIES UNIVERSITY OP DURHAM, U.K. JUNE 1969. (a) PREFACE There was an abundance of poets in the fourth and fifth centuries. Unfortunately, little is known of their work. There were many whose works were not published and I chose Abu-al- Hasan al-Tihami because I was impressed by his poems. The Alexandria copy, published in 1893 contains many grammatical and poetical mistakes. -
Buchbesprechungen 331 Der Gesprächsband Von BOBZIN Und
Buchbesprechungen 331 Der Gesprächsband von BOBZIN und KERMANI ist zweifellos für fachlich Inte- ressierte, der von SCHÖNBORN für das allgemeine Publikum ergiebiger. Die drei Bücher weisen zahlreiche, zum Teil bis in einzelne Formulierungen gehende Über- einstimmungen auf und spiegeln so SCHIMMELS nur allzu gutes Gedächtnis. VON SCHÖNBORN und SCHIMMEL selbst bieten eine Kurzbibliographie. Auf eine Biobibliographie, die den Namen verdient, muss man also noch warten. Die Ge- sprächsbände sind sparsam illustriert, während SCHIMMEL für ihre Autobiogra- phie einige historische Schwarzweiß-Aufnahmen zur Verfügung gestellt hat. Der Schutzumschlag dieses Werks zeigt ein schönes neues Portrait von ihr in der Pose einer altmodischen Diva mit Chiffonschal und Sonnenbrille, unter der sie, wie der zweite Blick enthüllt, eine zweite gewöhnliche Brille trägt - für mich ein wunder- bares Bild für diese große Gestalt der deutschen Islamwissenschaft. Hamburg Karin Hörner Philip F. KENNEDY: The Wine Song in Classical Arabic Poetry: Abu Nuwas and the Literary Tradition. Oxford 1997: Clarendon Press Oxford, xii, 304 pp. (Oxford Oriental Monographs). The literary fame of Abu Nuwäs al-Hasan b. Hani' al-Hakami (died between 813 and 815) is founded on his reputation as poete maudit, whose diwan contains brilliant examples of both the traditional poetic genres and their parodies. The poet was a contemporary - and an alleged boon companion - of Harun al-Rashid (ruled 786-809). Both men became the subject of many legends, and popular stories about them are preserved through the Arabian Nights (Abu Nuwäs (Ewald WAGNER), in: Encyclopaedia of Islam, Leiden 21960, I, 143-144, 144b). These stories, in which the poet appears as an equal of the 'Abbasid caliph, document the social and political importance of poetry in the emerging Arabo-Islamic culture of the 'Abbasid court in Baghdad. -
Out of the Closet: Queer Love in Arabic Literature and Islamic Society
International Journal of Science and Research (IJSR) ISSN: 2319-7064 SJIF (2019): 7.583 Out of the Closet: Queer Love in Arabic Literature and Islamic Society Hadeel Safa Hadi Al-Bayati Istanbul Yeni Yüzyıl University, English Language and Literature Department Abstract: When same-sex desire is brought to literature it gives it a new shape. This kind of literature is crucial, urgent, and relevant to today’s world and it has a lasting impact on the human sexual experience. Nevertheless, this type of literature in itself is rarely the focus of research, thus it remains undefined and under-explained. Since there are no serious studies on homosexuality in Arabic literature, I find it necessary to address this scholarly gap by shedding light on such an argumentative subject especially in today’s world. Depending on this consideration, this study focuses on the interplay between homosexuality and Islamic culture. By so doing, it explores the manifestation of twin flame relationships in Arabic literature, in light of its epistemic closure in Arabic cultural societies. Accordingly, the study is equipped with specific references to famous Arabic poets, novelists, and short fiction writers, who are qualified to depict the constructions of queer desire and sexual customs of Arabic Muslims. Therefore, the study provides a vehicle for conveying multiple portrayals of homoeroticism in Arabic literature and Islamic society that values religion above all. Looking at the representations of queer social relations, we hope to find both echoes of the Arabic Muslims’ views on queer relationships and indications of the ways in which the conceptual state of bisexuality is evolving in both Arabic literature and its culture. -
“Epigram”. the Reason for This Lack Is Perhaps, Rather Than the Absence of Epigrams in Arabic Literature, Their Ubiquity
POINTED AND WELL-ROUNDED ARABIC ENCOMIASTIC AND ELEGIAC EPIGRAMS There is no Arabic word for “epigram”. The reason for this lack is perhaps, rather than the absence of epigrams in Arabic literature, their ubiquity. Not only is there a great abundance of short poems from all periods that may be described as epigrams in the usual meaning of this term, but longer poems are often composed, as it were, of a series of epigrams, be they single lines or short passages. Most Arabic poems are either epigrams or epigrammatic1. Of the traditional modes of Arabic poetry some are especially associ- ated with the epigram: invective and satirical verse, gnomic verse and descriptive, epideictic (or ecphrastic) verse. The vehicle for these modes may be a lengthy poem, it is true; they may combine with other modes in a qaÒida. But the typical poem of hija}, Ìikma, zuhd or waÒf is short and pointed — the two basic characteristics of the epigram. Other modes, notably panegyric and elegiac verse, seem to thrive mainly through longer poems, even after the innovative early {Abbasid period, when a number of “shorter forms” are said to have come into being. In a recent and authoritative survey of the history of Arabic poetry, it is said that shorter genres came into being, besides the panegyric qaÒida and the elegy; these two modes are not included in the shorter forms, as if short poems were never panegyric or elegiac2. Judging by the hand- books and histories of Arabic literature, one would be led to believe that “the encomiastic epigram” is an almost paradoxical term for something non-existent. -
Inventory of the Oriental Manuscripts of the Library of the University of Leiden
INVENTORIES OF COLLECTIONS OF ORIENTAL MANUSCRIPTS INVENTORY OF THE ORIENTAL MANUSCRIPTS OF THE LIBRARY OF THE UNIVERSITY OF LEIDEN VOLUME 2 MANUSCRIPTS OR. 1001 – OR. 2000 REGISTERED IN LEIDEN UNIVERSITY LIBRARY IN THE PERIOD BETWEEN 1665 AND 1871 COMPILED BY JAN JUST WITKAM PROFESSOR OF PALEOGRAPHY AND CODICOLOGY OF THE ISLAMIC WORLD IN LEIDEN UNIVERSITY INTERPRES LEGATI WARNERIANI TER LUGT PRESS LEIDEN 2007 © Copyright by Jan Just Witkam & Ter Lugt Press, Leiden, The Netherlands, 2006, 2007. The form and contents of the present inventory are protected by Dutch and international copyright law and database legislation. All use other than within the framework of the law is forbidden and liable to prosecution. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission of the author and the publisher. First electronic publication: 27 October 2006. Latest update: 13 August 2007 © Copyright by Jan Just Witkam & Ter Lugt Press, Leiden, The Netherlands, 2006, 2007 2 PREFACE The arrangement of the present volume of the Inventories of Oriental manuscripts in Leiden University Library does not differ in any specific way from the volumes which have been published earlier. For the sake of brevity I refer to my prefaces in those volumes. A few essentials my be repeated here. Not all manuscripts mentioned in the present volume were viewed by autopsy, but many were. The sheer number of manuscripts makes this impossible. At a later stage this may be achieved, but trying to achieve this at the present stage of inventorizing would seriously hamper the progress of the present project.