Movie Museum APRIL 2007 COMING ATTRACTIONS
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L'influence De La Culture Catholique Sur Les Œuvres D'alfred Hitchcock Et De Pedro Almodóvar
L’influence de la culture catholique sur les œuvres d’Alfred Hitchcock et de Pedro Almodóvar Merve Sehirli Nasir To cite this version: Merve Sehirli Nasir. L’influence de la culture catholique sur les œuvres d’Alfred Hitchcock etde Pedro Almodóvar. Art et histoire de l’art. Université Jean Moulin (Lyon III), 2020. Français. NNT : 2020LYSE3011. tel-03146845v2 HAL Id: tel-03146845 https://hal.archives-ouvertes.fr/tel-03146845v2 Submitted on 12 Apr 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. N°d’ordre NNT : 2020LYSE3011 THÈSE de DOCTORAT DE L’UNIVERSITÉ DE LYON opérée au sein de L’Université Jean Moulin Lyon 3 Ecole Doctorale N° 484 Lettres, Langues, Linguistique et Arts Discipline de doctorat : Arts, cultures médiatiques et communication Soutenue publiquement le 18/02/2020, par : Merve SEHIRLI NASIR L'influence de la culture catholique sur les œuvres d'Alfred Hitchcock et de Pedro Almodóvar Devant le jury composé de : BARNIER Martin Professeur des universités, Université Lumière - Lyon 2, Président LE CORFF Isabelle Professeure des universités, -
'I Have Enormous Sadness In
THETIMESThursdayDecember102009 THETIMESThursdayDecember102009 arts times2 615 MAIN IMAGE: CHRIS HARRIS FOR THE TIMES plots,castles,gettingbanished,butafterPe- ter I played Electra. It felt right to act it. It wasn’t like I was acting out my grief but I certainly felt it expunged. Up to that point The odd couple — acting had been a facility,after it,it became a reality. With a part like that you’re com- municating the private sorrows of an audi- ence. I am very interested in playing a psy- chologist next, to be the recipient of some- and the other guy oneelse’sstoriesratherthantheteller.” What about Lady Macbeth: she hasn’t Rachel Campbell- doneheryet?“Ijustmight,”shesaysquizzi- cally. “Alan Rickman asked me recently, Johnston goes to a ‘Whatever happened to us doing the Mac- beths?’” What? Those two as Mr and Mrs party thrown by M?Bestillourbeating. As for the insane Harry Potter slip- three artists with stream, she is almost dismissive. “Harry Melling, the young man who plays my son little in common he’ll be going up ladders again. My mum Fiona Shaw, left, near to in Mother Courage, plays my son in Potter visits him every day” — she smiles — home base on Primrose (they are Petunia and Dudley Dursley re- “apart from her days off in France.” She Hill; as Harry Potter’s spectively), and we’re the poor relations. Visual Art notes my stricken expression. “As a family Aunt Petunia (with We never do any magic, we have it done to wehaveratheraperfunctoryattitudetoill- Harry Melling and us. The odd thing is leaving the set and to Sargent, Sickert, ness. -
Download PDF to Read Full Article from Apollo Magazine
INTERVIEW I By Stuart Rowland In an exclusive celebrity interview for Apollo Executive Review, Stuart Rowlands talks to Michael I like to keep testing the waters… York “In late December 2007 I got back to Los If the answer is “YES!” to the question Angeles after filming in Russia, Germany, “do you want to act and you are aged Poland and Israel”, he remembers. “2008 ” got off to a quick start with the continued between 13 and 21, the National Youth narration of a new audio version of the entire Bible – a huge undertaking that would Theatre, Britain's Premiere youth theatre take most of the year to complete. This was followed by a recording of Alan Paton’s company, is just the place for you! extraordinary classic tale of apartheid in South Africa, Cry the Beloved Country. Next or a sixteen year old schoolboy from was a project very dear to my heart - Bromley, Kent, the school board performing with the Long Beach Opera Fnotice was a siren song to the start of company on a very daring double bill, a career that has spanned nearly 45 years Strauss Meets Frankenstein” . and shows absolutely no signs of slowing By March, Michael and his wife Pat were down. In fact Michael York has no plans to headed east to Maine where Pat, a celebrated retire. In late December, a few days before and published photographer, was shooting Christmas, he has finally returned to his renowned American ‘pop art movement home high in the Hollywood Hills above Los icon’ artist Robert Indiana for a new book. -
UK Films for Sale EFM 2015
UK FILMS FOR SALE EFM 2015 UK FILM CENTRE, STAND 38, EUROPEAN FILM MARKET, MARTIN GROPIUS BAU, NIEDERKIRCHNER STR 7, 10785 BERLIN TEL: + 49 30 209159 448 45 Years TThe Match Factory Cast: Charlotte Rampling, Tom Courtney Thania Dimitrakopoulou +49 172 851 210 Genre: Drama 9 Director: Andrew Haigh [email protected] Status: Completed Market Office: MGB 32 Home Office tel: +49 221 539 709 0 Synopsis: There is just one week until Kate Mercer’s forty-fifth wedding anniversary and the planning for the party is going well. But then a letter arrives for her husband. The body of his first love has been discovered, frozen and preserved in the icy glaciers of the Swiss Alps. By the time the party is upon them, five days later, there may not be a marriage left to celebrate. 47 Meters Down TAltitude Film Sales Cast: Vanessa Kirby Vicki Brown + 49 30 209 159 401 Genre: Thriller [email protected] Director: Johannes Roberts Market Office: MGB 136 Status: Pre-Production Home Office tel: +44 20 7478 7612 Synopsis: Twenty-something sisters Kate and Lisa are gorgeous, fun loving and ready for the holiday of a lifetime in Mexico. When the opportunity to go cage diving to view Great White sharks presents itself, thrill-seeking Kate jumps at the chance while Lisa takes some convincing. After some not so gentle persuading, Lisa finally agrees and the girls soon find themselves two hours off the coast of Huatulco and about to come face to face with nature's fiercest predator. But what should have been the trip to end all trips soon becomes a living nightmare when the shark cage breaks free from their boat, sinks and they find themselves trapped at the bottom of the ocean. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Download Cast and Crew Here
I - !!! I* CAST T WHOgS-, WHO IN THN SItrlIS (Errse*rl:le' u/S Bill ALEJAI{DRA }IATOS tEnsexzble} From Caracas, JAQUEZ ANDBf Broadway: ri{otow'n {Swing)' Venezuela. She is thrilled to be part of this ireau- Devuuey, Irtn-r' SciJ:elli) (Rudolpho). Broadrvayl titul east. Starting her training in her country Natianal Tour l\atilda OfY I (Trip Allen), Apollo Ct*h Hulent $ and continuing herJance career in LA aad NY' NYC: Spanrle,r I ''?he (Featnred Beats By TY credlts inelude "Americas Got Talent-" Dancer). Nationai Commelcial: T playing LeBron Best Time Ever" (F{BCi- Theater cledils include Dre l'eaturing Pharrell. Lasl seen , Chicago flative and Crtrmen An Afro-Cubart Musical. Special James in Le\roil: The Mltsittrl- '{ati and Moill tharks to my lamily. merto.rs and the Universe' Tisch graduate. Much iove to CTC. Brick @alekitty @justiaquez DEQUINA fr'IOOBE (Backup Vocolisr, College FIICOLE SPENCER (Eizseatble) AfBr traiilhg at in Dance Gitl, Ensemble, ulS Nicki Mnrron, Rachel Marrot) Tampa Ballet Center, she earned her BFA f cretiits include: Broadrvay: Legallr* Btoncle (Pilar). Ii*/e Shop of frcm Florida Stati Unive$it)'. Far-orite g Tour Capair/Swing). fJorrors {Chiffon), Two Gentlemen o! Ve rona, flapp -t Ditl' Dancittg National {Dance $ Inaugural Royal kincess, g Da1's {Joyce}" ffnir. Nat'l Touts: Fluslatlarlce (Kiiri)' The Potal Off-Broadrvay, 4 i$adea's Big Hoppy F**riJ-r" (Rose)' Film: Jo;'f,rl Andrea Bocelii. ard SNL. Nicole sends all her love to ; ldoi.re (Devonne), Mcdea's Big llappy Family. Ghast Mom, Dad, andChris! Tov,* Rachet Gettiag Married, Cttnp- TY: "Lz'N & Order: SVU" {guest star), "Racirtg For Time" LAU*EN TANNER (.luj*s) is delighted to be patt {: {Tsnya}, "Third Watch" iTania Manroe), "Al1 Falls ol The Bodlgu* tll Lauren is a graduale of Oklahoma Down" (Nycole). -
Before-The-Act-Programme.Pdf
Dea F ·e s. Than o · g here tonight and for your Since Clause 14 (later 27, 28 and 29) was an contribution o e Organisation for Lesbian and Gay nounced, OLGA members throughout the country Action (OLGA) in our fight against Section 28 of the have worked non-stop on action against it. We raised Local Govern en Ac . its public profile by organising the first national Stop OLGA is a a · ~ rganisa ·o ic campaigns The Clause Rally in January and by organising and on iss es~ · g lesbians and gay e . e ber- speaking at meetings all over Britain. We have s ;>e o anyone who shares o r cancer , lobbied Lords and MPs repeatedly and prepared a e e eir sexuality, and our cons i u ion en- briefings for them , for councils, for trade unions, for s es a no one political group can take power. journalists and for the general public. Our tiny make C rre ly. apart from our direct work on Section 28, shift office, staffed entirely by volunteers, has been e ave th ree campaigns - on education , on lesbian inundated with calls and letters requ esting informa cus ody and on violence against lesbians and gay ion and help. More recently, we have also begun to men. offer support to groups prematurely penalised by We are a new organisation, formed in 1987 only local authorities only too anxious to implement the days before backbench MPs proposed what was new law. then Clause 14, outlawing 'promotion' of homosexu The money raised by Before The Act will go into ality by local authorities. -
Television, Radio & Theatre September 2019
Television, Radio & Theatre September 2019 Congratulations to… Kieran Hurley for winning the Carol Tambor ‘Best of Edinburgh’ Award for MOUTHPIECE Javaad Alipoor whose RICH KIDS: A HISTORY OF SHOPPING MALLS IN TEHRAN won a Scotsman Fringe First Award during week one. And Lynette Linton for her Stage Debut nomination for Best Creative West End Debut, shared with designer Frankie Bradshaw for SWEAT and Jade Lewis who is nominated for Best Director for SUPERHOE. Writer-directors Claire Tailyour and Chloë Wicks whose short films BELITTLED and CUBICLE will be screening in the BAFTA recognised Underwire Festival (september 13th-22nd). Chloë is nominated in the Best Director category and Claire in the Best Screenplay category Underwire Festival Film HOPE GAP: Toronto Film Festival, 2019 HOPEGAP premiers at the Toronto Film Festival on Friday the 6th and Saturday the 7th of September. Directed and written by Oscar-nominated William Nicholson, the ‘razor-sharp’ drama about long-term love features brilliant performances from Bill Nighy and four-time Oscar nominee Anette Benning. HOPEGAP London Film Festival- Now Booking KRABI, 2562: London Film Festival – 3rd and 13th October: Booking opens this week Selected for the Experimenta Special Presentation, this collaboration between award-winning directors Anocha Suwichakornpong and Ben Rivers is a multidimensional exploration of the outskirts of Krabi in Thailand. The film extends freely to the local communities, inviting them to join in the crafting of a story that slithers mischievously between the appearance and disappearance of a stranger, before and after, fiction and reality, documentary and camp, mass tourism and the birth of the Holocene. -
Treasures from the Yale Film Archive
TREASURES FROM THE YALE FILM ARCHIVE SUNDAY AN ONGOING SERIES OF CLASSIC AND CONTEMPORARY FILMS PRESENTED IN 35MM BY THE YALE FILM STUDY CENTER SEPTEMBER 17, 2017 2:00PM • WHITNEY HUMANITIES CENTER PRESENTED WITH SUPPORT FROM VOLVERVOLVER PAUL L. JOSKOW ’70 M.PHIL., ’72 PH.D. All about mothers, Pedro Almodóvar’s 2006 quiet masterpiece blends tragedy, melodrama, magical realism, and farce in a story of three generations of working-class Spanish women and the secrets they carry between La Mancha and Madrid. Penélope Cruz o. gives the performance of her career as Raimunda, struggling to protect her teenage daughter (Yohana Cobo) while haunted by N the ghost of her estranged mother (Carmen Maura). A.O. Scott said of the film, “To relate the details of the narrative—death, cancer, S 1 E 4 betrayal, parental abandonment, more death—would create an impression of dreariness and woe. But nothing could be further from A S O N the spirit of VOLVER which is buoyant without being flip, and consoling without ever becoming maudlin.” One of Almodóvar’s most assured and mature works, it foregoes the flashy visuals and assertive soundtracks of his earlier comedies, as well as the complex plots of the dramas that immediately preceded it, TALK TO HER and BAD EDUCATION. Other than MATADOR and KIKA, it was his first film to be released in the U.S. under its untranslated Spanish title. Volver means return, and the many returns throughout the film help bring the characters and their director overdue resolutions to unfinished business from the past. -
London Theater Tour
Occidental College NONPROFIT ORG Alumni Association US POSTAGE 1600 Campus Road, M-11 PAID Los Angeles, CA 90041-3314 AKA Return Service Requested Photo by David Iliff, License: CC-BY-SA 3.0 Our exciting tour is sure to provide a transformative experience that offers fresh perspectives, THE 11TH OCCIDENTAL ALUMNI ASSOCIATION’S an insider connection to the London cultural scene, and lasting memories. The Shows the tour. Our roundtable discussions are one of Dining LONDON THEATER TOUR We’ll get the best seats available to 5 of the hot- the most successful and unique aspects of our We’ll have a festive dinner to welcome in the test shows in London. If you choose the optional tours. This exchange with working actors, play- New Year with a champagne toast and celebra- show we offer, you’ll feast on a total of 6 produc- wrights, and directors will offer you fresh per- tion at the Waldorf Hilton’s Homage restaurant tions while in London. Past hit shows on Insider spectives about the real and current challenges (Winner of Trip Advisor’s Certificate of Excel- Cultural Tours London excursions include War UK theatre professionals face in practicing their lence 2013). And welcome and farewell dinners Horse, Ralph Fiennes in Oedipus, Sir Derek craft and art. at other exceptional restaurants in London. Your Jacobi in Twelfth Night, Michael Gambon in No hotel accommodations include a hearty, Full Man’s Land, Richard Griffiths in The Habit of Post-Performance Discussions English breakfast every day. Art, Alfred Molina in Red, The Pitman Paint- As many in the theater say, the last act of a play Private Coach ers, The Master Builder, Jerusalem, One Man, takes place in the bar after the performance.