Television, Radio & Theatre September 2019
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UK Films for Sale EFM 2015
UK FILMS FOR SALE EFM 2015 UK FILM CENTRE, STAND 38, EUROPEAN FILM MARKET, MARTIN GROPIUS BAU, NIEDERKIRCHNER STR 7, 10785 BERLIN TEL: + 49 30 209159 448 45 Years TThe Match Factory Cast: Charlotte Rampling, Tom Courtney Thania Dimitrakopoulou +49 172 851 210 Genre: Drama 9 Director: Andrew Haigh [email protected] Status: Completed Market Office: MGB 32 Home Office tel: +49 221 539 709 0 Synopsis: There is just one week until Kate Mercer’s forty-fifth wedding anniversary and the planning for the party is going well. But then a letter arrives for her husband. The body of his first love has been discovered, frozen and preserved in the icy glaciers of the Swiss Alps. By the time the party is upon them, five days later, there may not be a marriage left to celebrate. 47 Meters Down TAltitude Film Sales Cast: Vanessa Kirby Vicki Brown + 49 30 209 159 401 Genre: Thriller [email protected] Director: Johannes Roberts Market Office: MGB 136 Status: Pre-Production Home Office tel: +44 20 7478 7612 Synopsis: Twenty-something sisters Kate and Lisa are gorgeous, fun loving and ready for the holiday of a lifetime in Mexico. When the opportunity to go cage diving to view Great White sharks presents itself, thrill-seeking Kate jumps at the chance while Lisa takes some convincing. After some not so gentle persuading, Lisa finally agrees and the girls soon find themselves two hours off the coast of Huatulco and about to come face to face with nature's fiercest predator. But what should have been the trip to end all trips soon becomes a living nightmare when the shark cage breaks free from their boat, sinks and they find themselves trapped at the bottom of the ocean. -
Season of the Witch Film Production Notes
SEASON OF THE WITCH Production Notes SEASON OF THE WITCH Synopsis Oscar® winner Nicolas Cage (National Treasure, Ghost Rider) and Ron Perlman (Hellboy, Hellboy II, Sons of Anarchy) star in this supernatural action adventure about a heroic Crusader and his closest friend who return home after decades of fierce fighting, only to find their world destroyed by the Plague. The church elders, convinced that a girl accused of being a witch is responsible for the devastation, command the two to transport the strange girl to a remote monastery where monks will perform an ancient ritual to rid the land of her curse. They embark on a harrowing, action-filled journey that will test their strength and courage as they discover the girl‟s dark secret and find themselves battling a terrifyingly powerful force that will determine the fate of the world. The years of brutal warfare in the name of God have stripped Behmen (Cage) of his taste for bloodshed—and his loyalty to the Church. Looking forward to a quiet retirement, Behmen and his comrade-in-arms Felson (Perlman) are bewildered to find their homeland deserted, unaware that Europe has been decimated by the Black Plague. While searching for food and supplies at the Palace at Marburg, the two knights are apprehended and called before the local Cardinal (Christopher Lee) to explain their unscheduled return from the East. The dying Cardinal threatens the pair with prison for desertion, unless they agree to a dangerous mission. The Cardinal‟s dungeon holds a young woman (Claire Foy) accused of being a witch who brings the Plague with her. -
FOX SEARCHLIGHT PICTURES Presents a DJ FILMS / GASWORKS
FOX SEARCHLIGHT PICTURES Presents A DJ FILMS / GASWORKS MEDIA Production DOMHNALL GLEESON MARGOT ROBBIE KELLY MACDONALD ALEX LAWTHER STEPHEN CAMPBELL MOORE VICKI PEPPERDINE RICHARD McCABE GERALDINE SOMERVILLE PHOEBE WALLER-BRIDGE Introducing WILL TILSTON DIRECTED BY .......................................................... SIMON CURTIS WRITTEN BY ........................................................... FRANK COTTRELL-BOYCE .................................................................................... SIMON VAUGHAN PRODUCED BY ........................................................ DAMIAN JONES p.g.a. .................................................................................... STEVE CHRISTIAN p.g.a. DIRECTOR OF PHOTOGRAPHY ........................... BEN SMITHARD BSC PRODUCTION DESIGNER ..................................... DAVID ROGER FILM EDITOR ........................................................... VICTORIA BOYDELL EXECUTIVE PRODUCERS ..................................... SIMON CURTIS .................................................................................... SIMON VAUGHAN CO-PRODUCER ........................................................ MARK HUBBARD COSTUME DESIGNER ............................................ ODILE DICKS-MIREAUX HAIR, MAKE-UP & PROSTHETICS DESIGNER .. SIAN GRIGG MUSIC BY ................................................................. CARTER BURWELL MUSIC SUPERVISOR .............................................. SARAH BRIDGE CASTING BY .......................................................... -
Movie Museum APRIL 2007 COMING ATTRACTIONS
Movie Museum APRIL 2007 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Spanish Ching Ming Good Friday Hawaii Premiere! Easter Sunday THE SILENT PARTNER VOLVER MRS. PALFREY AT THE THE MYSTERY OF THE MRS. PALFREY AT THE (1978-Canada) (2006-Spain) CLAREMONT YELLOW ROOM CLAREMONT in widescreen in Spanish with English (2005-UK/USA) aka Le Mystère de la (2005-UK/USA) subtitles & in widescreen in widescreen Chambre Jaune in widescreen with Elliott Gould, Christopher (2003-Belgium/France) with Joan Plowright, Rupert with Joan Plowright, Rupert Plummer, Susannah York, Ken with Penélope Cruz, Carmen in French with English Friend, Zoe Trapper, Anna Pogue, Celine Lomez, Michael Maura, Lola Dueñas, Blanca subtitles & in widescreen Friend, Zoe Trapper, Anna Portillo, Yohana Cobo. Massey, Robert Lang. with Denis Podalydès, Jean- Massey, Robert Lang. Kirby, John Candy. Noël Brouté, Claude Rich, Written and Directed by Directed by Sabine Azéma. Directed by Directed by Pedro Almodóvar. Dan Ireland. Dan Ireland. Daryl Duke. Directed by Bruno Podalydès. 12:30, 3, 5:30 & 8pm 5 2, 4, 6 & 8pm 6 12:30, 3, 5:30 & 8pm 7 2, 4, 6 & 8pm 8 2, 4, 6 & 8pm 9 THE AURA Hawaii Premiere! THE AURA KEEPING MUM Hawaii Premiere! (2005-Argentina/France/ THE PERFECT CRIME (2005-Argentina/France/ (2005-UK) THE PERFECT CRIME Spain) aka Crimen Ferpecto Spain) in widescreen aka Crimen Ferpecto in Spanish with English (2004-Spain/Italy) in Spanish with English with Rowan Atkinson, Kristin (2004-Spain/Italy) in Spanish with English subtitles & in widescreen Scott Thomas, Maggie Smith, in Spanish with English subtitles & in widescreen subtitles & in widescreen with Ricardo Darin, Dolores subtitles & in widescreen with Ricardo Darin, Dolores Patrick Swayze, Tamsin with Guillermo Toledo, Mónica Egerton, Toby Parkes, with Guillermo Toledo, Mónica Fonzi, Pablo Cedrón, Nahuel Fonzi, Pablo Cedrón, Nahuel Cervera, Luis Varela, Enrique Cervera, Luis Varela, Enrique Liz Smith, Emilia Fox. -
The History Boys Free
FREE THE HISTORY BOYS PDF Alan Bennett | 144 pages | 04 Apr 2006 | FABER & FABER | 9780571224647 | English | London, United Kingdom The History Boys by Alan Bennett | Waterstones Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. See the list. In s Britain, a group of young men at Cutlers' Grammar School all have the brains, and the will to earn the chance of getting accepted in the finest universities in the nation, Oxford and Cambridge. Despite the fine teaching by excellent professionals like Mrs. Dorothy Lintott Frances de la Tour in history and the intellectually enthusiastic Mr. He signs on the The History Boys Irwin Stephen Campbell Moore to polish the students' style to give them the best chance. In this mix of intellectualism and creative spirit that guides a rigorous preparation regime for that ultimate educational brass ring, the lives of the randy students and the ostensibly restrained faculty intertwine that would change their lives forever. Written by Kenneth Chisholm kchishol rogers. Gays and straights should see "The History Boys" to learn about love and tolerance. It is excellent. If you have a closed or narrow, rigid mind, don't go. In order not to be offended by the language, you need to be a Metro Man or a Metro Woman. It is downright blunt at times. The The History Boys language is not to be shocking or The History Boys, but to be brutally honest and upfront about important perceptions concerning love and tolerance. I had a little trouble getting into the movie in the very beginning scenes. -
Created and Written by Academy Award-Winner Julian Fellowes Directed by Michael Engler
Created and Written by Academy Award-Winner Julian Fellowes Directed by Michael Engler Press Pack CONTENTS Cast ..................................................................................................................................................6 Guest Cast .......................................................................................................................................7 Filmmakers & Creatives ....................................................................................................................7 Downton Abbey Synopsis ................................................................................................................8 The Genesis of Downton Abbey .......................................................................................................9 The Making of the Downton Abbey Film by Julian Fellowes..........................................................14 Filmmakers & Creative Interviews: Gareth Neame ................................................................................................................................16 Liz Trubridge ...................................................................................................................................21 Michael Engler ................................................................................................................................25 Donal Woods ..................................................................................................................................28 Anna Robbins -
Man up – Biographies
Presents MAN UP A film by Ben Palmer (88 min., UK, 2015) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia LOGLINE When Nancy is mistaken for Jack’s blind date under the clock at Waterloo Station, she decides to take fate into her own hands and just go with it. What could possibly go wrong? MAN UP is an honest, heart-warming romantic comedy about taking chances and rolling with the consequences. One night, two people, on a first date like no other... SHORT SYNOPSIS Meet Nancy (Lake Bell): 34, single, hung-over, and exhausted by her well meaning but clueless friends’ continual matchmaking. 10 times bitten, 100 times shy, after an especially disastrous set-up at her friends’ engagement party, Nancy is basically done with dating. She’s reached the end of her rope, and is more than happy to hole up, seal up, and resign herself to a life alone. That is until Jack (Simon Pegg) mistakes Nancy for his blind date under the clock at Waterloo Station, and she does the unthinkable and just… goes with it. Because what if pretending to be someone else finally makes her man up, and become her painfully honest, awesomely unconventional, and slightly unstable true self? Best just to let the evening unfold, roll with the consequences, and see if one unpredictable, complicated, rather unique night can bring these two messy souls together. -
The Society of Fellows and Heyman Center for the Humanities
The Society of Fellows and Heyman Center for the Humanities Annual Report 2018–2019 The Society of Fellows and Heyman Center for the Humanities Mail Code 5700 Columbia University 2960 Broadway New York, NY 10027 Phone: (212) 854-8443 Fax: (212) 662-7289 [email protected] www.societyoffellows.columbia.edu By FedEx or UPS: The Society of Fellows and Heyman Center for the Humanities 74 Morningside Drive Heyman Center, First Floor East Campus Residential Center Columbia University The Lionel Trilling Seminar: Lydia Davis on “Arles” New York, NY 10027 Posters courtesy of designers Amelia Saul and Sean Boggs Page 59: Women MAs, Trinity College, Dublin, courtesy of the Mistress and Fellows, Girton College, Cambridge Contents Report From the Chair and Thursday Lectures Series 21 the Executive Director 5 • Fall 2018: Fellows’ Talks 23 Members of the 2018–2019 Governing Board 8 • Spring 2019: Guest Lectures on “Observation and Obfuscation” 27 Forty-Fourth Annual Fellowship Competition 9 SOF/Heyman Event Highlights 31 Fellows in Residence 2018–2019 11 • Joelle M. Abi-Rached 12 SOF/Heyman Series and Workshops 45 • JM Chris Chang 13 • Politics of the Present 46 • Christopher M. Florio 14 • 13/13 Critique & Praxis 49 • Ardeta Gjikola 15 • Explorations in the Medical Humanities 49 • Arden Hegele 16 • New Books in the Arts and Sciences 51 • Whitney Laemmli 17 • New Books in the Society of Fellows 57 • Rachel Nolan 18 Heyman Center Fellows 2018–2019 59 • María González Pendás 19 Alumni Fellows News 63 Alumni Fellows Directory 64 2018–2019 Fellows at the annual year-end Spring gathering (from left): JM Chris Chang (2018–2021), Arden Hegele (2016–2019), Rachel Nolan (2018–2019), María González Pendás (2016–2019), Whitney Laemmli (2016–2019), Joelle M. -
The Truth Behind the History Boys - Telegraph 07/12/2014 19:54
The truth behind the History Boys - Telegraph 07/12/2014 19:54 The truth behind the History Boys Making history: Alan Bennett and Nicholas Hytner 12:01AM BST 21 Jun 2004 Alan Bennett's new play The History Boys has received rave reviews – and caused a meltdown at the box office. As it continues in repertory at the National Theatre, the playwright and his director Nicholas Hytner held a platform discussion. Here, in this edited version of their conversation, they reveal the highs and lows of taking a play from a supermarket aisle to the stage Nicholas Hytner It would be fair to say that when he is writing a new play Alan Bennett doesn't just keep his cards close to his chest – they're glued there. We live quite close to each other so I see him often in the food aisles at Marks & Spencer and have nagged him relentlessly, ever since I came back to the National, for a new play. And about six months ago I ran into him cycling along to the shops and he said he might have something for me in a couple of weeks. I had no idea what he was going to write about. Never do. So the first question is, why did you write it? Alan Bennett I think I started writing it about 18 months ago and I can see that, of the three teachers in the play, I've had experience of two of them. I'd been taught at my own school in Leeds by somebody like Mrs Lintott, in a very straightforward, factual way. -
May – Sep 18 How to Book the Plays
May – Sep 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances. Exit the King Home, I’m Darling Hadestown Playing from 17 July 24 July – 5 Sep 2 Nov – 26 Jan Day Tickets £18/£15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per Access symbols used in this brochure transaction for phone bookings. If you choose to have your CAP Captioned BSL British Sign Language tickets sent by post, a £1 fee applies per transaction. TT Touch Tour Relaxed Performance Postage costs may vary for group and overseas bookings. AD Audio-Described Travelex £15 tickets The National Theatre Sponsored by in partnership with Follies Pericles Translations Returns from 12 Feb 26 – 28 Aug 22 May – 11 Aug ® Partner for Innovation Partner for Learning Founding corporate Partner for Connectivity supporter for Public Acts Outdoor Media Partner Official Airline Partner Official Hotel Partner Official Transport Partner Julie Absolute Hell The Lehman Trilogy 31 May – 8 Sep Playing until 16 June Playing from 4 July Your carrier to the USA and beyond International Hotel Partner Supporter for new writing Partner for Macbeth on Tour Cloud Services Partner Lloyds Bank Private Banking Pouring Partner Partner for Lighting and Energy Sponsor of NT Live in the UK An Octoroon The Star Seekers River Stage 7 June –18 July 8 Aug – 1 Sep 13 July – 12 Aug 2 3 J ULY Tue 17 7.30 Wed 18 7.30 Thu 19 7.30 Exit the King Fri 20 7.30 Sat 21 7.30 by Eugène Ionesco Mon 23 7.30 Tue 24 7.30 in a new version by Patrick Marber Wed 25 7.00 Thu 26 7.30 AUGUST Fri 3 7.30 Sat 4 2.00 7.30 Mon 6 7.30 Tue 7 7.30 Cast includes Somewhere in Europe the kingdom is Tue 14 7.30 Sarah Campbell disintegrating. -
Violent Mothers in Marina Carr's Plays:The Mai, Portia Coughlan And
Hacettepe University Graduate School of Social Sciences Department of English Language and Literature VIOLENT MOTHERS IN MARINA CARR’S PLAYS: THE MAI, PORTIA COUGHLAN AND BY THE BOG OF CATS... Kübra VURAL Master‟s Thesis Ankara, 2015 VIOLENT MOTHERS IN MARINA CARR‟S PLAYS: THE MAI, PORTIA COUGHLAN AND BY THE BOG OF CATS... Kübra VURAL Hacettepe University Graduate School of Social Sciences Department of English Language and Literature Master‟s Thesis Ankara, 2015 iii ACKNOWLEDGEMENTS First of all, my deepest gratitude is to my supervisor, Asst. Prof. Dr. Şebnem Kaya for her patient guidance and invaluable support throughout the writing process of this thesis. I would like to thank her for providing me with the helpful feedback and insightful advices about my thesis and my further academic studies. This thesis would not have been possible without her support and encouragement. I am very grateful to Prof. Dr. A. Deniz Bozer, Asst. Prof. Dr. Laurence Raw, Asst. Prof. Dr. Alev Karaduman and Asst. Prof. Dr. Sinan Akıllı for their critical comments, suggestions and emotional support. I would like to thank TUBİTAK for financial support during my research. I would like to express my thanks to Dr. Pınar Taşdelen, Dr. Aslı Değirmenci, Dr. İmren Yelmiş, Dr. Nazan Yıldız, Res. Asst. Oya Bayıltmış Öğütcü, Res. Asst. Murat Öğütcü, Res. Asst. Tuba Ağkaş, Res. Asst. Gülşah Göçmen, Res. Asst. Pelin Kut Belenli, Res. Asst. Ali Belenli, Res. Asst. Adem Balcı, Res. Asst. Cemre Mimoza Bartu, Res. Asst. Özlem Özmen, Res. Asst. Emine Seda Çağlayan Mazanoğlu, Res. Asst. Osman İşçi, Res. Asst. Ulaş Özgün and Res. -
Notes on Contributors
Contemporary Theatre Review, 2018 Vol. 28, No. 1, 1–2, https://doi.org/10.1080/10486801.2018.1426918 Notes on Contributors Carl Lavery is Professor of Theatre at the University of Glasgow. His recent edition of the journal Green Letters, ‘Performance and Ecology: What Can Theatre Do?’, will be published as a book by Routledge in 2018. He is currently finishing a new monograph, Interrogating the Human: Ecology,Theatre, and Theatricality. 5 Andrew Lennon is a PhD candidate at the University of Birmingham supported by the AHRC Midlands3Cities DTP. His research focuses on the mobilisation of documentary strategies in contemporary performance. He completed an undergraduate degree at Trinity College Dublin and studied at the Motley School of Design. He has worked in Ireland and 10 England as a lighting technician and designer. Anna McMullan is Professor of Theatre and Co-Director of the Beckett International Foundation at the University of Reading. She was Principal Investigator of the AHRC Staging Beckett project, a collaboration between the universities of Reading and Chester, and the Victoria and 15 Albert Museum, London, from 2012 to 2015. McMullan is author of Performing Embodiment in Samuel Beckett’s Drama (2010) and Theatre on Trial: The Later Drama of Samuel Beckett (1993), and co-editor of Reflections on Beckett (2009) with Steve Wilmer. She also publishes on Irish theatre and Performance and is co-editor with Cathy Leeney of The 20 Theatre of Marina Carr: ‘before rules was made’ (2003). Trish McTighe is Lecturer in Theatre at the University of Birmingham. Previously, she lectured at Queen’s University, Belfast and was an AHRC post-doctoral researcher on the Staging Beckett Project at the University of Reading (2012–2015).