Bang on a Can Marathon Live Online – June 6, 2021
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Bang on a Can Live – Vol
NWCR646 Bang on a Can Live – Vol. 2 Gary Trosclair, trumpet; Mark Stewart, electric guitar; Alan Moverman, piano and synthesizer; Tigger Benford, percussion Jeffrey Brooks 3. Composition for Two Pianos (1992) ................... (8:55) (Bang on a Can 1992) Piano Duo – Cees van Zeeland & Gerard Bouwhuis Elizabeth Brown 4. Migration – in memory of Julie Farrell (1992) .... (11:44) (Bang on a Can 1992) Elizabeth Brown, shakuhachi; Mayuki Fukuhara, violin; Sarah Clarke, viola; Theodore Mook, cello David Lang 5. The Anvil Chorus (1991) ..................................... (7:00) (Bang on a Can 1991) Steve Schick, percussion Jeffrey Mumford 6. a pond within the drifting dusk (1989) ................ (9:22) (Bang on a Can 1989) Laura Gilbert, alto flute; Joshua Gordon, cello; Victoria Drake, harp Phil Kline Shelley Hirsch/David Weinstein 7. Bachman’s Warbler (1992) ................................. (16:34) 1. Haiku Lingo (excerpt) (1990) ............................. (8:15) (Bang on a Can 1992) Phil Kline, harmonica and (Bang on a Can 1990) Shelley Hirsch, voice; boomboxes David Weinstein, electronics Total playing time: 74:53 Lois V. Vierk 2. Red Shift IV (1991) ............................................. (12:25) Ê & © 1993 Composers Recordings, Inc. (Bang on a Can 1991) A Cloud Nine Consort: © 2007 Anthology of Recorded Music, Inc. Notes Bang on a Can is among the most inclusive and hospitable of introductions are cursory, a bit nervous and wonderfully all new music festivals. Its ambiance is informal. When the illuminating—an introduction to the person, not the concept, venues allow it, audiences can come and go during annual all- behind the music. When John Cage stepped on stage to kick day marathon concerts, sit up close and listen, or casually off the 1992 edition of the festival, which began with his stand in the back with a beer or an apple cider. -
Department of Scandinavian Languages
Department of Scandinavian Languages Proceedings from the Second International Interdisciplinary Conference on Perspectives and Limits of Dialogism in Mikhail Bakhtin Stockholm University, Sweden June 3–5, 2009 Editors: Karin Junefelt, Pia Nordin Department of Scandinavian Languages Proceedings from the Second International Interdisciplinary Conference on Perspectives and Limits of Dialogism in Mikhail Bakhtin Stockholm University, Sweden June 3–5, 2009 Editors: Karin Junefelt, Pia Nordin Proceedings from the Second International Interdisciplinary Conference on Perspectives and Limits of Dialogism in Mikhail Bakhtin June 3–5, 2009 Department of Scandinavian Languages Stockholm University SE 106 91 Stockholm Sweden ISBN 91-86762-63-x, web version 2012-08-06 <www.nordiska.su.se/bakhtin2009> No printed version. © The Authors and Department of Scandinavian Languages, Stockholm University Editors: Karin Junefelt, Pia Nordin, 2010. Preface Interest in the work of Mikhail Bakhtin among Western scholars has been particularly and increasingly evident since the 1980s. His ideas about dialogism have been and continue to be a source of inspiration for various approaches across scientific fields because they are versatile, multidimensional and open. Bakhtin’s original concepts have widened both theoretical and empirical approaches in a wide range of scientific fields. These include most notably anthropology, art, education, economy, gender studies, history, linguistics, literature, medicine, technology, pedagogy, philosophy, political science, psychoanalysis, psychology, rhetoric, religion, semiotics, sociology, speech pathology, and theatre. This conference focused on the core of Bakhtin’s theory, which concerns dialogue and dialogicality. The conference themes reflected his notion that the “I” and the “self”, the “you” and the “other” are embedded in each other so that each affects the other and as a whole they create a centrifugal force around which communication and life circle. -
Presidency Cultural Programme in Kraków
Presidency Cultural Programme in Kraków 2011-08-23 4th “Divine Comedy” International Theatre Festival December 2011 The Divine Comedy festival is not just a competition, but also an opportunity to see the top shows by young Polish directors and the chance to compare opinions of Polish theatre with critics from all over Europe. The selection of productions is made by the most prominent Polish critics, journalists, and reviewers, while the decision on who walks away with the figurine of the Divine Comedian is made by an independent international jury. The festival is divided into three blocks. In the Inferno section – the contest for the best Polish productions of the previous season – the maestros of Polish theatre and their students compete for the award. Paradiso is the section of the festival devoted to the work of young, but already acclaimed, directors. The Purgatorio block includes accompanying events. It should be emphasised that this year the festival has changed its formula – traditionally the competition section and culmination of accompanying events fall in December, while the international section takes place all year round – every month excluding the summer holidays. Organiser: Krakow Festival Office www.boskakomedia.pl Opera Rara: A. Vivaldi – L’Oracolo in Messenia 8 December 2011 December’s performance in the Opera Rara cycle perfectly achieves the goals set by originator Filip Berkowicz when he began the project in 2009 – to present above all works which are rarely played or which have been restored to the repertoire after centuries of absence in concert halls. This will be the world première of the opera written by Antonio Vivaldi in the last years of his life, published just after his death and then lost for a very long time. -
Lindsay Cooper: Bassoonist with Henry Cow Advanced Search Article Archive Topics Who Who Went on to Write Film Music 100 NOW TRENDING
THE INDEPENDENT MONDAY 22 SEPTEMBER 2014 Apps eBooks ijobs Dating Shop Sign in Register NEWS VIDEO PEOPLE VOICES SPORT TECH LIFE PROPERTY ARTS + ENTS TRAVEL MONEY INDYBEST STUDENT OFFERS UK World Business People Science Environment Media Technology Education Images Obituaries Diary Corrections Newsletter Appeals News Obituaries Search The Independent Lindsay Cooper: Bassoonist with Henry Cow Advanced search Article archive Topics who who went on to write film music 100 NOW TRENDING 1 Schadenfreudegasm The u ltim ate lis t o f M an ch ester -JW j » United internet jokes a : "W z The meaning of life J§ according to Virginia Woolf 3 Labour's promises and their m h azard s * 4 The Seth Rogen North Korea . V; / film tra ile r yo u secretly w a n t to w atch 5 No, Qatar has not been stripped o f th e W orld Cup Most Shared Most Viewed Most Commented Rihanna 'nude photos' claims emerge on 4Chan as hacking scandal continues Frank Lampard equalises for Manchester City against Her Cold War song cycle ‘ Oh Moscow’ , written with Sally Potter, was performed Chelsea: how Twitter reacted round the world Stamford Hill council removes 'unacceptable' posters telling PIERRE PERRONE Friday 04 October 2013 women which side of the road to walk down # TWEET m SHARE Shares: 51 Kim Kardashian 'nude photos' leaked on 4chan weeks after Jennifer Lawrence scandal In the belated rush to celebrate the 40 th anniversary of Virgin Records there has been a tendency to forget the groundbreaking Hitler’s former food taster acts who were signed to Richard Branson’s label in the mid- reveals the horrors of the W olf s Lair 1970s. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
Sélection De La Commission Musique Nouvelle 40176 PCDM3 450 and 40177 PCDM3 450 CHA Voir PCDM4 Voir PCDM4 PCDM4 7 and CC PCDM4 7 CHA Gris Gris
Sélection de la commission Musique nouvelle 40176 PCDM3 450 AND 40177 PCDM3 450 CHA voir PCDM4 voir PCDM4 PCDM4 7 AND CC PCDM4 7 CHA Gris Gris 1CD Elektra WAR 1CD Tzadik ORK Anderson, Laurie Charming Hostess Homeland Bowls project (The) Laurie Anderson : voix, claviers J Eisenberg: voice, dulcimer, harmonium Eyvind Kang, Lou Reed, John Zorn, Antony, etc... Minimaliste Etats-Unis C Taylor: voice / J Ditzian: clarinets / s Ismaily: bass, perc, guit/ C Nouvel album de Laurie Anderson qui résume le spectacle Smith: drums + invités multimédia qu'elle fait tourner et évoluer depuis plusieurs rock chant west coast Amerique années. Elle n'avait pas sorti d'album en studio depuis "Life on a Chant rock décalé d'une charmante hôtesse qui passe de l'ange String" en 2001. au démon sans détour dans le registre vocal qui peut faire Ce nouvel opus est accompagné d'un DVD retraçant la genèse de penser à la chanteuse d'Art Bears. Des violons rock punk fusent, ce projet. les textes s'inspirent des inscriptions anciennes du babylon juif ; La musique et les textes sont quand à eux dignes du talent de les genres s'entremèlent mais restent mystiques sur des airs qui cette grande artiste-performeuse avec les mêmes composantes peuvent faire penser à la tradition celte ou à celle d'Afrique du que sur ses disques précédents : une musique minimaliste nord, on croise même des airs de bluegrass qui décoiffent ou accessible et sophistiquée, des textes mi-parlés mi-chantés, un baladent. Des percussions font envenimer ces univers insensés mélange d'influences qui vont de l'avant-garde new-yorkaise des et poétiques, des troubadours femmes avancent comme des annés 70-80 aux couleurs "world". -
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! ! ! ! “FINGERS GLITTERING ABOVE A KEYBOARD:” ! THE KEYBOARD WORKS AND HYBRID CREATIVE PRACTICES OF ! TRISTAN PERICH! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! A Dissertation! Presented to the Faculty of the Graduate School! of Cornell University! in Partial Fulfillment of the Requirements for the Degree of! Doctor of Musical! Arts! ! ! by! David Benjamin Friend! May 2019! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! © 2019 David Benjamin! Friend! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! “FINGERS GLITTERING ABOVE A KEYBOARD:”! THE KEYBOARD WORKS AND HYBRID CREATIVE PRACTICES OF ! TRISTAN! PERICH! ! David Benjamin Friend, D.M.A.! Cornell University,! 2019! ! !This dissertation examines the life and work of Tristan Perich, with a focus on his works for keyboard instruments. Developing an understanding of his creative practices and a familiarity with his aesthetic entails both a review of his personal narrative as well as its intersection with relevant musical, cultural, technological, and generational discourses. This study examines relevant groupings in music, art, and technology articulated to Perich and his body of work including dorkbot and the New Music Community, a term established to describe the generationally-inflected structural shifts! in the field of contemporary music that emerged in New York City in the first several years of the twenty-first century. Perich’s one-bit electronics practice is explored, and its impact on his musical and artistic work is traced across multiple disciplines and a number of aesthetic, theoretical, and technical parameters. This dissertation also substantiates the centrality of the piano to Perich’s compositional process and to his broader aesthetic cosmology. A selection of his works for keyboard instruments are analyzed, and his unique approach to keyboard technique is contextualized in relation to traditional Minimalist piano techniques and his one-bit electronics practice." ! ! BIOGRAPHICAL! SKETCH! ! !! !David Friend (b. -
Bang on a Can Announces Onebeat Marathon #2 Live Online! Sunday, May 2, 2021 from 12PM - 4PM EDT
FOR IMMEDIATE RELEASE Press contact: Maggie Stapleton, Jensen Artists 646.536.7864 x2, [email protected] Bang on a Can Announces OneBeat Marathon #2 Live Online! Sunday, May 2, 2021 from 12PM - 4PM EDT A Global Music Celebration curated and hosted by Found Sound Nation. Four Hours of LIVE Music at live.bangonacan.org Note: An embed code for the OneBeat Marathon livestream will be available to press upon request, to allow for hosting the livestream on your site. The OneBeat Virtual Marathon is back! OneBeat, a singular global music exchange led by our Found Sound Nation team, employs collaborative original music as a potent new form of cultural diplomacy. We are thrilled to present this second virtual event, showcasing creative musicians who come together to make music, not war. The OneBeat Marathon brings together disparate musical communities, offering virtuosic creators a space to share their work. These spectacular musicians join us from across the globe, from a wide range of musical traditions. They illuminate our world, open our ears, and break through the barriers that keep us apart. - Julia Wolfe, Bang on a Can co-founder and co-artistic director Brooklyn, NY — Bang on a Can is excited to present the second OneBeat Marathon – Live Online – on Sunday, May 2, 2021 from 12PM - 4PM ET, curated by Found Sound Nation, its social practice and global collaboration wing. Over four hours the OneBeat Marathon will share the power of music and tap into the most urgent and essential sounds of our time. From the Kyrgyz three-stringed komuz played on the high steppe, to the tranceful marimba de chonta of Colombia's pacific shore, to the Algerian Amazigh highlands and to the trippy organic beats of Bombay’s underground scene – OneBeat finds a unifying possibility of sound that ties us all together. -
Imaging the Spiritual Quest Spiritual the Imaging
WRITINGS FROM THE ACADEMY OF FINE ARTS 06 Imagingthe Spiritual Quest Imaging the Spiritual Quest Explorations in Art, Religion and Spirituality FRANK BRÜMMEL & GRANT WHITE, EDS. Imaging the Spiritual Quest Explorations in Art, Religion and Spirituality WRITINGS FROM THE ACADEMY OF FINE ARTS 06 Imaging the Spiritual Quest Explorations in Art, Religion and Spirituality FRANK BRÜMMEL & GRANT WHITE, EDS. Table of Contents Editors and Contributors 7 Acknowledgements 12 Imaging the Spiritual Quest Introduction 13 Explorations in Art, Religion and Spirituality. GRANT WHITE Writings from the Academy of Fine Arts (6). Breathing, Connecting: Art as a Practice of Life 19 Published by RIIKKA STEWEN The Academy of Fine Arts, Uniarts Helsinki The Full House and the Empty: On Two Sacral Spaces 33 Editors JYRKI SIUKONEN Frank Brümmel, Grant White In a Space between Spirituality and Religion: Graphic Design Art and Artists in These Times 41 Marjo Malin GRANT WHITE Printed by Mutual Reflections of Art and Religion 53 Grano Oy, Vaasa, 2018 JUHA-HEIKKI TIHINEN Use of Images in Eastern and Western Church Art 63 ISBN 978-952-7131-47-3 JOHAN BASTUBACKA ISBN 978-952-7131-48-0 pdf ISSN 2242-0142 Funerary Memorials and Cultures of Death in Finland 99 © The Academy of Fine Arts, Uniarts Helsinki and the authors LIISA LINDGREN Editors and Contributors Stowaway 119 PÄIVIKKI KALLIO On Prayer and Work: Thoughts from a Visit Editors to the Valamo Monastery in Ladoga 131 ELINA MERENMIES Frank Brümmel is an artist and university lecturer. In his ar- tistic practice Brümmel explores how words, texts and im- “Things the Mind Already Knows” ages carved onto stone semiotically develop meanings and and the Sound Observer 143 narratives. -
2001 Next Wave Fe Tival
October 2001 2001 Next Wave Fe tival Brooklyn Ph iI BAM Next Wave Festival sponsor: PHILIP MORRIS ~lA~(8Ill COMPANIES INC Brooklyn Academy of Music and Bang on a Can Bruce C. Ratner Michael Gordon Chairman of the Board David Lang Alan H. Fishman Julia Wolfe Chairman, Campaign for BAM Co-Artistic Directors Karen Brooks Hopkins Kenny Savelson President Executive Producer Joseph V. Melillo Executive Prod ucer present the Bang on a Can Marathon Approximate BAM Howard Gilman Opera House running time: , Oct 28, 2001, at 2pm 8 hours Composers Performers Elizabeth Brown BoaC All-Stars David Chesworth David Chesworth Ensemble Sussan Deyhim Ethel Arnold Dreyblatt Icebreaker Marti Epstein Kyaw Kyaw Naing Joshua Fried Newband John Godfrey The Orchestra of Excited Strings Michael Gordon Ivo Papasov & Zig Zag Trio David Lang So Percussion Marc Mellits Marc Perlman Kyaw Kyaw Naing Kathleen Supove Ivo Papasov TroIIstilt Harry Partch Wu Man/Makubuya Dan Plonsey Evan Ziporyn TroIIstilt Diderik Wagenaar Julia Wolfe Wu Man & James Makubuya Evan Ziporyn Special thanks to Samantha. 25 Program COMPOSER NAME OF WORK PERFORMER 2pm-4pm Harry Partch Castor and Pollux Newband Elizabeth Brown Delerium Newband Joshua Fried Headset Sextet BoaC All-Stars Julia Wolfe Early That Summer Ethel Marc Mellits 5 Machines BoaC All-Stars 4pm-6pm Kyaw Kyaw Naing Hsaing Chaik De Maungt BoaC All-Stars w/Kyaw Kyaw Naing* Sein Osit BoaC All-Stars w/Kyaw Kyaw Naing* Tiloun (U Ko Ko)t BoaC All-Stars w/Kyaw Kyaw Naing* Marti Epstein She Fell into a Wall of Sorrows Kath leen Su pove Diderik Wagenaar Metrum** Icebreaker Evan Ziporyn Be In Ethel w/Evan Ziporyn David Lang The So-called Laws of Naturet So Percussion* 6pm-8pm John Godfrey Gallows' Hillt Icebreaker Michael Gordon Yo Shakespeare Icebreaker Troll stilt Roulette Trollsti It *. -
Variations #6
Curatorial > VARIATIONS VARIATIONS #6 With this section, RWM continues a line of programmes devoted to exploring the complex map of sound art from The Library different points of view organised in curatorial series. We encounter the establishment of sound libraries, collections explicitly curated 'Variation' is the formal term for a musical composition based for further use: sound objects presented as authorless, unfinished ingredients. on a previous musical work, and many of those traditional Though some libraries contain newly commissioned generic sounds, specifically methods (changing the key, meter, rhythm, harmonies or designed for maximum flexibility, the most widely used sounds are often sourced tempi of a piece) are used in much the same manner today from commercial recordings, freed from their original context to propagate across by sampling musicians. But the practice of sampling is more dozens to hundreds of songs. From presets for digital samplers to data CD-ROMs than a simple modernization or expansion of the number of to hip-hop battle records, sounds increasingly detach from their sources, used options available to those who seek their inspiration in the less as references to any original moment, and more as objects in a continuous refinement of previous composition. The history of this music public domain. traces nearly as far back as the advent of recording, and its As hip-hop undergoes a conservative retrenchment in the wake of the early emergence and development mirrors the increasingly self- nineties sampling lawsuits, a widening variety of composers and groups expand conscious relationship of society to its experience of music. the practice of appropriative audio collage as a formal discipline. -
Intakt Sonderangebot.Xlsx
Intakt Sonderangebot jede CD nur Fr. 7.50 Intakt Nr. Band Titel Archiv Nr. SJO CD 003 Schweizer / Nicols / Lewis / Léandre The Storming of the Winter CD-04160 / Sommer Palace CD 018 Martin Schütz & Hans Koch Approximations CD-10421 CD 049 Pierre Favre Singing Drums Souffles CD-10428 CD 056 Koch-Schütz-Studer & Musicos Fidel CD-11906 Cubanos CD 061 Saadet Türköz Marmara Sea CD-10190 CD 067 Lucas Niggli Zoom Meets Arte Spawn of Speed CD-03144 Quartett CD 080 Barry Guy / Evan Parker Birds and Blades CD-07982 CD 082 Lucas Niggli / Zoom Rough Ride CD-03142 CD 083 Lucas Niggli / Big Zoom Big Ball CD-03143 CD 091 Pierre Favre and Arte Quartett with Saxophones CD-10188 Michel Godard CD 092 Ochs / Jeanrenaud / Masaoka Fly, fly, fly CD-10207 CD 093 Lucas Niggli / Zoom Ensemble Sweat CD-10385 CD 102 Objets Trouvés Co Streiff Gabriela objets trouvés / fragile CD-04680 Friedli / Jan Schlegel / Dieter Ulrich CD 103 Fred Frith / Carla Kihlstedt / Stevie The Compass, log and lead CD-10206 Wishart CD 106 Trio 3 Oliver Lake / Reggie Workman Time Being CD-10203 / Andrew Cyrille CD 107 Jacques Demierre / Barry Guy / Brainforest CD-08805 Lucas Niggli CD 108 Irène Schweizer First Choice - Piano Solo KKL CD-10192 Luzern CD 112 Omri Ziegele / Billiger Bauer Edges & Friends CD-05586 CD 113 Bauer Gumpert Petrowsky Sommer 11 Songs - aus teutschen Landen CD-12361 2 Ex Zentralquartett CD 113 Zentralquartett 11 Songs - aus teutschen Landen CD-12361 CD 114 Pierre Favre / Yang Jing Two in One CD-10199 CD 115 Alexander von Schlippenbach Twelve Tone Tales, Vol.