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The Cutting Edge of French Cinema
BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O. -
Januar Februar März April Mai Juni Juli August September Oktober 20 November Dezember Institut Für Film Und Videokunst E.V
20.00 »1 70 mm 2010: The Year We Make Contact Peter Hyams USA 1984 20.00 »1 Bertrand Bonello L’Apollonide (Souvenirs de la Maison Close) Haus der Sünde 1 Do Mit Roy Scheider, Helen Mirren 70 mm | OF mit schwed. UT | 116 min | S. 19 25 So F 2011 Mit Noémie Lvovsky, Adèle Haenel, Xavier Beauvois DCP | OmU | 122 min | S. 5 20.00 »1 Bertrand Bonello Eröffnung Zombi Child F 2019 DCP | OmE | 103 min 19.30 »1 Erika Richter zum Gedenken Rückwärtslaufen kann ich auch Karl Heinz Lotz 2 Fr Vorfilm: Où en êtes-vous, Bertrand Bonello? 26 Mo DDR 1989 Dramaturgie: Erika Richter 35 mm | 87 min Where Are You, Bertrand Bonello? F 2014 Digital file | OmE | 17 min Mit Gästen S. 17 Anschließend Gespräch mit Bertrand Bonello (in englischer Sprache) S. 5 19.00 »1 Film Restored 20.00 »1 Bertrand Bonello L’Apollonide (Souvenirs de la Maison Close) Haus der Sünde 27 Di Begrüßung: Rainer Rother, Künstlerischer Direktor der Deutschen Kinemathek 3 Sa F 2011 Mit Noémie Lvovsky, Adèle Haenel, Xavier Beauvois DCP | OmU | 122 min | 25.10. *Kuhle Wampe w Slatan Dudo D 1932 DCP | OmE | 75 min | S. 11 Anschließend Gespräch mit Bertrand Bonello (in englischer Sprache) S. 5 10.00 »1 Film Restored Vorträge: 16.00 »1 Arsenal Filmatelier: Großes Kino, kleines Kino #36: Schnell – langsam 28 Mi Cooperation is Key: Martin Koerber (Deutsche Kinemathek) 4 So *PPII a M.M. Serr USA 1986 16 mm | ohne Dialog | 2 min Harold Brown’s „Physical Characteristics of Early Films as Aids to Identification“: Camille Blot- dezember november The Stone Tower Ted Fendt 2020 16 mm | stumm | 3 min Wellens (FIAF) Valdediós Elena Duque Spanien 2019 DCP | 3 min FIAF’s Unified Film Catalogues: Christophe Dupin (FIAF) S. -
QUEER FILM Anniversary FESTIVAL #BQFF2019
THE BANGALORE 10th QUEER FILM Anniversary FESTIVAL #BQFF2019 I'm crying cuz I love you We’ve turned ten! And we didn’t make it so far on our own. One of the several perks of being a volunteer-run, community- funded event has been that friends from the community and of the community have come in, rolled up their sleeves, hitched up their hemlines and taken charge over the many years. From the first public film festival called ‘Bangalored’, held with our signature spread of mattresses at the Attakkalari Studios and helmed by the good folks of Pedestrian Pictures, Swabhava’s Vinay Chandran (who remains the longest- running festival director), Sangama, and the funding prowess of Bangalore’s former party starter Abhishek Agarwal, to the smaller festivals organised at a screening room in the Sona Towers, to its present avatar as the Bangalore Queer Film Festival – this festival has become its own beauty, its own beast. Over this decade-long journey, we’ve been held and nurtured by support groups like Good As You, We’re Here And Queer and All Sorts of Queers; individuals like Karthik Vaidyanathan, Nanju Reddy and Siddharth Narrain (who were part of the organising team in the early editions) and organisations like the Alliance Française de Bangalore and Goethe Institut/Max Mueller Bhavan. A question that everyone involved with the festival asks at its end: How did we make this happen again? And while we’ve come up with lots of lies to drive out these doubts, in truth: we have no real idea. -
Film Lives Heresm
TITANUS Two Women BERTRAND BONELLO NEW YORK AFRICAN FILM FESTIVAL MARTÍN REJTMAN TITANUS OPEN ROADS: NEW ITALIAN CINEMA HUMAN RIGHTS WATCH FILM FESTIVAL NEW YORK ASIAN FILM FESTIVAL SPECIAL PROGRAMS NEW RELEASES EMBASSY / THE KOBAL COLLECTION / THE KOBAL EMBASSY MAY/JUN 2015SM FILM LIVES HERE Elinor Bunin Munroe Film Center 144 W 65th St | Walter Reade Theater 165 W 65th St | filmlinc.com | @filmlinc HERE STARTS PROGRAMMING SPOTLIGHT TABLE OF CONTENTS I PUT A SPELL ON YOU: THE FILMS OF BERTRAND BONELLO Festivals & Series 2 I Put a Spell on You: The Films of Bertrand Bonello (Through May 4) 2 PROVOKES PROVOKES Each new Bertrand Bonello film is an event in and of itself.Part of what makes Bonello’s work so thrilling is that, with some exceptions, world cinema has yet to catch up with his New York African Film Festival (May 6 – 12) 4 unique combination of artistic rigor and ability to distill emotion from the often extravagantly Sounds Like Music: The Films of Martín Rejtman (May 13 – 19) 7 stylish, almost baroque figures, places, and events that he portrays. He already occupies Titanus (May 22 – 31) 8 HERE FILM a singular place in French cinema, and we’re excited that our audiences now have the Open Roads: New Italian Cinema (June 4 – 11) 12 opportunity to discover a body of work that is unlike any other. –Dennis Lim, Director of Programming Human Rights Watch Film Festval (June 12 – 20) 16 New York Asian Film Festival (June 26 – July 8) 17 HERE FILM Special Programs 18 INSPIRES TITANUS Sound + Vision Live (May 28, June 25) 18 We have selected 23 cinematic gems from the Locarno Film Festival’s tribute to Titanus. -
FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue -
Bertrand Bonello « Il a Fallu Que Je Trouve Mon Chemin De Manière Relativement Solitaire » Sami Gnaba
Document generated on 09/26/2021 12:12 p.m. Séquences : la revue de cinéma Bertrand Bonello « Il a fallu que je trouve mon chemin de manière relativement solitaire » Sami Gnaba On the beach At night Alone Number 308, June 2017 URI: https://id.erudit.org/iderudit/86039ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Gnaba, S. (2017). Bertrand Bonello : « Il a fallu que je trouve mon chemin de manière relativement solitaire ». Séquences : la revue de cinéma, (308), 38–43. Tous droits réservés © La revue Séquences Inc., 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 38 | ARRÊT SUR IMAGE | ENTREVUE Bertrand Bonello « Il a fallu que je trouve mon chemin de manière relativement solitaire » Dans ce long entretien, Bertrand Bonello revient sur l'origine, la fabrication et la réception de Nocturama, son plus récent film. Mais aussi, plus largement, sur sa filmographie, que nous avons revisitée avec lui au cours de notre échange, l'interrogeant notamment sur sa méthode de travail, l’importance de la musique dans ses films, son attachement au court métrage ou encore son rapport au cinéma français. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Saint Laurent
presents SAINT LAURENT A Film by Bertrand Bonello Official Selection Cannes Film Festival 2014 New York Film Festival 2014 (150 min., France, Belgium, 2014) Language: English, Franch Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com SYNOPSIS 1967-1976 As one of history’s greatest fashion designers entered a decade of freedom, neither came out of it in one piece. 2 CREDITS CAST Yves Saint Laurent GASPARD ULLIEL Pierre Berge JEREMIE RENIER Jacques De Bascher LOUIS GARREL Loulou De Falaise LEA SEYDOUX Anne Marie Munoz AMIRA CASAR Betty Catroux AYMELINE VALADE Monsieur Jean-Pierre MICHA LESCOT Yves Saint Laurent 1989 HELMUT BERGER Mme Duzer VALERIA BRUNI-TEDESCHI Renee VALERIE DONZELLI Talitha ASMINE TRINCA Lucienne DOMINIQUE SANDA FILMMAKERS Director Bertrand Bonello Screenplay Thomas Bidegain and Bertrand Bonello Director of Photography Josee Deshaies Production Designer Katia Wyszkop Costume Designer Anais Romand Casting Richard Rousseau First Assistant Director Elsa Amiel Script Supervisor Elodie Van Beuren Original Score Bertrand Bonello Sound Nicolas Cantin, Nicolas Moreau, Jean-Pierre Laforce Editing Fabrice Rouaud Production Manager Pascal Roussel Post-Production Supervisor Patricia Colombat Produced by Eric Altmayer, Nicolas Altmayer 3 An Interview with Bertrand Bonello How did this project begin? In November 2011, shortly after the release of L’Apollonide, Eric and Nicolas Altmayer asked me if I’d be interested in making a film about Saint Laurent. -
BERTRAND BONELLO RÉSONANCES 26 OCTOBRE 2014 BERTRANDBE BONELLOBON Bertrand Bonello 1
CINÉMA ET MUSIQUE EXPOSITION CRÉATIONS RÉTROSPECTIVE 19 SEPTEMBRE - BERTRAND BONELLO RÉSONANCES 26 OCTOBRE 2014 BERTRANDBE BONELLOBON Bertrand BONELLO 1 SOMMAIRE Musicien de formation, Bertrand Bonello a réalisé depuis le milieu des années 1990 douze films très différents, qui sont autant de prototypes. Son cinéma ne cesse de rechercher et d’expérimenter • Avant-propos, par Alain Seban, p. 1 de nouvelles formes tout en restant délibérément fidèle à un certain classicisme. Ainsi s’adresse-t-il au plus grand nombre tout en l’amenant ailleurs, et autrement. Cet équilibre rare répond • Présentation, par Bertrand Bonello, p. 3 à des questions qui sont au cœur de la création contemporaine et qui s’inscrivent en même temps • Ouverture, par Bertrand Bonello, p. 4 dans la grande tradition de la fiction : que faire du romanesque et du genre (au cinéma) ? Comment, aujourd’hui, donner à éprouver un récit, un espace, un personnage, une émotion ? • Masterclass, p. 5 Aux prises résolument avec notre époque, faisant du temps, passé et présent, à la fois • Exposition, par Bertrand Bonello, p. 6 une matière, un instrument et une expérience, Le Pornographe, Tiresia, L’Apollonide et ses autres films travaillent le double et le genre, l’enfermement et la folie, l’engagement et le plaisir. • Livre, p. 10 Plus encore peut-être que la facture musicale et sonore de ses films, c’est probablement • Radio, p. 11 l’intelligence et le raffinement de leur construction, visant toujours la sensation et l’affect purs, • Bandes-son, par Bertrand Bonello, p. 12 qui donnent le mieux à percevoir le compositeur et musicien qu’est Bertrand Bonello. -
Myfrenchfilmfestival-2017.Pdf
PRESENTS MY FRENCH FILM FESTIVAL .COM JAN 13 - FEB 13, 2017 7 TH EDITION ONLINE FESTIVAL WORLDWIDE 10 FEATURE FILMS 10 SHORT FILMS 10 LANGUAGES MY FRENCH FILM FESTIVAL + RDV CINEMA FRANCAIS • 170 x 220 mm • PPR • Q • VISUEL : MAN • Remise le 05/12 OM • BAT La vie est un sport magnifique LACO_1610270_Man_170x220.indd 1 05/12/2016 10:32 É DITORIAUX / E DITORIALS P.4 P LATEFORMES PARTENAIRES / P ARTN E R P L AT F O R M S P.6 M Y F RENCH F ILM F E ST I VA L P.9 N OUVEAUT É S / W H AT ’ S N ew P.10 P RIX & TARIFS / A WARDS & R AT E S P.11 J URY DES C IN É ASTES / D IR E CTORS ’ J URY P.12 J URY DE LA P RESSE I NTERNATIONALE / I NT E R N AT I O N A L P R E SS J URY P.14 P RO J ECTIONS P UBLIQUES / P UBLIC SCR ee NINGS P.17 C ONCOURS / C ONT E STS P.19 I LS AIMENT LE F E ST I VA L / T H E Y LIK E TH E F E ST I VA L P.20 I NDEX DES FILMS / M OVI E IND E X P.21 L A S É LECTION / T H E S E L E CTION C OMING OF A G E P.22 W E A R E F A M I LY P.32 L OV E & F RI E NDSHI P P.40 P SYCHO P.46 A W OMAN ’ S L IF E P.54 M IDNIGHT S CR ee NINGS P.62 J URYS P R É C É DENTS / P R E VIOUS J URI E S P.69 P ALMARÈS DES É DITIONS P R É C É DENTES / P R E VIOUS AWARDS P.71 U NI F RANCE P.73 P ARTENAIRES / P ARTN E RS P.74 MA RELATION AVEC LE CINÉMA FRANÇAIS a commencé bien avant que je devienne réalisateur. -
Agathe Bonitzer
AIRF_1905302 • MRS 13 - Presse Mag.FID MARSEILLE • SP + 5 mm de débord • 150 x 200 mm • Visuel : Divertissement • Parution 01/juin/2019 • Remise le 31/mai/2019 ILG• BAT SPECTACULAIRE!! Nouvel écran tactile!: découvrez un écran HD plus grand pour profiter des dernières sorties cinéma, des dessins animés, de la musique et des jeux vidéo, depuis le décollage jusqu’à l’atterrissage. AIRFRANCE.FR France is in the air : La France est dans l’air. Mise en place progressive sur une partie de la flotte long-courrier Boeing 777 et Boeing 787. AIRF_1905302_MRS13_DIVERTISSEMENT_FID_MARSEILLE_150x200_PM.indd 1 29/05/2019 12:36 LE SITE. L'APPLI. LA CHAÎNE. REGARDEZ À TRAVERS LA LUCARNE Dédiée au documentaire de création, La Lucarne est une fenêtre ouverte sur la diversité des réels, des vécus et des imaginaires. Le lundi aux alentours de minuit sur ARTE. En replay sur arte.tv et YouTube. © Elliott Erwitt VOUS AIMEZ DÉJÀ Elliott Erwitt - Silence Sounds GoodSounds Silence - Erwitt Elliott 30e Festival International de Cinéma Marseille 9 — 15 juillet 2019 Sommaire / Contents 4 Partenaires / Partners & sponsors 146 Écrans parallèles / Parallel screenings 148 Hommage à Sharon Lockhart 6 Éditoriaux / Editorials 158 Hommage à Bertrand Bonello 166 Histoire(s) de Portrait 15 Prix / Awards 182 Des marches, démarches 20 Jurys / Juries 204 Cinéma sans recettes 22 Jury de la Compétition Internationale / International Competition jury 208 Les Années Scopitones 28 Jury de la Compétition Française / French Competition jury 214 Les Sentiers – Les Sentiers Expanded 34 -
House of Tolerance English Subtitles
House of tolerance english subtitles click here to download English www.doorway.ru, 1, amam. not perfect but tried to bring it close enough!!! English www.doorway.runceDVDRip, 1. English subtitle for House of Tolerance (House of Pleasures / L'Apollonide / Souvenirs de la maison close). Download House of Tolerance English YIFY YTS Subtitles. 0, English, Subtitle House of Tolerance AKA House of Pleasures dvdrip lpd, YTS. Download the popular multi language subtitles for House Of Tolerance Dvdrip. www.doorway.ru English. English subtitle (English subtitles). · www.doorway.ru English subtitle (English subtitles). L'Apollonide (Souvenirs. House Of Tolerance: {3} english (en) subtitles. Download and convert House of Tolerance movie subtitle in one of the following formats SRT. Download L'Apollonide (Souvenirs de la maison close) {(House of Tolerance AKA House of Pleasures)} subtitles. english subtitles. Watch online House of Tolerance full with English subtitle. Watch online free House of Tolerance, Hafsia Herzi, Jasmine Trinca, Noémie Lvovsky, Adèle. Download HOUSE OF TOLERANCE English Download subtitles. House of Pleasures - L'Apollonide: Souvenirs de la maison close Bertrand Bonello; ; France; French with English subtitles; 35mm; Life in an elegant Parisian brothel in the early twentieth century. The madam essentially owns the women: their. Full MOVIE Legit Link:: (www.doorway.ru) ▷▷ House of Tolerance FULL MOVIE House of Tolerance FULL MOVIE | House of. House of Tolerance (Souvenirs de la maison close) Duration: 2h5m; Country: France; Format: Digital; Year: ; Language: French with English subtitles. Find House of Tolerance [Region 2] [UK Import] at www.doorway.ru Movies & TV, Digital Stereo), English (Subtitles), ANAMORPHIC WIDESCREEN (). WITH ENGLISH SUBTITLES.