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Lindsay Cooper: Bassoonist with Henry Cow Advanced Search Article Archive Topics Who Who Went on to Write Film Music 100 NOW TRENDING
THE INDEPENDENT MONDAY 22 SEPTEMBER 2014 Apps eBooks ijobs Dating Shop Sign in Register NEWS VIDEO PEOPLE VOICES SPORT TECH LIFE PROPERTY ARTS + ENTS TRAVEL MONEY INDYBEST STUDENT OFFERS UK World Business People Science Environment Media Technology Education Images Obituaries Diary Corrections Newsletter Appeals News Obituaries Search The Independent Lindsay Cooper: Bassoonist with Henry Cow Advanced search Article archive Topics who who went on to write film music 100 NOW TRENDING 1 Schadenfreudegasm The u ltim ate lis t o f M an ch ester -JW j » United internet jokes a : "W z The meaning of life J§ according to Virginia Woolf 3 Labour's promises and their m h azard s * 4 The Seth Rogen North Korea . V; / film tra ile r yo u secretly w a n t to w atch 5 No, Qatar has not been stripped o f th e W orld Cup Most Shared Most Viewed Most Commented Rihanna 'nude photos' claims emerge on 4Chan as hacking scandal continues Frank Lampard equalises for Manchester City against Her Cold War song cycle ‘ Oh Moscow’ , written with Sally Potter, was performed Chelsea: how Twitter reacted round the world Stamford Hill council removes 'unacceptable' posters telling PIERRE PERRONE Friday 04 October 2013 women which side of the road to walk down # TWEET m SHARE Shares: 51 Kim Kardashian 'nude photos' leaked on 4chan weeks after Jennifer Lawrence scandal In the belated rush to celebrate the 40 th anniversary of Virgin Records there has been a tendency to forget the groundbreaking Hitler’s former food taster acts who were signed to Richard Branson’s label in the mid- reveals the horrors of the W olf s Lair 1970s. -
Imaging the Spiritual Quest Spiritual the Imaging
WRITINGS FROM THE ACADEMY OF FINE ARTS 06 Imagingthe Spiritual Quest Imaging the Spiritual Quest Explorations in Art, Religion and Spirituality FRANK BRÜMMEL & GRANT WHITE, EDS. Imaging the Spiritual Quest Explorations in Art, Religion and Spirituality WRITINGS FROM THE ACADEMY OF FINE ARTS 06 Imaging the Spiritual Quest Explorations in Art, Religion and Spirituality FRANK BRÜMMEL & GRANT WHITE, EDS. Table of Contents Editors and Contributors 7 Acknowledgements 12 Imaging the Spiritual Quest Introduction 13 Explorations in Art, Religion and Spirituality. GRANT WHITE Writings from the Academy of Fine Arts (6). Breathing, Connecting: Art as a Practice of Life 19 Published by RIIKKA STEWEN The Academy of Fine Arts, Uniarts Helsinki The Full House and the Empty: On Two Sacral Spaces 33 Editors JYRKI SIUKONEN Frank Brümmel, Grant White In a Space between Spirituality and Religion: Graphic Design Art and Artists in These Times 41 Marjo Malin GRANT WHITE Printed by Mutual Reflections of Art and Religion 53 Grano Oy, Vaasa, 2018 JUHA-HEIKKI TIHINEN Use of Images in Eastern and Western Church Art 63 ISBN 978-952-7131-47-3 JOHAN BASTUBACKA ISBN 978-952-7131-48-0 pdf ISSN 2242-0142 Funerary Memorials and Cultures of Death in Finland 99 © The Academy of Fine Arts, Uniarts Helsinki and the authors LIISA LINDGREN Editors and Contributors Stowaway 119 PÄIVIKKI KALLIO On Prayer and Work: Thoughts from a Visit Editors to the Valamo Monastery in Ladoga 131 ELINA MERENMIES Frank Brümmel is an artist and university lecturer. In his ar- tistic practice Brümmel explores how words, texts and im- “Things the Mind Already Knows” ages carved onto stone semiotically develop meanings and and the Sound Observer 143 narratives. -
A Reader in Themed and Immersive Spaces
A READER IN THEMED AND IMMERSIVE SPACES A READER IN THEMED AND IMMERSIVE SPACES Scott A. Lukas (Ed.) Carnegie Mellon: ETC Press Pittsburgh, PA Copyright © by Scott A. Lukas (Ed.), et al. and ETC Press 2016 http://press.etc.cmu.edu/ ISBN: 978-1-365-31814-6 (print) ISBN: 978-1-365-38774-6 (ebook) Library of Congress Control Number: 2016950928 TEXT: The text of this work is licensed under a Creative Commons Attribution-NonCommercial-NonDerivative 2.5 License (http://creativecommons.org/licenses/by-nc-nd/2.5/) IMAGES: All images appearing in this work are property of the respective copyright owners, and are not released into the Creative Commons. The respective owners reserve all rights. Contents Part I. 1. Introduction: The Meanings of Themed and Immersive Spaces 3 Part II. The Past, History, and Nostalgia 2. The Uses of History in Themed Spaces 19 By Filippo Carlà 3. Pastness in Themed Environments 31 By Cornelius Holtorf 4. Nostalgia as Litmus Test for Themed Spaces 39 By Susan Ingram Part III. The Constructs of Culture and Nature 5. “Wilderness” as Theme 47 Negotiating the Nature-Culture Divide in Zoological Gardens By Jan-Erik Steinkrüger 6. Flawed Theming 53 Center Parcs as a Commodified, Middle-Class Utopia By Steven Miles 7. The Cultures of Tiki 61 By Scott A. Lukas Part IV. The Ways of Design, Architecture, Technology, and Material Form 8. The Effects of a Million Volt Light and Sound Culture 77 By Stefan Al 9. Et in Chronotopia Ego 83 Main Street Architecture as a Rhetorical Device in Theme Parks and Outlet Villages By Per Strömberg 10. -
Freier Download BA 58 Als
BAD 58 ALCHEMY 1 STEINER: ... Die Musik besiegt den Tod, aber dann besiegt das Mysterium tremendum die Musik. Orpheus stirbt, von den Mänaden zerrissen. Dann kommt etwas, das für uns heute abend wichtig ist: Der Körper blutet aus, aber, das ist eine archaische Überlieferung, der Kopf singt weiter. Aus dem Mund des toten Orpheus strömt Musik. Das zweite Thema ist Marsyas, dieser grausame, furchtbare Mythos vom Kampf zwischen ihm und Apollon, in dem Marsyas geschändet wird. Auf Tizians berühmtem Gemälde finden wir alle Motive unseres heutigen Gesprächs. Es ist das größte seiner Bilder, und auch das grausamste. Worum ging es in dem Kampf? In dem Logos Apollons heißt es: Musik ist das Ornament der Sprache. Und Marsyas sagt: Der Wind ist Musik, der Vogel singt Musik, das Meeresrauschen ist Musik. Die Sprache ist ein später Gast und ein falscher. Dann das Sirenen-Motiv. Der Gesang tötet, er hält ganz mysteriös das Versprechen. Was sagen die Sirenen? Wir können dir sagen, was in der Welt war, was in der Welt ist und was in ihr sein wird. Die Verheißung des Alten Testa- ments. Die Verheißung des Baums im Paradies, des Baums der Wissenschaft, des Wissens. Hör unserem Gesang zu. Odysseus überlebt, er segelt weiter. Das war der letzte Moment, wo der Mensch in der Musik die Urkraft der Schöpfung hören konnte. Aber die Warnung war da: Musik ist übermenschlich, aber auch unmenschlich. Schopenhauer sagt: Auch wenn die Welt nicht wäre, könnte die Musik bestehen. Ich bin sicher, der Satz stimmt. Zuerst sind wir Gäste der Musik. Vielleicht kommt die Sprache erst viel später. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Hans Van Maanen
Hans van Maanen van Hans e present study tries to nd out how the organisation of art worlds serves the functioning of the arts in society. e book studies thoroughly how George Dickie, Howard Becker, Pierre Bourdieu, Nathalie Heinich, and Niklas Luhmann approach this question, but the conclusion is that Hans van Maanen their theories only touch the thinking on the arts’ societal functioning instead of discussing it. Hence in How to Study Art Worlds the author turns to such art philosophers as Kant, Gadamer, Shusterman and Schae er among STUDYTO HOW HOW TO STUDY others to de ne the values the arts can generate and the functions they can serve. On the basis of this in the third part of the book it is discussed what the various institutional approaches in relation to the ART WORLDS art philosophical concepts have to o er to the organisation of art world practices in such a way that the arts will be supported in realising their values in society. On the Societal Functioning Hans van Maanen is professor of art and society at the Department of Aesthetic Values of Arts, Culture & Media Studies of the University of Groningen, the Netherlands. AMSTERDAM UNIVERSITY PRESS is study stands on the highest level of commentary in this area, and will be taken as a primary source of reference for the study of the art world and sociology of art in general; therefor it would be a mandatory purchase for any university that has an arts and humanity faculty; and it is also an important individual reference text book for both graduate students and academics. -
Dypdykk I Musikkhistorien - Del 14: Rock in Opposition (20.02.2017 - TNB)
Dypdykk i musikkhistorien - Del 14: Rock in Opposition (20.02.2017 - TNB) Pluss minikonsert med Panzerpappa Spilleliste pluss noen ekstra lyttetips: Forløpere: Faust Frank Zappa & The Mothers of Inventions Captain Beefheart Magma Residents Teenbeat (Leg end (1973) / Henry Cow) De opprinnelige 5: Industry ; Half the sky ; Slice (Western culture (1978) / Henry Cow) Le Fleuve Et Le Manteau (Les Trois Fou's Perdégagnent (Au Pays Des...) (1978) / Etron Fou Leloublan) L’apprendista (1977) / Stormy Six Megafono (Macchina maccheronica (1980) / Stormy Six) Liten Karin ; Ödet ; Urmakare 2 ; Kort påbrå (Schlagerns mystik - För äldre nybegynnare (1977) / Zamla Mammas Manna) Smedjan [The Forge] Familijesprickor (1980) / Zamla Mammas Manna Ronde ; Docteur Petiot ; Malaise (Univers Zero (1977) / Univers Zero) De 3 utvalgte The Hermit , Rats and monkeys (Winter songs (1979) / Art Bears) Musique Pour L'Odyssée Musique Pour L'Odyssée (1979) / Art Zoyd) A modern lesson ; I viaggi formano la gioventu (Um peude l’ames des bandits (1980) / Aksak Maboul) Vurdert Le Fugitif ; Doctorine (Album à colorier (1976) / Albert Marcœur) Ici ; Linge sale (Armes & cycles (1979) / Albert Marcœur) Musica Urbana (1976) / Musica Urbana Twilight furniture ; 24 track loop (This Heat (1979) / This Heat) Recommended Records, nye prosjekter og andre assosierte Seynete ; Editioun Especialo D'Uno Griho De Jardin ; Naive description... (Barricade 3 (1976) / ZNR) KEW. RHONE (1977) / John Greaves, Peter Blegvad & Lisa Herman Norrgården nyvla ; What a dilemma ; Come across (Gravity -
Modern Art, Educational Ideology, and Curriculum. INSTITUTION James Madison Univ., Harrisonburg, VA
DOCUMENT RESUME ED 336 292 SO 021 227 AUTHOR Brooks, Cathy AO, Ed. TITLE Modern Art, Educational Ideology, and Curriculum. INSTITUTION James Madison Univ., Harrisonburg, VA. School of Fine Arts and Communication. PUB DATE 83 NOTE 74p.; For other bullet:tns, see SO 021 226-230. AVAILABLE FROM James Madison University, Art Department, Harrisonburg, VA 22807 ($4.00). PUB TYPE Collected Works - Serials (022) JOURNAL CIT The Bulletin of the Caucus on Social Theory and Art Education; n3 1983 EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Annotated Bibliographies; *Art Education; Cultural Influences; Elementary Secondary Education; Social Influences; *Social Theories; Social Values; Textbooks ABSTRACT The "Bulletin of the Caucus on Social Theory and Art Education" is an annual publication, with each issue devoted to a unified theme. This issue (divided into four parts) offers thought-provoking articles on modern art, educational ideology and curriculum, elitism versus populism, socially oriented reviews of major art education textbooks, and relevant study resources. Part 1 features three papers designated as articles: "Art Research and Curriculum to Accomplish Multicultural Goals" (Myrna T. Amdursky); "Modern Fine Art: A Vehicle for Understanding Western Modernity" (Karen A. Hamblen); and "Matginal Images: Art and Ideology in the School" (Dan Nadaner). Part 2 presents two papers featuring points of view: "For Cultural Democracy: A Critique of Elitism in Art Education" (Robert Bersson) and "Elitism versus Populism: The Continuing Debate" (Ralph A. Smith). Part 3 contains material from a forum with three papers: "A Critique of Elliot Eisner's 'Educating Artistic Vision," (John Jagodzinski); "Socially Relevant Practice in 'Art, Culture, and Environment'" (Nancy R. -
Victo CD 015
LINDSAY COOPER Oh Moscow Victo CD 015 Oh Moscow was conceived by Lindsay Cooper and Sally Potter in 1987, when superpower confrontation seemed ever lasting; walls had already fallen when this performance was recorded at the Victoriaville (Quebec) Festival in 1989. But separation and reconciliation are transcendent themes for any song cycle and Potter’s direct verses consider the wider issue of European postwar divisions. There is outrage at the wealth squandered on military confrontation while the lessons of 'mother Russia’ are neglected in favour of more appealing American cultural imports. She sings her texts with moving commit ment and is joined by the inimitable Phil Minton, who in The Allies' parodies the entire voice of America from Elvis to ' Donald Duck. Lindsay Cooper’s musical sensibility borrows from Weill, Westbrook and the Trio Bulgarka to avoid American accents; her own playing on bassoon and saxes is resolutely Eastern. But the impact of this music would have been more incisive without so many rhetorical interludes for the instrumentalists. Pianist Elvira Plenar’s interlude of Tayloresque Tartary is impressive but, like Alfred 23 Harth’s screaming sax, too predictable in this context. Marilyn Mazur's drum solo in 'Liberty Bonds' is, conversely, a model of economy and caps the best music of the cycle. Chris Clark Lindsay Cooper FOR BASSOON ANDA FILM page 20 The comic, but also mollifying 'West Side Story' that David Thomas tells/sings on the flexidisc in last month's V IN Y L has an un expected intermezzo on bassoon. It is played by Lindsay Cooper, who accompanied Tho mas on his tour in Holland. -
Remastered in Celebration of Its 25Th Anniversary, in This Life, Thinking Plague’S Early Art Rock Masterwork, Enthralls a New Generation of Rockers
Bio information: THINKING PLAGUE Title: IN THIS LIFE (Cuneiform Rune 407) Format: CD / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: AVANT-PROGRESSIVE / ROCK / ART ROCK / POST-ROCK Remastered in Celebration of its 25th Anniversary, In This Life, Thinking Plague’s Early Art Rock Masterwork, Enthralls a New Generation of Rockers Musically riveting, an album that grabs listeners by the throat, In This Life is not merely an extraordinary album of extraordinary rock-based songs. It is a landmark recording in the life of one of America’s most distinctive bands and in the international spread of Rock in Opposition-style sophisticated post-rock. Recorded in 1988-89 by Denver–based Thinking Plague, one of the most esteemed and longstanding American avant-progressive ensembles, In This Life marked Thinking Plague’s stylistic coming-of-age. The band had recorded two earlier LPs (…A Thinking Plague and Moonsongs) in the years since its 1982 co-founding by Mike Johnson and Bob Drake. Those early works brought Thinking Plague national “underground” acclaim. But the lineup responsible for In This Life, with Mike Johnson handling composition and Susanne Lewis supplying lyrics and vocals, proved to be the early group’s ideal creative brew. In This Life originally came out in 1989 on Recommended Records (ReR), the London-based label run by Chris Cutler, founder of the Rock in Opposition movement and member of renowned band Henry Cow. One track on the album featured a guest appearance by Fred Frith, the legendary Henry Cow/Art Bears guitarist. -
The Influence of Japanese Color Prints on Modern
THE INFLUENCE OF JAPANESE---- -------COLOR PRINTS ON MODERN EUROPEAN . PAINTING BY Alita w. Alberga A Dissertation Submitted to the Graduate School In Partial Fulfillment of the Requirements For the Degree of Master of Arts - Department of Art THE MUNICIPAL UNIVERSITY OF WICHITA Wichita, Kansas June, 1954 ACKNONLED GEMENT The writer wishes to express appreciation to the faculty of the Art Department whose contribution to her development made possible the accomplishment of this study. Dr. Eugene J . McFarland gave instruction and helpful advise during the preparation of this thesis for which we are most grateful. Thanks are due Mr . Robert Kiskadden for patient and instructive teaching that resulted in the paintings that illustrate this thesis. We also wish to thank Mr. David E. Bernard for his advice and assistance in the preparation of this paper. OUTLINE INDEX Page The main stream of Oriental art 1 A. Eastern and Western art aims compared ••••• l B. Philosophy of Oriental art ••• 4 c. Chinese influence on Japanese art ••••••• 6 n. The Ukiyoye school of painting ••• 9 A. Social and political conditions 9 B. The artists of the Ukiyoye school. 14 1. The primitive period 15 2. Early polychrome masters • • • • 20 3. Kiyonaga and his followers ••••••• 24 4. Retirement of Kiyonaga to the death of Utamaro • • • • • • • • • 27 · 5. The downfall • • • • • • • • • • • • 34 III. Japonism in Europe 40 A. Extent. of Japanese· influence • • • • • • • • • 40 B. Japanese influence on art in the United States • 46 C. Japanese influence on art in England and France 48 1. Whistler . 48 2. Manet . • . • 51 3. Monet . 53 4. Pisaarro . 55 5. -
ADRIAN MITCHELL...Sorry 'Bout That (A.Mitchell) 1:50 SIDE 2
SIDE 1 1. STEVE MOORE ... The Threshold of Liberty (S.Moore) 9:25 2.' LARS HOLLMER .••Experiment {L.Bollmer} 1:19 3. CHRIS CUTLER/LINDSAY COOPER ...Education (Cutler/Cooper) 3:45 4. 5uu's••. compromisation (5uu's/Kerman) 3:00 5. JOSEPH RACAILLE ...Dans Les Yeux Bleues (J.Racaille) 1:10 6. THE LOWEST NOTE •••Naiwabi (The Lowest Note) 2:35 7. ADRIAN MITCHELL...Sorry 'bout That (A.Mitchell) 1:50 SIDE 2 1. KALAHARI SURFERS ..•Prayer For Civilisation (Warric) 5:02 2. MISSION ,IMPOSSIBLE •.• Indefinite (Mission Impossible) 2:58 3. ADRIAN MITCHELL ••. Song In Space (A.Mitchell) :35 4. STEFANODELU .•.Pensa Un Numero (S.Delu) 2:13 5. MIKOLA~ CHADlMA •..A Walk Around the Brewery (M.Chadima) 6:06 6. ADRIAN MITCHELL .••Saw It In the Papers (A.Mitchell) 3:40 Re 0101 volume I No.1 Compiled by Chris Cutler Wildly disparate recordings spliced and remastered at Cold Storage by Bill Gilonis Side 1 cut at CBS by Tim Side 2 cut and LP pressed by Sta tune. Label artwork by Chris Cutler Front by X(our nativity);back cover by Graham Keatley;silkscreen-printed by Third Step Printworks,675 Wandsworth Rd. London. This~ is not a compilation. The tracks do not appear elsewhere. is it a sampler: it has no advertising function and is indif ferent to fashion. It is, rather, an attempt to apply the format f a magazine to a record: regular 'columns', commissioned pieces, extracts from concerts, introducing 'unknowns', and unrecordeds; items of interest, and special projects are what will feature here. The written part of the magazine will contain articles - as far as